Paper

Student Artwork Guide

Joan O

Name Class Date

Harold Lane David, Joan O (2005), Penrith Regional Gallery - Home of the Lewers Bequest. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Harold Lane David originaluniqueart.com/en/artists/harold-lane-david/
Artist’s dates
1921 – 2012
Painted
2005
Original size
118 x 84 cm
Held at
Penrith Regional Gallery - Home of the Lewers Bequest originaluniqueart.com/en/museums/penrith-regional-gallery-home-of-the-lewers-bequest-emu-plains/

In context

Joan O — Harold Lane David

How big is it?

The original measures 118 × 84 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 91 at death.

Painted when the artist was 84. The artist lived to 91. 0 of the 11 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Harold Lane David (1921–2012) ▲ this work, 2005 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/harold-lane-david-joan-o-D76L6V-en/

Colours

Measured from the image

    Main colour

    White #e2e9e7

    Catalogued palette

    • #E2E9E7
    • #2A2D24
    • #686F62
    • #ABB4A3

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    White
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Harold Lane David over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 5 most looked-at works by Harold Lane David

    1. 1 Toepou Tuipulotu, Bianca Glover, Phillipa Garside, Erica Grunberg, Millie Tebbutt (Tracksuits of St Marys series), 2005 40.0%
    2. 2 Apryll Osei-Boadu Tracksuit Day, St Marys Public School (Tracksuits of St Marys series), 2005 20.0%
    3. 3 Patrick Cannell and Rob Coghlan Panthers BMX Club meet (Tracksuits of St Marys series), 2005 20.0%
    4. 4 Starters Panthers BMX Club Meet, Bike Track, St Marys (Tracksuits of St Marys series), 2005 20.0%
    5. — Joan O, 2005 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 11 works by this artist, of which 4 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Joan O — Harold Lane David

    Throughout 2005, fashion photographer Harold David and curator Victoria Harbutt worked in St Marys a suburb in Sydney

    Artist and museum

    Artist

    Harold Lane David

    Born in New York, United States of America

    A Life Intertwined with Melody and Moments: The Enigmatic Harold Lane David

    Harold Lane David, born in New York City in 1921 and passing away in 2012, remains a figure whose artistic contributions extend beyond the familiar narratives of popular music. While widely celebrated as the lyrical partner to Burt Bacharach—a collaboration that yielded some of the most iconic songs of the 20th century—David’s creative spirit was far more multifaceted, encompassing a lesser-known but equally compelling foray into photography. His life story is one of quiet dedication and artistic exploration, often overshadowed by the brilliance of his musical partnerships yet possessing a unique resonance all its own. David's early years were steeped in the immigrant experience of New York City, growing up as the son of Austrian Jewish parents who ran a delicatessen. This upbringing instilled in him a keen observation of human life and a sensitivity to emotional nuance—qualities that would later define his songwriting. He attended Thomas Jefferson High School in Brooklyn and pursued studies in Journalism at New York University, hinting at an early inclination toward storytelling and communication.

    The Alchemy of Words and Music: A Songwriting Legacy

    David’s ascent in the music industry began in the 1940s, crafting lyrics for bandleaders like Sammy Kaye and Guy Lombardo. However, it was his meeting with Burt Bacharach in 1957 at the famed Brill Building that truly ignited his creative trajectory. This partnership proved to be one of the most fruitful in popular music history. While Bacharach’s innovative melodies and harmonic structures were groundbreaking, it was David's lyrical prowess—his ability to capture complex emotions with deceptive simplicity—that gave their songs enduring power. Their work wasn’t merely about romantic love; it explored themes of longing, heartbreak, resilience, and the bittersweet realities of modern life. The duo found a perfect interpreter in Dionne Warwick, whose voice became synonymous with their sound. Together, they produced an astonishing string of hits including “Anyone Who Had a Heart,” “Walk On By,” “Do You Know the Way to San Jose,” and “I Say a Little Prayer.” These songs weren’t just chart-toppers; they were cultural touchstones, reflecting and shaping the emotional landscape of a generation. The impact of their work extended beyond Warwick, with iconic recordings by artists like The Carpenters, Dusty Springfield, and B.J. Thomas further cementing their legacy. Their contributions to film soundtracks—including Oscar nominations for “What’s New Pussycat?” and “Alfie,” and an Oscar win for “Raindrops Keep Fallin' on My Head”—demonstrated the broad appeal and artistic merit of their collaborations.

    Beyond the Melody: A Photographic Vision

    Yet, to define Harold Lane David solely by his musical achievements would be to overlook a significant chapter in his creative life. In 2005, he embarked on a photographic project that revealed a different facet of his artistic sensibility—the “Tracksuits of St Marys” series. This documentary work captured the lives of young members of BMX clubs in Sydney, Australia, offering an intimate and unvarnished glimpse into Australian youth culture. The photographs are characterized by their realism, muted tones, and attention to detail, portraying a world often overlooked or misrepresented. Images like “Starters Panthers BMX Club Meet,” “Bike Track, St Marys,” and portraits of individuals such as Patrick Cannell and Rob Coghlan reveal David’s ability to connect with his subjects on a human level, capturing their energy, vulnerability, and sense of community. The series is not merely an observation; it's an empathetic exploration of identity, belonging, and the pursuit of passion within a specific subculture. This project demonstrates that David possessed a visual eye as discerning and insightful as his lyrical ear.

    A Lasting Resonance: Legacy and Influence

    Harold Lane David’s passing in 2012 marked the end of an era, but his artistic legacy continues to resonate. His songs remain staples of popular culture, frequently covered by contemporary artists and featured in films and television shows. The “Tracksuits of St Marys” series has gained recognition for its documentary value and artistic merit, showcased at the Penrith Regional Gallery – Home of the Lewers Bequest in Australia. David’s influence extends beyond specific works; he demonstrated the power of collaboration, the importance of emotional honesty in songwriting, and the potential for artists to explore multiple creative disciplines. He was a master craftsman who understood the nuances of language and the universal appeal of human emotion. While his name may not be as instantly recognizable as some of his peers, Harold Lane David’s contributions to music and photography are undeniable—a testament to the enduring power of artistic expression and the multifaceted nature of creativity itself. His work serves as a reminder that true artistry transcends genre and medium, leaving an indelible mark on the world.

    Museum

    Penrith Regional Gallery - Home of the Lewers Bequest

    On show in Emu Plains, Australia

    A Sanctuary of Modernist Vision

    Nestled along the tranquil western banks of the Nepean River in Emu Plains,

    Penrith Regional Gallery - Home of the Lewers Bequest

    serves as a profound testament to the enduring spirit of Australian modernism. More than a mere repository for art, this institution is an immersive journey into the creative soul of two pioneers, Gerald and Margo Lewers. To walk through its doors is to step into a living legacy, where the echoes of mid-century intellectual fervor still resonate within beautifully preserved heritage gardens and thoughtfully adapted structures. The gallery occupies the very site that once functioned as a vibrant crucible for artistic experimentation, where the boundaries between life, landscape, and studio were perpetually blurred.

    The heart of the gallery beats through the extraordinary

    Lewers Bequest

    , a collection that offers an intimate window into the genesis of Australian abstraction. Visitors are invited to explore a vast assemblage of paintings, sculptures, and drawings that reveal Gerald Lewers’ mastery of geometric form and Margo Lewers’ evocative transitions from formal abstraction to fluid expressionism. The collection is not merely a display of objects but a study in how color palettes can be distilled from the rugged beauty of the Australian landscape, creating a dialogue between the canvas and the earth itself. For the discerning collector or art lover, these works represent a pivotal moment in art history, capturing the precise instant when local identity met international modernist movements.

    Architectural Harmony and Living History

    The architectural experience of the gallery is as much a part of the exhibition as the artworks themselves. The transformation of the Lewers' original homes into sophisticated exhibition spaces—including

    Ancher House

    and the

    Loungeroom Gallery

    —has been achieved with a masterful touch that respects the structural integrity of the past while embracing contemporary needs. Sunlight streams through expansive windows, casting shifting shadows across the galleries and drawing the eye toward the serene Nepean River gardens outside. This deliberate harmony between art and nature creates an atmosphere of contemplative stillness, making it an ideal destination for interior designers seeking inspiration in the seamless integration of built environments and organic beauty.

    Beyond its historical anchors, Penrith Regional Gallery remains a dynamic force in the contemporary art scene, consistently championing new voices and diverse narratives. The gallery’s program is a vibrant tapestry of seasonal exhibitions that bridge the gap between established legends and emerging talents such as

    Brook Andrew

    ,

    Leonora Howlett

    , and

    Craig Walsh

    . By hosting multidisciplinary installations ranging from video art to immersive sculpture, the institution ensures that its mission of provocation and conversation remains vital. It stands today as a beacon of cultural enrichment in Western Sydney, offering a holistic encounter where history, community, and innovation converge under the shade of ancient trees.

    Where to read more

    Find this online

    QR code linking to the download page for Joan O

    originaluniqueart.com/en/art/download/harold-lane-david-joan-o-D76L6V-en/

    Cite this artwork

    MLA
    David, Harold Lane. Joan O. 2005, Penrith Regional Gallery - Home of the Lewers Bequest. https://originaluniqueart.com/en/art/harold-lane-david-joan-o-D76L6V-en/
    APA
    David, Harold Lane (2005). Joan O [Painting]. Penrith Regional Gallery - Home of the Lewers Bequest. https://originaluniqueart.com/en/art/harold-lane-david-joan-o-D76L6V-en/
    Chicago
    Harold Lane David. Joan O. 2005. Penrith Regional Gallery - Home of the Lewers Bequest. https://originaluniqueart.com/en/art/harold-lane-david-joan-o-D76L6V-en/
    Harvard
    David, Harold Lane (2005) Joan O. Penrith Regional Gallery - Home of the Lewers Bequest. Available at: https://originaluniqueart.com/en/art/harold-lane-david-joan-o-D76L6V-en/

    Look closely

    Joan O — Harold Lane David

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Apryll Osei-Boadu Tracksuit Day, St Marys Public School (Tracksuits of St Marys series) (2005), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Harold Lane David was about 84 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is the color identity of "Joan O" by Harold Lane David?

    "Joan O" by Harold Lane David uses a neutrals palette, with white (#e2e9e7) as the dominant color.

    How does "Joan O" balance light and dark?

    "Joan O" by Harold Lane David is recorded as brilliant, with a bright balance luminance.

    Can I see "Joan O" by Harold Lane David under different lights?

    The X-Ray page of "Joan O" by Harold Lane David is an interactive viewer that lets you slide through eleven optical layers of the artwork's image, including an X-ray style view.