Paper

Student Artwork Guide

Schizophrenia 9

Name Class Date

Halim Al-Karim, Schizophrenia 9 (2013), Contemporary Art Platform. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Halim Al-Karim originaluniqueart.com/en/artists/halim-al-karim/
Artist’s dates
1956 –
Painted
2013
Original size
24 x 32 cm
Held at
Contemporary Art Platform originaluniqueart.com/en/museums/contemporary-art-platform-kuwait-city/

In context

Schizophrenia 9 — Halim Al-Karim

How big is it?

The original measures 24 × 32 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 57. 0 of the 3 dated works by this artist in our catalogue came earlier.

▲ this work, 2013 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/halim-al-karim-schizophrenia-9-D4C7W4-en/

Colours

Measured from the image

    Main colour

    Cobalt Violet #576185

    Catalogued palette

    • #576185
    • #B8A07F
    • #907F70
    • #393465

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Cobalt Violet
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    The 2 most looked-at works by Halim Al-Karim

    1. 1 Heaven can wait, 2013 100.0%200 visits
    2. — Schizophrenia 9, 2013 this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 3 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Schizophrenia 9 — Halim Al-Karim

    Al-Karim’s approach to image-making is as an outward projection of his inner-consciousness and a visual manifestation of spiritual awakening and serenity. His evasive dream-like images evoke a range of instinctual emotive responses, the ability of true perception existing as a preternatural power within each of us, which can be understood and harnessed through the pursuit of metaphysical enlightenment.Some of the photographs Al Karim presents beneath a tautly stretched layer of silk fabric that operates as both a physical veil masking the portraits and a metaphorical filter or screen. This ’barrier’ between viewer and image can be conceived as a liminal space, a transcendental portal between being and becoming, where the mystical properties of change take place.

    Artist and museum

    Artist

    Halim Al-Karim

    Born in Najaf, Iraq

    The Veiled Truth: The Ethereal World of Halim Al-Karim

    In the delicate intersection where memory meets shadow, the work of Halim Al-Karim resides. Born in 1963 in the historic city of Najaf, Iraq, Al-Karim’s artistic journey is not merely a progression of technique, but a profound navigation through the landscapes of trauma, survival, and spiritual awakening. His early years, spent moving between the cultural richness of Beirut and the ancient echoes of Baghdad, provided a foundation steeped in history and myth. The influence of his father, an amateur photographer who experimented with intentional blur, planted the seeds for Al-Karim’s later obsession with the indistinct and the obscured. This fascination with what lies beneath the surface would eventually become the heartbeat of his practice.

    The trajectory of Al-Karim’s life was irrevocably altered by the turbulence of the Persian Gulf War. Forced to flee military service under Saddam Hussein’s regime, he endured a harrowing three-year period of seclusion, hiding within a rock-covered hole in the southern Iraqi desert. It was during this time of profound isolation that his survival was secured by the kindness of an elderly Bedouin woman, who provided sustenance and introduced him to the mysteries of Sufi mysticism and gypsy customs. This experience of being hidden—both physically and psychologically—became the cornerstone of his creative identity. The concept of al-batin, the Sufi term for the hidden or inner truth, permeates his work, transforming the act of photography from a documentary tool into a spiritual pursuit of the unseen.

    Technique as Metaphor: The Art of Obscuration

    Al-Karim’s aesthetic is a masterful rejection of clarity. He does not seek to capture the world as it appears to the eye, but rather as it is felt in the soul. His process involves a sophisticated layering of media, where he merges stills from cinema, historical artifacts, and classical paintings with his own photographic captures. By utilizing both antiquated darkroom techniques and modern digital manipulation, he creates images that feel like fragments of a dream or echoes of a lost era. He often employs a deliberate blur, enlarging negatives to create an uncertainty of context, time, and place, forcing the viewer to confront the fragility of their own perception.

    Perhaps his most iconic signature is the application of silk fabric over his prints. By stretching thin layers of white or black silk across the surface, Al-Karim creates a physical and metaphorical veil. This barrier serves several profound purposes:

    The Liminal Space: The silk acts as a portal between being and becoming, a translucent threshold where the viewer must peer through to find meaning.

    The Mask of Memory: Much like the fog of trauma, the fabric obscures details, representing how time and hardship erode the sharpness of our recollections.

    Materiality and Texture: The tactile nature of the silk adds a sculptural dimension to his photography, bridging the gap between two-dimensional imagery and physical presence.

    Legacy and Global Resonance

    The significance of Halim Al-Karim’s work extends far beyond the borders of the Middle East. His ability to translate personal displacement into a universal language of human resilience has earned him a place in the most prestigious art institutions worldwide. From his participation in the historic Iraqi Pavilion at the 54th Venice Biennale to his inclusion in the permanent collections of the Victoria and Albert Museum in London and the Mori Art Museum in Tokyo, his voice resonates with a global audience. His work speaks to anyone who has experienced the loss of home, the weight of history, or the search for identity amidst chaos.

    Through his series such as Hidden War and Hidden Victims, Al-Karim continues to explore the duality of the human condition—the tension between the visible reality of conflict and the invisible strength of the spirit. He remains a vital figure in contemporary art, reminding us that even when the world is blurred by pain or obscured by shadows, there is a profound, luminous truth waiting to be discovered beneath the veil.

    Museum

    Contemporary Art Platform

    On show in Kuwait City, Kuwait

    A Sanctuary of Creativity in the Heart of Kuwait

    In the bustling rhythm of the Shuwaikh Industrial Area, tucked away within the creative pulse of the Design District, lies a sanctuary that defies the conventional boundaries of a museum. The

    Contemporary Art Platform (CAP) Kuwait

    is not merely a repository for static objects; it is a living, breathing incubator designed to nurture the seeds of artistic talent and foster a profound cultural dialogue across the Middle Eastern landscape. Since its inception in 2011, founded by the visionary art collector

    Amer Huneidi

    , CAP has functioned as a vital bridge between local expression and global discourse. It stands as a testament to Kuwait’s enduring commitment to the arts, offering a space where the boundaries of tradition and modernity blur into a singular, transformative experience.

    The architecture of the platform itself serves as a silent protagonist in the visitor's journey. Eschewing the heavy, imposing structures often associated with classical institutions, CAP embraces a

    minimalist aesthetic

    that prioritizes the ethereal dance of natural light and the freedom of open spaces. This deliberate design choice is intended to strip away the noise of the outside world, creating an atmosphere of contemplative stillness. As sunlight pours through expansive windows, it illuminates the artworks in a way that feels organic and ever-changing, encouraging a deep, unmediated connection between the observer and the piece on display. It is a space where the architecture does not compete with the art but rather provides a luminous stage for its storytelling.

    A Tapestry of Contemporary Narratives

    The collection at CAP is a profound exploration of our era, characterized by its thematic depth and medium-defying diversity. Visitors are invited to wander through exhibitions that tackle the complexities of contemporary societal issues, presented through a rich spectrum of

    painting, sculpture, photography, and mixed media

    . Each exhibition acts as a window into the human condition, inviting viewers to contemplate the shifting landscapes of identity, politics, and ecology. This curated diversity ensures that the museum remains a dynamic entity, constantly evolving with the zeitgeist of the contemporary art world.

    Beyond the visual splendor of its galleries, CAP holds a treasure trove for the scholarly soul: the largest public art book library in Kuwait. With over two thousand meticulously curated titles, this repository serves as an invaluable resource for researchers, students, and connoisseurs alike. It is a place where one can trace the intricate lineages of art history, from the foundational movements of the West to the burgeoning narratives of the East. This dedication to knowledge ensures that CAP is not just a place for viewing, but a center for deep intellectual inquiry and the preservation of artistic theory.

    Community, Connection, and Global Vision

    What truly distinguishes the Contemporary Art Platform from more prestigious, exclusionary institutions is its radical commitment to

    democratizing art appreciation

    . CAP operates with the belief that art belongs to everyone, actively working to dismantle the barriers between the elite collector and the curious public. Through a vibrant calendar of workshops, artist talks, film screenings, and educational programs, the platform nurtures a lifelong passion for exploration across all generations. It is a community hub where the next generation of Kuwaiti artists can find their voice and where international visitors can witness the burgeoning energy of the regional art market.

    By championing local talent and facilitating international collaborations, CAP plays an instrumental role in elevating Kuwaiti artists onto the global stage. The platform acts as a catalyst for cross-cultural understanding, fostering an environment where regional perspectives can influence and be influenced by the wider world. For the interior designer seeking inspiration, the collector searching for the next significant movement, or the art lover yearning for connection, CAP offers more than just a gallery visit; it offers an immersion into the very soul of Kuwait’s contemporary creative spirit.

    Where to read more

    • The artist Halim Al-Karim originaluniqueart.com/en/artists/halim-al-karim/
    • The museum Contemporary Art Platform originaluniqueart.com/en/museums/contemporary-art-platform-kuwait-city/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/halim-al-karim-schizophrenia-9-D4C7W4-en/

    Find this online

    QR code linking to the download page for Schizophrenia 9

    originaluniqueart.com/en/art/download/halim-al-karim-schizophrenia-9-D4C7W4-en/

    Cite this artwork

    MLA
    Al-Karim, Halim. Schizophrenia 9. 2013, Contemporary Art Platform. https://originaluniqueart.com/en/art/halim-al-karim-schizophrenia-9-D4C7W4-en/
    APA
    Al-Karim, Halim (2013). Schizophrenia 9 [Painting]. Contemporary Art Platform. https://originaluniqueart.com/en/art/halim-al-karim-schizophrenia-9-D4C7W4-en/
    Chicago
    Halim Al-Karim. Schizophrenia 9. 2013. Contemporary Art Platform. https://originaluniqueart.com/en/art/halim-al-karim-schizophrenia-9-D4C7W4-en/
    Harvard
    Al-Karim, Halim (2013) Schizophrenia 9. Contemporary Art Platform. Available at: https://originaluniqueart.com/en/art/halim-al-karim-schizophrenia-9-D4C7W4-en/

    Look closely

    Schizophrenia 9 — Halim Al-Karim

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Heaven can wait (2013), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Halim Al-Karim was about 57 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where can I buy a print of "Schizophrenia 9" by Halim Al-Karim?

    "Schizophrenia 9" is available as a fine art print on cotton canvas or archival canvas paper. Orders are placed on its Fine Art Print page, in the size of your choice.

    What was Halim Al-Karim's age when "Schizophrenia 9" was created?

    When "Schizophrenia 9" was created in 2013, Halim Al-Karim - born in 1956 - was 57 years old.

    Who created "Schizophrenia 9" and in what year?

    The author of "Schizophrenia 9" is Halim Al-Karim, and the work is dated 2013.