Paper

Student Artwork Guide

The cabbage patch, (1891)

Name Class Date

Guy Rose, The cabbage patch, (1891). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Guy Rose originaluniqueart.com/en/artists/guy-rose/
Artist’s dates
1867 – 1925

In context

The cabbage patch, (1891) — Guy Rose

When might this have been painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 58 at death.

Shaded: the lifetime of Guy Rose (1867–1925) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/guy-rose-the-cabbage-patch-1891-A269MX-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #dbaf83

    Catalogued palette

    • #DBAF83
    • #605542
    • #302520
    • #978A65

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Guy Rose over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 72.0%
    2. 2 Algeria 8.0%
    3. 3 Singapore 8.0%
    4. 4 Spain 4.0%
    5. 5 United Kingdom 4.0%
    6. 6 Tunisia 4.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Guy Rose

    1. 1 The model, (1919) 11.1%
    2. 2 Portrait of an Algerian, (1900) 11.1%
    3. 3 Tamarisk Trees in Early Sunlight 7.4%
    4. 4 Giverny willows, (1891) 7.4%
    5. 5 Monterey cypress 7.4%
    6. 6 Low tide honfleur 3.7%
    7. 7 Carmel seascape 3.7%
    8. 8 Point lobos trees, (1919) 3.7%
    9. 9 Point lobos, oak tree 3.7%
    10. 10 Giverny hillside, (1891) 3.7%
    11. 11 The oak 3.7%
    12. 12 La jolla cove 3.7%
    13. 13 The cabbage patch, (1891) this painting 3.7%
    14. 14 My sister maud 3.7%
    15. 15 Early morning - summertime, (1920) 3.7%
    16. 16 17 mile drive, (1918) 3.7%
    17. 17 Carmel hills, (1920) 3.7%
    18. 18 The Blue Pool near Mt. Whitney 3.7%
    19. 19 The gondolier, venice, (1894) 3.7%
    20. 20 Untitled (122) 3.7%

    Together these works take 99.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 125 works by this artist, of which 20 were looked at at least once. This painting ranks 13 of them, with 3.7% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Guy Rose

    Guy Orlando Rose: A Life in Impressionism

    Early Life and Education

    Birth & Family: Guy Orlando Rose was born on March 3, 1867, in San Gabriel, California, the seventh child of Leonard John Rose, a prominent California senator, and Amanda Jones Rose. The family resided on an expansive ranch and vineyard in the San Gabriel Valley – the town of Rosemead bears their name.

    Early Trauma & Artistic Beginnings: At age nine, Guy was accidentally shot in the face during a hunting trip. During his convalescence, he began to sketch with watercolors and oils, discovering an early passion for art.

    Formal Training: He graduated from Los Angeles High School in 1884 before moving to San Francisco to study at the California School of Design (San Francisco Art Association) from 1885-1888. His instructors included Virgil Williams, Warren E. Rollins, and Emil Carlsen. He received accolades for his work during this period, including the Avery Gold Medal in oil painting.

    Parisian Studies: In September 1888, Rose enrolled at the Académie Julian in Paris, studying under Benjamin-Constant, Jules Lefebvre, Lucien Doucet, and Jean-Paul Laurens. He also attended the Académie Delacluse on scholarship, exhibiting work at the Paris Salons in 1890, 1891, 1894, 1900, and 1909.

    Artistic Development & Influences

    Early Style: Rose’s early work demonstrated a strong foundation in academic painting techniques honed during his training.

    Impressionist Turn: His move to Giverny, France, in 1899 marked a turning point. Living near Claude Monet, he became deeply influenced by Impressionism, adopting its emphasis on light, color, and plein air painting.

    Monet’s Mentorship: Rose developed a close friendship with Monet, who served as a mentor, further solidifying his commitment to the Impressionist style. His works from this period clearly reflect Monet's influence in their luminous quality and focus on atmospheric effects.

    Other Influences: He also maintained lifelong friendships with fellow artists Frank Vincent DuMond and Frederick Melville, exchanging ideas and artistic approaches.

    Career & Major Achievements

    Early Career (1890s): Rose worked as an illustrator for publications like Harper's, Scribner’s, and Century in New York City.

    Giverny Period (1904-1912): This was a highly productive period, with Rose creating many of his most celebrated Impressionist landscapes.

    California Return & Teaching: Due to health issues (lead poisoning), Rose and his wife returned to Los Angeles in 1914. He became Director of the Stickney Memorial School of Art in Pasadena, sharing his knowledge with aspiring artists.

    Carmel-by-the-Sea (1918-1920): Rose was an active member of the Carmel art colony, exhibiting his work and contributing to the local artistic community.

    Notable Works: Some of his most recognized paintings include “Point Lobos,” “The Saine Valley, Giverny”, "Oak Grove, Carmel", and numerous landscapes capturing the beauty of California and France.

    Historical Significance & Legacy

    American Impressionism: Guy Rose is considered a significant figure in American Impressionism, bridging European techniques with Californian landscapes.

    California Art Scene: He played an important role in developing the California art scene, both as an artist and educator.

    Lasting Influence: His paintings continue to be admired for their delicate handling of light, vibrant colors, and evocative depictions of nature.

    Posthumous Recognition: A memorial exhibition was held at the Stendahl Gallery in 1926 following his death on November 17, 1925, in Pasadena, California.

    Where to read more

    • The artist Guy Rose originaluniqueart.com/en/artists/guy-rose/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/guy-rose-the-cabbage-patch-1891-A269MX-en/

    Find this online

    QR code linking to the download page for The cabbage patch, (1891)

    originaluniqueart.com/en/art/download/guy-rose-the-cabbage-patch-1891-A269MX-en/

    Cite this artwork

    MLA
    Rose, Guy. The cabbage patch, (1891). n.d., https://originaluniqueart.com/en/art/guy-rose-the-cabbage-patch-1891-A269MX-en/
    APA
    Rose, Guy (n.d.). The cabbage patch, (1891) [Painting]. https://originaluniqueart.com/en/art/guy-rose-the-cabbage-patch-1891-A269MX-en/
    Chicago
    Guy Rose. The cabbage patch, (1891). n.d. https://originaluniqueart.com/en/art/guy-rose-the-cabbage-patch-1891-A269MX-en/
    Harvard
    Rose, Guy (n.d.) The cabbage patch, (1891). Available at: https://originaluniqueart.com/en/art/guy-rose-the-cabbage-patch-1891-A269MX-en/

    Look closely

    The cabbage patch, (1891) — Guy Rose

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Point lobos, oak tree, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What explains the copyright situation of "The cabbage patch, (1891)" by Guy Rose?

    "The cabbage patch, (1891)" by Guy Rose is in the public domain - its copyright has expired. Copyright terms are measured from the artist's death, and Guy Rose died in 1925.

    What color harmony does "The cabbage patch, (1891)" by Guy Rose display?

    The color harmony of "The cabbage patch, (1891)" is recorded as balanced harmony.

    Can I preview "The cabbage patch, (1891)" by Guy Rose before ordering?

    The Preview page of "The cabbage patch, (1891)" lets you preview the artwork before ordering.