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Student Artwork Guide

Salom Dancing before Herod

Name Class Date

Gustave Moreau, Salom Dancing before Herod (1876), Armand Hammer Museum of Art. Public domain.

The facts

Artist
Gustave Moreau originaluniqueart.com/en/artists/gustave-moreau/
Artist’s dates
1826 – 1898
Painted
1876
Medium
Acrylic On Canvas
Original size
103 x 144 cm
Movement
Symbolist
Held at
Armand Hammer Museum of Art originaluniqueart.com/en/museums/armand-hammer-museum-of-art-los-angeles/
Artistic style
Allegorical and mythological
Influences
Mythology
Notable elements or techniques
Intricate architecture; Birds scattered throughout.
Subject or theme
Salome dancing before Herod

In context

Salom Dancing before Herod — Gustave Moreau

How big is it?

The original measures 103 × 144 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880
  8. 1890

Shaded: the lifetime of Gustave Moreau (1826–1898) ▲ this work, 1876

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/gustave-moreau-salom-dancing-before-herod-8XY72U-en/

Colours

Measured from the image

    Main colour

    Espresso #634734

    Catalogued palette

    • #634734
    • #D3C4A2
    • #2A1D1A
    • #A0815B
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Salom Dancing before Herod — Gustave Moreau

    Salomé Dancing before Herod

    Gustave Moreau’s Salomé Dancing before Herod, created in 1876, stands as a cornerstone of Symbolist painting—a testament to Moreau’s singular ability to distill myth and emotion into breathtaking visual form. Currently residing at the Armand Hammer Museum of Art in Los Angeles, United States, this monumental oil on canvas transcends mere representation, inviting viewers into a realm of dreamlike grandeur and psychological complexity.

    Composition and Detail: A Cathedral Within Canvas

    Measuring 103 x 144 cm, Salomé Dancing before Herod immediately commands attention with its imposing scale and meticulously crafted setting. Moreau transports us to an opulent cathedral-like structure—a deliberate echo of religious architecture—that dominates the background, establishing a palpable sense of solemnity and aspiration. At the center of this dramatic tableau is Salome herself, poised gracefully on her toes, captivating Herod’s gaze with a mesmerizing dance. Surrounding her are figures imbued with aristocratic bearing, reflecting the intricate tapestry of courtly life during the Victorian era. Scattered throughout the canvas are birds—a recurring motif in Moreau’s oeuvre—adding an element of ethereal movement and symbolizing rebirth amidst decay. The artist's masterful use of color—primarily crimson—intensifies the atmosphere, conveying passion and drama while simultaneously hinting at hidden anxieties. Every brushstroke contributes to a richly textured surface that captures not only visual splendor but also the palpable energy of the scene.

    The Soul of Symbolism: Mythological Resonance

    Moreau’s artistic vision firmly rooted in Symbolist principles—a movement characterized by its rejection of realism and embrace of subjective experience—finds its fullest expression in Salomé Dancing before Herod. Influenced profoundly by Nietzschean philosophy and Wagnerian opera, Moreau sought to depict not what the eye sees but what the soul feels. As Jean Cassou eloquently described him, Moreau was “the Symbolist painter par excellence,” capturing the essence of his time with unparalleled sensitivity. The painting draws upon biblical narratives—specifically the story of Salome’s dance before Herod and John the Baptist—to explore themes of desire, betrayal, and divine retribution. Yet, Moreau transcends simple storytelling, layering symbolic imagery to convey profound psychological insights into human nature.

    Beyond the Frame: Moreau's Other Masterpieces

    Gustave Moreau’s artistic legacy extends far beyond Salomé Dancing before Herod, encompassing a prolific output of paintings that explore similar mythological and biblical subjects with unwavering conviction. Notable works include The Angels of Sodom, housed at the Musée National Gustave-Moreau in Paris, France—a haunting depiction of angelic torment—and Shepherds Viewing Passing Soldiers, also residing at the Musée National Gustave-Moreau. Furthermore, Victim, a poignant portrayal of suffering and vulnerability, exemplifies Moreau’s unwavering commitment to conveying emotional depth through artistic expression. These paintings stand as enduring monuments to Symbolist aesthetics—characterized by their dreamlike qualities, muted palettes, and evocative symbolism—solidifying Moreau's position as one of the foremost artists of his era.

    Discovering Moreau's Vision: The Armand Hammer Museum

    For those eager to immerse themselves in Gustave Moreau’s artistic universe, a visit to the Armand Hammer Museum of Art in Los Angeles is indispensable. This institution houses an exceptional collection of Moreau’s paintings—including Salomé Dancing before Herod—providing unparalleled access to his oeuvre and illuminating the breadth of his creative imagination. Explore the museum's galleries and delve into scholarly publications to gain a deeper understanding of Moreau’s artistic philosophy and his enduring influence on subsequent generations of artists.

    Artist and museum

    Artist

    Gustave Moreau

    Born in Paris, France

    A Dream Weaver of Symbolism: The Life and Art of Gustave Moreau

    Gustave Moreau, a name synonymous with the ethereal beauty and enigmatic depths of Symbolist painting, emerged from 19th-century Paris as a singular artistic voice. Born in 1826 into a bourgeois family—his father an architect and archivist—Moreau’s early life was steeped in intellectual curiosity and aesthetic sensibility. From a young age, he displayed a remarkable gift for drawing, nurtured through traditional academic training at the École des Beaux-Arts under figures like François-Édouard Picot. However, Moreau's artistic path would diverge sharply from the prevailing Realist and Impressionist currents of his time. He wasn’t interested in capturing fleeting moments or objective reality; instead, he sought to unlock the hidden realms of myth, religion, and the human psyche through a deeply personal and symbolic visual language. His journey was one of inward exploration, translating subjective emotions and spiritual yearnings onto canvas with an obsessive attention to detail and a vibrant, often opulent palette.

    The Forge of Imagination: Influences and Artistic Development

    Moreau’s artistic development wasn't born in a vacuum. While rejecting the dominant trends of his era, he drew inspiration from diverse sources. The dramatic use of color and exotic subject matter found in the works of Eugène Delacroix resonated deeply with him, igniting a passion for narrative painting imbued with emotional intensity. He also held Renaissance masters like Michelangelo and Leonardo da Vinci in high esteem, admiring their mastery of composition, anatomy, and psychological insight. Yet, Moreau wasn’t merely imitating these artists; he was synthesizing their influences into something entirely new. His travels to Italy in the 1850s proved pivotal, immersing him in the art of antiquity and the Renaissance, providing a wealth of motifs and stylistic cues that would populate his future works. He meticulously copied Old Master paintings, not as an exercise in replication, but as a means of absorbing their techniques and unlocking their secrets. This dedication to craft, combined with his burgeoning interest in mythology and literature, laid the foundation for his unique artistic vision.

    A World of Symbols: Themes and Techniques

    Moreau’s paintings are not simply illustrations of myths or biblical stories; they are complex allegories that invite contemplation and interpretation. He delved into narratives like those of Salome, Orpheus, Jupiter and Semele, and countless others, not to retell them literally, but to explore their underlying psychological and spiritual truths. His canvases teem with symbolic imagery—serpents representing temptation, jewels signifying earthly desires, and figures embodying abstract concepts like grief, loss, or redemption. He masterfully created a dreamlike atmosphere through intricate detail, rich textures, and an often unsettling juxtaposition of light and shadow. Moreau’s technique was characterized by meticulous layering of paint, creating surfaces that shimmer with iridescent colors and evoke a sense of otherworldly beauty. His use of gold leaf further enhanced this effect, lending his works a Byzantine quality that underscored their spiritual dimension. He wasn't concerned with capturing realistic textures or perspectives; instead, he prioritized the expressive power of color and form to convey mood and meaning.

    Legacy and Influence: The Enduring Power of Symbolism

    Though initially met with mixed reactions, Moreau became a central figure in the burgeoning Symbolist movement during the 1890s. Unlike some of his contemporaries who actively sought public attention, he remained somewhat reclusive, preferring to work independently and avoid artistic debates. However, his influence was undeniable. In 1893, he accepted a professorship at the École des Beaux-Arts, where he profoundly impacted generations of artists, including Henri Matisse and Georges Rouault. He encouraged his students to embrace imagination, symbolism, and individual expression, urging them to break free from conventional artistic norms. While Symbolism eventually waned in popularity after Moreau’s death in 1898, his work experienced a significant reevaluation in the latter half of the 20th century. Today, he is widely regarded as one of the most important figures in the movement and a precursor to modern art. The Musée Gustave Moreau, housed in his former studio and home in Paris, stands as a testament to his enduring legacy—a sanctuary where visitors can immerse themselves in the captivating world of this extraordinary artist. His paintings continue to resonate with audiences today, offering glimpses into the hidden depths of the human soul and reminding us of the power of art to transcend the boundaries of reality.

    Notable Works

    Salome Dancing before Herod: Perhaps his most famous work, this painting exemplifies Moreau’s opulent style and fascination with biblical narratives.

    Jupiter and Semele: A dramatic depiction of the Greek myth, showcasing Moreau's mastery of composition and color.

    Orpheus: Several paintings by Moreau explore the myth of Orpheus, reflecting themes of loss, grief, and artistic inspiration.

    The Apparition: Demonstrates his skill in creating ethereal and otherworldly scenes.

    Desdemona: A poignant portrayal of Shakespeare's tragic heroine.

    Museum

    Armand Hammer Museum of Art

    On show in Los Angeles, United States of America

    A Sanctuary of Visionary Artistry

    Nestled within the vibrant academic landscape of Westwood, Los Angeles, the

    Armand Hammer Museum of Art

    serves as a profound testament to the power of visionary philanthropy and the enduring dialogue between past and present. Founded in 1990 through the generous spirit of industrialist Armand Hammer, this institution has evolved far beyond its origins as a repository for a private collection. Today, it stands as a dynamic cultural beacon affiliated with UCLA, offering an accessible gateway to the sublime. For the art lover, the museum provides a sanctuary where history breathes; for the collector and interior designer, it offers a masterclass in the enduring impact of aesthetic excellence. The museum’s commitment to free admission ensures that these profound encounters with beauty are not reserved for the few, but are shared as a public legacy.

    The soul of the institution resides within the

    Armand Hammer Collection

    , a breathtaking assembly of European and American masterpieces that span centuries of human creativity. To walk through its galleries is to witness the evolution of light and shadow; one might find themselves captivated by the dramatic

    chiaroscuro

    of

    Rembrandt

    , where every brushstroke seems to pull figures from the darkness into the light. The journey continues through the emotive, swirling landscapes of

    Van Gogh

    , whose expressive textures offer a raw, visceral connection to the human condition, and into the luminous, atmospheric worlds of

    Monet

    . This collection is not merely a display of historical importance but a curated experience of emotional resonance, where the technical mastery of the Old Masters meets the revolutionary spirit of Impressionism.

    Architectural Elegance and Curatorial Innovation

    The physical presence of the museum is as much a work of art as the canvases it houses. Designed by the renowned architect

    William Pereira

    , the complex is a triumph of modernist elegance. Its soaring, curvilinear forms create a striking silhouette against the UCLA skyline, embodying a sense of fluid movement and structural grace. This architectural sophistication extends outdoors to the

    Franklin D. Murphy Sculpture Garden

    , a verdant oasis where art and nature coalesce. For those who appreciate the harmony of space and form, this garden provides an unparalleled setting for contemplation, allowing sculptures to interact with the dappled sunlight and organic textures of the landscape.

    Beyond its permanent treasures, the Hammer Museum is celebrated for its role as a catalyst for contemporary discourse. The biennial exhibition

    “Made in L.A.”

    has become a cornerstone of the global art calendar, showcasing the pulse of the region's thriving artistic community and pushing the boundaries of what contemporary art can achieve. The museum’s curatorial philosophy is deeply rooted in social justice and inclusivity, frequently highlighting the narratives of female artists and exploring themes that challenge our understanding of the world. This dedication to progress ensures that the museum remains an incubator for new ideas, making it a vital destination for anyone seeking to understand the intersection of artistic innovation and cultural evolution.

    Where to read more

    Find this online

    QR code linking to the download page for Salom Dancing before Herod

    originaluniqueart.com/en/art/download/gustave-moreau-salom-dancing-before-herod-8XY72U-en/

    Cite this artwork

    MLA
    Moreau, Gustave. Salom Dancing before Herod. 1876, Armand Hammer Museum of Art. https://originaluniqueart.com/en/art/gustave-moreau-salom-dancing-before-herod-8XY72U-en/
    APA
    Moreau, Gustave (1876). Salom Dancing before Herod [Painting]. Armand Hammer Museum of Art. https://originaluniqueart.com/en/art/gustave-moreau-salom-dancing-before-herod-8XY72U-en/
    Chicago
    Gustave Moreau. Salom Dancing before Herod. 1876. Armand Hammer Museum of Art. https://originaluniqueart.com/en/art/gustave-moreau-salom-dancing-before-herod-8XY72U-en/
    Harvard
    Moreau, Gustave (1876) Salom Dancing before Herod. Armand Hammer Museum of Art. Available at: https://originaluniqueart.com/en/art/gustave-moreau-salom-dancing-before-herod-8XY72U-en/

    Look closely

    Salom Dancing before Herod — Gustave Moreau

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: mythology, religion, dance. Do you agree? What would you add, or take away?
    4. Look back at The Apparition (1876), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Gustave Moreau was about 50 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Salom Dancing before Herod — Gustave Moreau

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Gustave Moreau’s Salomé Dancing before Herod primarily associated with?

      • A Realism
      • B Impressionism
      • C Symbolism
    2. 2. Where can you find Gustave Moreau's Salomé Dancing before Herod?

      • A Louvre Museum, Paris
      • B Musée d’Orsay, Paris
      • C Armand Hammer Museum of Art, Los Angeles
    3. 3. What is the predominant color palette used in Salomé Dancing before Herod, contributing to its atmosphere?

      • A Pale blues and greens
      • B Warm yellows and oranges
      • C Deep reds
    4. 4. Moreau’s depiction of Salome incorporates elements from various cultures, including:

      • A Ancient Greece
      • B Renaissance Italy
      • C Egyptian and Chinese
    5. 5. According to Jean Cassou, Gustave Moreau is hailed as 'the Symbolist painter par excellence.' What does this accolade signify?

      • A He was the most prolific artist of his time.
      • B He championed a style characterized by dreamlike imagery and mythological subjects.
      • C He primarily focused on portraits.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4C · 5B