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Student Artwork Guide

Dinner for Threshers

Name Class Date

Grant Wood, Dinner for Threshers (1934), Fine Arts Museums of San Francisco. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Grant Wood originaluniqueart.com/en/artists/grant-wood/
Artist’s dates
1891 – 1942
Painted
1934
Movement
Regionalism American painters turning away from Europe to paint their own small towns and farmland.
Held at
Fine Arts Museums of San Francisco originaluniqueart.com/en/museums/fine-arts-museums-of-san-francisco-san-francisco/

In context

Dinner for Threshers — Grant Wood

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 51 at death.

Painted when the artist was 43. The artist lived to 51. 59 of the 96 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Grant Wood (1891–1942) ▲ this work, 1934 every dated painting, decade by decade

First works: up to 1924 Main working years: 1924–1938 Late works: from 1938

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/grant-wood-dinner-for-threshers-D2QSX2-en/

Colours

Measured from the image

    Main colour

    Walnut #78502d

    Catalogued palette

    • #78502D
    • #1F1911
    • #B7A15F
    • #4B3824

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Grant Wood over the last twelve months — 62 countries in all. Where these figures come from

    The ten leading countries

    1. 1 France 17.8%
    2. 2 Italy 15.3%
    3. 3 Spain 11.3%
    4. 4 Japan 5.9%
    5. 5 United States of America 5.6%
    6. 6 Germany 5.0%
    7. 7 China 4.6%
    8. 8 South Korea 2.6%
    9. 9 Denmark 2.2%
    10. 10 Brazil 2.1%
    11. · 52 other countries 27.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Grant Wood

    1. 1 American Gothic, 1930 88.4%
    2. 2 Sketch for house in American Gothic, 1930 2.0%
    3. 3 Daughters of Revolution, 1932 1.4%
    4. 4 Spring in the Country, 1941 1.2%
    5. 5 Fall Plowing, 1931 0.9%
    6. 6 The Midnight Ride of Paul Revere, 1931 0.5%
    7. 7 Osier, 1920 0.5%
    8. 8 Spring In Town, 1941 0.3%
    9. 9 Family Doctor, 1940 0.3%
    10. 10 Tame Flowers, 1939 0.3%
    11. 11 Death on the Ridge Road, 1935 0.3%
    12. 12 Portrait of Nan, 1933 0.2%
    13. 13 Woman with Plants, 1929 0.2%
    14. 14 Arbor Day, 1932 0.2%
    15. 15 The Product checker, 1925 0.2%
    16. 16 The Sentimental Folk Song, 1940 0.2%
    17. 17 Sultry Night, 1939 0.2%
    18. 18 The Birthplace of Herbert Hoover, 1931 0.1%
    19. 19 Plaid Sweater, 1931 0.1%
    20. 38 Dinner for Threshers, 1934 this painting 0.1%

    Together these works take 97.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 98 works by this artist, of which 38 were looked at at least once. This painting ranks 38 of them, with 0.1% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Grant Wood

    Born in Anamosa, United States of America

    Early Life and Career

    Grant DeVolson Wood, an American painter, was born on February 13, 1891, in rural Iowa. His life changed dramatically after the death of his father in 1901, when his mother relocated the family to Cedar Rapids. Wood began his artistic journey as an apprentice in a local metal shop before enrolling at the Handicraft Guild in Minneapolis in 1910—an art school notable for being run by women and focused on the Arts and Crafts movement.

    Artistic Influences and Style

    Wood’s art was deeply influenced by Jan van Eyck, the 15th-century Flemish master renowned for his precise and luminous technique. This meticulous clarity became a hallmark of Wood’s own style, best exemplified in his most celebrated work, American Gothic. As a leading figure in the American Regionalism movement—a style emphasizing the realistic depiction of rural and small-town America—Wood developed a uniquely American voice that combined European craftsmanship with Midwestern authenticity.

    Notable Works and Contributions

    American Gothic (1930): A defining image of 20th-century American art, often compared to Leonardo da Vinci’s Mona Lisa and Edvard Munch’s The Scream for its cultural resonance. The Stone City Art Colony (1932): Founded by Wood near his hometown, the colony provided vital support for artists during the Great Depression. University of Iowa School of Art (1934–1941): As a teacher, Wood inspired a generation of artists to find beauty and meaning in the familiar landscapes of the American Midwest.

    Legacy and Later Life

    Grant Wood passed away on February 12, 1942, at the age of 51, due to pancreatic cancer. His estate was left to his sister, Nan Wood Graham—immortalized as the female figure in American Gothic. Today, his personal belongings and many of his works are preserved at the Figge Art Museum in Davenport, Iowa. Wood’s devotion to portraying the dignity of everyday American life continues to influence artists and scholars worldwide.

    Museum

    Fine Arts Museums of San Francisco

    On show in San Francisco, United States of America

    A Tale of Two Treasures: The Soul of San Francisco's Artistic Legacy

    In the heart of a city defined by its restless spirit and breathtaking landscapes, the Fine Arts Museums of San Francisco stand as a profound sanctuary for the human imagination. Comprising the de Young Museum and the Legion of Honor, these two institutions are far more than mere repositories of antiquity; they are living, breathing dialogues between the past and the present. To walk through their halls is to embark on a journey that transcends borders, where the rugged textures of American history meet the refined elegance of European mastery. This dual legacy, forged from a shared desire to cultivate beauty within the community since 1871, offers a rare opportunity to witness the continuous thread of human creativity as it weaves through centuries of global tradition and contemporary innovation.

    The architectural experience of the museums is itself a masterpiece of design and atmosphere. The de Young Museum, rising majestically from the verdant expanse of Golden Gate Park, is a striking example of Spanish Colonial Revival style. Its iconic copper-clad structure, which matures into a beautiful patina over time, serves as a landmark of both strength and grace. From its soaring observation tower, one can gaze upon the panoramic splendor of San Francisco, a visual reminder of the deep connection between the natural world and the art it inspires. In stark, elegant contrast, the Legion of Honor sits perched overlooking the Golden Gate Bridge, embodying the sophisticated poise of Beaux-Arts refinement. Modeled after the exquisite Palais de la Légion d’Honneur in Paris, its symmetrical proportions and classical grandeur transport visitors to a different era, providing a stately backdrop for one of the most significant collections of European art in the United States.

    A Tapestry of Global Masterpieces

    The true magic of these museums lies in the breathtaking diversity of their collections, which offer endless inspiration for collectors and designers alike. Within the de Young, the narrative of American art unfolds from the 17th century to the contemporary moment, enriched by an extraordinary array of international textile arts. One might find themselves mesmerized by the intricate geometry of ancient tapestries or the vibrant, improvisational energy of Gee's Bend quilts, such as those by the pivotal Deborah Pettway Young. This collection is a sensory feast, where the tactile beauty of silks and embroideries meets the bold abstractions of modern masters, creating a space where tradition and avant-garde expression exist in perfect harmony.

    Moving toward the Legion of Honor, the atmosphere shifts into a realm of classical splendor. Here, the collection celebrates the heights of European achievement, featuring the emotive bronze figures of Rodin and the masterful, light-drenched landscapes of Monet. The museum’s treasures include profound works of sculpture, decorative arts, and paintings that capture the very essence of human emotion and historical grandeur. Whether it is the dramatic interplay of shadow in a Rembrandt or the delicate grace of ancient Etruscan artifacts, every object tells a story of craftsmanship and cultural exchange. This seamless blend of American innovation and European tradition makes the Fine Arts Museums a unique cultural crossroads, inviting all who enter to contemplate the enduring power of artistic vision.

    A Living Institution of Discovery

    Beyond the permanent galleries, the Fine Arts Museums of San Francisco remain at the forefront of the global art conversation through a dynamic calendar of engagement. The museums are constantly evolving, hosting groundbreaking exhibitions that challenge our perceptions and bridge cultural divides. Recent explorations, such as

    Arts Indigenous America

    , shine a vital light on the rich artistic traditions of Native American tribes, ensuring that the museum remains a space for profound social and historical reflection. From immersive displays on Impressionism to contemporary photography and artist-led workshops, the institution fosters a deep, personal connection between the art and the public.

    For the interior designer seeking a touch of timelessness or the art lover searching for a moment of quiet contemplation, these museums offer an inexhaustible wellspring of aesthetic wonder. They are not merely places to view objects; they are spaces designed to ignite the imagination and awaken the soul. In every corner of the de Young and the Legion of Honor, one finds a testament to San Francisco’s enduring spirit—a city that has always embraced global perspectives and continues to find beauty in the intersection of the old and the new.

    Where to read more

    Find this online

    QR code linking to the download page for Dinner for Threshers

    originaluniqueart.com/en/art/download/grant-wood-dinner-for-threshers-D2QSX2-en/

    Cite this artwork

    MLA
    Wood, Grant. Dinner for Threshers. 1934, Fine Arts Museums of San Francisco. https://originaluniqueart.com/en/art/grant-wood-dinner-for-threshers-D2QSX2-en/
    APA
    Wood, Grant (1934). Dinner for Threshers [Painting]. Fine Arts Museums of San Francisco. https://originaluniqueart.com/en/art/grant-wood-dinner-for-threshers-D2QSX2-en/
    Chicago
    Grant Wood. Dinner for Threshers. 1934. Fine Arts Museums of San Francisco. https://originaluniqueart.com/en/art/grant-wood-dinner-for-threshers-D2QSX2-en/
    Harvard
    Wood, Grant (1934) Dinner for Threshers. Fine Arts Museums of San Francisco. Available at: https://originaluniqueart.com/en/art/grant-wood-dinner-for-threshers-D2QSX2-en/

    Look closely

    Dinner for Threshers — Grant Wood

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at American Gothic (1930), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Regionalism: American painters turning away from Europe to paint their own small towns and farmland. Where can you see that in this work?
    5. Grant Wood was about 43 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is there a slideshow for "Dinner for Threshers" by Grant Wood?

    The diaporama of "Dinner for Threshers" can be watched on the artwork's Diaporama page.

    What is the perceived brightness of "Dinner for Threshers" by Grant Wood?

    The perceived brightness of "Dinner for Threshers" by Grant Wood is deep_shadow. It can be matched to the light of the intended space.

    Which artistic current is "Dinner for Threshers" by Grant Wood part of?

    "Dinner for Threshers" by Grant Wood belongs to the Regionalism movement. This movement provides the stylistic context of the work.