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Student Artwork Guide

Volcán (Volcano)

Name Class Date

Gerardo Murillo Coronado, Volcán (Volcano) (1930), Inter-American Development Bank. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Gerardo Murillo Coronado originaluniqueart.com/en/artists/gerardo-murillo-coronado/
Artist’s dates
1875 – 1964
Painted
1930
Held at
Inter-American Development Bank originaluniqueart.com/en/museums/inter-american-development-bank-washington-d-c/

In context

Volcán (Volcano) — Gerardo Murillo Coronado

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950
  10. 1960

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 89 at death.

Painted when the artist was 55. The artist lived to 89. 1 of the 4 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Gerardo Murillo Coronado (1875–1964) ▲ this work, 1930 every dated painting, decade by decade

Compare with

  • Nahui Olin, 1922 originaluniqueart.com/en/art/gerardo-murillo-coronado-nahui-olin-D482DN-en/
  • View of Popocatepetl, 1934 originaluniqueart.com/en/art/gerardo-murillo-coronado-view-of-popocatepetl-D47VPP-en/
  • Self-portrait, 1959 originaluniqueart.com/en/art/gerardo-murillo-coronado-self-portrait-D47VZS-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/gerardo-murillo-coronado-volcan-volcano-D48FW2-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #a89d8d

    Catalogued palette

    • #A89D8D
    • #D3CABB
    • #7E7466
    • #534B40

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Volcán (Volcano) — Gerardo Murillo Coronado

    The twin volcanoes that overlook the Valley of Mexico, Popocatépetl and Iztaccíhuatl, constituted the central theme of Dr. Atl’s oeuvre. Graphite stencil drawings of volcanos date back to at least 1921, when a group of them were exhibited at the Fine Arts Museum in Mexico City and lauded by the influential art critic Manuel Toussaint. Dr. Atl, the name adopted by Gerardo Murillo from the Nahuatl word for water, was an early promoter of muralism along with Diego Rivera, David Alfaro Siqueiros and José Clemente Orozco. For Dr. Atl, the fusion of science and anthropology constituted the pillars of a modern Mexican society, an idea reflected in his passion for volcanos as both geological phenomena and mythological events that shaped Aztec history. A cluster of hills and mountains animate the monochromatic landscape of Volcán, as curved shapes generate a sense of depth and vastness. This spatial effect is achieved with a stencil, a cut-out shape that is used to block specific areas on the paper and create patterns of light and shadow, as seen here. Text credit: Produced in collaboration with the University of Maryland Department of Art History & Archaeology and Patricia Ortega-Miranda

    Artist and museum

    Artist

    Gerardo Murillo Coronado

    Born in Mineral de Pozos, Mexico

    the early life and revolutionary spirit

    dr. atl, whose real name is gerardo murillo coronado, was a mexican painter and writer born in mineral de pozos, mexico, in 1875. this enigmatic figure was actively involved in the mexican revolution and had ties to the anarchosyndicalist labor organization, casa del obrero mundial. his early life was marked by a fervent spirit for change, which would later influence his artistic expressions.

    artistic evolution and fascist sympathies

    as dr. atl's life progressed, so did his political leanings. he became a supporter of fascism, penning pieces in support of the axis powers on the eve of the second world war. this shift in ideology has been a subject of intrigue for art historians and scholars alike.

    notable artworks and collections

    though dr. atl's personal life was marked by controversy, his artistic contributions remain an integral part of mexico's cultural heritage. some of his notable works can be found within the colección andrés blaisten (mexico), a diverse collection showcasing latin american art from various periods and styles.

    colección andrés blaisten (mexico) - a testament to dr. atl's enduring influence on mexican art.

    museo de arte de orizaba (veracruz, mexico) - though not exclusively featuring dr. atl's works, this museum is a hidden gem of mexican art, offering insights into the country's rich artistic history.

    legacy and enduring influence

    dr. atl passed away in 1964, but his legacy continues to intrigue art enthusiasts and scholars. his life serves as a complex canvas, interwoven with revolutionary spirit, fascist sympathies, and an undeniable impact on mexican art.

    key dates: born in 1875, mineral de pozos, mexico; died in 1964.

    notable art movement: anarchosyndicalism, fascist support

    artistic mediums: painting, writing

    dr. atl's story is a multifaceted exploration of art, politics, and the human experience. delve into the enigmatic world of gerardo murillo coronado through his artworks and writings, available at dr. atl's page on AllPaintingsStore.

    Museum

    Inter-American Development Bank

    On show in Washington, D.C., United States of America

    A Vibrant Tapestry of Latin American Voices: Exploring the Inter-American Development Bank ArtLAC Gallery

    Nestled within the imposing headquarters of the Inter-American Development Bank in Washington, D.C., lies a surprisingly intimate and profoundly moving space – the ArtLAC Gallery. More than just a collection of artworks, it’s a deliberate attempt to bridge the gap between economic development, cultural expression, and social progress, offering a unique lens through which to view the complexities of Latin America and the Caribbean. Established initially as a cultural center fostering understanding between the U.S. and its neighbors, the gallery has evolved into a dynamic showcase for contemporary art, reflecting not just aesthetic beauty but also critical narratives surrounding development, identity, and the challenges faced by the region.

    The gallery’s strength resides in its carefully curated selection of over 2,000 pieces, primarily focusing on works created within the last few decades. You won't find grand historical masterpieces here; instead, you’ll encounter a vibrant spectrum of styles and mediums – from bold, geometric paintings by Omar Carreño Rodríguez, whose work echoes the energy of Venezuelan modernism, to the evocative photographic portraits of Virginia Patrone, capturing the nuanced beauty and resilience of Uruguayan life. The collection is deliberately diverse, encompassing sculptures that grapple with themes of displacement and memory alongside installations that invite contemplation on social justice issues. Photography plays a particularly prominent role, offering powerful glimpses into the realities of daily life – from poignant depictions of urban landscapes to striking documentation of political movements.

    Architectural Harmony: A Reflection of Values

    The ArtLAC Gallery’s location within the IDB building itself is integral to its identity. Designed by renowned architect Carlos Zapata, the structure embodies a thoughtful balance between functionality and aesthetic sensibility. The architecture isn't overtly flashy; rather, it speaks to a quiet dignity and understated elegance – qualities that mirror the gallery’s approach to art. Zapata masterfully incorporated elements inspired by Latin American design traditions, creating a space where modern lines are softened by warm materials and natural light. The building’s open layout encourages exploration and interaction, fostering a sense of connection between the artwork and its surroundings. It's a deliberate choice, reflecting the IDB’s commitment to supporting sustainable development and cultural preservation within the region.

    Bridging Art and Development: A Core Mission

    What truly distinguishes the ArtLAC Gallery is its unwavering focus on connecting art with broader societal issues. The gallery doesn’t simply display beautiful objects; it uses them as a catalyst for dialogue and understanding. Exhibitions frequently explore themes of social progress, cultural identity, and regional challenges – often presenting complex narratives that invite viewers to consider their own roles in shaping the future. Recent exhibitions have tackled topics ranging from environmental sustainability and indigenous rights to urban inequality and migration patterns. These displays aren’t didactic or preachy; instead, they offer a space for critical reflection and engagement, prompting visitors to contemplate the intersection of art, culture, and development.

    A Living Gallery: Events, Programs, and Ongoing Evolution

    The ArtLAC Gallery is far from a static institution. It’s a dynamic space that actively seeks to engage with its community through a vibrant program of cultural events, workshops, and lectures. Regular exhibitions rotate throughout the year, ensuring a fresh and stimulating experience for repeat visitors. Beyond these public displays, the gallery frequently hosts artist talks, panel discussions, and collaborative projects – fostering a sense of connection between artists, scholars, and the wider community. The gallery’s commitment to accessibility is evident in its free admission policy, making art available to everyone regardless of their background or financial circumstances. It's a testament to the IDB’s belief that cultural engagement is essential for building a more just and equitable world.

    Notable Works & Artistic Voices

    Omar Carreño Rodríguez:

    His bold, geometric paintings – particularly ‘La Mesa de Rancagua’ – offer a powerful glimpse into the vibrant artistic landscape of Venezuela.

    Her evocative acrylic portraits capture the essence of Uruguayan life with remarkable sensitivity and detail.

    William Glackens' “Italo-American Celebration” (available as a ArtsDot reproduction) provides a lively snapshot of early 20th-century American culture, showcasing the influence of the Ashcan School movement.

    The Inter-American Development Bank ArtLAC Gallery is more than just a museum; it’s a vital cultural hub, a testament to the power of art as a tool for social change, and a window into the rich and diverse artistic heritage of Latin America and the Caribbean. A visit here offers not only an opportunity to admire exceptional artwork but also to engage with important contemporary issues and connect with a vibrant community of artists and thinkers.

    Where to read more

    Find this online

    QR code linking to the download page for Volcán (Volcano)

    originaluniqueart.com/en/art/download/gerardo-murillo-coronado-volcan-volcano-D48FW2-en/

    Cite this artwork

    MLA
    Coronado, Gerardo Murillo. Volcán (Volcano). 1930, Inter-American Development Bank. https://originaluniqueart.com/en/art/gerardo-murillo-coronado-volcan-volcano-D48FW2-en/
    APA
    Coronado, Gerardo Murillo (1930). Volcán (Volcano) [Painting]. Inter-American Development Bank. https://originaluniqueart.com/en/art/gerardo-murillo-coronado-volcan-volcano-D48FW2-en/
    Chicago
    Gerardo Murillo Coronado. Volcán (Volcano). 1930. Inter-American Development Bank. https://originaluniqueart.com/en/art/gerardo-murillo-coronado-volcan-volcano-D48FW2-en/
    Harvard
    Coronado, Gerardo Murillo (1930) Volcán (Volcano). Inter-American Development Bank. Available at: https://originaluniqueart.com/en/art/gerardo-murillo-coronado-volcan-volcano-D48FW2-en/

    Look closely

    Volcán (Volcano) — Gerardo Murillo Coronado

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Nahui Olin (1922), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Gerardo Murillo Coronado was about 55 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How many people view "Volcán (Volcano)"?

    Statistics about "Volcán (Volcano)" by Gerardo Murillo Coronado are on the artwork's Stats page: monthly visits of the artwork, visits of the artist's works, and country and language breakdowns of recent visitors.

    How light is "Volcán (Volcano)" overall?

    In terms of perceived brightness, "Volcán (Volcano)" by Gerardo Murillo Coronado is brilliant.

    How much light do the colors of "Volcán (Volcano)" appear to reflect?

    The luminance recorded for "Volcán (Volcano)" by Gerardo Murillo Coronado is gentle luminance.