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Student Artwork Guide

Autumn

Name Class Date

Georges Lacombe, Autumn. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Georges Lacombe originaluniqueart.com/en/artists/georges-lacombe/
Artist’s dates
1868 – 1916

In context

Autumn — Georges Lacombe

When might this have been painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 48 at death.

Shaded: the lifetime of Georges Lacombe (1868–1916) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/georges-lacombe-autumn-9DH6E4-en/

Colours

Measured from the image

    Main colour

    Clay #ae683e

    Catalogued palette

    • #AE683E
    • #DEAF79
    • #54321A
    • #854322

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Clay
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Georges Lacombe over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 81.8%
    2. 2 Hong Kong 18.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 9 most looked-at works by Georges Lacombe

    1. 1 Fall Pickers Hazelnut 25.0%
    2. 2 Autumn this painting 16.7%
    3. 3 Hand and apron study, 1894 8.3%
    4. 4 Women gathering chestnuts, 1894 8.3%
    5. 5 Death 8.3%
    6. 6 La Mer Jaune, Camaret 8.3%
    7. 7 Portrait De Paul Ranson 8.3%
    8. 8 Oaks And Bleuberry Bushes 8.3%
    9. 9 Birth, wooden bed panel, 1894 8.3%

    Together these works take 99.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 23 works by this artist, of which 9 were looked at at least once. This painting ranks 2 of them, with 16.7% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Georges Lacombe

    Born in Versailles, France

    Georges Lacombe: A Breton Soul Captured in Sculpture and Paint

    Born in Versailles in 1868 to a family steeped in artistic tradition – his mother, Laure Lacombe, was herself a respected painter and printmaker – Georges Lacombe’s journey as an artist began within a world of cultivated appreciation for beauty. His early training encompassed both painting and drawing, initially under his mother and later with established Impressionist figures like Alfred Philippe Roll and Henri Gervex, all while benefiting from the familial connections that opened doors to artistic circles. This foundation proved crucial in shaping his distinctive style, blending technical skill with a deeply personal vision.

    Lacombe’s formative years were marked by a pivotal summer sojourn to Brittany between 1888 and 1897. It was during this period that he encountered the burgeoning group of artists known as Les Nabis – Paul Sérusier, Émile Bernard, and others – who had established a studio in Pont-Aven. This encounter proved transformative, introducing him to a radical new approach to art centered on capturing fleeting impressions and spiritual essence rather than photographic realism. The Nabis’ emphasis on color, symbolism, and emotional resonance profoundly influenced Lacombe's artistic development, particularly his later work depicting Breton landscapes and figures.

    The Sculptor of the Nabis

    While often remembered primarily as a painter, Georges Lacombe’s contribution to the Nabis movement extended significantly into the realm of sculpture. He quickly established himself as “Le Nabi Sculpteur,” becoming the group's dedicated sculptor. This dual role – simultaneously capturing scenes and figures with paint and shaping them in three dimensions – allowed him to explore his artistic ideas from multiple perspectives, enriching both disciplines. His sculptures, often characterized by their expressive forms and subtle detailing, complemented his paintings beautifully, creating a cohesive body of work that reflected the Nabis’ core principles.

    Lacombe's Breton subjects became central to his oeuvre. He spent considerable time in Brittany, immersing himself in the region’s culture, folklore, and landscape. These experiences profoundly shaped his artistic vision, leading him to create a series of evocative paintings and sculptures that captured the spirit of the Breton people – their dignity, resilience, and connection to the land. The rugged coastline, the weathered faces of fishermen, and the simple beauty of rural life became recurring motifs in his work.

    A Palette of Symbolism and Emotion

    Lacombe’s paintings are notable for their use of color and light, reflecting the Nabis' influence. He favored a muted palette – often dominated by blues, greens, and browns – to evoke mood and atmosphere rather than simply depicting reality. His brushwork was loose and expressive, conveying a sense of movement and spontaneity. He frequently employed symbolism, drawing on Breton folklore and Christian imagery to imbue his paintings with deeper meaning. Portraits, in particular, are imbued with an emotional intensity, capturing the inner lives of his subjects.

    His sculptures similarly demonstrate this focus on emotion and form. Lacombe’s figures are rarely idealized; instead, he sought to capture their humanity – their vulnerability, strength, and quiet dignity. He utilized a restrained style, prioritizing subtle gestures and expressive modeling over elaborate ornamentation. His work is characterized by a remarkable sensitivity to the human figure, conveying a profound understanding of its anatomy and psychology.

    Legacy and Influence

    Georges Lacombe’s life was tragically cut short in 1916 at the age of 48 due to tuberculosis. Despite his relatively brief career, he left behind a significant body of work that continues to resonate with art historians and collectors today. His paintings and sculptures are held in prestigious collections worldwide, including the Musée d'Orsay in Paris and the Art Institute of Chicago. Lacombe’s influence can be seen in the works of later artists who followed in the Nabis tradition, as well as in contemporary artists exploring themes of Breton identity and rural life.

    Lacombe remains a vital figure in French art history, representing a pivotal moment in the transition from Impressionism to modernism. His ability to seamlessly blend painting and sculpture, coupled with his profound understanding of human emotion and his deep connection to the Breton landscape, ensures that his work will continue to captivate and inspire audiences for generations to come.

    Where to read more

    • The artist Georges Lacombe originaluniqueart.com/en/artists/georges-lacombe/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/georges-lacombe-autumn-9DH6E4-en/

    Find this online

    QR code linking to the download page for Autumn

    originaluniqueart.com/en/art/download/georges-lacombe-autumn-9DH6E4-en/

    Cite this artwork

    MLA
    Lacombe, Georges. Autumn. n.d., https://originaluniqueart.com/en/art/georges-lacombe-autumn-9DH6E4-en/
    APA
    Lacombe, Georges (n.d.). Autumn [Painting]. https://originaluniqueart.com/en/art/georges-lacombe-autumn-9DH6E4-en/
    Chicago
    Georges Lacombe. Autumn. n.d. https://originaluniqueart.com/en/art/georges-lacombe-autumn-9DH6E4-en/
    Harvard
    Lacombe, Georges (n.d.) Autumn. Available at: https://originaluniqueart.com/en/art/georges-lacombe-autumn-9DH6E4-en/

    Look closely

    Autumn — Georges Lacombe

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: autumn. Do you agree? What would you add, or take away?
    4. Look back at Death, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Who is the artist behind "Autumn"?

    "Autumn" is attributed to Georges Lacombe.

    Does "Autumn" by Georges Lacombe use strong contrasts or soft harmonies?

    The color analysis of "Autumn" by Georges Lacombe records a gentle contrast and a unified palette harmony.

    Is "Autumn" more bright or more dark overall?

    The recorded values for "Autumn" by Georges Lacombe are: shadow brightness, soft shadow luminance.

    Does "Autumn" show strong light-dark contrasts?

    The contrast level of "Autumn" by Georges Lacombe is gentle.

    What saturation and intensity does "Autumn" by Georges Lacombe show?

    The color of "Autumn" is clear color presence in saturation and vivid in intensity.

    What is the dominant hue of "Autumn" by Georges Lacombe?

    "Autumn" leans toward an amber to saffron tone.

    How is the palette of "Autumn" by Georges Lacombe described?

    The colors of "Autumn" form a dark palette. This classification describes the dominant color families.

    Where can I buy a hand-painted reproduction of "Autumn" by Georges Lacombe?

    Hand-painted copies of "Autumn" by Georges Lacombe are sold on this website: a hand-painted oil reproduction on linen canvas, ordered from this page.