Paper

Student Artwork Guide

A Clumber Spaniel

Name Class Date

George Stubbs, A Clumber Spaniel, Usher Gallery. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
George Stubbs originaluniqueart.com/en/artists/george-stubbs/
Artist’s dates
1724 – 1806
Original size
83 x 101 cm
Held at
Usher Gallery originaluniqueart.com/en/museums/usher-gallery-lincoln/

In context

A Clumber Spaniel — George Stubbs

How big is it?

The original measures 83 × 101 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1720
  2. 1730
  3. 1740
  4. 1750
  5. 1760
  6. 1770
  7. 1780
  8. 1790
  9. 1800

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 82 at death.

Shaded: the lifetime of George Stubbs (1724–1806) every dated painting, decade by decade

First works: up to 1765 Main working years: 1765–1785 Late works: from 1785

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/george-stubbs-a-clumber-spaniel-AQRMSU-en/

Colours

Measured from the image

    Main colour

    Espresso #3f332b

    Catalogued palette

    • #3F332B
    • #DED4B6
    • #100F11
    • #858066

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by George Stubbs over the last twelve months — 12 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 66.7%
    2. 2 United States of America 15.4%
    3. 3 Singapore 5.7%
    4. 4 Hong Kong 4.1%
    5. 5 Canada 1.6%
    6. 6 Guatemala 1.6%
    7. 7 Australia 0.8%
    8. 8 Brazil 0.8%
    9. 9 Colombia 0.8%
    10. 10 Italy 0.8%
    11. · 2 other countries 1.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by George Stubbs

    1. 1 A Bay Hunter With Two Spaniels, 1777 19.0%
    2. 2 The Grosvenor Hunt, 1762 3.4%
    3. 3 Lion Attacking a Horse, 1765 2.7%
    4. 4 Horse Frightened by a Lion, 1770 2.7%
    5. 5 Finished study for, 1758 2.7%
    6. 6 Molly Long-legs with her Jockey, 1762 2.0%
    7. 7 Firetail with his Trainer by the Rubbing-Down House on Newmarket Heath, 1773 2.0%
    8. 8 Lord Grosvenor, 1765 2.0%
    9. 9 Rhinoceros, 1792 2.0%
    10. 10 The Prince of Wales, 1793 2.0%
    11. 11 Joseph Smyth Esquire, Lieutenant of Whittlebury Forest, Northamptonshire, on a Dapple Grey Horse, 1764 2.0%
    12. 12 The Lincolnshire Ox, 1790 1.4%
    13. 13 James Stanley, 1755 1.4%
    14. 14 Harvest, 1785 1.4%
    15. 15 Tiger, 1771 1.4%
    16. 16 Freeman, The Earl of Clarendon's Gamekeeper, with a Dying Doe and Hound, 1800 1.4%
    17. 17 Mares and Foals in a River Landscape, 1768 1.4%
    18. 18 George Fothergill of York (1689–1770), 1746 1.4%
    19. 19 'Molly Long Legs' with Her Jockey, 1762 1.4%
    20. — A Clumber Spaniel this painting 0.0%

    Together these works take 53.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 194 works by this artist, of which 71 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    George Stubbs

    Born in Liverpool, United Kingdom

    early life and training

    george stubbs, a renowned english painter, was born on august 25, 1724, in liverpool, united kingdom. his early life was marked by a sparse record of his activities until the age of 35, with most information sourced from ozias humphry's memoirs, based on conversations with stubbs in 1794. stubbs began his artistic journey at the age of 15, initially working under his father, a currier or leather-dresser. he later approached hamlet winstanley, a lancashire painter and engraver, for a brief apprenticeship. this short stint allowed him to study the collection at knowsley hall.

    artistic development and notable works

    stubbs's passion for anatomy led him to move to york in 1744, where he studied under surgeon charles atkinson at york county hospital. one of his earliest surviving works is a set of illustrations for john burton's textbook on midwifery, published in 1751. in 1756, stubbs rented a farmhouse in lincolnshire and spent 18 months dissecting horses, assisted by his common-law wife, mary spencer. this led to the publication of the anatomy of the horse in 1766, with original drawings now housed at the royal academy. stubbs's work was soon recognized by leading aristocratic patrons, including the 3rd duke of richmond, who commissioned three large pictures in 1759. this marked the beginning of his successful career, with works produced for several dukes and lords, culminating in the purchase of a house in marylebone, london.

    legacy and notable paintings

    stubbs's most famous work, whistlejacket, a painting of a prancing horse commissioned by the 2nd marquess of rockingham, is now housed at the national gallery in london. this and two other paintings for rockingham break with convention, featuring plain backgrounds.

    whistlejacket, a thoroughbred race horse rising on his hind legs, showcases stubbs's unparalleled skill in capturing the essence of horses.

    stubbs's series of paintings on a lion attacking a horse are early examples of the romantic movement, demonstrating his influence on 18th-century art.

    stubbs's legacy as an equine artist remains unmatched, with his works continuing to inspire and awe art enthusiasts worldwide.

    view stubbs's artwork at https://AllPaintingsStore.com/@/george_stubbs

    explore the national gallery in london's collection, featuring stubbs's notable works, at /en/art/show/art-8xyffg-en/

    learn more about stubbs's life and work on wikipedia at https://en.wikipedia.org/wiki/george_stubbs

    Museum

    Usher Gallery

    On show in Lincoln, United States of America

    A Sanctuary of Splendor in Temple Gardens

    Nestled within the verdant, tranquil embrace of Temple Gardens, the Usher Gallery serves as much more than a mere repository for antiquity; it is a living testament to the enduring spirit of Lincolnshire. Established in 1927 through the profound generosity of James Ward Usher—a master jeweler whose eye for exquisite silverwork defined his life—the gallery stands as a luminous architectural gem. Designed by the celebrated architect Sir Reginald Blomfield, its stone-faced façade, characterized by classical Tuscan pilasters and a dignified balustrade, offers a serene sanctuary that invites deep contemplation. To wander through its halls is to step into a curated history where the elegance of Victorian grandeur meets the quiet innovation of the modern era, creating an atmosphere that captivates the soul of every visitor, collector, and interior designer alike.

    The Art of Detail: From Porcelain to Silver

    For the discerning lover of fine craftsmanship, the gallery’s holdings offer a breathtaking chronicle of English decorative arts. The collection breathes with the delicate whispers of Tudor porcelain and the storied legacy of Spode, leading the eye through an evolution of taste that spans from the Renaissance to the Baroque periods. One finds oneself mesmerized by the intricate patterns of Delftware and the opulent flourishes of Sevres, where oriental motifs meet British sensibilities in a dance of light and color. This tactile journey continues through an impressive array of silverware, where the meticulous artistry of silversmiths like John Wakelin shines with a glittering reflection of aristocratic taste. Each piece, from delicate floral engravings on tea sets to ceremonial objects bearing noble heraldic emblems, reflects a period of profound ornamentation, offering timeless inspiration for those who seek to infuse their own spaces with historical grace and artisanal excellence.

    Masterpieces of Light and Human Emotion

    Beyond the tactile beauty of ceramics and silver, the Usher Gallery houses a profound collection of paintings that capture the very essence of human emotion and the natural world. The halls are graced by the sweeping, romantic landscapes of John Constable, which evoke the rugged beauty of the countryside, alongside evocative portraits that freeze the spirit of society in time. There is a palpable drama found in works such as

    William Hilton II’s

    The Crucifixion

    , where the masterful use of

    chiaroscuro

    and a striking contrast between light and shadow create an intense, emotional depth that draws the viewer into a shared moment of communal concern. Whether exploring the poignant domesticity of Alford Usher Soord’s paintings or encountering the modern legacies of J.M.W. Turner and L.S. Lowry, the gallery provides a continuous dialogue between the past and the present, making it an essential destination for anyone moved by the transformative power of art.

    Where to read more

    • The artist George Stubbs originaluniqueart.com/en/artists/george-stubbs/
    • The museum Usher Gallery originaluniqueart.com/en/museums/usher-gallery-lincoln/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/george-stubbs-a-clumber-spaniel-AQRMSU-en/

    Find this online

    QR code linking to the download page for A Clumber Spaniel

    originaluniqueart.com/en/art/download/george-stubbs-a-clumber-spaniel-AQRMSU-en/

    Cite this artwork

    MLA
    Stubbs, George. A Clumber Spaniel. n.d., Usher Gallery. https://originaluniqueart.com/en/art/george-stubbs-a-clumber-spaniel-AQRMSU-en/
    APA
    Stubbs, George (n.d.). A Clumber Spaniel [Painting]. Usher Gallery. https://originaluniqueart.com/en/art/george-stubbs-a-clumber-spaniel-AQRMSU-en/
    Chicago
    George Stubbs. A Clumber Spaniel. n.d. Usher Gallery. https://originaluniqueart.com/en/art/george-stubbs-a-clumber-spaniel-AQRMSU-en/
    Harvard
    Stubbs, George (n.d.) A Clumber Spaniel. Usher Gallery. Available at: https://originaluniqueart.com/en/art/george-stubbs-a-clumber-spaniel-AQRMSU-en/

    Look closely

    A Clumber Spaniel — George Stubbs

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Lion Attacking a Horse (1765), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is George Stubbs, creator of "A Clumber Spaniel", known under other names?

    George Stubbs appears under the alternate names Stubbs.

    How can I get a print of "A Clumber Spaniel" by George Stubbs?

    "A Clumber Spaniel" is available as a fine art print on cotton canvas or archival canvas paper. Orders are placed on its Fine Art Print page, in the size of your choice.

    What saturation and intensity does "A Clumber Spaniel" by George Stubbs show?

    "A Clumber Spaniel" by George Stubbs is recorded with a muted saturation and a monochromatic intensity.