Paper

Student Artwork Guide

Richard David

Name Class Date

george frederick harris, Richard David (1890), Cynon Valley Museum and Gallery. Public domain.

The facts

Artist
george frederick harris originaluniqueart.com/en/artists/george-frederick-harris/
Artist’s dates
1856 – 1924
Painted
1890
Original size
90 x 70 cm
Held at
Cynon Valley Museum and Gallery originaluniqueart.com/en/museums/cynon-valley-museum-and-gallery-aberdare/

In context

Richard David — george frederick harris

How big is it?

The original measures 90 × 70 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920

Shaded: the lifetime of george frederick harris (1856–1924) ▲ this work, 1890

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/george-frederick-harris-richard-david-AQUSBH-en/

Colours

Measured from the image

    Main colour

    Walnut #905d32

    Catalogued palette

    • #905D32
    • #563520
    • #2C1D12
    • #E0AE70
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    george frederick harris

    A Life of Canvas and Connection: The Journey of George Frederick Harris

    The story of George Frederick Harris is one of profound movement, spanning continents and bridging the gap between the intimate world of portraiture and the grand scale of public muralism. Born in Birmingham, West Midlands, in 1856, Harris’s early years were rooted in the industrial heart of England, yet his spirit was destined for a much broader stage. As a painter of both landscape and portrait, he possessed a rare ability to capture the essence of his subjects, whether through the delicate textures of lace in a formal sitting or the sweeping, atmospheric vistas of the natural world. His early career saw him establishing a significant presence in Wales, where he served as the chairman and secretary of the South Wales Art Society in Cardiff, demonstrating an early commitment to the cultivation of artistic communities.

    Harris’s life was characterized by a remarkable series of transitions that mirrored the shifting tides of the late 19th and early 20th centuries. After building a successful business in portraiture and photography in Merthyr Tydfil, he embarked on a transformative journey to Australia in 1920. This migration did not signal an end to his creativity but rather a new chapter of exploration. In the vibrant landscape of Sydney, Harris continued to refine his craft, leaving behind a legacy that connected his Welsh heritage with the burgeoning art scene of the Southern Hemisphere. His personal life was equally rich and complex, marked by significant familial connections; he was the father of the celebrated Australian illustrator Pixie O'Harris, whose whimsical style would later enchant generations of readers.

    Mastery of Form and Symbolism

    To observe a work by Harris is to witness a meticulous marriage of technical precision and emotional depth. His approach to portraiture was deeply rooted in the classical tradition, utilizing oil on canvas to create layers of texture that breathed life into his sitters. He had an extraordinary eye for detail, often focusing on the subtle interplay of light and shadow to convey character and status. In works such as his 1896 portrait of Rosina Davies, one can see how he employed a realistic style to highlight elegant floral elements and intricate fabrics, creating a sense of timelessness that remains captivating to the modern viewer.

    Beyond the individual, Harris’s work often touched upon the broader social fabric. His ability to translate the anxieties and triumphs of his era into visual language allowed him to move between genres with ease. Whether he was capturing the quiet dignity of a gentleman in a studio setting or the rugged beauty of a landscape, his brushwork remained purposeful and evocative. This versatility ensured that his art was not merely decorative but served as a historical record of the people and places that defined his era. His contributions to public collections, such as those held at the Cyfarthfa Castle Museum & Art Gallery, ensure that his technical mastery continues to be studied by those seeking to understand the evolution of portraiture during this transformative period.

    Legacy and Historical Significance

    The historical significance of George Frederick Harris lies in his role as a cultural conduit. He was an artist who did not exist in isolation but was deeply embedded in the institutional fabric of the art worlds he inhabited. Through his leadership roles in Wales and his eventual integration into the Australian art landscape, he helped foster the growth of professional societies and the appreciation of fine arts across borders. His life serves as a testament to the itinerant nature of the artist, proving that creativity knows no geographic boundaries.

    Today, the works of Harris are cherished not only for their aesthetic beauty but for the window they provide into a bygone era of craftsmanship. His legacy is preserved through:

    Public Collections: Numerous paintings attributed to him are held in public art collections, serving as permanent landmarks of his skill.

    Artistic Lineage: His influence extended through his family, notably inspiring the illustrative career of his daughter, Pixie O'Harris.

    Technical Excellence: He remains a key figure for students of late 19th-century realism and landscape painting.

    In the grand tapestry of art history, George Frederick Harris remains a vital thread, weaving together the traditions of Europe and the emerging perspectives of the New World.

    Museum

    Cynon Valley Museum and Gallery

    On show in Aberdare, United Kingdom

    A Window into Cynon Valley’s Soul: Exploring the Cynon Valley Museum & Gallery

    Nestled in the picturesque Rhondda Cynon Taf borough of Wales, the Cynon Valley Museum & Gallery stands as a testament to local heritage and artistic spirit. More than just a repository of artifacts, it's an immersive experience—a journey back in time interwoven with contemporary creativity—designed to captivate visitors from seasoned art historians to families seeking enriching cultural adventures.

    About Cynon Valley Museum & Gallery:

    Founded on the legacy of Abernant’s thriving coal mining past, this free admission museum champions a profound connection to the region's identity. Its mission is to preserve and celebrate Cynon Valley stories through engaging exhibitions and educational programs.

    Collection Highlights: A Tapestry of Time

    The museum’s impressive collection—spanning over 20,000 objects—offers a panoramic view of Cynon Valley's evolution. Divided into thematic areas, it showcases remarkable treasures reflecting diverse periods and influences. Among the most celebrated pieces are detailed depictions of Welsh mining life, capturing the hardships endured by generations of miners alongside their unwavering determination. Furthermore, a vibrant selection of artwork created by local artists illuminates the region’s artistic landscape—a dynamic blend of traditional crafts and modern expressions. Notably, the museum's database includes “Sir Ernest Gowers (1880–1966), KCB, KBE, Senior Regional Commissioner for London, Lieutenant Colonel A. J. Child, OBE, MC, Director of Operations and Intelligence, and K. A. L Parker, Deputy Chief Administrative Officer, in the London Regional Civil Service…” which provides invaluable insight into the broader context of Welsh art history.

    Architectural Roots & Historical Significance

    The museum’s building itself embodies the spirit of Abernant—a former coal mining village—reflecting its formative years. While precise architectural details remain elusive, it serves as a cornerstone of the community, diligently safeguarding memories and traditions. Its location speaks volumes about Cynon Valley's industrial heritage, reminding visitors of the transformative impact of coal mining on shaping the region’s social fabric and artistic sensibilities.

    What Sets Cynon Valley Museum Apart?

    Unlike grand national institutions, Cynon Valley Museum prioritizes intimacy and personal connection—allowing visitors to delve into the narratives that define Cynon Valley's character. Its commitment to community engagement extends beyond exhibitions; interactive programs foster dialogue and inspire curiosity among residents of all ages. Accessibility is paramount: free entry ensures inclusivity, inviting everyone to explore its treasures and participate in enriching experiences. Recognizing the importance of fostering artistic appreciation in younger generations, the museum’s family-friendly activities spark creativity and ignite a passion for history—a cornerstone of Cynon Valley's cultural heritage.

    A Vibrant Artistic Presence

    The Mezzanine Gallery hosts regular exhibitions featuring local artists, showcasing contemporary talent and creative vision. Visitors can discover stunning crafts on sale at the museum shop – a unique opportunity to support regional artistry. Furthermore, “Cynon Valley Museum - Gallery” actively promotes artistic endeavors, fostering connections between creators and audiences alike. Don’t miss the chance to explore “Stories from the Collection,” which delves into the individual narratives that comprise Cynon Valley's history. And for those seeking inspiration at home, download craft resources available on our website!

    Website:

    https://cynonvalleymuseum.wales/

    Current Description:

    Learn about Cynon Valley’s rich history & art! Discover 20,000+ objects, mining heritage, community exhibits & free entry at this Aberdare museum & gallery.

    Where to read more

    Find this online

    QR code linking to the download page for Richard David

    originaluniqueart.com/en/art/download/george-frederick-harris-richard-david-AQUSBH-en/

    Cite this artwork

    MLA
    harris, george frederick. Richard David. 1890, Cynon Valley Museum and Gallery. https://originaluniqueart.com/en/art/george-frederick-harris-richard-david-AQUSBH-en/
    APA
    harris, george frederick (1890). Richard David [Painting]. Cynon Valley Museum and Gallery. https://originaluniqueart.com/en/art/george-frederick-harris-richard-david-AQUSBH-en/
    Chicago
    george frederick harris. Richard David. 1890. Cynon Valley Museum and Gallery. https://originaluniqueart.com/en/art/george-frederick-harris-richard-david-AQUSBH-en/
    Harvard
    harris, george frederick (1890) Richard David. Cynon Valley Museum and Gallery. Available at: https://originaluniqueart.com/en/art/george-frederick-harris-richard-david-AQUSBH-en/

    Look closely

    Richard David — george frederick harris

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Still Life of Fruit in a Basket, a Pineapple Alongside and Wine Bottle and Glass Behind (1901), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. george frederick harris was about 34 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.