Paper

Student Artwork Guide

Mrs Dan Davies

Name Class Date

george frederick harris, Mrs Dan Davies (1896). Public domain.

The facts

Artist
george frederick harris originaluniqueart.com/en/artists/george-frederick-harris/
Artist’s dates
1856 – 1924
Painted
1896
Original size
90 x 70 cm

In context

Mrs Dan Davies — george frederick harris

How big is it?

The original measures 90 × 70 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920

Shaded: the lifetime of george frederick harris (1856–1924) ▲ this work, 1896

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/george-frederick-harris-mrs-dan-davies-AQUSAV-en/

Colours

Measured from the image

    Main colour

    Walnut #805a2b

    Catalogued palette

    • #805A2B
    • #5A3519
    • #DFB08C
    • #2A2013
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Mrs Dan Davies — george frederick harris

    The painting Mrs Dan Davies by George Frederick Harris is a stunning example of late 19th-century portraiture. Created in 1896, this oil on canvas piece measures 90 x 70 cm and showcases the artist's exceptional skill in capturing the essence of his subject.

    The woman in the painting, Mrs Dan Davies, is depicted wearing a black dress with a lace collar, exuding an air of elegance and sophistication. Her stern expression adds to the overall atmosphere of the scene, drawing the viewer's attention to her refined features. The ornate chair she sits on further emphasizes the formality of the setting, highlighting the artist's attention to detail.

    George Frederick Harris's work can be compared to that of other notable artists, such as Wassily Kandinsky, who is renowned for his pioneering work in abstract art. Visit https://AllPaintingsStore.com to explore a wide range of handmade oil painting reproductions, including works by Wassily Kandinsky, such as Mountain landscape with church.

    For those interested in learning more about the artist and his work, https://AllPaintingsStore.com offers a wealth of information on various artists, including Joaquin Sorolla Y Bastida and Sir John Everett Millais. The website also features an extensive collection of paintings from museums like the The Museum Sudbury Town Hall in Canada.

    Some notable aspects of the painting include:

    The use of oil on canvas, which allows for a high level of detail and texture.

    The depiction of Victorian-era fashion, showcasing the artist's attention to historical accuracy.

    The overall elegance and formality of the scene, which reflects the subject's refined character.

    Conclusion

    The painting Mrs Dan Davies by George Frederick Harris is a captivating portrait that showcases the artist's exceptional skill and attention to detail. With its elegant and formal atmosphere, this piece is sure to appeal to art enthusiasts and historians alike. Visit https://AllPaintingsStore.com to explore more handmade oil painting reproductions and learn about the artists who created them.

    Artist and museum

    Artist

    george frederick harris

    A Life of Canvas and Connection: The Journey of George Frederick Harris

    The story of George Frederick Harris is one of profound movement, spanning continents and bridging the gap between the intimate world of portraiture and the grand scale of public muralism. Born in Birmingham, West Midlands, in 1856, Harris’s early years were rooted in the industrial heart of England, yet his spirit was destined for a much broader stage. As a painter of both landscape and portrait, he possessed a rare ability to capture the essence of his subjects, whether through the delicate textures of lace in a formal sitting or the sweeping, atmospheric vistas of the natural world. His early career saw him establishing a significant presence in Wales, where he served as the chairman and secretary of the South Wales Art Society in Cardiff, demonstrating an early commitment to the cultivation of artistic communities.

    Harris’s life was characterized by a remarkable series of transitions that mirrored the shifting tides of the late 19th and early 20th centuries. After building a successful business in portraiture and photography in Merthyr Tydfil, he embarked on a transformative journey to Australia in 1920. This migration did not signal an end to his creativity but rather a new chapter of exploration. In the vibrant landscape of Sydney, Harris continued to refine his craft, leaving behind a legacy that connected his Welsh heritage with the burgeoning art scene of the Southern Hemisphere. His personal life was equally rich and complex, marked by significant familial connections; he was the father of the celebrated Australian illustrator Pixie O'Harris, whose whimsical style would later enchant generations of readers.

    Mastery of Form and Symbolism

    To observe a work by Harris is to witness a meticulous marriage of technical precision and emotional depth. His approach to portraiture was deeply rooted in the classical tradition, utilizing oil on canvas to create layers of texture that breathed life into his sitters. He had an extraordinary eye for detail, often focusing on the subtle interplay of light and shadow to convey character and status. In works such as his 1896 portrait of Rosina Davies, one can see how he employed a realistic style to highlight elegant floral elements and intricate fabrics, creating a sense of timelessness that remains captivating to the modern viewer.

    Beyond the individual, Harris’s work often touched upon the broader social fabric. His ability to translate the anxieties and triumphs of his era into visual language allowed him to move between genres with ease. Whether he was capturing the quiet dignity of a gentleman in a studio setting or the rugged beauty of a landscape, his brushwork remained purposeful and evocative. This versatility ensured that his art was not merely decorative but served as a historical record of the people and places that defined his era. His contributions to public collections, such as those held at the Cyfarthfa Castle Museum & Art Gallery, ensure that his technical mastery continues to be studied by those seeking to understand the evolution of portraiture during this transformative period.

    Legacy and Historical Significance

    The historical significance of George Frederick Harris lies in his role as a cultural conduit. He was an artist who did not exist in isolation but was deeply embedded in the institutional fabric of the art worlds he inhabited. Through his leadership roles in Wales and his eventual integration into the Australian art landscape, he helped foster the growth of professional societies and the appreciation of fine arts across borders. His life serves as a testament to the itinerant nature of the artist, proving that creativity knows no geographic boundaries.

    Today, the works of Harris are cherished not only for their aesthetic beauty but for the window they provide into a bygone era of craftsmanship. His legacy is preserved through:

    Public Collections: Numerous paintings attributed to him are held in public art collections, serving as permanent landmarks of his skill.

    Artistic Lineage: His influence extended through his family, notably inspiring the illustrative career of his daughter, Pixie O'Harris.

    Technical Excellence: He remains a key figure for students of late 19th-century realism and landscape painting.

    In the grand tapestry of art history, George Frederick Harris remains a vital thread, weaving together the traditions of Europe and the emerging perspectives of the New World.

    Where to read more

    Find this online

    QR code linking to the download page for Mrs Dan Davies

    originaluniqueart.com/en/art/download/george-frederick-harris-mrs-dan-davies-AQUSAV-en/

    Cite this artwork

    MLA
    harris, george frederick. Mrs Dan Davies. 1896, https://originaluniqueart.com/en/art/george-frederick-harris-mrs-dan-davies-AQUSAV-en/
    APA
    harris, george frederick (1896). Mrs Dan Davies [Painting]. https://originaluniqueart.com/en/art/george-frederick-harris-mrs-dan-davies-AQUSAV-en/
    Chicago
    george frederick harris. Mrs Dan Davies. 1896. https://originaluniqueart.com/en/art/george-frederick-harris-mrs-dan-davies-AQUSAV-en/
    Harvard
    harris, george frederick (1896) Mrs Dan Davies. Available at: https://originaluniqueart.com/en/art/george-frederick-harris-mrs-dan-davies-AQUSAV-en/

    Look closely

    Mrs Dan Davies — george frederick harris

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Still Life of Fruit in a Basket, a Pineapple Alongside and Wine Bottle and Glass Behind (1901), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. george frederick harris was about 40 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.