Student Artwork Guide
Copyright This work is in the public domain. George Elbert Burr died in 1939; copyright lasts 70 years after the artist’s death, so it ended in 2009.
In context
Winter (No. 1) — George Elbert Burr
The original measures 18 × 25 cm (height × width), drawn here beside an adult of average height.
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 80 at death.
Painted when the artist was 55. The artist lived to 80. 159 of the 219 dated works by this artist in our catalogue came earlier.
Shaded: the lifetime of George Elbert Burr (1859–1939) ▲ this work, 1914 every dated painting, decade by decade
First works: up to 1899 Main working years: 1899–1916 Late works: from 1916
Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: originaluniqueart.com/en/art/similar/george-elbert-burr-winter-no-1-AQT62F-en/
Measured from the image
Main colour
Rosy Brown #aaa599
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 47.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 219 works by this artist, of which 62 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
About this artwork
Winter (No. 1) — George Elbert Burr
The painting Winter (No. 1) by George Elbert Burr is a stunning example of the artist's ability to capture the beauty and serenity of the natural world. Created in 1914, this drypoint on paper piece measures 18 x 25 cm and is currently housed at the Smithsonian American Art Museum.
George Elbert Burr was an American artist known for his landscapes and etchings. His work often featured the grandeur of the American West, but Winter (No. 1) showcases his ability to find beauty in the quieter moments of nature. The painting's focus on the bare trees and snow-covered branches creates a sense of stillness and tranquility.
The use of drypoint on paper gives Winter (No. 1) a unique texture and depth. The artist's attention to detail is evident in the intricate branches and the subtle play of light on the snow. This piece is a prime example of drypoint technique, which involves drawing on a metal plate with a sharp needle to create a range of tones.
For those interested in owning a piece of art history, Winter (No. 1) can be reproduced as a handmade oil painting through https://AllPaintingsStore.com. This website offers a wide range of artistic reproductions, including works by George Elbert Burr. By visiting /en/art/show/art-aqt62f-en/, you can explore more about this painting and the artist.
View the original piece at the Smithsonian American Art Museum
Learn more about George Elbert Burr on Wikipedia
Explore handmade oil painting reproductions at https://AllPaintingsStore.com
The beauty of Winter (No. 1) lies in its simplicity and the artist's ability to evoke a sense of peace. As a masterpiece of American art, it continues to inspire and captivate audiences today.
Artist and museum
George Elbert Burr (1859 – 1939) stands as a singular figure in American printmaking and painting, remembered primarily for his masterful depictions of the American West’s dramatic landscapes—particularly its deserts and mountains. Born in Cincinnati, Ohio, Burr pursued an artistic education initially focusing on illustration before gravitating towards etching and watercolor techniques that would define his distinctive style. His work transcends mere representation; it embodies a profound sensitivity to light, texture, and atmosphere, capturing the essence of solitude and grandeur within these expansive environments.
Early Life & Education: Burr’s formative years were marked by an interest in natural history and scientific observation—influences that would permeate his artistic vision. He studied at Cincinnati Art Academy and later traveled extensively throughout Europe, absorbing the Impressionist movement's techniques and aesthetic principles.
The Rise of Etching: Burr’s breakthrough came with etching, a medium he embraced wholeheartedly during the late Victorian era. His meticulous approach to creating prints involved painstakingly transferring images from drawings onto copper plates, utilizing acid baths to carve intricate lines that would ultimately produce stunningly detailed impressions. This painstaking process demanded patience and precision—qualities Burr possessed in abundance.
Desert Landscapes & Stylistic Evolution: Burr’s artistic focus shifted decisively towards the American Southwest during the early 20th century. He embarked on numerous expeditions to Arizona, Utah, Nevada, and California, documenting the region's geological formations and ephemeral beauty with breathtaking watercolors and drypoint etchings. His style evolved over time—characterized by a gradual simplification of forms and an increasing emphasis on tonal harmonies—reflecting his growing understanding of how light interacts with surface textures.
Notable Achievements & Recognition: Burr’s prints gained considerable acclaim during his lifetime, securing commissions from prominent institutions like the Smithsonian Institution and earning recognition as a leading exponent of American landscape art. His works are held in collections across the nation and continue to inspire artists today.
Burr’s oeuvre comprises approximately 350 prints and drawings, showcasing his remarkable versatility as an artist. Among his most celebrated pieces include ‘Castle Schönburg, Oberwesel,’ a meticulously rendered watercolor capturing the imposing silhouette of a medieval castle against a twilight sky—a testament to his ability to convey both historical detail and emotional resonance. Similarly, ‘Untitled (Transfer Drawing for November)’ presents a starkly beautiful monochrome sketch conveying the desolate beauty of Nevada’s desert terrain. His distinctive style is marked by:
Detailed Linework: Burr's etchings are renowned for their extraordinarily fine lines—a hallmark of his technique that captures subtle nuances of form and texture.
Tonal Harmony: Watercolor paintings demonstrate Burr’s masterful control over color palettes, achieving harmonious blends that evoke the mood and atmosphere of the landscapes he depicted.
Emphasis on Light & Shadow: Throughout his work, Burr skillfully employed chiaroscuro—the interplay of light and shadow—to heighten visual drama and convey a sense of depth.
George Elbert Burr’s contribution to American art extends beyond the aesthetic realm; he embodies the spirit of exploration and observation that characterized the Progressive Era. His unflinching portrayal of the West—often imbued with a contemplative stillness—served as an inspiration for subsequent generations of artists seeking to capture the sublime grandeur of nature. Today, Burr's prints remain treasured artifacts of early 20th-century art history, offering viewers a glimpse into a bygone era and reaffirming the enduring power of artistic vision.
originaluniqueart.com/en/art/download/george-elbert-burr-winter-no-1-AQT62F-en/
Look closely
Winter (No. 1) — George Elbert Burr
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
"Winter (No. 1)" by George Elbert Burr is a landscape composition measuring 18 x 25 cm in the original.
The colors of "Winter (No. 1)" by George Elbert Burr have a muted saturation. Saturation describes how vivid or muted the colors are.
"Winter (No. 1)" by George Elbert Burr can be downloaded from the artwork's Download page, as a high-resolution digital image download.