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Student Artwork Guide

Der jäger

Name Class Date

Georg Baselitz, Der jäger. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Georg Baselitz originaluniqueart.com/en/artists/georg-baselitz/
Artist’s dates
1938 –

In context

Der jäger — Georg Baselitz

When might this have been painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/georg-baselitz-der-jager-A25PXJ-en/

Colours

Measured from the image

    Main colour

    Putty #d4cec5

    Catalogued palette

    • #D4CEC5
    • #332F2F
    • #F2ECE6
    • #A09990

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Georg Baselitz over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 Israel 66.7%
    2. 2 China 33.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by Georg Baselitz

    1. 1 Supper in Dresden, 1983 70.0%
    2. 2 Man of Faith, 1983 20.0%
    3. 3 Vorwärts Wind (Remix), 2007 10.0%
    4. — Der jäger this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 9 works by this artist, of which 3 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Georg Baselitz

    A Life Forged in the Shadows of History

    Born Hans-Georg Bruno Kern on January 23, 1938, in the small German village of Deutschbaselitz, the artist who would become known to the world as Georg Baselitz was a child of profound transition and upheaval. Growing up in the Upper Lusatia region amidst the literal and metaphorical rubble of World War II, his early consciousness was inextricably linked to themes of destruction, displacement, and the fractured order of a shattered society. This formative environment—marked by the loss of community and the lingering trauma of occupation—became the bedrock of his artistic vision. The devastation he witnessed did not merely provide subject matter; it instilled in him an urgent, lifelong need to question established conventions and to explore the very nature of perception through the lens of a world that had been turned upside down.

    His early artistic inclinations were nurtured by a deep intellectual curiosity and significant cultural encounters. The influence of his father, an elementary school teacher, fostered a disciplined approach to observation, while the profound writings of Jakob Böhme provided a spiritual and philosophical complexity to his worldview. A pivotal moment in his development occurred when he encountered Louis-Ferdinand von Rayski’s Wermsdorfer Wald at a local school assembly. This masterpiece of realism ignited a fascination with capturing visual truth, leading him to produce portraits, religious subjects, and landscapes that, even in his youth, hinted at a more futuristic and unsettling vision.

    The Revolution of Inversion and Neo-Expressionism

    As the art world moved toward the sterile intellectualism of Minimalism and Conceptual Art in the 1960s, Baselitz staged a visceral rebellion. He became a leading voice of Neo-Expressionism, a movement that sought to reclaim the raw power and emotional intensity of figurative painting. However, his contribution was far from a simple return to tradition. In 1969, Baselitz introduced one of the most radical innovations in modern art: the technique of painting his subjects upside down. This deliberate inversion was not a mere gimmick; it was a profound attempt to strip the subject of its representational, content-driven character. By turning the figure on its head, he forced the viewer to confront the artifice of the painting itself—to look past the "what" of the image and focus instead on the texture, color, and the physical reality of the paint on canvas.

    This period saw the emergence of works that challenged the very boundaries of the medium. His compositions often oscillated between recognizable figuration and a chaotic, feverish energy. In monumental pieces like Supper in Dresden, he reimagined historical narratives through a lens of disarray and chromatic collision, using striking shades of pink, blue, and black to create a sense of restless, uncontainable energy. His work during this era functioned as an excavation of the human condition, utilizing distortion to express vulnerability and the inherent instability of memory and identity.

    A Lasting Legacy of Provocation

    Throughout his prolific career, Baselitz’s artistic language has been a complex tapestry woven from myriad influences, ranging from the starkness of Socialist Realism and the dramatic tension of Mannerism to the primal rhythms of African sculpture. This eclectic synthesis allowed him to create a body of work that feels both deeply rooted in German history and universally resonant in its exploration of existential struggle. Whether through his commanding oil paintings, his evocative sculptures, or his intricate graphic works, Baselitz has remained steadfast in his commitment to a style characterized by unsettling honesty.

    The historical significance of Georg Baselitz lies in his ability to transform the trauma of the past into a revolutionary aesthetic for the future. He did not merely document destruction; he used it as a tool to rebuild the language of painting. His achievements include:

    Redefining Figuration: Breaking the reliance on narrative content through the radical use of inversion.

    Mastery of Neo-Expressionism: Leading a global revival of emotional, visceral painting in an era of conceptual dominance.

    Exploration of Identity: Using distorted forms to grapple with the complexities of post-war German identity and the fragility of the human form.

    Technical Innovation: Integrating diverse cultural influences into a singular, unmistakable artistic voice that continues to influence generations of painters and sculptors.

    Today, Baselitz stands as one of the most influential figures of the twentieth century, a painter whose work remains a powerful testament to the resilience of creativity in the face of chaos.

    Where to read more

    • The artist Georg Baselitz originaluniqueart.com/en/artists/georg-baselitz/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/georg-baselitz-der-jager-A25PXJ-en/

    Find this online

    QR code linking to the download page for Der jäger

    originaluniqueart.com/en/art/download/georg-baselitz-der-jager-A25PXJ-en/

    Cite this artwork

    MLA
    Baselitz, Georg. Der jäger. n.d., https://originaluniqueart.com/en/art/georg-baselitz-der-jager-A25PXJ-en/
    APA
    Baselitz, Georg (n.d.). Der jäger [Painting]. https://originaluniqueart.com/en/art/georg-baselitz-der-jager-A25PXJ-en/
    Chicago
    Georg Baselitz. Der jäger. n.d. https://originaluniqueart.com/en/art/georg-baselitz-der-jager-A25PXJ-en/
    Harvard
    Baselitz, Georg (n.d.) Der jäger. Available at: https://originaluniqueart.com/en/art/georg-baselitz-der-jager-A25PXJ-en/

    Look closely

    Der jäger — Georg Baselitz

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Look back at Supper in Dresden (1983), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Which artist is "Der jäger" attributed to?

    The artist behind "Der jäger" is Georg Baselitz. The work is catalogued under Georg Baselitz's name.

    Does "Der jäger" have an augmented reality preview?

    The AR Preview page of "Der jäger" by Georg Baselitz uses augmented reality to show the artwork in your own space, on a compatible device.

    Are the colors of "Der jäger" by Georg Baselitz vivid or muted?

    "Der jäger" by Georg Baselitz is recorded with a muted saturation and a monochromatic intensity.