Student Artwork Guide
Copyright This work is in the public domain. Gabriel Metsu died in 1667; copyright lasts 70 years after the artist’s death, so it ended in 1737.
In context
The Intruder — Gabriel Metsu
The original measures 93 × 85 cm (height × width), drawn here beside an adult of average height.
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 38 at death.
Painted when the artist was 31. The artist lived to 38. 22 of the 73 dated works by this artist in our catalogue came earlier.
Shaded: the lifetime of Gabriel Metsu (1629–1667) ▲ this work, 1660 every dated painting, decade by decade
First works: up to 1658 Main working years: 1658–1662 Late works: from 1662
Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: originaluniqueart.com/en/art/similar/gabriel-metsu-the-intruder-D38HC7-en/
Measured from the image
Main colour
Rosy Brown #ae9e7a
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 56.2% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 145 works by this artist, of which 58 were looked at at least once. This painting ranks 21 of them, with 1.1% of that attention. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
About this artwork
The Intruder — Gabriel Metsu
A young, smiling man bursts through the door of a dimly lit bedroom occupied by three women in this vertical painting. All four people have pale skin. The arched door is to our right and the man faces our left with his arms spread wide. He leans slightly forward as he holds the wide brim of his hat out by his left side, to our right. Shoulder-length chestnut-brown hair frames his face, and he wears a velvety brown jacket trimmed with tan stripes and pompoms down the front and along the sleeve we can see. A broad sash crosses his chest and tassels hang from his wide, white collar. Between us and him, a wooden chair is draped with a crimson-red cloak trimmed with white fur and bands of gold. A pewter pitcher and candlestick rest on the pine floor in front of it, near the lower right corner of the painting. The man is stopped at the door by a woman wearing a sable-brown gown with a tight-fitting bodice and a white cap on the back of her head. Her body faces the man as she leans toward him with her outstretched right hand resting on his shoulder, and she turns her smiling face back over her shoulder. Light from an open window on the left illuminates the woman in the center, who steps down from a bed enclosed by forest-green, velvet curtains trimmed with gold fringe and tassels. The curtains are parted behind her to reveal white pillows. She wears a long, gleaming white satin skirt topped by a tight-fitting coral-red bodice stitched with thin lines of gold. A white neckerchief covers her shoulders and is partially tucked into the bodice. Her head is covered by a white kerchief knotted under her chin. Her body faces us with one foot on a step stool, and the other foot reaches down to a gold and red shoe on the floor. Its mate lies nearby, pointing away from us. Her head is turned to our right to look at the man. She has a thin face with a high forehead, and small mouth is closed or pursed. Closest to us and near the lower left corner of the painting, the third woman sits alongside a small table under the open window. She wears a long, pine-green jacket trimmed with white fur over a brown skirt. Her auburn hair is partially coiled around her head, while some locks fall in bunched curls. She sits facing our right in profile with her back to the window, so her smiling face is mostly in shadow. Her left arm rests on the table, which is draped with a red and copper patterned cloth, and she holds a white comb in that hand. A mirror and round silver box sit on the table next to her. A small brown and white dog stands by her feet, its head tilted up to look at the others. The far wall of the room is covered with a faint pattern of golden brown vines and leaves against a forest-green background. The artist signed the painting on the face of the step leading up to the bed, “G. Metsu.”
Artist and museum
Born in Leiden, Netherlands
gabriël metsu, a dutch painter from the netherlands, lived a life marked by artistic exploration and innovation. born in 1629, metsu's work embodied the spirit of the dutch golden age, a period renowned for its prolific artistic output. this biography delves into the life and works of this enigmatic figure, whose contributions to the art world continue to fascinate.
metsu was born in 1629, the son of jacques metsu, a tapestry worker and painter originally from hainault. this eclectic background likely influenced gabriel's early interest in diverse artistic techniques. the family's move to leiden, where metsu grew up, exposed him to various cultural influences.
metsu's career was marked by an adherence to no single style or technique, earning him the title of "a highly eclectic artist." his work spanned history paintings, still lifes, portraits, and genre works. notably, only 14 of his 133 works are dated, leaving much to be discovered about his creative process.
rembrandt van rijn's influence on metsu's early work is evident, particularly in his use of light and color.
metsu's move to amsterdam in 1655 marked a significant shift in his style, with more emphasis on domestic interiors and genre scenes.
his training of michiel van musscher and joost van geel reflects his commitment to the artistic community.
metsu's paintings often featured young women, market scenes, and old people, drawing from popular emblems. a notable example is the poultry seller, which showcases his use of symbolism. key works:
the sick child (c. 1664), reflecting metsu's admiration for vermeer's work.
portrait of the family hinlopen, a masterpiece that blends genre and portrait painting.
metsu's works can be found in various museums, including the rijksmuseum in amsterdam. for more information on his art and to explore other dutch golden age painters, visit /en/art/show/art-d3c627-en/ for a comprehensive overview. *conclusion:* gabriel metsu's life and art are a testament to the innovative spirit of the dutch golden age. his eclectic style, though sometimes enigmatic, has left an indelible mark on the world of art. as we continue to uncover more about his life and works, we are reminded of the profound impact he had on the development of western art.
for a deeper understanding of the dutch golden age, refer to [https://en.wikipedia.org/wiki/dutch_golden_age_painting](https://en.wikipedia.org/wiki/dutch_golden_age_painting).
explore more of metsu's works and those of his contemporaries at [https://AllPaintingsStore.com/@/gabriel-metsu](https://AllPaintingsStore.com/@/gabriel-metsu).
the house of orange-nassau historic collection trust (the hague, netherlands), [https://AllPaintingsStore.com/@@/a@d3ccx5](https://AllPaintingsStore.com/@@/a@d3ccx5).
van gogh museum (netherlands) - a haven for art lovers, [https://AllPaintingsStore.com/@@/a@d3c8x3](https://AllPaintingsStore.com/@@/a@d3c8x3).
dutch golden age painting, [https://en.wikipedia.org/wiki/dutch_golden_age_painting](https://en.wikipedia.org/wiki/dutch_golden_age_painting).
originaluniqueart.com/en/art/download/gabriel-metsu-the-intruder-D38HC7-en/
Look closely
The Intruder — Gabriel Metsu
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
To preview a reproduction of "The Intruder" by Gabriel Metsu, open the artwork's Preview page.
A slideshow is available: the Diaporama page of "The Intruder" by Gabriel Metsu.
"The Intruder" is attributed to Gabriel Metsu.