Paper
Name Class Date

Franz Williwm Schiertz, Dead Reindeer Attacked by Eagle (1849), Nordnorsk Kunstmuseum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Franz Williwm Schiertz originaluniqueart.com/en/artists/franz-williwm-schiertz/
Artist’s dates
1813 – 1887
Painted
1849
Medium
Watercolor
Original size
29 x 40 cm
Movement
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
Period
19th Century
Held at
Nordnorsk Kunstmuseum originaluniqueart.com/en/museums/nordnorsk-kunstmuseum-tromso/
Artistic style
Romanticism
Notable elements or techniques
Watercolor wash, dry brush, layered washes
Subject or theme
Nature, survival, and predation

In context

Dead Reindeer Attacked by Eagle — Franz Williwm Schiertz

How big is it?

The original measures 29 × 40 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 74 at death.

Painted when the artist was 36. The artist lived to 74. 0 of the 1 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Franz Williwm Schiertz (1813–1887) ▲ this work, 1849 every dated painting, decade by decade

Colours

Measured from the image

    Main colour

    Putty #dbc8a1

    Catalogued palette

    • #DBC8A1
    • #3A2C1D
    • #7A6851
    • #AB9774

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Dead Reindeer Attacked by Eagle — Franz Williwm Schiertz

    A Savage Symphony in Watercolor

    In the quiet, frozen reaches of the nineteenth-century imagination, few scenes capture the raw, unyielding pulse of nature as poignantly as Franz Williwm Schiertz’s "Dead Reindeer Attacked by Eagle." Painted in 1849, this evocative watercolor serves as a window into a world where survival is the only law. The composition immediately arrests the viewer with its dramatic tension; amidst a vast, snow-dusted landscape of imposing mountains, a struggle for life and death unfolds in the foreground. Two predatory eagles descend upon a fallen reindeer, their movements captured with an expressive fluidity that suggests both the grace of flight and the ferocity of the hunt. It is a scene that transcends mere observation, inviting us into a moment of profound biological drama set against the eternal stillness of the North.

    The technique employed by Schiertz is a masterclass in the delicate yet powerful capabilities of the watercolor medium. Eschewing rigid outlines for loose, atmospheric washes, the artist creates a sense of depth that feels almost infinite. The distant, snow-capped peaks are rendered with soft, blurred edges, suggesting the presence of mist and the biting chill of an overcast winter day. Through the clever use of dry brush techniques, Schiertz introduces essential textures—the coarse fur of the reindeer, the ruggedness of the rocky terrain, and the sharp, predatory detail of the eagles' wings. This interplay between translucent washes and textured strokes allows the light to appear diffused and natural, as if caught during the fleeting twilight of a subarctic afternoon.

    The Romanticism of Survival

    Stylistically, this work is deeply rooted in the Romantic movement, which sought to evoke intense emotion through the depiction of the sublime and the untamed. Schiertz does not shy away from the darker, more visceral aspects of the natural world; instead, he uses them to highlight the grandeur of existence. The color palette is intentionally restrained, dominated by muted browns, slate grays, icy blues, and stark whites. This somber tonality reinforces the themes of bleakness and endurance, ensuring that the viewer’s focus remains on the emotional weight of the subject matter. There is a haunting beauty in this desolation, a reminder of the cyclical nature of life where death provides the sustenance for new strength.

    For the discerning collector or interior designer, "Dead Reindeer Attacked by Eagle" offers more than just a visual centerpiece; it offers a narrative depth that can anchor a room with character and gravity. The painting’s ability to evoke both melancholy and awe makes it an ideal choice for spaces designed for contemplation or for those seeking to introduce a touch of wild, historical elegance into a modern setting. As a high-quality reproduction, this piece brings the rugged spirit of the 19th-century Norwegian landscape into the contemporary home, serving as a timeless testament to the enduring power of the natural world.

    Artist and museum

    Artist

    Franz Williwm Schiertz

    Born in Leipzig, Germany

    The Raw Pulse of Nature

    In the quiet, frozen reaches of the nineteenth-century imagination, few scenes capture the raw, unyielding pulse of nature as poignantly as the works of Franz Wilhelm Schiertz. A painter whose vision was deeply rooted in the Romantic movement, Schiertz possessed a unique ability to evoke intense emotion through the depiction of the sublime and the untamed. His artistry often sought to highlight the grandeur of existence by confronting the viewer with the darker, more visceral aspects of the natural world, where survival remains the only law.

    His technical mastery is particularly evident in his use of the watercolor medium, a tool he employed to create a sense of profound biological drama. Rather than relying on rigid outlines, Schiertz utilized loose, atmospheric washes to build depth that feels almost infinite. Through the clever application of dry brush techniques, he introduced essential textures—the coarse fur of animals, the ruggedness of rocky terrain, and the sharp, predatory detail of wings in flight. This interplay between translucent washes and textured strokes allowed light to appear diffused and natural, as if caught during the fleeting twilight of a subarctic afternoon.

    A Legacy of Dramatic Landscapes

    The works of Schiertz serve as a window into a world of dramatic tension and elemental struggle. One of his most evocative compositions, "Dead Reindeer Attacked by Eagle," painted in 1849, exemplifies his talent for capturing a savage symphony within a landscape. In this piece, the artist presents a vast, snow-dusted expanse of imposing mountains where two predatory eagles descend upon a fallen reindeer. The movement of the predators is captured with an expressive fluidity that suggests both the grace of flight and the ferocity of the hunt.

    Beyond mere observation, Schiertz’s compositions invite the viewer into moments of profound stillness and sudden violence. His ability to render distant, snow-capped peaks with soft, blurred edges suggests the presence of mist and the biting chill of an overcast winter day, creating a sense of atmosphere that transcends the paper itself. Through his dedication to capturing the untamed spirit of the North, Schiertz remains a significant figure for those seeking to understand the emotional depth of nineteenth-century Romanticism.

    Museum

    Nordnorsk Kunstmuseum

    On show in Tromsø, Norway

    A Sanctuary of Resilience in the Arctic Twilight

    In the heart of Tromsø, where the midnight sun and the aurora borealis orchestrate a celestial dance, stands the Nordnorsk Kunstmuseum—a sanctuary for the soul of Northern Norway. This is not merely a repository of canvas and stone; it is a living chronicle of endurance. The museum’s very walls whisper tales of profound transformation, housed within a striking structure that once served as a post and telegraph office in 1917, designed by the architect Søren Andreas Wiese Opsahl. Having weathered the turbulent shifts of history, even serving as a police station during the Second World War, the building now stands as a testament to cultural metamorphosis, offering a poignant dialogue between its utilitarian past and its present role as a vanguard of artistic expression. For the visitor, the architecture itself serves as a bridge, connecting the functional grit of the early twentieth century with the ethereal beauty of contemporary Northern creativity.

    The Pulse of Sámi Heritage and Sublime Landscapes

    To step into the halls of NNKM is to embark on a journey through the spiritual and physical landscapes of the North. At the very heart of the collection lies an unparalleled dedication to

    Sámi art

    , a cornerstone of the region's identity that weaves together ancient traditions with contemporary voices. Here, the viewer encounters works that transcend mere depiction, capturing the profound connection between the people and the natural world. The museum’s mastery of the landscape tradition is perhaps most evident in the sublime works of

    Peder Balke

    , whose romanticized visions of the Arctic coast evoke a sense of awe and cosmic scale. Alongside these, the collection breathes with the energy of artists like Olav Christopher Jenssen, ensuring that the narrative of Sámi culture remains both historically rooted and vibrantly modern. These pieces do not simply occupy space; they convey narratives of resilience and spirituality that resonate powerfully across generations.

    A Tapestry of Norwegian Evolution and Arctic Horizons

    The museum’s curatorial vision extends far beyond the borders of Tromsø, presenting a magnificent panorama of Norwegian art history that spans centuries. Visitors can wander through the opulent textures of Baroque paintings by Henrik Jespersen before encountering the groundbreaking, experimental spirit of

    Edvard Munch

    or the delicate, light-filled Impressionism of Harriet Backer. This diversity is matched by the museum’s remarkable reach; through the

    Kunsthall Svalbard

    , NNKM extends its artistic horizon into the remote Arctic realm of Longyearbyen, fostering a dialogue that addresses pressing environmental themes and contemporary innovation. For the collector or the interior designer seeking inspiration, the Nordnorsk Kunstmuseum offers more than just aesthetic beauty; it provides a profound encounter with the very essence of Northern identity, where every brushstroke tells a story of survival, light, and the eternal majesty of the North.

    Where to read more

    Find this online

    QR code linking to the download page for Dead Reindeer Attacked by Eagle

    originaluniqueart.com/en/art/download/franz-williwm-schiertz-dead-reindeer-attacked-by-eagle-D8CJS5-en/

    Cite this artwork

    MLA
    Schiertz, Franz Williwm. Dead Reindeer Attacked by Eagle. 1849, Nordnorsk Kunstmuseum. https://originaluniqueart.com/en/art/franz-williwm-schiertz-dead-reindeer-attacked-by-eagle-D8CJS5-en/
    APA
    Schiertz, Franz Williwm (1849). Dead Reindeer Attacked by Eagle [Painting]. Nordnorsk Kunstmuseum. https://originaluniqueart.com/en/art/franz-williwm-schiertz-dead-reindeer-attacked-by-eagle-D8CJS5-en/
    Chicago
    Franz Williwm Schiertz. Dead Reindeer Attacked by Eagle. 1849. Nordnorsk Kunstmuseum. https://originaluniqueart.com/en/art/franz-williwm-schiertz-dead-reindeer-attacked-by-eagle-D8CJS5-en/
    Harvard
    Schiertz, Franz Williwm (1849) Dead Reindeer Attacked by Eagle. Nordnorsk Kunstmuseum. Available at: https://originaluniqueart.com/en/art/franz-williwm-schiertz-dead-reindeer-attacked-by-eagle-D8CJS5-en/

    Look closely

    Dead Reindeer Attacked by Eagle — Franz Williwm Schiertz

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: winter landscape, predatory animals, survival theme. Do you agree? What would you add, or take away?
    4. Romanticism: Art that puts feeling, wildness and the power of nature above calm order and rules. Where can you see that in this work?
    5. Franz Williwm Schiertz was about 36 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Dead Reindeer Attacked by Eagle — Franz Williwm Schiertz

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary artistic style of 'Dead Reindeer Attacked by Eagle'?

      • A Impressionism
      • B Romanticism
      • C Cubism
    2. 2. Which medium was used to create this artwork?

      • A Oil on canvas
      • B Watercolor
      • C Acrylic
    3. 3. What is the dominant color palette of the landscape depicted in the painting?

      • A Vibrant yellows and reds
      • B Muted browns, grays, blues, and whites
      • C Bright tropical greens and pinks
    4. 4. What central theme is conveyed by the interaction between the animals in the scene?

      • A Peace and tranquility
      • B Predation and survival
      • C Human dominance over nature
    5. 5. In which year was this artwork created?

      • A 1740
      • B 1813
      • C 1849

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2A · 3A · 4A · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What saturation and intensity does "Dead Reindeer Attacked by Eagle" by Franz Williwm Schiertz show?

    The color of "Dead Reindeer Attacked by Eagle" is balanced soft in saturation and balanced in intensity.

    How does the subject of "Dead Reindeer Attacked by Eagle" relate to Franz Williwm Schiertz's usual themes?

    Franz Williwm Schiertz's recurring themes include romantic landscape, nature's power", dramatic lighting, wilderness themes, animal predation, "norweg, winter landscapes; "Dead Reindeer Attacked by Eagle" focuses on winter landscape, predatory animals, survival theme, mountain scene, reindeer artwork, eagle attack, dramatic nature.

    How do the colors of "Dead Reindeer Attacked by Eagle" by Franz Williwm Schiertz relate to its emotion?

    In "Dead Reindeer Attacked by Eagle", earthy colors accompany a dramatic feeling.