Paper

Student Artwork Guide

A Cassowary

Name Class Date

Francis Barlow, A Cassowary (1676), National Trust. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Francis Barlow originaluniqueart.com/en/artists/francis-barlow/
Artist’s dates
1624 – 1704
Painted
1676
Original size
254 x 122 cm
Movement
Neoclassicism A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.
Held at
National Trust originaluniqueart.com/en/museums/national-trust-guildford/

In context

A Cassowary — Francis Barlow

How big is it?

The original measures 254 × 122 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1620
  2. 1630
  3. 1640
  4. 1650
  5. 1660
  6. 1670
  7. 1680
  8. 1690
  9. 1700

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 80 at death.

Painted when the artist was 52. The artist lived to 80. 9 of the 12 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Francis Barlow (1624–1704) ▲ this work, 1676 every dated painting, decade by decade

First works: up to 1663 Main working years: 1663–1673 Late works: from 1673

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/francis-barlow-a-cassowary-AQSENG-en/

Colours

Measured from the image

    Main colour

    Sap Green #64604f

    Catalogued palette

    • #64604F
    • #413F37
    • #A6A49B
    • #867D6A

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Sap Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Francis Barlow over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 7 most looked-at works by Francis Barlow

    1. 1 Monkeys and Dogs Playing, 1661 28.6%
    2. 2 Landscape with Birds and Fishes, 1667 14.3%
    3. 3 Landscape with Birds and a Duck Decoy, 1779 14.3%
    4. 4 Southern Mouthed Hounds, 1663 14.3%
    5. 5 An Ostrich, 1676 14.3%
    6. 6 Duck and Its Brood 14.3%
    7. — A Cassowary, 1676 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 17 works by this artist, of which 6 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Francis Barlow

    Born in Lincoln, United Kingdom

    The Pioneer of the English Wild: The Life and Legacy of Francis Barlow

    In the vibrant, often turbulent landscape of 17th-century England, few figures possessed the versatility and observational prowess of Francis Barlow. Born in Lincolnshire around 1626, Barlow emerged as a polymath of the visual arts—a painter, etcher, illustrator, and satirist whose work bridged the gap between scientific naturalism and popular storytelling. Often revered as the "Father of British Sporting Painting," his influence stretched far beyond the mere depiction of animals; he captured the very soul of the English countryside and the shifting political tides of his era. Though history occasionally overlooked his immense contributions, Barlow’s ability to infuse anatomical precision with narrative drama established a foundation for generations of British artists, most notably the legendary George Stubbs.

    Barlow's artistic journey was marked by an extraordinary breadth of subject matter. He was not merely a chronicler of nature but a master of many disciplines, ranging from natural history and hunting scenes to political caricature and decorative design. His early career saw him making significant strides in book illustration, most notably through his twelve-plate work for Edward Benlowe's Theophila in 1652. This period of intense productivity showcased his skill as a printmaker, a talent that would later lead to collaborations with esteemed engravers like Wenceslaus Hollar. Whether he was etching woodcuts for Aesop’s Fables or painting the delicate textures of a bird's plumage, Barlow possessed an "exactness in the portrayal of birds, fishes, and animals" that earned him profound respect among his contemporaries.

    A Visionary of Narrative and Satire

    Beyond the tranquil scenes of wildlife, Barlow holds a unique place in the annals of art history as one of the world's first professional cartoonists. In 1682, he produced A True Narrative of the Horrid Hellish Popish Plot, a work that stands as a landmark in the evolution of sequential art. By utilizing illustrated sequences paired with text and—most revolutionary for his time—the use of speech balloons to allow characters to communicate, Barlow pioneered a technique that would eventually become the bedrock of modern comics. This satirical edge allowed him to navigate the complex sociopolitical atmosphere of Restoration England, using his pen to comment on the scandals and conspiracies that gripped the nation.

    His work often functioned on multiple levels, offering both literal beauty and deep symbolic resonance. While a viewer might be captivated by the technical mastery of a hunting scene or the serene atmosphere of a farmyard, Barlow frequently embedded rich metaphors within his compositions. These subtle layers allowed his art to speak to the English populace's moods and political anxieties. His ability to blend the scientific observation of a naturalist with the biting wit of a satirist made him a singular voice in an age of profound transition.

    The Final Chapter and Enduring Influence

    Despite his prolific output and the high regard in which he was held by peers, Barlow’s later years were shadowed by hardship. The very versatility that defined his career did not shield him from financial instability; historical records, including those by Joseph Strutt, suggest that he died in 1704 in much-needed poverty. It is a poignant irony that an artist who so vividly captured the abundance of life and the excitement of the hunt should conclude his journey in such indigent circumstances.

    Yet, the legacy of Francis Barlow remains undiminished by the struggles of his final days. His contributions to British art are foundational, leaving behind a trail of innovation that can be seen in:

    The Birth of Sporting Art: Establishing the tradition of depicting hunting, fishing, and wildlife with anatomical accuracy and atmospheric depth.

    Printmaking Excellence: Elevating the status of book illustration and etching through detailed, high-quality engravings.

    Sequential Storytelling: Laying the early groundwork for the comic strip through his innovative use of speech balloons and narrative panels.

    Natural History Illustration: Providing a vital visual record of fauna that influenced both the scientific and artistic communities of the 17th and 18th centuries.

    Today, when we look upon works such as Three Hares or his evocative animal studies, we see more than just historical artifacts; we see the eyes of a man who truly understood the wildness of the world and the complexity of the human spirit.

    Museum

    National Trust

    On show in Guildford, United Kingdom

    A Tapestry of Time: Exploring The National Trust’s Guildford Legacy

    Nestled within the rolling Surrey Hills, a short drive from the vibrant city of London, lies a treasure trove of architectural grandeur and artistic resonance – The National Trust’s property in Guildford. More than just a collection of buildings, it's an immersive journey through centuries of British history, social evolution, and the enduring power of landscape design. From its humble beginnings as a conservationist’s dream to its current role as a vital cultural hub, the estate offers a uniquely layered experience, inviting visitors to step back in time and contemplate the stories woven into every stone and bloom.

    The heart of this remarkable collection is undoubtedly Hatchlands Park. Originally conceived as a grand country house for Sir John Henley in 1726, it evolved over generations, absorbing influences from Georgian elegance to Victorian romanticism. The core structure, built with meticulous attention to detail, showcases the wealth and taste of its successive owners – each leaving an indelible mark on the building’s character. However, Hatchlands' true allure lies not solely in its architecture but in the surrounding landscape, a carefully orchestrated symphony of formal gardens, sprawling parkland, and wilder woodland areas. The estate’s history is inextricably linked to the land itself, reflecting changing agricultural practices, social hierarchies, and evolving aesthetic sensibilities.

    The Cobbe Collection:

    A highlight within Hatchlands is the extraordinary Cobbe Collection of musical instruments – a testament to the refined cultural pursuits enjoyed by the Henley family. These exquisite examples of craftsmanship, spanning centuries and continents, offer a rare glimpse into the lives of those who shaped this estate.

    Architectural Echoes:

    Beyond Hatchlands, the National Trust’s Guildford holdings encompass a diverse range of properties, each with its own distinct narrative. From the medieval ruins of Box Hill Chapel to the imposing grandeur of Polesden Lacey, a former country house showcasing stunning art and design, there's an architectural feast for the eyes at every turn.

    Gardens as Living Art:

    The estate’s gardens are not merely decorative spaces; they are meticulously designed landscapes that reflect changing horticultural trends and artistic sensibilities. Winkworth Arboretum, with its breathtaking displays of autumn colour and bluebells, is a particularly poignant example of this evolution.

    A Chronicle of Conservation

    The National Trust’s origins lie in a growing concern about the rapid industrialization of Britain and the potential loss of its cultural heritage. Founded in 1895 by Octavia Hill, Robert Hunter, and Canon Hardwicke Rawnsley, the organization was born from a desire to safeguard “places of beauty or historic interest” for the benefit of future generations. This commitment to preservation has shaped the Trust’s ethos and guided its acquisitions over the past century. The early focus on acquiring open spaces and threatened buildings laid the foundation for a broader mission encompassing both tangible heritage and natural landscapes.

    The Trust's approach is remarkably nuanced, balancing the need for conservation with the desire to make these properties accessible to the public. Through educational programs, guided tours, and special events, the organization ensures that the stories embedded within these buildings and landscapes are not forgotten but continue to resonate with new audiences. The ongoing challenge lies in adapting to modern needs while remaining true to its founding principles – a delicate balancing act that underscores the Trust’s enduring relevance.

    Notable Exhibitions & Events

    While the National Trust's properties themselves serve as ongoing exhibitions, the organization regularly hosts a diverse range of events and temporary displays designed to engage visitors of all ages. These initiatives often explore specific themes related to the estate’s history or artistic collections, offering fresh perspectives on familiar landmarks. Recent exhibitions have focused on everything from the lives of the Henley family to the evolution of garden design, showcasing the breadth and depth of the Trust's holdings.

    Seasonal Displays:

    Throughout the year, the National Trust hosts a variety of seasonal events, including harvest festivals, Christmas markets, and summer concerts.

    Special Exhibitions:

    Temporary exhibitions often explore specific themes related to the estate’s history or artistic collections.

    Family Activities:

    The National Trust offers a wide range of family-friendly activities, including nature trails, craft workshops, and storytelling sessions.

    A Unique Blend of Heritage & Landscape

    What truly distinguishes The National Trust’s Guildford legacy is its seamless integration of architectural heritage, natural beauty, and cultural significance. It's a place where visitors can wander through centuries-old gardens, explore grand country houses, and connect with the stories of those who came before them. The estate’s commitment to conservation extends beyond bricks and mortar, encompassing a deep respect for the land and its ecological value. The National Trust’s Guildford properties represent more than just a collection of buildings; they are living testaments to England's rich history and enduring cultural landscape – a place where time seems to slow down and the spirit of generations past lingers in the air.

    Where to read more

    Find this online

    QR code linking to the download page for A Cassowary

    originaluniqueart.com/en/art/download/francis-barlow-a-cassowary-AQSENG-en/

    Cite this artwork

    MLA
    Barlow, Francis. A Cassowary. 1676, National Trust. https://originaluniqueart.com/en/art/francis-barlow-a-cassowary-AQSENG-en/
    APA
    Barlow, Francis (1676). A Cassowary [Painting]. National Trust. https://originaluniqueart.com/en/art/francis-barlow-a-cassowary-AQSENG-en/
    Chicago
    Francis Barlow. A Cassowary. 1676. National Trust. https://originaluniqueart.com/en/art/francis-barlow-a-cassowary-AQSENG-en/
    Harvard
    Barlow, Francis (1676) A Cassowary. National Trust. Available at: https://originaluniqueart.com/en/art/francis-barlow-a-cassowary-AQSENG-en/

    Look closely

    A Cassowary — Francis Barlow

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: cassowary, bird art, landscape painting. Do you agree? What would you add, or take away?
    4. Look back at Three Hares, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Neoclassicism: A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can "A Cassowary" by Francis Barlow, held at the National Trust, be legally reproduced?

    "A Cassowary" by Francis Barlow, held at the National Trust, is in the public domain - its copyright has expired. This status determines whether reproductions of the image may be made.

    When was "A Cassowary" made?

    "A Cassowary" by Francis Barlow was created in 1676.

    How strong is the contrast in "A Cassowary" by Francis Barlow?

    The contrast level of "A Cassowary" by Francis Barlow is gentle.