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Student Artwork Guide

Self-Portrait

Name Class Date

Francesco Solimena, Self-Portrait (1715). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Francesco Solimena originaluniqueart.com/en/artists/francesco-solimena/
Artist’s dates
1657 – 1747
Painted
1715
Movement
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.

In context

Self-Portrait — Francesco Solimena

When was this painted?

  1. 1650
  2. 1660
  3. 1670
  4. 1680
  5. 1690
  6. 1700
  7. 1710
  8. 1720
  9. 1730
  10. 1740

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 90 at death.

Painted when the artist was 58. The artist lived to 90. 10 of the 21 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Francesco Solimena (1657–1747) ▲ this work, 1715 every dated painting, decade by decade

First works: up to 1700 Main working years: 1700–1728 Late works: from 1728

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/francesco-solimena-self-portrait-8XY2XU-en/

Colours

Measured from the image

    Main colour

    Black #2b0d0b

    Catalogued palette

    • #2B0D0B
    • #DBC396
    • #621B12
    • #965A2F

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Black
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Francesco Solimena over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 76.5%
    2. 2 Italy 11.8%
    3. 3 Hong Kong 5.9%
    4. 4 United States of America 5.9%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 18 most looked-at works by Francesco Solimena

    1. 1 Judith with the Head of Holofernes, 1728 13.6%
    2. 2 St John the Baptist 9.1%
    3. 3 Portrait of Charles VI, Holy Roman Emperor, 1685 9.1%
    4. 4 Expxulsion of Heliodorus from the Temple 9.1%
    5. 5 Diana and Endymion, 1710 4.5%
    6. 6 The Miracle of the Bronze Serpent 4.5%
    7. 7 Rebecca Leaving Her Father’s House, 1730 4.5%
    8. 8 Bathsheba Bathing, 1725 4.5%
    9. 9 Expulsion of Heliodorus from the Temple, 1725 4.5%
    10. 10 The Martyrdom of Sts Placidus and Flavia, 1697 4.5%
    11. 11 Dido Receiving Aeneas and Cupid Disguised as Ascanius, 1720 4.5%
    12. 12 The Massacre of the Giustiniani at Chios 4.5%
    13. 13 Battle between Lapiths and Centaurs, 1735 4.5%
    14. 14 Sacred Conversation 4.5%
    15. 15 The Glorification of Saint Dominic, Francesco Solimena (copy after), 1710 - 1785, 1785 4.5%
    16. 16 The Trinity, the Madonna and St Dominic 4.5%
    17. 17 Triumph of Charles III at the Battle of Velletri 4.5%
    18. — Self-Portrait, 1715 this painting 0.0%

    Together these works take 99.4% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 40 works by this artist, of which 17 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Self-Portrait — Francesco Solimena

    The Self-Portrait by Francesco Solimena is a stunning example of Baroque art, created in 1715. This painting is a testament to the artist's skill and technique, showcasing his ability to capture the subtleties of human expression. As a professional expert in Art and salesman at https://AllPaintingsStore.com, I can appreciate the beauty and significance of this artwork.

    Artist Background

    Francesco Solimena was an Italian painter who lived during the XVII and XVIII centuries. He was a prominent figure in the Baroque movement, known for his dramatic and emotionally charged works. Solimena's paintings often featured complex compositions, rich colors, and intense lighting, which added to their emotional impact.

    The Painting

    The Self-Portrait is a remarkable example of Solimena's skill as a painter. The artwork features the artist himself, seated in a red chair with his hands clasped together. His expression is introspective, and his eyes seem to hold a deep sense of wisdom. The painting is characterized by its use of rich colors, intricate details, and masterful brushwork. Key Features:

    The painting's composition is complex, with the artist's figure placed against a backdrop of subtle shadows and highlights.

    The use of color is bold and expressive, with the red chair and the artist's clothing adding a sense of drama to the scene.

    The brushwork is masterful, with thick strokes and delicate touches that add texture and depth to the painting.

    Availability and Reproduction

    The original Self-Portrait by Francesco Solimena is a rare and valuable artwork. However, https://AllPaintingsStore.com offers high-quality reproductions of this painting, created using traditional techniques and materials. These reproductions are available in various sizes and formats, including oil on canvas and print on demand. For more information, visit Francesco Solimena's Self-Portrait on AllPaintingsStore.com or check out the Basilica Di San Paolo Maggiore museum, which features some of Solimena's notable works. You can also learn more about the artist and his style on WikiArt.org.

    The Self-Portrait by Francesco Solimena is a masterpiece of Baroque art that continues to inspire and captivate audiences today. Its beauty, complexity, and emotional depth make it a must-see for anyone interested in art history and technique.

    Artist and museum

    Artist

    Francesco Solimena

    Born in Canelle di Serino, Italy

    A Neapolitan Master of Baroque Grandeur

    Francesco Solimena, born in the small Italian town of Canale di Serino near Avellino in 1657, emerged as one of the most significant figures in Neapolitan painting during the late Baroque period. His artistic journey began within a family already steeped in artistic tradition; his father, Angelo Solimena, served as his initial instructor, collaborating with him on early projects like the Paradise fresco for the cathedral of Nocera. This foundational experience instilled in young Francesco a deep appreciation for technique and composition. He further refined his skills under the tutelage of Francesco di Maria and Giacomo del Po, absorbing diverse influences that would ultimately shape his distinctive style. The patronage of Cardinal Vincenzo Orsini proved pivotal, providing encouragement and opportunities that allowed Solimena to establish himself as an independent artist by the 1680s, undertaking increasingly ambitious fresco commissions.

    Forging a Style: Echoes of Rome in Neapolitan Splendor

    Solimena’s artistic voice is immediately recognizable through its warm, brownish shadowing and dramatic use of light – qualities deeply indebted to the Roman Baroque masters Luca Giordano and Giovanni Lanfranco. However, he didn't merely imitate; instead, he synthesized these influences into a uniquely Neapolitan aesthetic. The hallmarks of his work include dynamic compositions brimming with emotional intensity, reflecting the Baroque period’s penchant for grandeur and theatricality. He possessed an exceptional ability to capture movement and drama within his scenes, drawing viewers into narratives both sacred and mythological. From the 1690s onward, Solimena's studio became a dominant force in Naples, shaping the artistic landscape of the city for decades. His workshop was remarkably productive, churning out altarpieces, frescoes, and canvases that adorned churches and palaces throughout the region. A key characteristic of his compositional approach involved suggesting settings with minimal detail, strategically directing attention towards the figures themselves and their elaborately rendered draperies – often illuminated by carefully placed light sources to heighten their impact.

    A Prolific Output: Frescoes, Altarpieces, and Mythological Visions

    Francesco Solimena was an extraordinarily prolific artist, leaving behind a vast body of work encompassing a wide range of subjects and formats. He excelled in large-scale fresco cycles, transforming the interiors of Neapolitan churches and palaces into vibrant displays of religious fervor and aristocratic splendor. His altarpieces are particularly noteworthy for their ability to convey complex theological narratives with both emotional depth and technical brilliance. Beyond his religious works, Solimena also demonstrated a mastery of mythological scenes, imbuing classical tales with dramatic energy and sensuous beauty. Among his most celebrated pieces is the Allegory of Rule, currently housed in the State Hermitage Museum in St. Petersburg – a testament to his skill in allegorical representation and sophisticated composition. His depictions of weddings and courtly events further showcase his versatility, capturing the elegance and opulence of Neapolitan society. Works like “St John the Baptist” and “The Assumption and Coronation of the Virgin” exemplify his mastery of chiaroscuro and dynamic compositions.

    Legacy and Influence: A School of Neapolitan Painting

    Solimena’s impact extended far beyond his own artistic creations. His large, well-organized atelier functioned as a veritable academy, playing a crucial role in the cultural life of Naples. He trained numerous pupils who went on to become prominent artists in their own right, solidifying his position as a central figure in 18th-century Italian art. Notable among his students were Francesco de Mura, Giuseppe Bonito, Pietro Capelli, and Corrado Giaquinto – each contributing significantly to the evolution of Neapolitan painting. Solimena’s success wasn't limited to artistic recognition; he achieved considerable financial prosperity during his lifetime, being bestowed with the title of baron and living a life commensurate with his fame. He passed away in 1747 at Barra, near Naples, leaving behind an enduring legacy that continues to be celebrated through exhibitions, scholarly studies, and reproductions available today. He stands as one of the most important figures in Neapolitan Baroque painting, successfully synthesizing Roman influences with local traditions to create a distinctive style that defined artistic production in Naples for generations. His works remain admired for their dramatic flair, technical mastery, and enduring beauty – a testament to his genius and lasting contribution to art history.

    Where to read more

    • The artist Francesco Solimena originaluniqueart.com/en/artists/francesco-solimena/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/francesco-solimena-self-portrait-8XY2XU-en/

    Find this online

    QR code linking to the download page for Self-Portrait

    originaluniqueart.com/en/art/download/francesco-solimena-self-portrait-8XY2XU-en/

    Cite this artwork

    MLA
    Solimena, Francesco. Self-Portrait. 1715, https://originaluniqueart.com/en/art/francesco-solimena-self-portrait-8XY2XU-en/
    APA
    Solimena, Francesco (1715). Self-Portrait [Painting]. https://originaluniqueart.com/en/art/francesco-solimena-self-portrait-8XY2XU-en/
    Chicago
    Francesco Solimena. Self-Portrait. 1715. https://originaluniqueart.com/en/art/francesco-solimena-self-portrait-8XY2XU-en/
    Harvard
    Solimena, Francesco (1715) Self-Portrait. Available at: https://originaluniqueart.com/en/art/francesco-solimena-self-portrait-8XY2XU-en/

    Look closely

    Self-Portrait — Francesco Solimena

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: men, famous people, portraits. Do you agree? What would you add, or take away?
    4. Look back at Expulsion of Heliodorus from the Temple (1725), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How much light do the colors of "Self-Portrait" appear to reflect?

    The colors of "Self-Portrait" show a dark luminance.

    What are the date and style of "Self-Portrait" by Francesco Solimena?

    "Self-Portrait" was made in 1715, within the Baroque movement.

    Can I watch "Self-Portrait" as a full-screen slideshow?

    A slideshow is available: the Diaporama page of "Self-Portrait" by Francesco Solimena.