Paper

Student Artwork Guide

The Summit

Name Class Date

Florian Lettl, The Summit (2003). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Florian Lettl originaluniqueart.com/en/artists/florian-lettl/
Artist’s dates
1957 –
Painted
2003
Original size
330 x 265 cm

In context

The Summit — Florian Lettl

How big is it?

The original measures 330 × 265 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010
  8. 2020

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 46. 1 of the 9 dated works by this artist in our catalogue came earlier.

▲ this work, 2003 every dated painting, decade by decade

First works: up to 2003 Main working years: 2003–2018 Late works: from 2018

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/florian-lettl-the-summit-D4BNML-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #152121

    Catalogued palette

    • #152121
    • #A7ACB1
    • #5A5F60
    • #373D3D

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Florian Lettl over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 Germany 83.3%
    2. 2 China 16.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 6 most looked-at works by Florian Lettl

    1. 1 The Candidate, 2010 33.3%
    2. 2 The Psychiatrist - or, 2013 16.7%
    3. 3 The shrouded, 2018 16.7%
    4. 4 Summit Meeting in winter, 2003 16.7%
    5. 5 Skulptur 16.7%
    6. The Summit, 2003 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 10 works by this artist, of which 5 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    The Summit — Florian Lettl

    A summit is the highest point of a mountain, and as such has room for only one human at a time; the next one must stand further down.What happens, however, if two people carrying the same load are headed for the summit at the same time from different directions?Bending one

    Artist and museum

    Artist

    Florian Lettl

    Born in Augsburg, Germany

    A Surreal Legacy Rooted in Augsburg

    Born in the historic German city of Augsburg in 1957, Florian Lettl stands as a singular and evocative figure within the realm of contemporary surreal art. His artistic identity is not merely a personal achievement but a profound continuation of a visual lineage, inextricably linked to that of his father, the celebrated surrealist painter Wolfgang Lettl. Growing up amidst the vibrant legacy of Surrealism, Florian was immersed in an environment where the boundaries between reality and the subconscious were perpetually blurred. This early exposure instilled in him an unwavering fascination for exploring the hidden depths of the mind and challenging the conventional perceptions of the physical world.

    The creative journey of Florian Lettl is defined by a remarkable collaborative spirit that flourished during the later years of his father's life. This period of intense artistic partnership resulted in over 100 artworks that collectively embody a shared, visionary language. Through this dialogue between generations, Florian helped solidify a commitment to pushing the boundaries of imagination and experimentation, ensuring that the surrealist traditions of his upbringing evolved into a modern, multifaceted expression.

    Technique and the Architecture of Dreams

    Florian Lettl’s distinctive style is characterized by a masterful command of meticulous detail paired with the infusion of fantastical, often unsettling elements. His technique, honed through years of disciplined observation, allows him to deftly blend realism with surrealism. This creates a tension within his work where images resonate with a sense of familiarity, yet are simultaneously imbued with an otherworldly wonder. Whether working in painting or sculpture, he possesses the ability to ground the impossible in a tangible, textured reality.

    His sculptural endeavors further demonstrate this versatility and depth. Notable works such as "The Candidate," a monumental bronze sculpture, showcase his ability to translate two-dimensional surrealist concepts into three-dimensional space. In this piece, he utilized his father's painting of the same name as a model, creating a physical manifestation of a dreamlike narrative. Similarly, his large-scale public works, such as "The Shrouded," utilize dramatic scale and captivating forms to engage the viewer’s sense of awe, often evoking Mediterranean atmospheres or primordial landscapes that seem to emerge directly from the earth itself.

    Preserving the Vision: The Lettl Museum

    Beyond his personal creative pursuits, Florian Lettl has dedicated much of his life to the preservation and dissemination of the surrealist movement. This dedication is most tangibly expressed through the establishment of the Lettl Museum of Surreal Art in Augsburg. More than a mere archive, the museum serves as a living embodiment of surrealist ideals, acting as a beacon for art lovers seeking an immersive experience. The collection houses a vast array of Wolfgang Lettl’s groundbreaking paintings alongside Florian's own contemporary creations, inviting visitors to contemplate the transformation of thought into form.

    The significance of his work lies in this seamless bridge between history and modernity. By maintaining a space that is both steeped in artistic history and brimming with new, captivating stories, Florian Lettl ensures that the surrealist legacy remains a vibrant, breathing force in the contemporary art world. His life's work stands as a testament to the enduring power of the subconscious and the profound impact of a shared artistic heritage.

    Where to read more

    • The artist Florian Lettl originaluniqueart.com/en/artists/florian-lettl/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/florian-lettl-the-summit-D4BNML-en/

    Find this online

    QR code linking to the download page for The Summit

    originaluniqueart.com/en/art/download/florian-lettl-the-summit-D4BNML-en/

    Cite this artwork

    MLA
    Lettl, Florian. The Summit. 2003, https://originaluniqueart.com/en/art/florian-lettl-the-summit-D4BNML-en/
    APA
    Lettl, Florian (2003). The Summit [Painting]. https://originaluniqueart.com/en/art/florian-lettl-the-summit-D4BNML-en/
    Chicago
    Florian Lettl. The Summit. 2003. https://originaluniqueart.com/en/art/florian-lettl-the-summit-D4BNML-en/
    Harvard
    Lettl, Florian (2003) The Summit. Available at: https://originaluniqueart.com/en/art/florian-lettl-the-summit-D4BNML-en/

    Look closely

    The Summit — Florian Lettl

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Look back at The Candidate (2010), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Florian Lettl was about 46 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Does "The Summit" show strong light-dark contrasts?

    The contrast level of "The Summit" by Florian Lettl is statement.

    Can I watch "The Summit" as a full-screen slideshow?

    The diaporama of "The Summit" can be watched on the artwork's Diaporama page.

    Which artist is "The Summit" attributed to?

    "The Summit" was created by Florian Lettl. The information on this page describes Florian Lettl's original work.