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Student Artwork Guide

Still-life with fish

Name Class Date

Felice Boselli, Still-life with fish, Rocca Sanvitale di Fontanellato. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Felice Boselli originaluniqueart.com/en/artists/felice-boselli/
Artist’s dates
1650 – 1732
Movement
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Held at
Rocca Sanvitale di Fontanellato originaluniqueart.com/en/museums/rocca-sanvitale-di-fontanellato-fontanellato/

In context

Still-life with fish — Felice Boselli

When might this have been painted?

  1. 1650
  2. 1660
  3. 1670
  4. 1680
  5. 1690
  6. 1700
  7. 1710
  8. 1720
  9. 1730

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 82 at death.

Shaded: the lifetime of Felice Boselli (1650–1732) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/felice-boselli-still-life-with-fish-DD2EXU-en/

Colours

Measured from the image

    Main colour

    Espresso #33271c

    Catalogued palette

    • #33271C
    • #725745
    • #A88D61
    • #CBBFA2

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Felice Boselli over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 66.7%200 visits
    2. 2 Hong Kong 33.3%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Felice Boselli

    1. 1 Fish, living animals and vegetables 33.3%100 visits
    2. 2 Still life with fishes, vegetables, cats and guinea pig 33.3%100 visits
    3. 3 Still-life with fish this painting 33.3%100 visits

    Together these works take 99.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 17 works by this artist, of which 3 were looked at at least once. This painting ranks 3 of them, with 33.3% of that attention (100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Felice Boselli

    Born in Piacenza, Italy

    early life and training

    felice boselli, an italian painter of the baroque period, was born in piacenza in 1650. contrary to previous claims, he was not a pupil of giuseppe nuvolone but rather studied under michelangelo nuvolone, giuseppe's brother. this apprenticeship led to his introduction to angelo maria crivelli, also known as il crivellone, who significantly influenced boselli's style.

    artistic style and notable works

    boselli is renowned for his still-life paintings, particularly those featuring live and dead game, including animals, birds, and fish. his works are characterized by their vivid realism and attention to detail. some of his notable pieces include:

    skinned head of a young bull (national gallery of denmark), showcasing his mastery of capturing the textures and tones of animal subjects.

    turnips, game, mushrooms and a magpie (musei civici di palazzo farnese, piacenza), demonstrating his ability to compose diverse elements into a cohesive piece.

    fish, living animals and vegetables (musei civici di palazzo farnese, piacenza), highlighting his versatility in depicting various subjects with equal skill.

    key influences: - the school of cremonese - the bergamasca style of evaristo baschenis - flemish and italian still-life painters

    career highlights and legacy

    after marrying barbara draghi in parma, boselli continued to produce an impressive body of work, including nearly a hundred still-life paintings, many of which are now housed in lombard and emilian museums. his son, orazio, also became a painter, active in the early 18th century. view more works by felice boselli on AllPaintingsStore: - [https://AllPaintingsStore.com/@/felice-boselli](https://AllPaintingsStore.com/@/felice-boselli) - explore his collection of still-life paintings: /en/art/show/art-aqrggt-en/ learn more about the baroque period and its notable artists on AllPaintingsStore: - /en/art/list/ - discover the extensive collection of baroque art: [https://AllPaintingsStore.com/@@/a@d3cl2x--a-journey-through-art-history-with-AllPaintingsStore-s-extensive-collection-](https://AllPaintingsStore.com/@@/a@d3cl2x--a-journey-through-art-history-with-AllPaintingsStore-s-extensive-collection-)

    Museum

    Rocca Sanvitale di Fontanellato

    On show in Fontanellato, Italy

    A Renaissance Jewel: Unveiling the Rocca Sanvitale di Fontanellato

    Nestled in the verdant heart of Emilia-Romagna, a region celebrated for its profound culinary traditions and unparalleled artistic heritage, the Rocca Sanvitale di Fontanelle stands as a singular testament to the confluence of medieval ambition and Renaissance refinement. More than just a formidable fortress, this edifice is a palimpsest of centuries past, where defensive walls whisper tales of warring clans and noble families vying for dominance before yielding gracefully to the serene beauty of meticulously crafted gardens and opulent interiors. Construction began in the 13th century under the watchful gaze of the Pallavicino family, initially conceived as a strategic bastion to safeguard their lineage; however, it evolved over time into the magnificent residence we admire today, completed by the 15th century and embellished through subsequent generations with lavish frescoes that breathe life into its stone corridors.

    Approaching the Rocca is an experience in itself, a journey of sensory immersion. As one traverses the arched town square and passes beneath towering cypress trees, the sensation of being transported back to a pivotal moment in Italian history becomes palpable—a period defined by both political upheaval and breathtaking artistic innovation. The castle’s imposing presence immediately commands attention, with crenelated walls rising defiantly from a protective moat that now serves as a tranquil mirror for the azure sky. Accessible via what was once a drawbridge, the gateway invites visitors into a world of architectural grandeur. The asymmetrical towers, strategically positioned to command panoramic views of the surrounding landscape, are constructed from local limestone and demonstrate remarkable engineering prowess, reflecting the subtle refinements of Florentine Renaissance aesthetics through decorative arches and sculpted capitals.

    The Ethereal Hand of Parmigianino

    While the exterior speaks of strength and defense, the interior reveals a soul dedicated to beauty and intellectual exploration. The true heart of this extraordinary collection is undoubtedly Francesco Parmigianino’s cycle of frescoes adorning a small, intimate chamber—a space transformed into an immersive theatrical experience by the artist's masterful hand. Commissioned between 1523 and 1524 by Count Galeazzo Sanvitale and his wife, Paola Gonzaga, these works depict scenes from Ovid’s

    Metamorphoses

    , specifically focusing on the dramatic encounter between Diana and Acteon. It is a narrative rife with symbolism concerning desire, transgression, and divine retribution, rendered with a sophistication that transcends mere decoration.

    Parmigianino's signature style is exquisitely displayed here, characterized by elongated figures and graceful poses imbued with an ethereal, almost otherworldly quality. His palette, dominated by muted and sophisticated hues, creates a sense of dreamlike elegance. In a departure from traditional perspective conventions, the artist favors a flattened pictorial space that enhances the emotional impact of the mythological drama, inviting the viewer to lose themselves in the fluid movement of the painted figures. For the art lover or collector, these frescoes represent one of the most significant examples of Mannerist mastery preserved within a domestic setting.

    A Window into Renaissance Science and Legacy

    Beyond the mastery of the brush, the Rocca Sanvitale offers a fascinating glimpse into the Renaissance spirit’s embrace of scientific curiosity. One of the museum's most unique and ingenious features is the

    camera ottica

    , an optical chamber that represents an unprecedented feat of engineering for its era. Within this dedicated room, an intricate system of mirrors and prisms projects a live view of Fontanellato’s bustling town square directly onto an interior wall. This mesmerizing illusion allows visitors to observe the life of the community from within the sanctuary of the castle, creating a bridge between the private world of the nobility and the public life of the town.

    The legacy of the Rocca continues through its preservation of the Sanvitale family's ancestral splendor. Having served as the home of this illustrious lineage until the mid-20th century, the castle retains an unparalleled sense of continuity, evident in the meticulously preserved furnishings and decorative arts that offer a glimpse into the opulent lifestyle of the Counts. Today, the Rocca transcends its role as a mere museum; it functions as a vibrant cultural hub, hosting exhibitions that foster a dialogue between the past and the present. For interior designers and historians alike, the castle remains an inexhaustible source of inspiration, embodying the timeless harmony of power, science, and sublime art.

    Where to read more

    Find this online

    QR code linking to the download page for Still-life with fish

    originaluniqueart.com/en/art/download/felice-boselli-still-life-with-fish-DD2EXU-en/

    Cite this artwork

    MLA
    Boselli, Felice. Still-life with fish. n.d., Rocca Sanvitale di Fontanellato. https://originaluniqueart.com/en/art/felice-boselli-still-life-with-fish-DD2EXU-en/
    APA
    Boselli, Felice (n.d.). Still-life with fish [Painting]. Rocca Sanvitale di Fontanellato. https://originaluniqueart.com/en/art/felice-boselli-still-life-with-fish-DD2EXU-en/
    Chicago
    Felice Boselli. Still-life with fish. n.d. Rocca Sanvitale di Fontanellato. https://originaluniqueart.com/en/art/felice-boselli-still-life-with-fish-DD2EXU-en/
    Harvard
    Boselli, Felice (n.d.) Still-life with fish. Rocca Sanvitale di Fontanellato. Available at: https://originaluniqueart.com/en/art/felice-boselli-still-life-with-fish-DD2EXU-en/

    Look closely

    Still-life with fish — Felice Boselli

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: still life painting, game hunting scene, dutch golden age. Do you agree? What would you add, or take away?
    4. Look back at Skinned Head of a Young Bull (1690), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Still-life with fish" by Felice Boselli a bright or a dark artwork?

    In terms of perceived brightness, "Still-life with fish" by Felice Boselli is balanced.

    How is the color composition of "Still-life with fish" by Felice Boselli built?

    In "Still-life with fish", a statement contrast is paired with a strong color unity harmony.

    What style does "Still-life with fish" belong to?

    The movement associated with "Still-life with fish" by Felice Boselli is Baroque. This classification situates the work among related artists and artworks.