Paper

Student Artwork Guide

Self Portrait

Name Class Date

Evelyn Blacklock, Self Portrait (1906). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Evelyn Blacklock originaluniqueart.com/en/artists/evelyn-blacklock/
Artist’s dates
1872 – 1948
Painted
1906
Original size
74 x 62 cm
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

In context

Self Portrait — Evelyn Blacklock

How big is it?

The original measures 74 × 62 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 76 at death.

Painted when the artist was 34. The artist lived to 76. 5 of the 11 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Evelyn Blacklock (1872–1948) ▲ this work, 1906 every dated painting, decade by decade

First works: up to 1900 Main working years: 1900–1911 Late works: from 1911

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/evelyn-blacklock-self-portrait-AQUBRY-en/

Colours

Measured from the image

    Main colour

    Walnut #73593d

    Catalogued palette

    • #73593D
    • #35281A
    • #CFC7B4
    • #9B8263

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Evelyn Blacklock over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.0%
    2. 2 United States of America 50.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by Evelyn Blacklock

    1. 1 A Dapple Grey Horse with Dogs beside a Wall, 1894 50.0%
    2. 2 Francis Alexander Wolryche Whitmore (1845–1927), on the Chestnut Horse, 'Whitelegs', 1907 25.0%
    3. 3 'Bo', a Pekingese Dog, 1917 25.0%
    4. — Self Portrait, 1906 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 11 works by this artist, of which 3 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Evelyn Blacklock

    A Life Shrouded in Dreams: The Enigmatic World of Evelyn Blacklock

    Evelyn Blacklock, born in 1872 and passing in 1948, remains a fascinatingly elusive figure within the landscape of early 20th-century British art. While biographical details are scarce—a testament to a life perhaps deliberately lived outside the glare of public attention—her paintings speak volumes, revealing a unique artistic sensibility steeped in symbolism, mythology, and the exploration of the subconscious mind. Blacklock’s work doesn't immediately shout for recognition; instead, it whispers, inviting viewers into a realm where dreams intertwine with reality, and inner landscapes take tangible form. Her creations, often categorized as Surrealist despite predating the formal movement’s peak, offer a compelling glimpse into a world shaped by personal vision and a quiet rebellion against artistic convention.

    Early Years and Artistic Development

    Information regarding Blacklock's early life is limited, but existing records suggest a dedication to portraiture and animal painting in her formative years. Works like “A Dapple Grey Horse with Dogs beside a Wall” (1894) demonstrate a Romantic sensibility, showcasing a serene mastery of landscape and an affection for the natural world. These earlier pieces reveal a technical proficiency grounded in realism, a foundation upon which she would later build her more unconventional style. The self-portrait from 1906 is particularly revealing; it’s not merely a depiction of physical likeness but a nuanced study of introspection, hinting at a deeper psychological exploration that would become central to her oeuvre. This period suggests an artist honing her skills while simultaneously turning inward, seeking a means of expression beyond mere representation. The muted palette and careful attention to detail in these early works foreshadow the symbolic weight she would later imbue into her compositions.

    The Emergence of a Unique Vision

    As Blacklock’s career progressed, her work underwent a significant transformation. While not explicitly aligning with any established school, her paintings began to exhibit qualities that resonate strongly with Surrealism—a fascination with dreams, the irrational, and the power of subconscious imagery. She delved into mythological themes, creating evocative scenes populated by enigmatic figures and symbolic creatures. This shift wasn’t abrupt; it was a gradual evolution fueled by an inner need to express something beyond the visible world. Her paintings are not literal interpretations of myths but rather poetic explorations of their underlying archetypes and emotional resonance. The influence of Symbolism is palpable, particularly in her use of color and form to convey mood and meaning.

    Themes and Techniques

    Blacklock’s artistic universe is characterized by a recurring set of themes: the power of dreams, the complexities of the human psyche, and the enduring allure of mythology. Her paintings often feature solitary figures lost in contemplation, surrounded by symbolic objects and landscapes that seem to exist on the periphery of reality. The subconscious is a dominant force in her work, manifesting as distorted perspectives, ambiguous narratives, and an overall sense of unease. She employed a meticulous technique, building up layers of oil paint to create rich textures and luminous surfaces. Her color palette, while often subdued, is carefully chosen to evoke specific emotions—deep blues and greens suggesting melancholy, warm ochres and reds hinting at passion or danger. Symbolic imagery abounds in her paintings: horses representing freedom and instinct, dogs embodying loyalty and companionship, and walls symbolizing barriers and limitations.

    Legacy and Historical Significance

    Despite a relatively quiet career, Evelyn Blacklock’s work holds an important place within the history of British art. Her exploration of Surrealist themes predates the formal emergence of the movement in Britain, making her a pioneering figure in this field. While she didn't actively seek recognition or participate in artistic circles, her paintings continue to captivate viewers with their enigmatic beauty and psychological depth.

    Her unique vision offers a compelling alternative to more conventional artistic styles.

    Blacklock’s work challenges traditional notions of representation, inviting viewers to engage with the subconscious mind.

    She stands as an example of an artist who remained true to her own inner voice, creating a body of work that is both deeply personal and universally resonant.

    The rediscovery of her paintings in recent years has sparked renewed interest in her life and work, solidifying her position as a significant—and often overlooked—figure in the landscape of 20th-century art. Her legacy lies not in grand pronouncements or public acclaim but in the quiet power of her images to evoke dreams, stir emotions, and challenge our perceptions of reality.

    Where to read more

    Find this online

    QR code linking to the download page for Self Portrait

    originaluniqueart.com/en/art/download/evelyn-blacklock-self-portrait-AQUBRY-en/

    Cite this artwork

    MLA
    Blacklock, Evelyn. Self Portrait. 1906, https://originaluniqueart.com/en/art/evelyn-blacklock-self-portrait-AQUBRY-en/
    APA
    Blacklock, Evelyn (1906). Self Portrait [Painting]. https://originaluniqueart.com/en/art/evelyn-blacklock-self-portrait-AQUBRY-en/
    Chicago
    Evelyn Blacklock. Self Portrait. 1906. https://originaluniqueart.com/en/art/evelyn-blacklock-self-portrait-AQUBRY-en/
    Harvard
    Blacklock, Evelyn (1906) Self Portrait. Available at: https://originaluniqueart.com/en/art/evelyn-blacklock-self-portrait-AQUBRY-en/

    Look closely

    Self Portrait — Evelyn Blacklock

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portrait, female artist, art supplies. Do you agree? What would you add, or take away?
    4. Look back at A Dapple Grey Horse with Dogs beside a Wall (1894), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How do the colors of "Self Portrait" relate to each other?

    The colors of "Self Portrait" by Evelyn Blacklock show a strong color unity harmony. Harmony describes how the colors relate to each other.

    How is the color composition of "Self Portrait" by Evelyn Blacklock built?

    The color analysis of "Self Portrait" by Evelyn Blacklock records a bold contrast and a strong color unity harmony.

    Who created "Self Portrait" and what style is it in?

    Behind "Self Portrait" stand Evelyn Blacklock and the Contemporary Realism movement.