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Student Artwork Guide

De-Icing Aircraft

Name Class Date

Eric William Ravilious, De-Icing Aircraft (1942), Imperial War Museums. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Eric William Ravilious originaluniqueart.com/en/artists/eric-william-ravilious/
Artist’s dates
1903 – 1942
Painted
1942
Original size
62 x 46 cm
Movement
Modernism The broad twentieth-century push to break with tradition and find forms that matched a changed world.
Held at
Imperial War Museums originaluniqueart.com/en/museums/imperial-war-museums-london/
Artistic style
Realistic watercolor painting
Influences
Paul Nash
Notable elements or techniques
Strong pattern design; contrasting camouflage.
Subject or theme
Winter airfield scene; aircraft maintenance.

In context

De-Icing Aircraft — Eric William Ravilious

How big is it?

The original measures 62 × 46 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 39 at death.

Painted when the artist was 39. The artist lived to 39. 5 of the 7 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Eric William Ravilious (1903–1942) ▲ this work, 1942 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/eric-william-ravilious-de-icing-aircraft-D488WX-en/

Colours

Measured from the image

    Main colour

    Celadon #b9bab4

    Catalogued palette

    • #B9BAB4
    • #DDD7CD
    • #6F6D62
    • #9A9E9B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Celadon
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Eric William Ravilious over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by Eric William Ravilious

    1. 1 Coastal defences, 1940 100.0%
    2. — De-Icing Aircraft, 1942 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 7 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    De-Icing Aircraft — Eric William Ravilious

    De-icing Aircraft – A Study in Texture and Isolation

    Eric Ravilious’s “De-icing Aircraft” (1942) isn't merely a depiction of a snowy airfield; it’s a masterful distillation of the anxieties and aspirations inherent in wartime Britain. Painted during Ravilious’s stint at RAF Clifton near York – a location chosen partly for its stark, wintry landscapes – this watercolour transcends simple observation to become a poignant meditation on resilience and the precarious beauty of confronting adversity. The artist himself eloquently captured the atmosphere: “Jolly cold, even with two jumpers and and a greatcoat and a warming parachute.”

    Subject Matter: The artwork centers around a scene of aviation during winter conditions – specifically, the meticulous process of removing ice from aircraft tails and fuselages. Two vintage airplanes dominate the composition, representing both technological advancement and vulnerability against the elements.

    Style: Ravilious’s style is firmly rooted in Magic Realism, blending realistic detail with an unsettling sense of dreamlike stillness. This juxtaposition creates a palpable tension between the mundane task of de-icing and the grandeur of the aircraft themselves.

    Technique: The artist employed wet-on-wet watercolor application—a technique known for its ability to achieve luminous washes and subtle gradations of color—to imbue the painting with an ethereal quality. Broken brushstrokes contribute to a textured surface that mimics the snowdrifts and icy surfaces depicted, enhancing the visual impact.

    Composition and Color Palette – Contrasts of Texture and Light

    The dominant element is undoubtedly the tail fin of a Bristol Blenheim light-bomber, positioned prominently on the left side of the image. Its intricate detailing—captured with remarkable precision—contrasts sharply with the vast expanse of white snow in the background. This deliberate juxtaposition underscores Ravilious’s fascination with pattern and design, mirroring the artist's meticulous approach to capturing visual information. The muted tones of grey and beige used for the aircraft’s camouflage further emphasize its isolation against the overwhelming brightness of the snowfall.

    Lighting: Diffused lighting from an overcast sky casts a soft glow across the scene, creating an atmosphere of quiet contemplation.

    Perspective: Flattened perspective lends a sense of immediacy to the artwork, suggesting a snapshot of a moment in time rather than a grand panoramic vista. Depth is achieved primarily through atmospheric perspective—objects in the distance appear paler and less defined—a technique Ravilious skillfully utilized to convey spatial relationships.

    Symbolism – Resilience Amidst Harsh Conditions

    Beyond its aesthetic qualities, “De-icing Aircraft” carries a deeper symbolic resonance. The act of scraping ice represents the effort required to overcome obstacles and maintain functionality in challenging circumstances—a metaphor for Britain’s determination during World War II. Ravilious's masterful use of color and texture communicates not only the visual beauty of the Yorkshire landscape but also an underlying message about perseverance and finding solace in simplicity. The image encapsulates a profound appreciation for the quiet dignity of confronting hardship with courage and ingenuity, cementing Ravilious’s legacy as one of Britain’s most evocative landscape artists.

    Conclusion – An Artistic Reflection on Wartime Spirit

    “De-icing Aircraft” stands as a testament to Ravilious's artistic vision—a captivating blend of realism and dreamlike impressionism that captures the spirit of a nation grappling with uncertainty while simultaneously celebrating the enduring beauty of its natural surroundings. It’s a painting that invites viewers to contemplate not just what is seen but also what it represents: a poignant reminder that even amidst bleakest winters, there remains an unwavering commitment to maintaining composure and embracing the transformative power of observation.

    Artist and museum

    Artist

    Eric William Ravilious

    Born in Acton, United Kingdom

    Eric William Ravilious: A Life in Landscape and Design

    Early Life and Education

    Born on July 22, 1903, in Acton, London, Eric William Ravilious spent much of his formative years in Sussex.

    His parents ran an antiques shop, which likely fostered his early appreciation for design and the vernacular arts.

    He was educated at Eastbourne Municipal Secondary School for Boys before winning a scholarship to Eastbourne School of Art.

    In 1922, he furthered his studies at the Design School of the Royal College of Art, where he formed a close friendship with fellow artist Edward Bawden.

    Artistic Development and Influences

    Ravilious’s artistic style developed as a unique blend of modernist principles and a deep engagement with English landscape and traditional art forms.

    He was influenced by the work of Paul Nash, particularly in his depictions of the English countryside imbued with a sense of mystery and history.

    The clarity and precision of his wood engravings were also shaped by the Arts and Crafts movement’s emphasis on craftsmanship.

    His early works often featured watercolors of the South Downs and Castle Hedingham, showcasing his meticulous attention to detail and distinctive color palette.

    Career and Major Works

    Ravilious began teaching part-time at both Eastbourne School of Art and the Royal College of Art, supplementing his income while pursuing his artistic endeavors.

    In 1930, he married Eileen Lucy “Tirzah” Garwood, who was also an artist and engraver; they had three children together.

    He became known for his watercolors depicting English landscapes, interiors, and scenes of everyday life with a distinctive modernist sensibility.

    Notable works include Rain, Steam and Speed – The Great Western Railway, The Red House on the Hill, and numerous book illustrations and wood engravings.

    War Artist and Later Life

    During World War II, Ravilious was commissioned as an official war artist by the Air Ministry.

    He documented scenes of wartime Britain, including aircraft maintenance, coastal defenses, and life on military bases.

    His wartime paintings offer a unique perspective on the conflict, focusing on the everyday realities of those supporting the war effort rather than dramatic battle scenes.

    Tragically, Ravilious died in 1942 while serving as a war artist with the Royal Air Force; his plane went missing over Iceland.

    Legacy and Historical Significance

    Despite his relatively short life, Eric Ravilious left a lasting impact on British art.

    His work is celebrated for its unique clarity, precise technique, and evocative depictions of English landscape and culture.

    He helped to bridge the gap between modernist aesthetics and traditional subject matter, creating a distinctly English artistic vision.

    Ravilious’s paintings and engravings are held in major museum collections, including the Tate and the Victoria & Albert Museum, ensuring his continued recognition and appreciation by art lovers worldwide.

    His work continues to inspire artists today, offering a poignant reminder of a bygone era and a testament to the power of observation and artistic skill.

    Museum

    Imperial War Museums

    On show in London, United Kingdom

    A Sanctuary of Remembrance: Exploring the Imperial War Museums

    The weight of history settles upon you as you approach any branch of the Imperial War Museums (IWM). More than mere repositories of artifacts, these five institutions scattered across England—London, Duxford, HMS Belfast, Churchill War Rooms, and IWM North—are profound spaces dedicated to understanding the human experience of conflict. Founded in 1917 amidst the very storm of the First World War, initially as the National War Museum, its evolution into the Imperial War Museums reflects a broadening scope: from documenting Britain’s initial war effort to encompassing all modern conflicts involving British and Commonwealth forces. This isn't simply a chronicle of battles won or lost; it is an unflinching examination of war’s pervasive impact on individuals, societies, and the very fabric of our shared humanity. The IWM doesn’t shy away from complexity, instead offering a nuanced perspective that acknowledges both the grand strategies and the intimate tragedies inherent in warfare. It's a place where the echoes of sacrifice resonate within every hall, prompting reflection and fostering a deeper understanding of the costs of conflict.

    Echoes Within Walls: Architecture as Storyteller

    The architectural diversity of the IWM is itself a compelling narrative. Each location speaks to its unique history and purpose. The Southwark headquarters, housed within the solemn grandeur of a former hospital, carries an immediate sense of gravity—a space once dedicated to healing now devoted to confronting the wounds of war. Contrast this with the visceral experience of stepping aboard HMS Belfast, permanently moored on the Thames; here, you walk the decks where countless sailors lived and fought, feeling the steel beneath your feet resonate with echoes of naval warfare. The Churchill War Rooms offer an entirely different immersion—a descent into the claustrophobic underground bunker that served as Britain’s command center during World War II, a tangible connection to moments of immense pressure and critical decision-making. Then there's IWM Duxford, where historic hangars stand alongside the strikingly modern American Air Museum, designed by Sir Norman Foster—a testament to aviation history housed within an architectural masterpiece. Finally, IWM North in Greater Manchester presents a bold deconstructivist design by Daniel Libeskind, its three interlocking shards representing air, earth, and water, symbolizing the multifaceted nature of conflict and its enduring consequences. These buildings aren’t simply containers for exhibits; they are integral parts of the storytelling process, shaping our emotional response to the narratives within.

    A Tapestry of Experience: Collection Highlights

    The collections held across these five sites are breathtaking in their scope and intimacy. IWM London presents a comprehensive overview, from the trenches of World War I to the complexities of post-war conflicts, including poignant exhibits on the Holocaust. Here, you’ll encounter everything from colossal aircraft and tanks to delicate personal belongings—letters penned from the front lines, uniforms worn by soldiers, photographs capturing moments of both bravery and despair. HMS Belfast offers a unique glimpse into naval life, allowing visitors to explore engine rooms, gun turrets, and living quarters, while Duxford showcases Britain’s largest aviation collection, with historic fighter planes and bombers taking center stage. IWM North distinguishes itself through immersive exhibits and audiovisual presentations that focus on the social impact of modern conflicts. What truly sets the IWM apart is its dedication to preserving individual stories—oral histories, diaries, and personal accounts that breathe life into the broader historical narrative. These aren’t just objects; they are fragments of lives lived, sacrifices made, and memories preserved. Consider The Skipper, a portrait by Sir John Lavery depicting Captain William Lyons of HMT Semiramis, a poignant reminder of the individuals who served during wartime.

    Beyond Strategy: The Human Cost of Conflict

    The Imperial War Museums distinguish themselves from traditional military history institutions through a deliberate focus on the human cost of war. While strategic considerations and tactical maneuvers are acknowledged, the emphasis remains firmly fixed on the experiences of those who lived through conflict—soldiers, civilians, families left behind. This commitment to personal narratives is evident in every exhibit, fostering a deeper understanding of the emotional, psychological, and social consequences of warfare. The IWM doesn’t glorify battle; it seeks to illuminate its devastating impact, prompting reflection and encouraging dialogue about peace and reconciliation. It's this dedication to empathy and remembrance that makes a visit to any branch of the IWM such a profoundly moving experience—a journey not just through history, but into the heart of what it means to be human in times of conflict. The museum serves as a powerful reminder that behind every statistic, there is a story of loss, resilience, and enduring hope.

    A Living Legacy: Education and Engagement

    The IWM’s commitment extends far beyond its physical spaces. It serves as an invaluable resource for education, providing extensive materials for schools, researchers, and the general public. Through online archives, educational programs, and community outreach initiatives, the museum ensures that the lessons of history are accessible to all. The ongoing support offered through volunteering opportunities, membership schemes, and donation drives underscores its role as a vital cultural institution sustained by a passionate community. Visiting the Imperial War Museums is not merely an act of observation; it’s an invitation to engage with the past, learn from its complexities, and contribute to a future where remembrance informs understanding and promotes peace. The IWM stands as a testament to the enduring power of memory and its crucial role in shaping a more compassionate world.

    Where to read more

    Find this online

    QR code linking to the download page for De-Icing Aircraft

    originaluniqueart.com/en/art/download/eric-william-ravilious-de-icing-aircraft-D488WX-en/

    Cite this artwork

    MLA
    Ravilious, Eric William. De-Icing Aircraft. 1942, Imperial War Museums. https://originaluniqueart.com/en/art/eric-william-ravilious-de-icing-aircraft-D488WX-en/
    APA
    Ravilious, Eric William (1942). De-Icing Aircraft [Painting]. Imperial War Museums. https://originaluniqueart.com/en/art/eric-william-ravilious-de-icing-aircraft-D488WX-en/
    Chicago
    Eric William Ravilious. De-Icing Aircraft. 1942. Imperial War Museums. https://originaluniqueart.com/en/art/eric-william-ravilious-de-icing-aircraft-D488WX-en/
    Harvard
    Ravilious, Eric William (1942) De-Icing Aircraft. Imperial War Museums. Available at: https://originaluniqueart.com/en/art/eric-william-ravilious-de-icing-aircraft-D488WX-en/

    Look closely

    De-Icing Aircraft — Eric William Ravilious

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: winter airfield, wartime aviation, british landscape. Do you agree? What would you add, or take away?
    5. Look back at Coastal defences (1940), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    De-Icing Aircraft — Eric William Ravilious

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject matter depicted in ‘De-icing Aircraft’?

      • A A Landscape scene featuring rolling hills.
      • B B A detailed portrayal of a vintage airplane battling freezing temperatures.
      • C C An abstract representation of geometric shapes.
    2. 2. Which artistic style is most closely associated with Eric Ravilious’s ‘De-icing Aircraft’?

      • A Impressionism
      • B Cubism
      • C Magic Realism
    3. 3. What technique is prominently used in the watercolor painting to convey texture and detail?

      • A Oil paint blending
      • B Dry brush layering
      • C Acrylic pouring
    4. 4. The drawing contrasts the aircraft’s camouflage with what element of the environment?

      • A Rainfall
      • B Bright sunlight
      • C Snowdrifts
    5. 5. What inspired Ravilious's depiction of Yorkshire's landscape?

      • A Classical sculpture
      • B The influence of Paul Nash’s landscapes.
      • C Photographic realism

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2C · 3B · 4C · 5A

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What is "De-Icing Aircraft" made with, and in which style?

    In "De-Icing Aircraft", the acrylic on canvas technique meets the Modernism movement.

    What are the reproduction rights of "De-Icing Aircraft" at the Imperial War Museums?

    The original "De-Icing Aircraft" is at the Imperial War Museums, and the work is in the public domain - its copyright has expired.

    What is the overall mood of "De-Icing Aircraft" by Eric William Ravilious?

    The overall mood of "De-Icing Aircraft" by Eric William Ravilious is calm. The mood describes the general atmosphere of the work.