Paper
Name Class Date

Elliott Daingerfield, Cornelia Vanderbilt, The Mint Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Elliott Daingerfield originaluniqueart.com/en/artists/elliott-daingerfield/
Artist’s dates
1859 – 1932
Held at
The Mint Museum originaluniqueart.com/en/museums/the-mint-museum-charlotte/

In context

Cornelia Vanderbilt — Elliott Daingerfield

When might this have been painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 73 at death.

Shaded: the lifetime of Elliott Daingerfield (1859–1932) every dated painting, decade by decade

First works: up to 1895 Main working years: 1895–1914 Late works: from 1914

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • A Fantasy, 1912 originaluniqueart.com/en/art/elliott-daingerfield-a-fantasy-AQRM33-en/
  • Grief, 1895 originaluniqueart.com/en/art/elliott-daingerfield-grief-AQRLZT-en/
  • The Spirit of the Storm, 1912 originaluniqueart.com/en/art/elliott-daingerfield-the-spirit-of-the-storm-AQRM35-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/elliott-daingerfield-cornelia-vanderbilt-D97VFX-en/

Colours

Measured from the image

    Main colour

    Quinacridone Magenta #675b53

    Catalogued palette

    • #675B53
    • #A68C79
    • #856F5D
    • #967D69

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Monochrome The dominant colour family in the image.
    Main colour name
    Quinacridone Magenta
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Elliott Daingerfield over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 81.2%
    2. 2 United States of America 12.5%
    3. 3 United Kingdom 6.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 13 most looked-at works by Elliott Daingerfield

    1. 1 Return from the Farm, 1920 11.1%
    2. 2 A Fantasy, 1912 11.1%
    3. 3 Grand Canyon, Moonlight, 1913 11.1%
    4. 4 Flowers, 1888 11.1%
    5. 5 Landscape at Dusk 11.1%
    6. 6 Coming Storm 11.1%
    7. 7 Landscape, 1918 5.6%
    8. 8 Lotus Land, 1920 5.6%
    9. 9 A Quaint Oriental Shop 5.6%
    10. 10 Landscape with Green Mountain, 1900 5.6%
    11. 11 Slumbering Fog, 1905 5.6%
    12. 12 Long day 5.6%
    13. — Cornelia Vanderbilt this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 43 works by this artist, of which 12 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Elliott Daingerfield

    The Visionary Spirit of Elliott Daingerfield

    Elliott Daingerfield stands as one of North Carolina’s most celebrated and evocative artists, a painter whose work bridged the gap between the tangible beauty of the American landscape and the profound depths of spiritual symbolism. Born in 1859 in Harpers Ferry, West Virginia, to a Confederate officer, Daingerfield’s early life was shaped by the rugged landscapes of his youth in Fayetteville, North Carolina. This deep-seated connection to the natural world would later become the foundation of his artistic language, providing him with an endless reservoir of inspiration for his sweeping vistas and luminous compositions.

    His journey into the heart of the American art establishment began at the age of twenty-one when he moved to New York City. It was here that Daingerfield’s formal training took root under the guidance of Walter Satterlee, an apprenticeship that not only introduced him to the delicate nuances of still life painting but also placed him within a vibrant circle of influential masters. The shadows and light of his early studies were profoundly transformed by his encounters with titans such as George Inness and Albert Pinkham Ryder. These luminaries, along with the burgeoning influence of European Symbolism which he encountered during his travels abroad around 1897, guided him toward a visionary style. His work began to transcend mere representation, moving toward an expressive mode where color palettes became more luminous and brushwork more meticulous, designed to convey unseen spiritual truths.

    A Legacy of Light and Devotion

    As his career matured, Daingerfield achieved significant recognition within the prestigious National Academy of Design, ascending from an associate member in 1902 to full membership by 1906. This era marked his emergence as a master of religious and monumental art. His ability to weave narrative and emotion into large-scale works was perhaps most brilliantly demonstrated in his impactful commissions for sacred spaces, most notably the monumental mural adorning Saint Mary the Virgin Church in New York City. In these works, Daingerfield utilized a dramatic interplay of light and shadow to tell stories of faith, much like his more intimate pieces such as Monk Smelling a Bottle of Wine, which explores the delicate tension between indulgence and devotion.

    Beyond the confines of religious iconography, Daingerfield’s fascination with the grandeur of the American wilderness led him to remarkable heights. His travels to the American West in 1911 and 1913 resulted in a series of breathtaking paintings of the Grand Canyon, where he captured the geological majesty of the landscape through a Romantic lens. Whether depicting a moonlit forest in A Fantasy or the melancholic beauty of a young girl in Shepherdess, his oeuvre is characterized by an impasto texture and an evocative mood that invites the viewer into a dreamlike state.

    Daingerfield’s contribution to American art extends beyond the canvas; he was also a dedicated scholar and biographer, documenting the lives of his contemporaries like George Inness and Ralph Albert Blakelock. His life, marked by both personal tragedy and immense professional triumph, concluded in Manhattan in 1932. Today, his legacy remains etched in the landscapes of North Carolina and the halls of museums worldwide, reminding us of a time when art served as a profound window into the soul of nature.

    Museum

    The Mint Museum

    On show in Charlotte, United States of America

    A Legacy Forged in Gold: Unveiling The Mint Museum’s Dual Narrative

    The Mint Museum isn't merely a repository of art; it’s a tangible embodiment of transformation, a place where the echoes of American currency resonate alongside the vibrant pulse of contemporary creativity. Born from the unlikely repurposing of Charlotte’s historic U.S. Mint branch – a building that once safeguarded fortunes in gold – the museum stands as a remarkable testament to the enduring power of cultural preservation and artistic reinvention. Walking through its walls is akin to stepping between epochs, experiencing the stately formality of the Federal-style Randolph location juxtaposed against the sleek, modern lines of Uptown Charlotte. This architectural duality immediately speaks to the museum’s core mission: to bridge the gap between historical reverence and innovative expression, a concept beautifully realized throughout its diverse collections.

    The story begins in 1837 with the opening of the Charlotte Branch Mint, a vital cog in the nation's financial machinery. For nearly a century, it diligently produced coins, shaping not just the American economy but also the very fabric of local identity. However, as with many institutions tied to historical processes, the Mint’s function shifted and eventually declined following the Civil War. Rather than succumb to obsolescence, the building was resurrected in 1936, reborn as a space dedicated to the appreciation and understanding of art – a bold declaration that even the most utilitarian structures could be imbued with beauty and meaning. Today, this legacy continues to unfold across two distinct locations, each offering a unique pathway into the world of artistic exploration.

    A Tapestry Woven Across Continents and Centuries

    The Mint Museum’s collection is an astonishingly rich and diverse tapestry, spanning continents and millennia. At its heart lies a profound dedication to North Carolina pottery – a remarkable testament to regional craftsmanship and artistic evolution. These aren't simply displayed objects; they are windows into the lives and traditions of generations past, each piece whispering stories of skill, innovation, and cultural identity. The museum’s commitment extends far beyond this regional focus, encompassing an impressive array of American art from the late 1700s to circa 1945, featuring iconic portraits that capture the spirit of a bygone era alongside the sweeping landscapes of the Hudson River School painters – masters who sought to capture the sublime beauty of the American wilderness.

    But the museum’s scope extends far beyond North America. The Art of the Ancient Americas collection is a truly captivating journey, transporting visitors over 4,500 years into the heart of lost civilizations. From intricate body adornments and functional tools transformed into objects of exquisite beauty to ceremonial artifacts that offer tantalizing glimpses into forgotten rituals and beliefs, these pieces speak volumes about the ingenuity and spiritual depth of ancient cultures. And in its contemporary holdings, the Mint Museum has established itself as a national leader, showcasing works on paper, sculpture, photography, and an ever-expanding collection of craft and design – a field where tradition and experimentation converge to create truly groundbreaking art.

    The Heartbeat of Craft: A Celebration of Handmade Artistry

    What distinguishes The Mint Museum from countless other institutions is its unwavering dedication to the realm of craft and design. This isn’t merely an adjunct to the broader collection; it's a central pillar, celebrated in dedicated spaces that showcase artistic innovation across a breathtaking range of materials – glass, metal, fiber, wood, mixed-media, and clay. The museum recognizes craft not as a lesser art form but as a dynamic field where tradition meets experimentation, functionality intertwines with aesthetics, and artists push the boundaries of material and technique. This commitment is deeply rooted in Charlotte’s own rich heritage of craftsmanship, fostering a vibrant dialogue between contemporary makers and audiences alike.

    The Mint Museum of Craft + Design isn't simply about displaying objects; it’s about championing a way of thinking – one that values skill, creativity, and the transformative power of handmade artistry. It’s an invitation to appreciate the dedication and expertise involved in creating something with your own hands, a reminder of the beauty inherent in imperfection and the stories embedded within each unique piece.

    Experiencing The Mint: A Journey Through Time and Innovation

    Visiting The Mint Museum is more than just a passive observation; it’s an immersive experience designed to engage visitors on multiple levels. Interactive exhibits encourage exploration, while guided tours led by knowledgeable docents provide deeper insights into the collections' historical context and artistic significance. The museum actively cultivates a sense of community through educational programs, cultural events, and initiatives that make art accessible to all, ensuring that the transformative power of creativity is shared widely.

    The dual-location structure further enhances this experience. Randolph offers an intimate encounter with history and tradition, while Uptown pulsates with contemporary energy – a dynamic space showcasing current exhibitions like “Collidoscope: de la Torre Brothers Retro-Perspective,” which challenges perspectives and ignites imaginations through a unique exploration of vintage photography. Whether you are a seasoned collector seeking inspiration, an interior designer searching for unique aesthetic references, or simply an art enthusiast eager to expand your horizons, The Mint Museum promises a journey of discovery – a place where the past informs the present, and creativity knows no bounds.

    Where to read more

    • The artist Elliott Daingerfield originaluniqueart.com/en/artists/elliott-daingerfield/
    • The museum The Mint Museum originaluniqueart.com/en/museums/the-mint-museum-charlotte/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/elliott-daingerfield-cornelia-vanderbilt-D97VFX-en/

    Find this online

    QR code linking to the download page for Cornelia Vanderbilt

    originaluniqueart.com/en/art/download/elliott-daingerfield-cornelia-vanderbilt-D97VFX-en/

    Cite this artwork

    MLA
    Daingerfield, Elliott. Cornelia Vanderbilt. n.d., The Mint Museum. https://originaluniqueart.com/en/art/elliott-daingerfield-cornelia-vanderbilt-D97VFX-en/
    APA
    Daingerfield, Elliott (n.d.). Cornelia Vanderbilt [Painting]. The Mint Museum. https://originaluniqueart.com/en/art/elliott-daingerfield-cornelia-vanderbilt-D97VFX-en/
    Chicago
    Elliott Daingerfield. Cornelia Vanderbilt. n.d. The Mint Museum. https://originaluniqueart.com/en/art/elliott-daingerfield-cornelia-vanderbilt-D97VFX-en/
    Harvard
    Daingerfield, Elliott (n.d.) Cornelia Vanderbilt. The Mint Museum. Available at: https://originaluniqueart.com/en/art/elliott-daingerfield-cornelia-vanderbilt-D97VFX-en/

    Look closely

    Cornelia Vanderbilt — Elliott Daingerfield

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at A Fantasy (1912), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Are the colors of "Cornelia Vanderbilt" by Elliott Daingerfield vivid or muted?

    "Cornelia Vanderbilt" by Elliott Daingerfield is recorded with a subtle color saturation and a balanced intensity.

    Where can I see the original "Cornelia Vanderbilt" by Elliott Daingerfield?

    The original "Cornelia Vanderbilt" by Elliott Daingerfield is held at The Mint Museum, Charlotte, United States of America. A reproduction allows the work to be displayed at home.

    Is there a slideshow for "Cornelia Vanderbilt" by Elliott Daingerfield?

    The diaporama of "Cornelia Vanderbilt" can be watched on the artwork's Diaporama page.