Paper

Student Artwork Guide

Penitent Magdalene

Name Class Date

El Greco, Penitent Magdalene (1590), Cau Ferrat Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
El Greco originaluniqueart.com/en/artists/el-greco/
Artist’s dates
1541 – 1614
Painted
1590
Medium
Oil On Canvas
Original size
109 x 96 cm
Period
Renaissance
Held at
Cau Ferrat Museum originaluniqueart.com/en/museums/cau-ferrat-museum-sitges/
Artistic style
Dramatic lighting; expressive color palette
Influences
Titian
Notable elements or techniques
Chiaroscuro; elongated figures
Subject or theme
Religious penitence; Mary Magdalene

In context

Penitent Magdalene — El Greco

How big is it?

The original measures 109 × 96 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1540
  2. 1550
  3. 1560
  4. 1570
  5. 1580
  6. 1590
  7. 1600
  8. 1610

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 73 at death.

Painted when the artist was 49. The artist lived to 73. 125 of the 344 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of El Greco (1541–1614) ▲ this work, 1590 every dated painting, decade by decade

First works: up to 1580 Main working years: 1580–1603 Late works: from 1603

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/el-greco-penitent-magdalene-D2SLRP-en/

Colours

Measured from the image

    Main colour

    Black #22090c

    Catalogued palette

    • #22090C
    • #52301F
    • #816C41
    • #B79F6F

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Black
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by El Greco over the last twelve months — 50 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 48.0%
    2. 2 United States of America 8.6%
    3. 3 Hong Kong 8.3%
    4. 4 Singapore 7.1%
    5. 5 France 5.1%
    6. 6 Spain 4.3%
    7. 7 Romania 3.9%
    8. 8 Ukraine 2.6%
    9. 9 Italy 2.0%
    10. 10 Brazil 1.4%
    11. · 40 other countries 8.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by El Greco

    1. 1 The Burial of the Count of Orgaz, 1586 3.3%
    2. 2 View of Toledo, 1599 2.6%
    3. 3 The Crucifixion, 1594 1.7%
    4. 4 Laocoön, 1610 1.5%
    5. 5 The Opening of the Fifth Seal (The Vision of St John), 1610 1.5%
    6. 6 Christ Healing the Blind, 1570 1.4%
    7. 7 Mary Magdalen in Penitence, 1576 1.3%
    8. 8 The Opening of the Fifth Seal (detail), 1608 1.3%
    9. 9 A View of Toledo, 1597 1.2%
    10. 10 The Holy Family with St. Anne and the Young St. John the Baptist, 1601 1.1%
    11. 11 Christ Carrying the Cross, 1580 1.1%
    12. 12 The Burial of the Count of Orgaz (detail), 1586 1.1%
    13. 13 The Annunciation, 1570 1.0%
    14. 14 Portrait of Pope Pius V, 1605 1.0%
    15. 15 Christ Healing the Blind Man 0.9%
    16. 16 St. Joseph and the Christ Child, 1599 0.9%
    17. 17 An Allegory with a Boy Lighting a Candle in the Company of an Ape and a Fool (Fábula), 1600 0.8%
    18. 18 St Louis, King of France, with a Page, 1592 0.8%
    19. 19 Christ on the Cross Adored by Two Donors, 1580 0.8%
    20. 201 Penitent Magdalene, 1590 this painting 0.1%

    Together these works take 25.4% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 479 works by this artist, of which 336 were looked at at least once. This painting ranks 201 of them, with 0.1% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Penitent Magdalene — El Greco

    Introduction to El Greco and The Penitent Magdalene

    El Greco (Doménikos Theotokopoulos), born in Crete, was a Greek painter, sculptor, and architect of the Spanish Renaissance. He is renowned for his unique style that combines elements of Byzantine, Italian, and Spanish art. One of his most famous works, The Penitent Magdalene, is an exceptional example of his mastery in capturing emotion and spirituality.

    Details of The Penitent Magdalene

    Created around 1580-1585, The Penitent Magdalene is an oil on canvas painting measuring approximately 39 x 31 inches (100 x 79 cm). This masterpiece showcases El Greco's innovative style and his ability to convey deep emotion through the use of color, light, and composition.

    Style and Analysis

    The Penitent Magdalene is a powerful representation of Mary Magdalene in a state of deep penitence. El Greco's elongated figures, dramatic lighting, and vivid colors create an intense emotional atmosphere that draws the viewer into the scene. The artist's use of chiaroscuro (strong contrast between light and dark) highlights the figure of Mary Magdalene, making her the focal point of the composition. The painting is characterized by its dynamic movement, with Mary Magdalene's body twisting in a spiral as she turns away from worldly pleasures towards a life of devotion to God. Her facial expression and posture convey a profound sense of remorse and introspection, inviting the viewer to reflect on their own spiritual journey.

    Location and Significance

    Originally created for private devotion, The Penitent Magdalene is now part of the permanent collection at the Nelson-Atkins Museum of Art in Kansas City, Missouri. This painting is considered one of El Greco's most important works and serves as a testament to his artistic genius and his ability to convey complex emotions through visual art.

    Conclusion

    In conclusion, The Penitent Magdalene by El Greco is an exceptional example of Renaissance art that showcases the artist's unique style and mastery in capturing emotion and spirituality. This painting serves as a powerful reminder of the human capacity for transformation and redemption, making it a must-see for anyone interested in art, history, or spirituality.

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    Artist and museum

    Artist

    El Greco

    Born in Crete, Greece

    A Life Forged in Faith and Fire

    Doménikos Theotokópoulos, known to the world as El Greco – “the Greek” – was a painter whose life and work defied easy categorization. Born in 1541 on the island of Crete, then under Venetian rule, his artistic journey led him through Venice and Rome before finding its ultimate expression in the spiritual heartland of Spain: Toledo. El Greco wasn’t merely a product of these places; he synthesized their influences into something wholly unique, a style that anticipated the emotional intensity of Expressionism and the fragmented forms of Cubism centuries later. His early training within the Byzantine tradition instilled in him a meticulous attention to detail and a profound understanding of religious iconography. This foundation, however, wouldn’t confine him. He signed his works in Greek, often appending “Krḗs” – Cretan – as a proud declaration of his origins, even as he ventured into new artistic territories. The seeds of his distinctive style were sown not just in technique but also in the fervent religious climate of his homeland and the rich tapestry of Venetian art.

    From Venice to Toledo: A Transformation

    The move to Venice around 1567 marked a pivotal moment. Immersed in the vibrant artistic scene, El Greco studied the masters – Titian, Tintoretto, Veronese – absorbing their mastery of color, composition, and dramatic lighting. He learned to loosen his brushwork, to embrace the sensuality of oil paint, and to depict figures with a newfound dynamism. This Venetian influence is visible in early works like St. Sebastian (1600), where anatomical detail blends seamlessly with an almost theatrical use of light and shadow. A subsequent sojourn in Rome exposed him to Mannerism, a style characterized by elongated forms, distorted perspectives, and sophisticated compositions. While he demonstrated considerable talent, El Greco found it difficult to gain widespread recognition in the competitive Roman art world. It was his relocation to Toledo in 1577 that finally allowed his singular vision to flourish. The city, then a center of religious fervor during the Counter-Reformation, provided both patronage and an atmosphere conducive to his intensely spiritual paintings.

    A Style Unlike Any Other

    El Greco’s artistic style is instantly recognizable – and utterly captivating. His figures are often dramatically elongated, their bodies stretched and contorted in poses that convey a sense of spiritual ecstasy or profound anguish. This isn't mere stylistic affectation; it’s an attempt to depict the unseen, the emotional and spiritual realities that lie beyond the surface of things. He masterfully employed color – not necessarily realistic color, but vibrant, often unnatural hues – to heighten the emotional impact of his work. Dramatic lighting, with stark contrasts between light and shadow, creates a theatrical effect, drawing the viewer into the heart of the scene. The Burial of the Count of Orgaz (1586-1588), considered his masterpiece, exemplifies these qualities perfectly. The painting depicts a miraculous event – the descent of saints to bury a pious nobleman – with remarkable realism in the portrayal of contemporary figures juxtaposed against ethereal, elongated forms representing divine intervention. He blended Byzantine traditions with Italian Renaissance techniques, forging a style that was both innovative and deeply personal. His later works became increasingly mystical, reflecting his own profound religious beliefs and a growing detachment from conventional artistic norms.

    Legacy and Rediscovery

    Despite achieving considerable success during his lifetime – receiving important commissions from churches and monasteries in Toledo – El Greco’s work fell into relative obscurity after his death in 1614. For centuries, he was largely overlooked by art historians, dismissed as an eccentric or a provincial artist. It wasn't until the 20th century that his genius began to be fully appreciated. Artists like Picasso and Braque recognized him as a precursor to modern art, particularly Cubism, admiring his distorted forms and unconventional perspectives. His expressive style resonated with the Expressionists, who sought to convey emotional intensity through bold colors and dramatic compositions. Today, El Greco is celebrated as one of the most important figures in Western art history – a visionary painter whose work continues to captivate audiences with its spiritual depth, emotional power, and unique artistic vision. His paintings are not merely representations of religious scenes; they are windows into the soul, testaments to the enduring power of faith, and celebrations of the human spirit’s capacity for transcendence.

    Notable Works

    The Burial of the Count of Orgaz (1586-1588): His undisputed masterpiece, a monumental work blending realism and spiritual intensity.

    View of Toledo (1596-1600): A dramatic landscape showcasing the city in a swirling, atmospheric style, capturing its essence with an almost visionary quality.

    The Opening of the Fifth Seal (1608-1614): Part of a series inspired by the Book of Revelation, this painting exemplifies El Greco’s apocalyptic vision and his mastery of dramatic composition.

    St. Sebastian (1600): A powerful depiction of the saint, blending anatomical detail with theatrical lighting and emotional intensity.

    El Espolio (The Disrobing of Christ) (1577-1579): An early work showcasing his Venetian influences and dramatic use of color and light.

    Museum

    Cau Ferrat Museum

    On show in Sitges, Spain

    A Sanctuary of Modernisme: Exploring the Cau Ferrat Museum

    Nestled along the sun-drenched coast of Sitges, Spain, the Cau Ferrat Museum isn’t merely a repository for art; it's an immersive experience, a tangible echo of a bygone era and the visionary spirit of Santiago Rusiñol. More than just a collection of paintings and sculptures, this meticulously restored building—once a humble fisherman’s dwelling—stands as a testament to Catalan Modernisme, a movement that sought to fuse art with life itself. Stepping through its weathered doors is akin to entering the very mind of an artist, wandering through spaces imbued with his passions, his aesthetic ideals, and the vibrant soul of a community transformed by artistic fervor.

    Rusiñol’s transformation of this modest structure began in 1893. He envisioned it not just as a home, but as a ‘Total Art’ laboratory—a space where painting, sculpture, architecture, and even the surrounding landscape would coalesce into a unified expression. This ambition is immediately apparent in the building's evolution. Initially a single dwelling, Rusiñol strategically acquired the neighboring property, creating an expansive environment that could accommodate his burgeoning collection and his ambitious creative endeavors. The result is a harmonious blend of historical elements and innovative design—a deliberate layering of time and artistic intent.

    A striking feature of the Cau Ferrat’s architecture is the incorporation of grand Gothic windows salvaged from Sitges's demolished old castle. These architectural fragments, meticulously integrated into the façade, aren’t simply decorative; they frame breathtaking views of the Mediterranean Sea, bathing the interior spaces in a perpetual dance of light and shadow. The building’s wrought ironwork—a medium Rusiñol elevated to an art form in its own right—further emphasizes this commitment to ‘Total Art,’ weaving itself throughout the structure as both functional elements and sculptural statements. The entire building feels less like a museum and more like a carefully constructed, breathing artwork.

    A Collector’s Vision: Treasures Within

    The collection at Cau Ferrat is as eclectic and captivating as the man who assembled it. While Rusiñol's own paintings—evocative landscapes of the Catalan countryside and intimate portraits capturing the essence of local life—form a significant portion of the museum’s holdings, his artistic vision extended far beyond his personal work. The collection reveals a deep appreciation for masters across time and style.

    Perhaps one of the most celebrated highlights is the remarkable assemblage of works by El Greco, acquired during Rusiñol's time in Paris. These pieces—particularly two pivotal paintings—stand as testaments to Rusiñol’s discerning eye and his recognition of artistic brilliance that transcended conventional boundaries. Beyond painting, the museum boasts an impressive array of sculptures, ceramics, glasswork, and archaeological finds, all carefully curated to reflect Rusiñol's broad aesthetic interests. The presence of works by contemporaries like Ramón Casas, Zuloaga, and even early pieces by Picasso underscores Cau Ferrat’s role as a vital hub for artistic exchange during the late 19th and early 20th centuries.

    A Bohemian Haven: Echoes of a Vibrant Past

    Cau Ferrat wasn't simply Rusiñol’s home; it was a magnet for the leading intellectuals, artists, and musicians of the era. The museum’s history is inextricably linked to the names of luminaries such as Joan Maragall, Emilia Pardo Bazán, Eugène Ysaÿe, and Manuel de Falla—figures who gathered within its walls to debate ideas, share inspiration, and shape the cultural landscape of Catalonia.

    These gatherings transformed Cau Ferrat into a vibrant salon, a place where artistic boundaries blurred and new creative possibilities emerged. The building became synonymous with the ‘Festes Modernistes,’ a series of events celebrating Catalan culture and art in the late 19th century. Rusiñol’s generous bequest of the building and its contents to the town of Sitges in 1933 ensured that this artistic haven would remain accessible to future generations, fulfilling his desire to share his legacy with the world.

    Notable Exhibitions & Ongoing Engagement

    Today, the Cau Ferrat Museum continues to evolve as a dynamic cultural space. Beyond its permanent collection, the museum actively engages with contemporary art through rotating exhibitions and events, ensuring that Rusiñol’s vision remains relevant and inspiring for new audiences.

    Currently, visitors can explore a fascinating exhibition dedicated to Miquel Villà, a prominent figure in Spanish Fauvism. The museum also offers virtual tours accessible globally, extending its reach beyond the shores of Sitges. Furthermore, regular events—artist talks, workshops, and concerts—bring the spirit of ‘Total Art’ back to life, fostering a sense of community and creative exchange.

    Experiencing Cau Ferrat Today

    A visit to the Cau Ferrat Museum is more than just an art appreciation experience; it's a journey through time, a glimpse into the mind of a visionary artist, and a celebration of Catalan Modernisme. The building itself—with its stunning architecture, rich history, and captivating collection—is a testament to Rusiñol’s enduring legacy. Don’t miss the opportunity to immerse yourself in this remarkable sanctuary of art and creativity.

    Where to read more

    Find this online

    QR code linking to the download page for Penitent Magdalene

    originaluniqueart.com/en/art/download/el-greco-penitent-magdalene-D2SLRP-en/

    Cite this artwork

    MLA
    Greco, El. Penitent Magdalene. 1590, Cau Ferrat Museum. https://originaluniqueart.com/en/art/el-greco-penitent-magdalene-D2SLRP-en/
    APA
    Greco, El (1590). Penitent Magdalene [Painting]. Cau Ferrat Museum. https://originaluniqueart.com/en/art/el-greco-penitent-magdalene-D2SLRP-en/
    Chicago
    El Greco. Penitent Magdalene. 1590. Cau Ferrat Museum. https://originaluniqueart.com/en/art/el-greco-penitent-magdalene-D2SLRP-en/
    Harvard
    Greco, El (1590) Penitent Magdalene. Cau Ferrat Museum. Available at: https://originaluniqueart.com/en/art/el-greco-penitent-magdalene-D2SLRP-en/

    Look closely

    Penitent Magdalene — El Greco

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: mary magdalene, repentance, faith. Do you agree? What would you add, or take away?
    4. Look back at The Burial of the Count of Orgaz (1586), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. El Greco was about 49 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Penitent Magdalene — El Greco

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is El Greco’s ‘Penitent Magdalene’ primarily associated with?

      • A Renaissance
      • B Baroque
      • C Mannerism
    2. 2. Around what year was ‘The Penitent Magdalene’ created?

      • A 1453-1455
      • B 1567-1569
      • C 1580-1585
    3. 3. What technique is prominently used in ‘The Penitent Magdalene’ to emphasize Mary Magdalene's figure?

      • A Fresco
      • B Tempera
      • C Chiaroscuro
    4. 4. Where is ‘The Penitent Magdalene’ currently housed?

      • A Louvre Museum
      • B Musée d'Orsay
      • C Nelson-Atkins Museum of Art
    5. 5. What does the spiral movement of Mary Magdalene’s body symbolize in the painting?

      • A Emotional turmoil
      • B Physical strength
      • C Religious devotion

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4C · 5A

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Is "Penitent Magdalene" by El Greco in the public domain, and why?

    "Penitent Magdalene" by El Greco is in the public domain - its copyright has expired. Copyright duration runs from the artist's death, which occurred in 1614.

    What shape and dimensions is "Penitent Magdalene" by El Greco?

    The format of "Penitent Magdalene" is portrait, and the original measures 109 x 96 cm. Both are useful when planning a reproduction.

    How much light do the colors of "Penitent Magdalene" appear to reflect?

    "Penitent Magdalene" by El Greco has a dark luminance. Luminance describes how much light the colors appear to reflect.