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Student Artwork Guide

One-Year Volunteer Lance-Corporal

Name Class Date

Egon Schiele, One-Year Volunteer Lance-Corporal (1916), Leopold Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Egon Schiele originaluniqueart.com/en/artists/egon-schiele/
Artist’s dates
1890 – 1918
Painted
1916
Medium
Pastel Sticks of almost pure pigment drawn straight onto paper; the colour is bright but rubs off easily.
Original size
313 x 480 cm
Period
Modern
Held at
Leopold Museum originaluniqueart.com/en/museums/leopold-museum-vienna/
Artistic style
Psychological realism
Influences
Austrian Expressionism
Notable elements or techniques
Detailed facial portraiture; expressive linework
Subject or theme
Military figure; introspection

In context

One-Year Volunteer Lance-Corporal — Egon Schiele

How big is it?

The original measures 313 × 480 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1890
  2. 1900
  3. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 28 at death.

Painted when the artist was 26. The artist lived to 28. 270 of the 327 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Egon Schiele (1890–1918) ▲ this work, 1916 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/egon-schiele-one-year-volunteer-lance-corporal-D3WPV2-en/

Colours

Measured from the image

    Main colour

    Putty #e6dccb

    Catalogued palette

    • #E6DCCB
    • #476E7C
    • #A49872
    • #71909A

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Egon Schiele over the last twelve months — 65 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 44.4%78,800 visits
    2. 2 United States of America 7.7%13,700 visits
    3. 3 Hong Kong 6.5%11,500 visits
    4. 4 Singapore 5.5%9,700 visits
    5. 5 Russia 3.8%6,700 visits
    6. 6 Italy 2.8%4,900 visits
    7. 7 Spain 2.5%4,500 visits
    8. 8 France 2.5%4,400 visits
    9. 9 Germany 2.3%4,100 visits
    10. 10 Lithuania 2.3%4,100 visits
    11. · 55 other countries 19.7%35,100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Egon Schiele

    1. 1 The Self-Seers II (Death and Man), 1911 5.9%14,900 visits
    2. 2 The Family, 1917 3.8%9,600 visits
    3. 3 Mother with Two Children, 1917 3.1%7,800 visits
    4. 4 Portrait of Wally, 1912 2.5%6,200 visits
    5. 5 House on a River (also known as Old House I), 1915 1.7%4,400 visits
    6. 6 Death and the Maiden, 1915 1.5%3,900 visits
    7. 7 Black-Haired Girl with Lifted Skirt, 1911 1.3%3,400 visits
    8. 8 Four Trees, 1917 1.3%3,300 visits
    9. 9 schiele gerti schiele 1.3%3,300 visits
    10. 10 Moa, 1911 1.2%3,000 visits
    11. 11 Self-Portrait in Yellow Vest, 1914, 1914 1.2%3,000 visits
    12. 12 Lovemaking, 1915 1.1%2,900 visits
    13. 13 Two Women Embracing, 1915 1.1%2,800 visits
    14. 14 Self Portrait as St. Sebastian (poster), 1914 1.1%2,700 visits
    15. 15 Autumn Trees, 1911 1.0%2,600 visits
    16. 16 Sunflower, 1909 1.0%2,400 visits
    17. 17 Self Portrait, 1912 0.9%2,200 visits
    18. 18 Crouching Woman with Green Headscarf, 1914 0.9%2,200 visits
    19. 19 Kneeling Female in Orange-Red Dress, 1910 0.9%2,200 visits
    20. 67 One-Year Volunteer Lance-Corporal, 1916 this painting 0.3%800 visits

    Together these works take 33.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 635 works by this artist, of which 447 were looked at at least once. This painting ranks 67 of them, with 0.3% of that attention (800 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    One-Year Volunteer Lance-Corporal — Egon Schiele

    A Portrait of Resilience: Examining Egon Schiele’s “One-Year Volunteer Lance-Corporal”

    The drawing "One-Year Volunteer Lance-Corporal," created by Austrian Expressionist painter Egon Schiele in 1916, transcends mere depiction; it embodies a profound meditation on vulnerability and the burden of duty amidst the turbulent backdrop of World War I. Produced during a period marked by immense societal upheaval and personal anguish for Schiele himself—a formative experience shaped by his father’s illness and subsequent death—the artwork speaks volumes about the artist's preoccupation with mortality and the psychological toll exacted upon individuals confronting conflict.

    Subject Matter: The portrait captures a young soldier, rendered in meticulous detail against a muted monochrome palette. His gaze is averted downwards, conveying a palpable sense of introspection—a deliberate choice that underscores Schiele’s fascination with capturing inner turmoil rather than presenting an idealized image of heroism.

    Style & Technique: Schiele's signature style—characterized by angular lines and distorted figures—is powerfully evident here. The artist employs a dry pastel technique, layering thin washes of pigment to achieve remarkable textural depth and luminosity despite the subdued color scheme. This method allows for subtle gradations of tone that heighten the emotional intensity of the composition.

    Historical Context: War’s Shadow Over Artistic Expression

    The year 1916 was a pivotal moment in European history, dominated by the horrors of World War I. Schiele's artistic output during this period reflects the pervasive anxieties and disillusionment felt across Europe—a reaction to the senseless violence and loss of life unfolding on the battlefield. The artist’s exploration of human fragility aligns perfectly with the broader cultural preoccupation with confronting death and suffering, mirroring the psychological landscape of a generation grappling with unprecedented trauma.

    Symbolism: Beyond its immediate depiction of a soldier, “One-Year Volunteer Lance-Corporal” operates on multiple symbolic levels. The downward gaze suggests defeat or resignation—a poignant commentary on the psychological impact of war and the inescapable confrontation with mortality. Furthermore, the two ties adorning the soldier’s jacket serve as visual anchors, subtly emphasizing the duality inherent in human experience: duty versus vulnerability.

    Emotional Impact: The drawing's unsettling stillness is deliberately crafted to evoke a feeling of unease and contemplation. Schiele skillfully utilizes tonal variations to convey an atmosphere of melancholy and introspection—a testament to his ability to translate psychological states into visual form. It’s not a triumphant portrayal of courage but rather a haunting reminder of the human condition under duress.

    Interior Design Considerations: Bringing Schiele's Vision Home

    For interior designers seeking inspiration, “One-Year Volunteer Lance-Corporal” offers a compelling dialogue between restraint and emotional resonance. Its monochrome palette—particularly effective in spaces bathed in natural light—creates a sense of serenity while simultaneously hinting at underlying complexities. Reproductions of this artwork can serve as focal points within minimalist interiors or contribute to creating contemplative atmospheres that honor the artist’s profound exploration of human emotion.

    Artist and museum

    Artist

    Egon Schiele

    Born in Vienna, Croatia

    A Life Forged in Expression

    Born in 1890 in the Austrian town of Tulln an der Donau, Egon Schiele’s life was a tempestuous journey marked by both extraordinary artistic vision and profound personal hardship. His early years were shadowed by illness and loss; his father succumbed to syphilis when Egon was just fourteen, a tragedy that would deeply resonate within his work, fueling an obsession with mortality and the fragility of existence. Raised initially by his mother and then under the somewhat controlling guardianship of his uncle Leopold Czihaczek, Schiele’s childhood lacked conventional stability but fostered a fiercely independent spirit. Even as a boy, he displayed an intense fascination with trains—a motif that subtly reappeared in later paintings—and a burgeoning talent for drawing, though this was initially met with disapproval from his father who saw it as a distraction from more practical pursuits. The early death of his sister Elvira also cast a long shadow over the young artist’s psyche. These formative experiences instilled within him a sensitivity and an emotional rawness that would become hallmarks of his artistic expression, a constant grappling with themes of life, death, and the human condition.

    The Crucible of Vienna: Artistic Development

    Schiele's formal artistic training began at the Kunstgewerbeschule (School of Arts and Crafts) in Vienna, but he quickly found himself stifled by its conservative approach. He transferred to the Akademie der bildenden Künste (Academy of Fine Arts), only to become further disillusioned with its rigid academic traditions. This dissatisfaction led him to abandon formal training altogether, choosing instead to forge his own path, a testament to his unwavering artistic conviction. The influence of Gustav Klimt was pivotal during these early years; Schiele admired Klimt’s decorative style and exploration of symbolism, even receiving mentorship from the established artist. However, Schiele soon diverged from Klimt's aesthetic, developing a distinctly individual voice characterized by its stark honesty and psychological intensity. He co-founded the Neues Wiener Kunstgruppe (New Viennese Art Group) in 1909, aligning himself with other progressive artists who challenged the prevailing artistic norms. His early works, often unsettling portraits and self-portraits, began to emerge as powerful statements of emotional turmoil, featuring distorted figures and a palpable sense of vulnerability. These paintings were not merely representations of physical form but explorations of the inner landscape—the anxieties, desires, and fears that haunted the human psyche. He sought to depict not what he saw, but what he felt.

    Raw Emotion and Unflinching Truth

    Egon Schiele’s art is immediately recognizable for its raw honesty and psychological depth. He fearlessly confronted themes often considered taboo – sexuality, death, anxiety, isolation – with an unflinching gaze. His distinctive style features elongated figures, contorted poses, and expressive lines that convey a sense of unease and emotional intensity. The human form, particularly the nude, became his primary subject, not as an object of idealized beauty but as a vessel for exploring the complexities of human experience. Self-portraits constitute a significant portion of his oeuvre, offering intimate glimpses into his inner world—a world often marked by loneliness and self-doubt. He didn’t shy away from depicting himself in unflattering or vulnerable poses, revealing a profound level of self-awareness and introspection. Beyond self-portraiture, Schiele created numerous portraits of others, capturing their likenesses with an unsettling realism that seemed to penetrate beneath the surface. His landscapes, while less central to his work than his figurative paintings, demonstrate his mastery of form and color, often reflecting the same emotional intensity as his portraits. The use of line is particularly striking in Schiele’s work; it's not merely a tool for defining shape but an expressive force that conveys emotion and psychological tension. Recurring motifs like the Physalis plant – symbolizing death and transience with its delicate, papery husk – further underscore this preoccupation with mortality.

    A Legacy Cut Short: Achievements & Significance

    Despite facing censorship and legal challenges – including a brief imprisonment for allegedly corrupting minors with his art – Schiele gained recognition within Vienna’s avant-garde circles. His work challenged the conventions of the time, provoking both admiration and outrage. By the time of his untimely death during the Spanish flu pandemic in 1918 at the age of twenty-eight, he had established himself as a leading figure in Austrian Expressionism. Significant works such as Self-Portrait with Physalis, Couple Embracing, and Field Landscape (Kreuzberg near Krumau) stand as testaments to his artistic genius. His influence on subsequent generations of artists is undeniable, particularly those interested in exploring psychological themes and challenging conventional artistic norms. Schiele’s bold approach to form and subject matter continues to resonate with audiences today, making him one of the most important and influential figures in early 20th-century art. His paintings are now held in major museum collections worldwide, including the Leopold Museum in Vienna and the Egon Schiele Art Centrum in Český Krumlov, ensuring his artistic legacy endures. He left behind a body of work that is not merely aesthetically compelling but profoundly human—a testament to the power of art to confront the complexities of existence with honesty, courage, and unwavering vision.

    Key Themes: Mortality, sexuality, isolation, psychological turmoil.

    Influences: Gustav Klimt, Viennese Secession, personal trauma.

    Style Characteristics: Elongated figures, contorted poses, expressive lines, raw emotion.

    Museum

    Leopold Museum

    On show in Vienna, Austria

    A Sanctuary of Austrian Modernism: The Leopold Museum’s Enduring Legacy

    Nestled within Vienna’s vibrant MuseumsQuartier, the Leopold Museum stands as more than just a repository of art; it's an immersive journey into the heart of Austria’s cultural evolution. Founded by the passionate collecting couple, Elisabeth and Rudolf Leopold, the museum began with a remarkably prescient vision – to recognize and preserve the often-overlooked voices of Austrian modernism, from the opulent embrace of the Vienna Secession to the raw emotionality of Expressionism. Their dedication, fueled by an unwavering belief in the significance of these artistic currents, resulted in one of the world’s most comprehensive collections of this pivotal period, a testament to their discerning eye and profound understanding of art history. The building itself, a meticulously restored former stable – a deliberate architectural choice that harmoniously blends historical preservation with modern design – speaks volumes about the Leopold's commitment to honoring Vienna’s imperial past while embracing contemporary aesthetics. Sunlight dances across the canvases within, inviting contemplation and revealing the depth and complexity of the works on display.

    The Schiele Phenomenon and Klimt’s Golden Legacy

    At the very heart of the Leopold Museum lies its world-renowned collection dedicated to Egon Schiele, an artist whose unsettling imagery and psychological depth continue to captivate and challenge viewers today. With over 500 paintings and drawings – representing nearly half of his entire artistic output – the museum offers an unparalleled opportunity to trace the evolution of Schiele’s distinctive style. His figures, often contorted and vulnerable, are not merely portraits but windows into the anxieties and passions of a generation grappling with societal upheaval. The collection isn't solely focused on Schiele; it also boasts significant masterpieces by Gustav Klimt, including iconic works that exemplify the Secessionist movement’s opulent ornamentation and symbolic language. The Kiss, perhaps Klimt’s most celebrated creation, embodies the era’s fascination with mythology, eroticism, and the transformative power of art – a shimmering testament to the beauty and sensuality of the period. Beyond these two titans, the museum showcases remarkable works by Oskar Kokoschka, Richard Gerstl, and other pivotal figures in Austrian art history, providing a comprehensive panorama of artistic innovation during this dynamic period. The juxtaposition of their styles and approaches reveals the multifaceted nature of modernism within Austria.

    Navigating Troubled Waters: A Commitment to Ethical Responsibility

    The Leopold Museum’s narrative is inextricably linked to the complex legacy of Nazi-looted art. The museum has bravely confronted this difficult history, undertaking extensive legal battles and engaging in painstaking research to repatriate artworks seized during World War II. This commitment to artistic integrity and a willingness to grapple with historical responsibility – a stance that sets it apart from many other institutions – is deeply commendable. The case of Portrait of Wally by Schiele, once at the center of a contentious legal dispute, exemplifies this dedication. The museum’s journey towards restitution reflects a growing awareness within the art world of the ethical obligations surrounding cultural heritage and the importance of acknowledging past injustices. The Leopold Museum's willingness to confront uncomfortable truths elevates it beyond a mere display space; it transforms it into a forum for dialogue and reflection on the complex relationship between art, history, and morality. The museum’s ongoing efforts in repatriation demonstrate a genuine commitment to rectifying historical wrongs and honoring the legacies of artists who were unjustly deprived of their work.

    A Living Legacy: Exhibitions and Ongoing Dialogue

    The Leopold Museum is not simply a static showcase of historical artifacts; it's a dynamic cultural hub that continually evolves through its exhibition programming. Beyond the permanent collection, the museum regularly hosts temporary exhibitions that explore specific themes within Austrian modernism or delve into the work of lesser-known artists who deserve wider recognition. These curated displays offer fresh perspectives on familiar masterpieces and introduce visitors to new discoveries, fostering an ongoing dialogue between art, scholarship, and the public. The museum also actively engages with contemporary artistic practices, creating a bridge between the past and present and demonstrating the enduring relevance of Austrian modernism in today’s world. The recent exhibition series focusing on “MODERNISM NOW” highlights how these foundational artists continue to resonate with contemporary audiences and inform current artistic trends. What truly distinguishes the Leopold Museum is its holistic approach—its ability to illuminate not only individual artists but also the broader cultural trends and intellectual debates that shaped their work, offering a rich and layered experience for every visitor.

    Additional Research & Architectural Notes

    The museum’s architectural design, incorporating elements of the original stable building, speaks volumes about the Leopold's respect for Vienna’s heritage. The exposed brickwork and soaring ceilings evoke the grandeur of the imperial past, while the modern interior spaces – bathed in natural light – create a sense of openness and accessibility. Furthermore, the museum’s commitment to transparency is evident in its ongoing efforts to address the issue of Nazi-looted art, as documented through extensive research and legal action. The Leopold Museum continues to be a vital center for scholarship and public engagement, fostering a deeper understanding of Austrian modernism and its enduring legacy.

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    Where to read more

    Find this online

    QR code linking to the download page for One-Year Volunteer Lance-Corporal

    originaluniqueart.com/en/art/download/egon-schiele-one-year-volunteer-lance-corporal-D3WPV2-en/

    Cite this artwork

    MLA
    Schiele, Egon. One-Year Volunteer Lance-Corporal. 1916, Leopold Museum. https://originaluniqueart.com/en/art/egon-schiele-one-year-volunteer-lance-corporal-D3WPV2-en/
    APA
    Schiele, Egon (1916). One-Year Volunteer Lance-Corporal [Painting]. Leopold Museum. https://originaluniqueart.com/en/art/egon-schiele-one-year-volunteer-lance-corporal-D3WPV2-en/
    Chicago
    Egon Schiele. One-Year Volunteer Lance-Corporal. 1916. Leopold Museum. https://originaluniqueart.com/en/art/egon-schiele-one-year-volunteer-lance-corporal-D3WPV2-en/
    Harvard
    Schiele, Egon (1916) One-Year Volunteer Lance-Corporal. Leopold Museum. Available at: https://originaluniqueart.com/en/art/egon-schiele-one-year-volunteer-lance-corporal-D3WPV2-en/

    Look closely

    One-Year Volunteer Lance-Corporal — Egon Schiele

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: military figure, portraiture, glasses. Do you agree? What would you add, or take away?
    4. Look back at The Self-Seers II (Death and Man) (1911), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Egon Schiele was about 26 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    One-Year Volunteer Lance-Corporal — Egon Schiele

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject matter depicted in ‘One-Year Volunteer Lance-Corporal’?

      • A A Detailed portrait of a soldier.
      • B An abstract representation of human emotion.
      • C A depiction of a young man wearing glasses.
    2. 2. The drawing showcases Schiele's signature style, characterized by:

      • A Realistic shading and meticulous detail.
      • B Bold lines and expressive distortions.
      • C Emphasis on color palettes inspired by Impressionism.
    3. 3. In what year was ‘One-Year Volunteer Lance-Corporal’ created?

      • A A. 1895
      • B B. 1906
      • C C. 1916
    4. 4. What artistic movement is Egon Schiele associated with?

      • A Renaissance.
      • B Baroque.
      • C Expressionism.
    5. 5. The image description highlights the artist's attention to detail, particularly in capturing:

      • A The subtle nuances of light and shadow.
      • B The grandeur of architectural settings.
      • C The precise rendering of anatomical proportions.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2B · 3C · 4C · 5A

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Can I order an oil reproduction of "One-Year Volunteer Lance-Corporal"?

    You can order a hand-painted reproduction of "One-Year Volunteer Lance-Corporal" by Egon Schiele directly on its Hand-Painted Reproduction page: a hand-painted oil reproduction on linen canvas, made to order.

    What national origin stands behind the Expressionist Movement of "One-Year Volunteer Lance-Corporal"?

    "One-Year Volunteer Lance-Corporal" was created by Egon Schiele, born in Croatia, within the Expressionist Movement movement. The artist's origin links the work to Expressionist Movement as practiced by artists from Croatia.

    How is the mood of "One-Year Volunteer Lance-Corporal" by Egon Schiele described?

    The overall mood of "One-Year Volunteer Lance-Corporal" by Egon Schiele is dramatic. The mood describes the general atmosphere of the work.