Paper

Student Artwork Guide

Marine

Name Class Date

Edward King Redmore, Marine, Ferens Art Gallery. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Edward King Redmore originaluniqueart.com/en/artists/edward-king-redmore/
Artist’s dates
1860 – 1941
Original size
31 x 51 cm
Held at
Ferens Art Gallery originaluniqueart.com/en/museums/ferens-art-gallery-hull/

In context

Marine — Edward King Redmore

How big is it?

The original measures 31 × 51 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 81 at death.

Shaded: the lifetime of Edward King Redmore (1860–1941) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/edward-king-redmore-marine-AQUD76-en/

Colours

Measured from the image

    Main colour

    Gray #7b9c97

    Catalogued palette

    • #7B9C97
    • #233D34
    • #4F7166
    • #A0C2B9

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Edward King Redmore over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 80.0%
    2. 2 Singapore 20.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 6 most looked-at works by Edward King Redmore

    1. 1 Dutch Craft 33.3%
    2. 2 Fishing Smacks in a Storm, 1890 16.7%
    3. 3 Ships in a Storm 16.7%
    4. 4 Fishing Smacks in a Cove, 1890 16.7%
    5. 5 Seascape 16.7%
    6. — Marine this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 12 works by this artist, of which 5 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Edward King Redmore

    The Quiet Observer: The Life and Legacy of Edward King Redmore

    Edward King Redmore (1860–1941) occupied a unique space within the vibrant, often turbulent landscape of Victorian and Edwardian art. Born in Stourbridge, Worcestershire, Redmore was far more than a mere chronicler of his era; he was a painter of profound empathy, dedicated to capturing the subtle rhythms of everyday existence. While the grand galleries of his time were often preoccupied with sweeping historical epics and mythological dramas, Redmore turned his gaze inward, toward the hearth, the village, and the sea. His work serves as a window into a vanishing world, preserving the quiet dignity of domesticity and the raw, unyielding power of the natural elements through a lens of meticulous realism.

    His artistic journey began with formal training at the Birmingham School of Art, an institution that provided him with a rigorous foundation in technique. During his formative years, the air of the British art world was thick with the influence of the Pre-Raphaelites and the burgeoning Aesthetic movement. One can sense the lingering echoes of Burne-Jones in Redmore’s commitment to narrative detail and the evocative use of light. However, rather than retreating into the ethereal or the symbolic, Redmore utilized these refined sensibilities to ground his subjects in a palpable reality. He possessed a rare ability to infuse the mundane with a sense of importance, transforming a simple domestic interior or a coastal vista into a profound meditation on human presence and the passage of time.

    Mastery of Light and Atmosphere

    Redmore’s technical prowess is perhaps most evident in his command over atmosphere and texture. He was an artist who understood that light does not merely illuminate a scene; it defines its emotional temperature. In his maritime works, such as the captivating "Ships in a Storm" and "Fishing Smacks in a Storm," he employs dramatic lighting to convey the visceral tension of life at sea. The viewer is not merely looking at a painting of boats; they are witnessing the struggle between man and nature. Through his skillful application of paint, particularly in works like "Seascape," Redmore utilized a textured impasto technique to render the misty, salt-sprayed air of the coast, allowing the physical substance of the oil paint to mirror the ruggedness of the landscape itself.

    This mastery extended seamlessly into his genre paintings, where the atmosphere shifted from the tempestuous to the tranquil. Redmore excelled at creating interiors that felt lived-in and warm, using soft, diffused light to highlight the textures of fabric, wood, and porcelain. These scenes of domesticity were never static; they breathed with the quiet energy of daily routines. Whether depicting a moment of familial affection or the solitary stillness of a room, his compositions possessed a rhythmic balance that guided the eye through layers of subtle social commentary and tender observation.

    A Lasting Impression on Victorian Realism

    The historical significance of Edward King Redmore lies in his role as a practitioner of a refined, observational realism. He belonged to a generation of artists who sought to find truth in the "unfiltered" world, rejecting the polished idealism of previous eras in favor of an honest portrayal of life. His work embodies the values of his time—industriousness, family unity, and a deep-seated respect for the natural world—yet it transcends mere period piece through its universal emotional resonance.

    While he may not have achieved the widespread fame of his more flamboyant contemporaries, Redmore’s contribution to the British tradition of genre painting is undeniable. His legacy is found in:

    The elevation of the everyday: Proving that ordinary domestic scenes possess as much narrative weight as historical triumphs.

    Technical innovation within realism: Using textured brushwork and dramatic chiaroscuro to bring a tactile reality to maritime and landscape subjects.

    Preservation of cultural identity: Providing a visual record of the social customs, aesthetics, and landscapes of late 19th-century Britain.

    Today, as we look back upon his oeuvre, Redmore’s paintings continue to offer a sense of profound connection, reminding us that there is immense beauty and complexity to be found in the quietest corners of our shared human experience.

    Museum

    Ferens Art Gallery

    On show in Hull, United Kingdom

    A Legacy Etched in Hull: The Soul of Ferens Art Gallery

    Nestled within the vibrant coastal embrace of Hull, United Kingdom, the

    Ferens Art Gallery

    stands as a profound testament to the transformative power of beauty and the enduring legacy of human creativity. To step through its doors is to embark on a journey that transcends time, moving seamlessly from the meticulous precision of the Old Masters to the evocative abstractions of the modern era. Established by the visionary industrialist

    Thomas Robinson Ferens

    , the gallery was born from a philanthropic dream to democratize art, ensuring that the treasures of the past and present remain accessible to all. It is not merely a repository for canvas and pigment; it is a living narrative of cultural evolution, where every brushstroke whispers stories of maritime adventure, societal shifts, and the eternal quest for aesthetic truth.

    The collection itself is a breathtaking tapestry of European excellence, anchored by works that define entire epochs. Visitors are often captivated by the gallery’s exceptional holdings in

    Dutch and Flemish art

    , where the masterful manipulation of light and shadow creates an almost tactile reality. One cannot help but feel the pulse of human emotion in the dynamic portraiture of

    Frans Hals

    , whose ability to capture a fleeting glance or a subtle smile remains unparalleled. This dialogue with light continues through the luminous Venetian landscapes of

    Canaletto

    , whose atmospheric perspectives transport the viewer to sun-drenched canals and bustling piazzas. For those drawn to the sea, the gallery’s collection of British Marine paintings offers a poignant connection to Hull’s own seafaring heritage, presenting dramatic scenes of naval life and the formidable, unpredictable force of the ocean.

    A Sanctuary of Light and Architectural Grandeur

    The architectural experience of the gallery is as much a part of the art as the paintings themselves. The building, a

    Grade II listed structure

    , exudes an understated grandeur and a sense of tranquil permanence. Following a significant restoration and extension in 1991 and a major £4.5 million makeover in preparation for the 2017 Turner Prize, the space has been transformed into a light-filled sanctuary designed for deep contemplation. The spacious galleries allow expansive canvases to breathe, while the architectural harmony of the building provides a serene backdrop that encourages visitors to linger.

    Beyond its permanent treasures, the gallery serves as a vital bridge to the 20th century and beyond, hosting significant temporary exhibitions that range from explorations of the Royal Collection to celebrated features on artists like

    Francis Bacon

    . This curated tension between tradition and innovation makes the gallery a sanctuary for both the seasoned art historian and the modern collector seeking inspiration. Whether wandering through the quietude of the permanent collections or engaging with the lively atmosphere of the children's gallery and cafe, one finds that the Ferens Art Gallery is an immersive experience where history, art, and architecture converge to inspire a lifelong passion for the sublime.

    Where to read more

    Find this online

    QR code linking to the download page for Marine

    originaluniqueart.com/en/art/download/edward-king-redmore-marine-AQUD76-en/

    Cite this artwork

    MLA
    Redmore, Edward King. Marine. n.d., Ferens Art Gallery. https://originaluniqueart.com/en/art/edward-king-redmore-marine-AQUD76-en/
    APA
    Redmore, Edward King (n.d.). Marine [Painting]. Ferens Art Gallery. https://originaluniqueart.com/en/art/edward-king-redmore-marine-AQUD76-en/
    Chicago
    Edward King Redmore. Marine. n.d. Ferens Art Gallery. https://originaluniqueart.com/en/art/edward-king-redmore-marine-AQUD76-en/
    Harvard
    Redmore, Edward King (n.d.) Marine. Ferens Art Gallery. Available at: https://originaluniqueart.com/en/art/edward-king-redmore-marine-AQUD76-en/

    Look closely

    Marine — Edward King Redmore

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Look back at Fishing Smacks in a Storm (1890), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What are the dimensions of the original "Marine" by Edward King Redmore?

    "Marine" measures 31 x 51 cm in its original form. Original dimensions are a useful reference when choosing a reproduction size.

    Can I see "Marine" by Edward King Redmore under different lights?

    "Marine" can be examined layer by layer on the artwork's X-Ray page, a viewer inspired by a conservator's light bench with eleven optical readings of the image.

    Does the copyright of "Marine" by Edward King Redmore allow reproductions?

    "Marine" by Edward King Redmore, held at the Ferens Art Gallery, is in the public domain - its copyright has expired. This status determines whether reproductions of the image may be made.