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Student Artwork Guide

The Elephant Lady

Name Class Date

Edward Burra, The Elephant Lady. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Edward Burra originaluniqueart.com/en/artists/edward-burra/
Artist’s dates
1905 – 1976

In context

The Elephant Lady — Edward Burra

When might this have been painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 71 at death.

Shaded: the lifetime of Edward Burra (1905–1976) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/edward-burra-the-elephant-lady-ARCVSM-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #191c18

    Catalogued palette

    • #191C18
    • #AD7334
    • #4D4933
    • #6E8485

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Edward Burra over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.0%100 visits
    2. 2 United States of America 50.0%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Edward Burra

    1. 1 The Band, 1934 33.3%100 visits
    2. 2 Woman with Rose, second state, 1971 33.3%100 visits
    3. 3 The Elephant Lady this painting 33.3%100 visits

    Together these works take 99.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 9 works by this artist, of which 3 were looked at at least once. This painting ranks 3 of them, with 33.3% of that attention (100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Edward Burra

    Born in South Kensington, United Kingdom

    Edward Burra: A Life in Surreal Visions

    Early Life and Education

    Born: South Kensington, United Kingdom, 1905.

    Edward Burra demonstrated artistic talent early on, particularly as a draughtsman.

    He received his formal training at the Royal College of Art from 1923 to 1925, honing his skills in drawing and painting.

    Early Travels and Influences (1920s)

    During the latter half of the 1920s, Burra travelled extensively throughout France.

    He focused on depicting detailed urban scenes, often portraying the harsh realities of life in cities like Toulon and Marseille.

    These early works reveal a keen observational eye and a sensitivity to social conditions.

    A pivotal moment came in 1927 when he met Paul Nash, who introduced him to avant-garde periodicals.

    Exposure to artists like George Grosz through these publications profoundly influenced Burra, inspiring him to experiment with collage and drawing within a Dadaist spirit.

    Artistic Development & Key Themes (1930s-1940s)

    The Jungle (1931) exemplifies Burra’s fascination with the exotic and forbidden. The painting depicts a lavish dinner party set in a fantastical tropical world, blending sensuality with premonitions of death.

    Burra was among the first British artists to embrace Surrealism, creating a distinctive universe populated by extravagantly dressed women, workers, sailors, and soldiers—often situated in imaginary locales.

    His physical health, compromised from childhood, led him to favor watercolor as his primary medium due to its relative ease of use compared to oil paints.

    He held his first solo exhibition at the Leicester Galleries in 1930.

    The impact of Picasso’s Guernica was significant, prompting a shift in Burra's artistic style.

    World War II and Later Life (1940s-1976)

    During World War II, travel restrictions led Burra to work as a stage designer for theatrical productions and ballets, achieving some recognition in this field.

    He declined an invitation to become a Royal Academician in 1963 but accepted the Order of the British Empire in 1971.

    A major retrospective of his work was organized by the Tate Gallery in 1973, solidifying his place within British art history.

    He died in Hastings on March 22, 1976, as a result of complications from a fractured iliac bone.

    Artistic Style and Historical Significance

    Burra’s style is characterized by its unsettling atmosphere, vivid colors, and distorted figures.

    He masterfully blended elements of Dadaism and Surrealism with a uniquely British sensibility.

    His work offers a critical commentary on social issues, exploring themes of alienation, decadence, and the darker aspects of human nature.

    Though not always widely recognized during his lifetime, Edward Burra is now considered a pioneering figure in 20th-century British art, influencing subsequent generations of artists with his distinctive vision.

    Where to read more

    • The artist Edward Burra originaluniqueart.com/en/artists/edward-burra/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/edward-burra-the-elephant-lady-ARCVSM-en/

    Find this online

    QR code linking to the download page for The Elephant Lady

    originaluniqueart.com/en/art/download/edward-burra-the-elephant-lady-ARCVSM-en/

    Cite this artwork

    MLA
    Burra, Edward. The Elephant Lady. n.d., https://originaluniqueart.com/en/art/edward-burra-the-elephant-lady-ARCVSM-en/
    APA
    Burra, Edward (n.d.). The Elephant Lady [Painting]. https://originaluniqueart.com/en/art/edward-burra-the-elephant-lady-ARCVSM-en/
    Chicago
    Edward Burra. The Elephant Lady. n.d. https://originaluniqueart.com/en/art/edward-burra-the-elephant-lady-ARCVSM-en/
    Harvard
    Burra, Edward (n.d.) The Elephant Lady. Available at: https://originaluniqueart.com/en/art/edward-burra-the-elephant-lady-ARCVSM-en/

    Look closely

    The Elephant Lady — Edward Burra

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at The Band (1934), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Which color stands out most in "The Elephant Lady"?

    The color that stands out most in "The Elephant Lady" is phthalo green (#191c18). The dominant color is useful when matching an artwork to an interior.

    How intense are the colors in "The Elephant Lady" by Edward Burra?

    The color intensity of "The Elephant Lady" is balanced. Intensity describes how strong the colors appear.

    How do contrast and harmony combine in "The Elephant Lady"?

    In "The Elephant Lady", a bold contrast is paired with a balanced harmony harmony.