Paper

Student Artwork Guide

Benjamin Rush

Name Class Date

Edmund Charles Tarbell, Benjamin Rush. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Edmund Charles Tarbell originaluniqueart.com/en/artists/edmund-charles-tarbell/
Artist’s dates
1862 – 1938
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

Benjamin Rush — Edmund Charles Tarbell

When might this have been painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 76 at death.

Shaded: the lifetime of Edmund Charles Tarbell (1862–1938) every dated painting, decade by decade

First works: up to 1896 Main working years: 1896–1913 Late works: from 1913

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/edmund-charles-tarbell-benjamin-rush-8DP5PQ-en/

Colours

Measured from the image

    Main colour

    Black #191510

    Catalogued palette

    • #191510
    • #C7B79A
    • #3A3425
    • #6D6951

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Black
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Edmund Charles Tarbell over the last twelve months — 14 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 54.5%
    2. 2 United States of America 18.2%
    3. 3 France 5.2%
    4. 4 Japan 3.9%
    5. 5 Finland 2.6%
    6. 6 Georgia 2.6%
    7. 7 Hong Kong 2.6%
    8. 8 Vietnam 2.6%
    9. 9 United Kingdom 1.3%
    10. 10 South Korea 1.3%
    11. · 4 other countries 5.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Edmund Charles Tarbell

    1. 1 Reverie (Katherine Finn), 1913 11.7%
    2. 2 Girl with Sailboat (also known as Child with Boat), 1899 9.7%
    3. 3 Mary and New Castle Poppy, 1926 3.9%
    4. 4 Still LIfe: Vase of Peonies, 1925 2.9%
    5. 5 Elena, 1885 2.9%
    6. 6 Josephine and Mercie, 1908 1.9%
    7. 7 The Bath, 1893 1.9%
    8. 8 In the Orchard, 1891 1.9%
    9. 9 Arrangement in Pink and Gray (Afternoon Tea), 1894 1.9%
    10. 10 Summer Idyll (also known as Girl and Pine Trees), 1899 1.9%
    11. 11 Girl and Horse, 1892 1.9%
    12. 12 On Bos'n's Hill, 1901 1.9%
    13. 13 Girl Reading (by a Window), 1903 1.9%
    14. 14 Girl Reading, 1909 1.9%
    15. 15 Mrs. Horatio Nelson Slater and Her Children, 1901 1.9%
    16. 16 In the Station Waiting Room, Boston, 1915 1.9%
    17. 17 Josephine and Mercie, 1908 1.9%
    18. 18 The Breakfast Room, 1903 1.9%
    19. 19 Peonies, 1900 1.9%
    20. — Benjamin Rush this painting 0.0%

    Together these works take 57.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 173 works by this artist, of which 59 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Edmund Charles Tarbell

    Born in Groton, United States of America

    Early Life and Education

    Born: Groton, United States of America (1862)

    Died: 1938

    Edmund Charles Tarbell was born into a family with deep American roots. His father, Edmund Whitney, passed away when Tarbell was young, leaving his mother, Mary Sophia Fernald, to remarry and raise him and his sister in West Groton, Massachusetts.

    His early artistic training began at the Massachusetts Normal Art School.

    He further honed his skills through an apprenticeship at Forbes Lithographic Company in Boston.

    From 1879 to 1880, he studied under Otto Grundmann at the School of the Museum of Fine Arts in Boston, a pivotal period shaping his artistic foundation.

    Artistic Career and Style

    Tarbell's career encompassed illustration, private art instruction, and portrait painting. He married Emeline Souther in 1888, who also studied art.

    His style is characterized as American Impressionism, reflecting a focus on capturing fleeting moments of light and atmosphere.

    He was known for his luminous portraits, intimate domestic scenes, and depictions of Colonial Revival interiors.

    Notable works include Self Portrait, Benjamin Rush, and After the Ball.

    In the Orchard (1891) is considered a defining work, showcasing his ability to portray everyday life with sensitivity and skill.

    Membership in "Ten American Painters" and Guild of Boston Artists

    Tarbell was a founding member of the influential group known as “Ten American Painters,” formed in 1897. This collective aimed to promote American art and provide an alternative exhibition venue to established institutions.

    The group included prominent artists like John H. White, Joseph Penway Dodge, and others who shared a commitment to portraying contemporary life with realism and Impressionistic techniques.

    In 1914, he co-founded the Guild of Boston Artists and served as its first president until 1924, further demonstrating his dedication to supporting fellow artists and fostering an artistic community.

    Major Achievements and Legacy

    Tarbell's works are held in prestigious collections including the Smithsonian American Art Museum, the Corcoran Gallery of Art, the National Academy of Design, and even the White House.

    His ability to capture the essence of domestic life and portray individuals with warmth and authenticity earned him widespread recognition during his lifetime.

    He is remembered as a significant figure in American Impressionism, contributing to the development of a distinctly American artistic voice.

    Tarbell's influence can be seen in subsequent generations of artists who embraced his focus on everyday subjects and his commitment to portraying life with honesty and sensitivity.

    Historical Significance

    As a member of "Ten American Painters," Tarbell played a crucial role in challenging the dominance of European artistic styles and promoting a uniquely American aesthetic.

    His work reflects the changing social landscape of late 19th and early 20th century America, capturing the values and aspirations of a burgeoning middle class.

    Tarbell's legacy extends beyond his individual paintings; he helped to establish Boston as a center for artistic innovation and contributed to the growth of American art on a national stage.

    Where to read more

    Find this online

    QR code linking to the download page for Benjamin Rush

    originaluniqueart.com/en/art/download/edmund-charles-tarbell-benjamin-rush-8DP5PQ-en/

    Cite this artwork

    MLA
    Tarbell, Edmund Charles. Benjamin Rush. n.d., https://originaluniqueart.com/en/art/edmund-charles-tarbell-benjamin-rush-8DP5PQ-en/
    APA
    Tarbell, Edmund Charles (n.d.). Benjamin Rush [Painting]. https://originaluniqueart.com/en/art/edmund-charles-tarbell-benjamin-rush-8DP5PQ-en/
    Chicago
    Edmund Charles Tarbell. Benjamin Rush. n.d. https://originaluniqueart.com/en/art/edmund-charles-tarbell-benjamin-rush-8DP5PQ-en/
    Harvard
    Tarbell, Edmund Charles (n.d.) Benjamin Rush. Available at: https://originaluniqueart.com/en/art/edmund-charles-tarbell-benjamin-rush-8DP5PQ-en/

    Look closely

    Benjamin Rush — Edmund Charles Tarbell

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: portraits. Do you agree? What would you add, or take away?
    5. Look back at Edward Robinson (1906), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Who is the author of "Benjamin Rush", and in which movement?

    "Benjamin Rush" was created by Edmund Charles Tarbell in the Impressionism style. Artist and movement identify the work's tradition.

    How does "Benjamin Rush" by Edmund Charles Tarbell connect Impressionism to the artist's home country?

    The Impressionism work "Benjamin Rush" was made by an artist born in United States of America.

    Is "Benjamin Rush" by Edmund Charles Tarbell a portrait, landscape or square composition?

    The format of "Benjamin Rush" is portrait. This is useful when planning where a reproduction will be placed.