Student Artwork Guide
Copyright This work is in the public domain. Edmonia Lewis died in 1907; copyright lasts 70 years after the artist’s death, so it ended in 1977.
In context
Old Arrow Maker — Edmonia Lewis
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 63 at death.
Painted when the artist was 28. The artist lived to 63. 8 of the 16 dated works by this artist in our catalogue came earlier.
Shaded: the lifetime of Edmonia Lewis (1844–1907) ▲ this work, 1872 every dated painting, decade by decade
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: originaluniqueart.com/en/art/similar/edmonia-lewis-old-arrow-maker-AQZEC7-en/
Measured from the image
Main colour
Putty #c8bdb6
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 17 works by this artist, of which 10 were looked at at least once. This painting ranks 1 of them, with 13.3% of that attention. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Born in Green Bay, United States of America
Born around July 4, 1844, in Greenbush, New York—a place that would later be renamed Rensselaer—Mary Edmonia Lewis emerged as a singular voice in the 19th-century art world. Known to many by her Ojibwe name, “Wildfire,” she was a sculptor who defied expectations and shattered barriers, becoming the first African American and Native American artist to achieve international recognition in the fine arts. Her story is one of resilience, artistic passion, and a determined spirit that refused to be confined by the societal constraints of her time. Lewis’s heritage was a rich tapestry woven from diverse threads: her father was Afro-Haitian, while her mother, Catherine Mike Lewis, traced her lineage to both the Mississauga Ojibwe people and African American roots. This blended ancestry profoundly shaped her artistic vision, imbuing her work with themes of identity, cultural heritage, and the struggles for freedom and equality. Orphaned at a young age, she was raised by her maternal aunts and half-brother Samuel, who recognized and nurtured her burgeoning talent, providing crucial support for her education and artistic aspirations. Early experiences selling Ojibwe crafts alongside her family near Niagara Falls instilled in her an appreciation for Indigenous artistry and a connection to her Native American identity—a connection that would resonate throughout her career.
Lewis’s formal education began at New-York Central College, a Baptist abolitionist school in McGrawville, followed by enrollment at Oberlin College in 1859. It was here that she formally adopted the name Mary Edmonia Lewis and embarked on her artistic studies. However, her time at Oberlin was marred by racial prejudice and a deeply unjust accusation of poisoning classmates—an incident that led to a trial, acquittal, but lasting trauma and ultimately prompted her departure in 1863. Despite these hardships, Oberlin exposed her to the fervent abolitionist movement and forged connections with individuals who would later champion her work. Moving to Boston around 1863, Lewis began crafting portrait medallions of prominent abolitionists like William Lloyd Garrison and Charles Sumner, establishing herself as an artist committed to social justice. This early success paved the way for a pivotal move in 1865: she relocated to Rome, Italy, where she would spend the majority of her career. Rome offered a haven—a vibrant artistic community and a degree of freedom from the pervasive racism she had experienced in America. It was here that Lewis truly flourished, honing her neoclassical style and creating some of her most iconic sculptures.
Edmonia Lewis’s work is characterized by its elegant neoclassical forms infused with powerful thematic content. She fearlessly tackled subjects rarely explored by sculptors of her time—particularly those relating to Black people and Indigenous peoples of the Americas. Her sculptures are not merely aesthetic objects; they are poignant statements about race, identity, and the human condition. The Death of Cleopatra, perhaps her most celebrated work, presents a dramatic and unconventional depiction of the Egyptian queen’s final moments, emphasizing agency and dignity rather than despair. Hiawatha and Minnehaha, a sculpture inspired by Longfellow's poem, portrays Native American figures with sensitivity and respect, challenging prevailing stereotypes. Other notable works include busts of historical figures like Abraham Lincoln and Ulysses S. Grant, as well as sculptures exploring biblical narratives. Lewis’s dedication to her craft was remarkable; she insisted on personally executing the entire sculpting process from start to finish—a rare practice for sculptors of that era, who typically relied on assistants for the laborious task of carving marble. This commitment underscored her artistic independence and ensured the authenticity of her vision.
Edmonia Lewis’s achievements were groundbreaking. She was not only a pioneering sculptor but also a symbol of resilience and determination in the face of adversity. Her success challenged societal norms and prejudices, opening doors for future generations of artists from marginalized communities. Though her work fell into relative obscurity for many years after her death in 1907, it has experienced a remarkable resurgence in recent decades, thanks to renewed scholarly interest and a growing appreciation for her unique contribution to art history. In 2002, Molefi Kete Asante included Lewis on his list of “100 Greatest African Americans,” cementing her place as an important figure in American cultural heritage. Today, her sculptures are held in prestigious museum collections around the world, inspiring contemporary artists and scholars alike. Edmonia Lewis’s story is a testament to the power of art to transcend boundaries, challenge conventions, and illuminate the complexities of the human experience—a legacy that continues to resonate with audiences today.
Notable Works: The Death of Cleopatra, Hiawatha and Minnehaha, Forever Free, Old Arrowhead.
Influences: Neoclassical sculpture, abolitionist movement, Native American storytelling traditions.
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Look closely
Old Arrow Maker — Edmonia Lewis
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Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
"Old Arrow Maker" is available as a hand-painted oil reproduction on linen canvas. The order can be placed on its Hand-Painted Reproduction page, with a choice of sizes.
The perceived brightness of "Old Arrow Maker" by Edmonia Lewis is shadow. It can be matched to the light of the intended space.
The Stats page of "Old Arrow Maker" by Edmonia Lewis presents public visit statistics: monthly visits of this artwork, a comparison with the artist's most viewed works, and where its visitors come from.