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Student Artwork Guide

Maggie Moo

Name Class Date

Dorris Jane Mcmanis, Maggie Moo (2006), The National Quilt Museum. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Dorris Jane Mcmanis originaluniqueart.com/en/artists/dorris-jane-mcmanis/
Artist’s dates
1948 – 2010
Painted
2006
Held at
The National Quilt Museum originaluniqueart.com/en/museums/the-national-quilt-museum-paducah/

In context

Maggie Moo — Dorris Jane Mcmanis

When was this painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 62 at death.

Painted when the artist was 58. The artist lived to 62. 0 of the 7 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Dorris Jane Mcmanis (1948–2010) ▲ this work, 2006 every dated painting, decade by decade

Compare with

  • Cat Pins, 2009 originaluniqueart.com/en/art/dorris-jane-mcmanis-cat-pins-D7XFD3-en/
  • Happy Cats, 2007 originaluniqueart.com/en/art/dorris-jane-mcmanis-happy-cats-D7XHJV-en/
  • Laurel Burch Cat, 2009 originaluniqueart.com/en/art/dorris-jane-mcmanis-laurel-burch-cat-D7XHA8-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/dorris-jane-mcmanis-maggie-moo-D7XHAS-en/

Colours

Measured from the image

    Main colour

    Putty #dee0dd

    Catalogued palette

    • #DEE0DD
    • #266054
    • #3E9777
    • #90AB8A

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Dorris Jane Mcmanis over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by Dorris Jane Mcmanis

    1. 1 Happy Cats, 2007 33.3%
    2. 2 Cat Pins, 2009 33.3%
    3. 3 Cats on a Hot In Roof, 2009 33.3%
    4. — Maggie Moo, 2006 this painting 0.0%

    Together these works take 99.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 7 works by this artist, of which 3 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Dorris Jane Mcmanis

    Born in Keokuk, United States of America

    early life and background

    dorris jane mcmanis was born on january 4, 1948, in keokuk, iowa, united states. this american quilter and textile artist is renowned for her use of vibrant colors and whimsical designs, which have captivated the hearts of many art enthusiasts.

    artistic career and achievements

    in 2007, dorris jane mcmanis challenged herself to create a 12" x 12" quilt each week, resulting in over 50 quilts in a year. this remarkable feat showcases her dedication and passion for her craft. her work has been exhibited in various museums, including the national quilt museum in paducah, kentucky.

    notable works and exhibitions

    * quilts by dorris jane mcmanis (2007) - a collection of 50+ quilts created within a year, showcasing her prolific output. * textile art at the national quilt museum (2010) - a notable exhibition featuring dorris jane mcmanis' vibrant textile art.

    legacy and impact

    dorris jane mcmanis passed away on january 26, 2010, at the age of 62, but her legacy lives on through her colorful quilts and textile art. her work continues to inspire quilters and artists alike, pushing the boundaries of this traditional craft.

    explore more at AllPaintingsStore

    * visit dorris jane mcmanis' artist page on [https://AllPaintingsStore.com/@/dorris-jane-mcmanis](https://AllPaintingsStore.com) to discover more about her life, work, and artistic achievements. * browse the national quilt museum's collection on [https://AllPaintingsStore.com](https://AllPaintingsStore.com) to explore a wide range of textile art and quilts.

    discover dorris jane mcmanis' artwork, including her vibrant quilts and textile designs.

    learn more about the national quilt museum's exhibitions and collections.

    explore AllPaintingsStore's extensive database of artist biographies and artwork.

    experience the world of art with AllPaintingsStore, where you can find an extensive collection of artwork, artist biographies, and more.

    Museum

    The National Quilt Museum

    On show in Paducah, United States of America

    A Tapestry of Innovation: Unveiling The National Quilt Museum

    Nestled within the vibrant creative heart of Paducah, Kentucky – a city rightfully designated as a UNESCO Creative City – lies an institution unlike any other: The National Quilt Museum. More than just a repository of stitched fabric, it’s a dynamic celebration of contemporary quilting, a testament to the enduring artistry and boundless imagination woven into this often-overlooked craft. Founded in 1991 by Bill and Meredith Schroeder, visionaries who recognized the profound artistic merit within the quilting tradition, the museum stands as the sole United States space dedicated exclusively to showcasing the evolution of quiltmaking – from its humble roots to its current status as a sophisticated art form. Stepping through its doors is akin to entering a kaleidoscope; a vibrant explosion of color, texture, and design that challenges conventional notions of craft and invites visitors on a journey of discovery. The museum’s very location, adjacent to the Ohio River and within a city brimming with artistic energy, contributes significantly to its unique atmosphere – a confluence of heritage and innovation.

    A Collection Rooted in Contemporary Vision:

    The National Quilt Museum's core strength lies in its commitment to showcasing work created after 1980. This deliberate focus ensures that visitors encounter the cutting edge of quiltmaking, witnessing a remarkable diversity of styles – from meticulously rendered representational scenes that capture the essence of everyday life to bold abstract compositions bursting with geometric precision, intricate surface designs exploring texture and light, and innovative explorations pushing the boundaries of traditional techniques.

    Beyond Preservation:

    Unlike many museums dedicated to historical crafts, The National Quilt Museum isn’t simply a shrine to the past. It actively champions the artists behind these works, providing a vital platform for both established masters and emerging talents to share their unique voices and perspectives. This commitment to supporting contemporary quiltmakers is at the heart of the museum's mission.

    Exhibitions that Spark Dialogue:

    Currently, visitors are captivated by two particularly compelling exhibitions. “Caryl Bryer Fallert-Gentry: A Life in Color” offers a stunning showcase of an artist renowned for her mastery of light and illusion within the quilt medium – her work doesn’t merely depict scenes; it evokes atmosphere, creating a sense of depth and movement that truly captivates the eye. Simultaneously, “Victoria Findlay Wolfe: Option Expedition” provides a fascinating exploration of design principles through the fundamental building blocks of patchwork, demonstrating how seemingly simple shapes can be combined to create complex and visually arresting compositions.

    Paducah: A Creative Crucible

    The museum’s location in Paducah is integral to its identity and appeal. Designated as a UNESCO Creative City, Paducah boasts a thriving artistic community, a legacy rooted in the region's history as a vital transportation hub along the Ohio and Tennessee Rivers. This rich cultural landscape provides a fertile ground for creativity, fostering an environment where art and craft are not merely appreciated but actively celebrated. The city’s historic downtown district, with its beautifully preserved architecture and vibrant atmosphere, serves as the perfect backdrop for the museum's unique collection. The proximity to the Mississippi River further enhances Paducah’s significance as a crossroads of cultures and artistic influences. A short drive takes you to the Lewis & Clark National Historic Trail, adding another layer of historical context to the region’s creative spirit.

    A Legacy of Industry and Innovation:

    Paducah's history is inextricably linked to its role as a major railroad center and industrial hub. The Illinois Central Railroad, which established a massive locomotive repair shop in the city in the early 20th century, profoundly shaped the region’s economy and culture. This legacy of industry continues to inform Paducah’s creative identity, fostering a spirit of innovation and craftsmanship.

    UNESCO Recognition:

    The designation as a UNESCO Creative City underscores Paducah's commitment to supporting arts and cultural initiatives. It’s a testament to the city’s dedication to nurturing creativity and promoting its unique artistic heritage.

    The Museum Experience

    The National Quilt Museum itself is thoughtfully designed to enhance the visitor experience. The building, constructed with a blend of modern materials and traditional architectural elements, provides ample space for displaying the museum's extensive collection and hosting rotating exhibitions. A central gallery houses the permanent collection, while two additional galleries are dedicated to showcasing traveling exhibits and contemporary works. Beyond the visual displays, the museum offers workshops led by expert instructors, providing visitors with the opportunity to learn about quilting techniques and create their own masterpieces. The museum’s commitment to education extends to its youth programs, including the annual School Block Challenge and Quilt Camp – nurturing a new generation of fiber artists and ensuring the continuation of this vibrant tradition.

    Don't miss:

    The opportunity to participate in a quilting workshop.

    A guided tour with one of the museum’s knowledgeable staff members.

    Exploring the gift shop for unique, handcrafted items.

    A National Treasure and Community Hub

    The story of The National Quilt Museum is one of passion, dedication, and a profound belief in the transformative power of art. What began as a dream to elevate quilting beyond its traditional associations has blossomed into a nationally recognized institution – officially designated “The National Quilt Museum of the United States” by the U.S. Congress in 2008. This recognition underscores the museum’s significance not only within the quilting community but also within the broader art world. With approximately 40,000 visitors annually hailing from across the globe, The National Quilt Museum is more than just a museum; it's a testament to the enduring beauty and boundless potential of the quilted form – a vibrant hub for creativity, education, and community engagement in the heart of Kentucky.

    Where to read more

    Find this online

    QR code linking to the download page for Maggie Moo

    originaluniqueart.com/en/art/download/dorris-jane-mcmanis-maggie-moo-D7XHAS-en/

    Cite this artwork

    MLA
    Mcmanis, Dorris Jane. Maggie Moo. 2006, The National Quilt Museum. https://originaluniqueart.com/en/art/dorris-jane-mcmanis-maggie-moo-D7XHAS-en/
    APA
    Mcmanis, Dorris Jane (2006). Maggie Moo [Painting]. The National Quilt Museum. https://originaluniqueart.com/en/art/dorris-jane-mcmanis-maggie-moo-D7XHAS-en/
    Chicago
    Dorris Jane Mcmanis. Maggie Moo. 2006. The National Quilt Museum. https://originaluniqueart.com/en/art/dorris-jane-mcmanis-maggie-moo-D7XHAS-en/
    Harvard
    Mcmanis, Dorris Jane (2006) Maggie Moo. The National Quilt Museum. Available at: https://originaluniqueart.com/en/art/dorris-jane-mcmanis-maggie-moo-D7XHAS-en/

    Look closely

    Maggie Moo — Dorris Jane Mcmanis

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Cat Pins (2009), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Dorris Jane Mcmanis was about 58 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Which artist is "Maggie Moo" attributed to?

    "Maggie Moo" was created by Dorris Jane Mcmanis. The information on this page describes Dorris Jane Mcmanis's original work.

    Where do the visitors of "Maggie Moo" by Dorris Jane Mcmanis come from?

    Statistics about "Maggie Moo" by Dorris Jane Mcmanis are on the artwork's Stats page: monthly visits of the artwork, visits of the artist's works, and country and language breakdowns of recent visitors.

    Can "Maggie Moo" by Dorris Jane Mcmanis, held at The National Quilt Museum, be legally reproduced?

    "Maggie Moo" by Dorris Jane Mcmanis, held at The National Quilt Museum, is still protected by copyright. This status determines whether reproductions of the image may be made.