Paper
Name Class Date

Djanira Da Motta E Silva, Candomblé - Study for Wall Painting. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Djanira Da Motta E Silva originaluniqueart.com/en/artists/djanira-da-motta-e-silva/
Artist’s dates
1914 – 1979
Original size
90 x 60 cm

In context

Candomblé - Study for Wall Painting — Djanira Da Motta E Silva

How big is it?

The original measures 90 × 60 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 65 at death.

Shaded: the lifetime of Djanira Da Motta E Silva (1914–1979) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Três orixás, 1966 originaluniqueart.com/en/art/djanira-da-motta-e-silva-tres-orixas-D43EGG-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/djanira-da-motta-e-silva-candomble-study-for-wall-painting-D4GGCN-en/

Colours

Measured from the image

    Main colour

    Bronze #c77e4b

    Catalogued palette

    • #C77E4B
    • #4B87B8
    • #4F4143
    • #DCD1C4

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Bronze
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Djanira Da Motta E Silva over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 Netherlands 66.7%600 visits
    2. 2 China 22.2%200 visits
    3. 3 United States of America 11.1%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by Djanira Da Motta E Silva

    1. 1 Candomblé - Study for Wall Painting this painting 74.1%2,000 visits
    2. 2 Três orixás, 1966 25.9%700 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 2 works by this artist, of which 2 were looked at at least once. This painting ranks 1 of them, with 74.1% of that attention (2,000 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Djanira Da Motta E Silva

    Born in Avare, Brazil

    Djanira da Motta e Silva: A Voice of Brazilian Naïve Art

    Djanira da Motta e Silva, affectionately known as Djanira, emerged from the fertile soil of Brazil in 1914, leaving an indelible mark on the landscape of Brazilian art. Born in Avaré, São Paulo State, her artistic journey began amidst a burgeoning interest in anthropology and visual documentation—a passion that would profoundly shape her distinctive style and thematic concerns. Unlike many artists of her era preoccupied with grand narratives or formal experimentation, Djanira focused intently on capturing the essence of everyday life within rural Brazil, particularly amongst marginalized communities. Her canvases pulsate with vibrant colors and simple forms, reflecting a deep connection to the traditions and beliefs of her people.

    Early Life & Education: Little is known about Djanira’s formative years beyond her birth in Avaré. However, she pursued formal education, earning degrees in anthropology and pedagogy—disciplines that instilled in her a meticulous observation of human behavior and cultural practices.

    Influences: Djanira's artistic vision was undeniably shaped by the Brazilian Modernist movement, which championed vernacular art forms as counterpoints to European academic conventions. Artists like Portinari and Candido Portinari served as inspiration for her exploration of Brazilian identity and social realities.

    The Style of Naïve Art: A Celebration of Simplicity

    Djanira’s artistic style is undeniably rooted in the principles of naïve art—a movement characterized by its unpretentious aesthetic and rejection of illusionistic techniques. Unlike polished realism, her paintings prioritize expressive color palettes and stylized depictions of subjects—often religious icons or scenes from rural Brazilian life—to convey emotion and spiritual significance. Her compositions are deliberately uncluttered, emphasizing geometric shapes and bold lines that lend a sense of immediacy and authenticity to her work. This stylistic choice wasn’t merely an aesthetic preference; it was a deliberate strategy for communicating directly with the viewer, bypassing intellectual analysis in favor of visceral experience.

    Color Palette: Djanira employed vibrant hues—primarily reds, yellows, and blues—to imbue her canvases with energy and luminosity. These colors weren’t used to create photographic accuracy but rather to evoke feelings of joy, reverence, and connection to the natural world.

    Technique: Her technique involved applying paint thickly onto canvas, creating textured surfaces that mirrored the materiality of her subjects—the rough bark of trees, the weathered faces of villagers—further enhancing the sense of realism despite its stylized presentation.

    Themes and Subjects: Portraits of Brazilian Soul

    Djanira’s paintings consistently explore themes central to Brazilian culture and spirituality. Recurring motifs include depictions of saints—particularly Nossa Senhora Aparecida, Brazil's patron saint—and scenes from the Catholic faith that resonate deeply with rural communities. However, her artistic focus extended beyond religious iconography; she meticulously documented daily life in villages across Brazil, portraying farmers, artisans, and families engaged in traditional activities. These portraits aren’t merely representations of individuals but embodiments of Brazilian identity—a testament to resilience, piety, and unwavering connection to ancestral traditions.

    Notable Achievements & Legacy

    Djanira da Motta e Silva's contribution to Brazilian art is recognized globally. Her work has been showcased in prestigious institutions such as the Museu Nacional de Belas Artes and MASP (Museu de Arte Contemporânea São Paulo), cementing her place among Brazil’s most important artists of the 20th century. Furthermore, her paintings are featured prominently in the Inhotim Contemporary Art Museum, demonstrating the enduring relevance of her artistic vision. Djanira's legacy lies not only in her distinctive style but also in her unwavering commitment to preserving and celebrating Brazilian folklore—a mission that continues to inspire artists and scholars alike.

    Further Exploration

    To delve deeper into Djanira da Motta e Silva’s artistic oeuvre, we encourage you to visit AllPaintingsStore.com for detailed information about her artworks and explore the collections of Museu Nacional de Belas Artes and MASP. You can also discover more about João da Motta (Mulambö), whose vibrant canvases share similar stylistic affinities with Djanira's work at Pinacoteca São Paulo. Finally, consider examining Anna Letycia Quadros’s abstract prints—a kindred spirit who similarly sought to express emotion through bold color and form—available at AllPaintingsStore.

    Where to read more

    • The artist Djanira Da Motta E Silva originaluniqueart.com/en/artists/djanira-da-motta-e-silva/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/djanira-da-motta-e-silva-candomble-study-for-wall-painting-D4GGCN-en/

    Find this online

    QR code linking to the download page for Candomblé - Study for Wall Painting

    originaluniqueart.com/en/art/download/djanira-da-motta-e-silva-candomble-study-for-wall-painting-D4GGCN-en/

    Cite this artwork

    MLA
    Silva, Djanira Da Motta E. Candomblé - Study for Wall Painting. n.d., https://originaluniqueart.com/en/art/djanira-da-motta-e-silva-candomble-study-for-wall-painting-D4GGCN-en/
    APA
    Silva, Djanira Da Motta E (n.d.). Candomblé - Study for Wall Painting [Painting]. https://originaluniqueart.com/en/art/djanira-da-motta-e-silva-candomble-study-for-wall-painting-D4GGCN-en/
    Chicago
    Djanira Da Motta E Silva. Candomblé - Study for Wall Painting. n.d. https://originaluniqueart.com/en/art/djanira-da-motta-e-silva-candomble-study-for-wall-painting-D4GGCN-en/
    Harvard
    Silva, Djanira Da Motta E (n.d.) Candomblé - Study for Wall Painting. Available at: https://originaluniqueart.com/en/art/djanira-da-motta-e-silva-candomble-study-for-wall-painting-D4GGCN-en/

    Look closely

    Candomblé - Study for Wall Painting — Djanira Da Motta E Silva

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Três orixás (1966), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is a high-resolution download of "Candomblé - Study for Wall Painting" available?

    "Candomblé - Study for Wall Painting" is available as a high-resolution digital image download, purchased directly on its Digital Image page.

    What level of contrast does "Candomblé - Study for Wall Painting" by Djanira Da Motta E Silva show?

    The contrast level of "Candomblé - Study for Wall Painting" by Djanira Da Motta E Silva is statement.

    How do the colors of "Candomblé - Study for Wall Painting" relate to each other?

    The color harmony of "Candomblé - Study for Wall Painting" is recorded as discordant palette.