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Student Artwork Guide

Psychic Pickerasso

Name Class Date

David Michael Hinnebusch, Psychic Pickerasso (2017), Los Angeles County Museum of Art. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
David Michael Hinnebusch originaluniqueart.com/en/artists/david-michael-hinnebusch/
Artist’s dates
1968 –
Painted
2017
Original size
71 x 56 cm
Movement
Neo Expressionism A rough, urgent return to figure painting in the 1980s, after years of cool abstraction.
Held at
Los Angeles County Museum of Art originaluniqueart.com/en/museums/los-angeles-county-museum-of-art-los-angeles/

In context

Psychic Pickerasso — David Michael Hinnebusch

How big is it?

The original measures 71 × 56 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 49. 37 of the 163 dated works by this artist in our catalogue came earlier.

▲ this work, 2017 every dated painting, decade by decade

Compare with

  • Just in, 2017 originaluniqueart.com/en/art/david-michael-hinnebusch-just-in-D3JPT3-en/
  • Self Portrait, 1994 originaluniqueart.com/en/art/david-michael-hinnebusch-self-portrait-D3HETB-en/
  • Not a Slave Ship, 2012 originaluniqueart.com/en/art/david-michael-hinnebusch-not-a-slave-ship-D2DTF7-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/david-michael-hinnebusch-psychic-pickerasso-D2NC8Q-en/

Colours

Measured from the image

    Main colour

    Celadon #c0eae0

    Catalogued palette

    • #C0EAE0
    • #2A1C26
    • #696774
    • #DBAB8C

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Celadon
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by David Michael Hinnebusch over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 93.0%
    2. 2 United States of America 7.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by David Michael Hinnebusch

    1. 1 On the Air and In the Air, 2017 6.5%
    2. 2 Just in, 2017 6.5%
    3. 3 Jet Fix, 2017 4.3%
    4. 4 My Heroes, 2017 4.3%
    5. 5 Breaking Bad Waves, 2017 4.3%
    6. 6 Time Team Key, 2017 4.3%
    7. 7 Orange Skies, 2017 4.3%
    8. 8 Bright Dog, 2017 2.2%
    9. 9 Vernon S Place, 2017 2.2%
    10. 10 Native Bus, 2006 2.2%
    11. 11 Missy and Joan, 2016 2.2%
    12. 12 Bard, 2017 2.2%
    13. 13 Lici, 2017 2.2%
    14. 14 Stik, 2017 2.2%
    15. 15 Lost at the Light, 2017 2.2%
    16. 16 Cave Gold, 2017 2.2%
    17. 17 Cook Kit 28x22in Mixed Media on Paper, 2017 2.2%
    18. 18 Being Famous is like Ike, 2017 2.2%
    19. 19 Pippo, 2017 2.2%
    20. 34 Psychic Pickerasso, 2017 this painting 2.2%

    Together these works take 63.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 165 works by this artist, of which 37 were looked at at least once. This painting ranks 34 of them, with 2.2% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    David Michael Hinnebusch

    Born in Pittsburgh, United States of America

    The Autobiographical Canvas: A Life of Movement and Memory

    The artistic journey of David Michael Hinnebusch is one defined by profound displacement and the search for identity within a global landscape. Born in Pittsburgh, Pennsylvania, his early years were shaped by a nomadic existence that spanned continents, moving from the United States to Tanzania and Kenya before returning to the states. This childhood, spent amidst the academic rigor of his father’s linguistic studies in Africa, instilled in him a worldly and inquisitive nature. Growing up in environments like Nairobi, where he was often an outsider, fostered a deep-seated sense of introspection that would later become the heartbeat of his creative practice. His early inclinations toward storytelling—writing and illustrating his own adventures as a young boy—laid the foundational groundwork for a career dedicated to excavating personal and universal experiences through visual media.

    As he transitioned into adulthood, the vibrant and often chaotic energy of Los Angeles became the primary crucible for his artistic evolution. It was here that his work began to coalesce into a distinct visual language, one that reflects the complex, fragmented nature of modern existence. His canvases serve as more than mere representations; they are distillations of a life lived within the countercultural currents of the West Coast, blending personal history with the broader atmospheric textures of urban life.

    A Collision of Styles: Neo-Expressionism and the Punk Ethos

    Hinnebusch’s aesthetic is a powerful collision of Neo-Expressionism and the raw, rebellious spirit of punk rock. His work rejects polished refinement in favor of an urgent, visceral emotionality that mirrors the DIY ethos of the punk scene he inhabited. This influence manifests in his use of dynamic brushstrokes, bold color palettes, and a deliberate embrace of imperfection. To view a Hinnebusch painting is to witness an eruption of feeling, where the energy of the movement is captured through thick impasto textures and gestural lines that demand engagement from the viewer.

    His technical approach often involves an energetic layering of paint and mixed media, creating a sense of depth and physical presence. This method allows him to explore themes of isolation, desire, and decay with a raw immediacy. Whether he is depicting fragmented cityscapes or abstract portraits, his work maintains a consistent tension between the figurative and the abstract. Key elements of his stylistic repertoire include:

    Vibrant Color Palettes: Utilizing bold hues to evoke intense emotional responses and capture the kinetic energy of Los Angeles life.

    Textural Depth: The use of heavy impasto and mixed media to create a tactile, three-dimensional experience on the canvas.

    Narrative Symbolism: Integrating cryptic symbols, eyes, and layered imagery that invite viewers to decode the underlying psychological landscapes.

    Dynamic Composition: Employing unbalanced or fragmented structures to reflect the chaotic beauty of contemporary existence.

    Philosophical Resonance and Contemporary Significance

    Beyond the surface level of color and texture, Hinnebusch’s work is deeply rooted in philosophical inquiry. Influenced by thinkers such as Marshall McLuhan, his art explores the intersections of media, perception, and the human condition. He approaches the canvas as a site for intellectual excavation, where the boundaries between the self and the external world become blurred. His paintings often act as a bridge between the autobiographical and the universal, translating personal memories of travel and transition into broader meditations on how we navigate a fragmented reality.

    In the contemporary art landscape, Hinnebusch stands as a significant voice within Neo-Expressionism, bringing a unique perspective that merges the grit of street art influences with a sophisticated, scholarly depth. His ability to capture the essence of an era—the tension between urban isolation and the vibrant pulse of culture—ensures his work resonates with a profound emotional truth. Through his exploration of narrative depth and emotional resonance, he continues to challenge viewers to look beneath the surface of the image to find the complex internal landscapes that lie within.

    Museum

    Los Angeles County Museum of Art

    On show in Los Angeles, United States of America

    A Journey Through Artistic Expression: The Los Angeles County Museum of Art

    Nestled within the verdant embrace of Hancock Park, a mere stone’s throw from both the boundless expanse of the Pacific Ocean and the vibrant pulse of downtown Los Angeles, lies the Los Angeles County Museum of Art (LACMA). More than simply a repository of artistic treasures, LACMA stands as a testament to the city's enduring spirit—a dynamic crossroads where history converges with imagination, and where the echoes of countless cultures resonate through its expansive halls. Founded in 1961 with a bold vision, born from the shared ambition of Edward W. Carter and Howard F. Ahmanson Sr., LACMA has evolved into one of America’s most significant art institutions, a place where visitors embark on an unforgettable journey through millennia of creative expression.

    The museum's genesis is inextricably linked to William Pereira’s visionary architecture—a modernist masterpiece characterized by soaring glass facades and geometric forms that immediately established LACMA as a landmark. This architectural statement wasn’t merely about aesthetics; it was a declaration of aspiration, reflecting the city’s burgeoning cultural landscape. However, the building’s initial design presented challenges – the reflective pools surrounding the structure were soon overwhelmed by tar from the adjacent La Brea Tar Pits, leading to ingenious modifications that ultimately enhanced the museum’s visual impact. The subsequent additions by Hardy Holzman Pfeiffer Associates and Bruce Goff—the Robert O. Anderson Building for 20th-century art and the Pavilion for Japanese Art respectively—further solidified LACMA's reputation as a champion of innovation and diverse artistic voices. Each building, in its own distinct style, contributes to the museum’s overall narrative – a story of continuous growth and engagement with the world of art.

    A Kaleidoscope of Collections

    LACMA’s strength resides not just in its impressive physical space but, crucially, within the breadth and depth of its collection. Spanning an astonishing range of eras and artistic traditions, LACMA boasts holdings that tell a compelling story of human creativity. From the haunting cave paintings of prehistoric times to the cutting-edge installations of today, the museum’s inventory is a veritable timeline of artistic development. A particular highlight lies in its European painting collection—a dazzling array of Renaissance portraits by masters like Titian and Raphael, offering intimate glimpses into the lives and aspirations of bygone eras. Equally captivating are the Californian art holdings, celebrating the unique identity of the region through works by artists such as Norman Charles Zammitt and Marianne Sadowski. The museum’s commitment to global representation is powerfully demonstrated in its Asian Art collection—a breathtaking assemblage of intricate sculptures from Japan and China, each piece a testament to centuries of artistic heritage. And, of course, LACMA's modern and contemporary art holdings are consistently pushing boundaries, showcasing works by influential figures like Bruce Goff and Chris Burden.

    Architectural Marvels & Engaging Exhibitions

    Beyond its collections, LACMA itself is an immersive work of art. The campus is a carefully orchestrated environment, featuring buildings designed by renowned architects—each contributing to the museum’s overall aesthetic harmony. Notably, Chris Burden's Urban Light, a mesmerizing assemblage of vintage street lamps, has become an iconic symbol of LACMA—a radiant beacon attracting visitors and photographers alike. Throughout its history, LACMA has consistently championed artistic experimentation and fostered critical conversations about social issues. Past exhibitions have honored artists like Robert Irwin, whose perceptual explorations redefined the boundaries of art, and Barbara Kruger, whose provocative text-based works challenged societal norms. More recently, presentations have delved into themes of family life through photography and celebrated the influence of Scandinavian design—demonstrating the museum’s ongoing commitment to engaging with contemporary audiences.

    Connections & Community

    LACMA's dedication extends beyond its walls, fostering a vibrant connection with other institutions within Exposition Park. The George C. Page Museum at La Brea Tar Pits and the California Science Center are integral partners, offering visitors a holistic understanding of scientific discovery alongside artistic contemplation. The museum’s location provides unparalleled access to the cultural heart of Los Angeles, further solidifying its role as a vital community resource. LACMA's commitment to inclusivity is evident in its educational programs, accessible facilities, and ongoing efforts to engage audiences from all backgrounds—inspiring creativity, fostering understanding, and reaffirming art’s transformative power for generations to come. The museum continues to evolve, embracing new technologies and perspectives while remaining steadfast in its mission to celebrate the enduring legacy of human artistic expression.

    Useful Links

    Los Angeles County Museum of Art

    Los Angeles County Museum of Art - Google Arts & Culture

    Additional Research:

    Takuma Tametō

    Mahavihara Master

    Fubon Art Foundation Very Fun Park

    Where to read more

    Find this online

    QR code linking to the download page for Psychic Pickerasso

    originaluniqueart.com/en/art/download/david-michael-hinnebusch-psychic-pickerasso-D2NC8Q-en/

    Cite this artwork

    MLA
    Hinnebusch, David Michael. Psychic Pickerasso. 2017, Los Angeles County Museum of Art. https://originaluniqueart.com/en/art/david-michael-hinnebusch-psychic-pickerasso-D2NC8Q-en/
    APA
    Hinnebusch, David Michael (2017). Psychic Pickerasso [Painting]. Los Angeles County Museum of Art. https://originaluniqueart.com/en/art/david-michael-hinnebusch-psychic-pickerasso-D2NC8Q-en/
    Chicago
    David Michael Hinnebusch. Psychic Pickerasso. 2017. Los Angeles County Museum of Art. https://originaluniqueart.com/en/art/david-michael-hinnebusch-psychic-pickerasso-D2NC8Q-en/
    Harvard
    Hinnebusch, David Michael (2017) Psychic Pickerasso. Los Angeles County Museum of Art. Available at: https://originaluniqueart.com/en/art/david-michael-hinnebusch-psychic-pickerasso-D2NC8Q-en/

    Look closely

    Psychic Pickerasso — David Michael Hinnebusch

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Just in (2017), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Neo Expressionism: A rough, urgent return to figure painting in the 1980s, after years of cool abstraction. Where can you see that in this work?
    5. David Michael Hinnebusch was about 49 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How does "Psychic Pickerasso" balance light and dark?

    "Psychic Pickerasso" is brilliant overall, and its luminance is bright balance.

    Which artistic current is "Psychic Pickerasso" by David Michael Hinnebusch part of?

    "Psychic Pickerasso" is a work of Neo Expressionism. The movement indicates the artistic tradition the work is part of.

    Toward which tone does "Psychic Pickerasso" lean?

    The dominant hue of "Psychic Pickerasso" by David Michael Hinnebusch is green to violet spectrum. The hue is the underlying tone of the palette.