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Student Artwork Guide

Miss Janet Ruth Bacon

Name Class Date

David Jagger, Miss Janet Ruth Bacon (1946), Royal Holloway. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
David Jagger originaluniqueart.com/en/artists/david-jagger/
Artist’s dates
1891 – 1958
Painted
1946
Original size
76 x 64 cm
Held at
Royal Holloway originaluniqueart.com/en/museums/royal-holloway-egham/

In context

Miss Janet Ruth Bacon — David Jagger

How big is it?

The original measures 76 × 64 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 67 at death.

Painted when the artist was 55. The artist lived to 67. 11 of the 15 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of David Jagger (1891–1958) ▲ this work, 1946 every dated painting, decade by decade

First works: up to 1924 Main working years: 1924–1946 Late works: from 1946

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/david-jagger-miss-janet-ruth-bacon-AQS6S8-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #2a2b21

    Catalogued palette

    • #2A2B21
    • #E9D7B8
    • #414236
    • #A89172

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by David Jagger over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 62.5%500 visits
    2. 2 Australia 12.5%100 visits
    3. 3 United Kingdom 12.5%100 visits
    4. 4 United States of America 12.5%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 8 most looked-at works by David Jagger

    1. 1 Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931) 25.0%200 visits
    2. 2 Thomas Forrest Cotton (1884–1965), 1929 12.5%100 visits
    3. 3 Lord Baden Powell (1857–1941), as World Chief Scout, 1929 12.5%100 visits
    4. 4 Henry Hall Bedford, JP, Chairman of the Board (1913–1924), 1924 12.5%100 visits
    5. 5 Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935), 1936 12.5%100 visits
    6. 6 Kathleen 12.5%100 visits
    7. 7 Portrait of a Man 12.5%100 visits
    8. — Miss Janet Ruth Bacon, 1946 this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 22 works by this artist, of which 7 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    David Jagger

    Born in Kilnwood Hill, United Kingdom

    A Legacy of Elegance: The Life of David Jagger

    Born in Kilnhurst, near Rotherham, David Jagger emerged as one of the most accomplished English portrait painters of his era. His journey into the world of fine art was deeply rooted in a family of immense creative talent; he was the son of colliery manager Enoch Jagger and Mary Sargeant, and grew up alongside siblings who would also leave their mark on the British art scene. His sister, Edith, became a noted landscape artist and textile designer, while his brother, Charles Sargeant Jagger, rose to prominence as a celebrated sculptor. This environment of artistic rigor shaped David’s early development, leading him to the Sheffield School of Art, where he honed the technical precision that would later define his professional career.

    As an accomplished draughtsman and skilled illustrator, Jagger’s talent was recognized early through accolades in mural design and painting. Following his formal education, he moved to London, a transition that marked the beginning of his ascent within the prestigious circles of British society. Initially balancing commercial art studio work with evening portrait commissions, he eventually established his own professional portrait studio in Chelsea, south of London. This period of his life was not only marked by professional growth but also by profound personal inspiration; his marriage to Catherine Gardiner brought a muse into his life whose features would grace many of his most accomplished works, often appearing under a pseudonym.

    Mastery of the Portrait

    Jagger’s work is characterized by a remarkable realism that, while highly detailed, maintained a soft, painterly quality that avoided the harshness of hard-edge styles. He possessed a rare ability to capture the essence of his subjects, whether they were members of the British aristocracy or figures of significant historical importance. His technical mastery allowed him to navigate the delicate balance between formal, official-looking commissions and more intimate, thoughtfully posed compositions. This skill earned him a place among the leading exhibitors of his time, with regular appearances at the Royal Academy, the Royal Society of British Artists, and the Royal Institute of Oil Painters.

    The breadth of his subject matter reflects the high society and civic authority of early 20th-century Britain. His portfolio includes a breathtaking array of notable figures, such as:

    Robert Baden-Powell, whose 1929 portrait remains one of Jagger's most enduring legacies, with numerous copies displayed in Scouting premises worldwide.

    Queen Mary, captured in significant works during 1930 and 1932.

    Winston Churchill, a monumental subject for any portraitist of the era.

    King George VI, documented in 1937.

    Vivien Leigh, representing the glamour of the cinematic age in 1941.

    Prince Philip, Duke of Edinburgh, one of his final notable subjects.

    Historical Significance and Artistic Standing

    Beyond the individual brilliance of his brushwork, David Jagger holds a significant place in the history of British portraiture due to his role in documenting the faces of an era. His ability to secure commissions from the highest echelons of power—ranging from royalty to political leaders—cemented his reputation as a premier chronicler of his time. His work serves as a visual record of the dignity, tradition, and shifting social landscape of mid-century England.

    His contribution to the art community was further solidified through his active membership in prestigious societies like the Royal Society of Portrait Painters. Through these institutions, Jagger helped maintain the high standards of oil painting and portraiture during a period of significant artistic transition. Today, his portraits remain cherished not only for their technical excellence but as windows into the character and prestige of the individuals who shaped the twentieth century.

    Museum

    Royal Holloway

    On show in Egham, United Kingdom

    A Victorian Sanctuary: The Architectural Grandeur of Royal Holloway

    Nestled within the serene, verdant embrace of the Surrey countryside, just a short journey from the bustling heart of London, lies Royal Holloway, University of London—a destination that transcends its academic purpose to serve as a breathtaking architectural marvel. To approach the iconic Founder’s Building is to step through a portal into the late nineteenth century. This red-brick masterpiece, inspired by the legendary Château de Chambord in France's Loire Valley, stands as a profound testament to Victorian ambition and the philanthropic vision of entrepreneur Thomas Holloway. Its symmetrical silhouette, punctuated by soaring chimneys and ornate detailing, evokes an era of unparalleled elegance and intellectual fervor. The very stones of this estate whisper tales of progressive ideals, designed specifically to inspire and uplift those who walk its halls.

    The experience of Royal Holloway is one of light and atmosphere. As one moves through the interior spaces, there is a deliberate sense of openness; the architecture is masterfully designed to bathe galleries and corridors in natural light. This luminosity does more than just illuminate the hallways; it breathes life into the vibrant murals and intricate decorative schemes that adorn the walls, fostering an environment of contemplation and creative stimulation. For the art lover or the interior designer, the building itself serves as a primary source of inspiration, demonstrating how monumental scale can coexist with intimate, exquisitely rendered details.

    The Art Within: A Journey Through Victorian Sensibilities

    Beyond the structural splendor, Royal Holloway houses an exceptional collection of Victorian art that offers a profound window into the social mores and aesthetic soul of 19th-century Britain. The collection is anchored by significant holdings from two of the era’s most celebrated masters: John Everett Millais and William Powell Frith. To wander through the Picture Gallery is to become immersed in a world of carefully rendered fabrics, expressive faces, and narratives that invite deep emotional engagement. These works are not merely static images; they are vibrant chronicles of a society navigating change, love, loss, and social status.

    The precision of Millais, a leading figure of the Pre-Raphaelite Brotherhood, provides a mesmerizing study in naturalism. In pieces such as

    Primrose No.2

    , one can observe his meticulous attention to detail and a luminous color palette that captures the delicate, ephemeral beauty of the natural world. In striking contrast, the large-scale genre paintings of William Powell Frith offer a more panoramic view of Victorian life. His monumental canvas,

    Dover Pilot and Fishing Boats

    , serves as a powerful portrait of maritime commerce and community spirit, capturing the grit and grandeur of everyday existence with remarkable realism. This collection, which also includes the pioneering works of artists like Henrietta Busk, provides a comprehensive and evocative overview of the artistic landscape of the period.

    A Living Legacy of Innovation and Discovery

    What truly distinguishes Royal Holloway from a traditional museum is its status as a living, breathing institution. It is not a static repository of the past but a vibrant hub where history meets contemporary research. The college archives offer a rich tapestry of human experience, containing letters, photographs, and administrative records that illuminate the lives of early female scholars and faculty members. These documents reveal the triumphs and social challenges faced by women navigating a rapidly changing world, highlighting the institution's groundbreaking role in the history of women’s education in the United Kingdom.

    This dynamic interplay between past and present is further enriched by a program of scholarly engagement and public exhibitions. The university continues to delve into its archival treasures, uncovering new insights into Victorian social life and artistic influences that resonate with modern audiences. Through regularly scheduled exhibitions that explore themes ranging from landscape to portraiture, Royal Holloway ensures that its collection remains relevant and accessible. For the connoisseur and the historian alike, the institution offers a rare opportunity to witness history not as a finished chapter, but as an ongoing narrative of innovation, beauty, and enduring legacy.

    Where to read more

    • The artist David Jagger originaluniqueart.com/en/artists/david-jagger/
    • The museum Royal Holloway originaluniqueart.com/en/museums/royal-holloway-egham/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/david-jagger-miss-janet-ruth-bacon-AQS6S8-en/

    Find this online

    QR code linking to the download page for Miss Janet Ruth Bacon

    originaluniqueart.com/en/art/download/david-jagger-miss-janet-ruth-bacon-AQS6S8-en/

    Cite this artwork

    MLA
    Jagger, David. Miss Janet Ruth Bacon. 1946, Royal Holloway. https://originaluniqueart.com/en/art/david-jagger-miss-janet-ruth-bacon-AQS6S8-en/
    APA
    Jagger, David (1946). Miss Janet Ruth Bacon [Painting]. Royal Holloway. https://originaluniqueart.com/en/art/david-jagger-miss-janet-ruth-bacon-AQS6S8-en/
    Chicago
    David Jagger. Miss Janet Ruth Bacon. 1946. Royal Holloway. https://originaluniqueart.com/en/art/david-jagger-miss-janet-ruth-bacon-AQS6S8-en/
    Harvard
    Jagger, David (1946) Miss Janet Ruth Bacon. Royal Holloway. Available at: https://originaluniqueart.com/en/art/david-jagger-miss-janet-ruth-bacon-AQS6S8-en/

    Look closely

    Miss Janet Ruth Bacon — David Jagger

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Jewish Refugee, Vienna (1938), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. David Jagger was about 55 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Who is the artist behind "Miss Janet Ruth Bacon"?

    "Miss Janet Ruth Bacon" was created by David Jagger. The information on this page describes David Jagger's original work.

    What luminance does "Miss Janet Ruth Bacon" by David Jagger have?

    The luminance recorded for "Miss Janet Ruth Bacon" by David Jagger is dark.

    How big is the original "Miss Janet Ruth Bacon"?

    The original "Miss Janet Ruth Bacon" by David Jagger measures 76 x 64 cm.