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Student Artwork Guide

Untitled (909)

Name Class Date

David Hockney, Untitled (909). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
David Hockney originaluniqueart.com/en/artists/david-hockney/
Artist’s dates
1937 –
Period
Modern
Artistic style
Optical art; Impressionism
Influences
Josef Albers
Notable elements or techniques
Shower scene; Color palette
Subject or theme
Domestic life; Bathing ritual

In context

Untitled (909) — David Hockney

When might this have been painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/david-hockney-untitled-909-9HBB6P-en/

Colours

Measured from the image

    Main colour

    Sap Green #5e734d

    Catalogued palette

    • #5E734D
    • #1D1710
    • #EDD3AA
    • #AAA071

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Sap Green
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by David Hockney over the last twelve months — 35 countries in all. Where these figures come from

    The ten leading countries

    1. 1 France 20.5%
    2. 2 Belgium 14.2%
    3. 3 China 10.5%
    4. 4 Poland 6.5%
    5. 5 Czechia 6.1%
    6. 6 United Kingdom 6.1%
    7. 7 Italy 4.7%
    8. 8 Germany 4.0%
    9. 9 Greece 4.0%
    10. 10 Canada 3.0%
    11. · 25 other countries 20.4%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by David Hockney

    1. 1 A bigger splash, 1967 11.5%
    2. 2 Portrait of an artist pool with two figures, 1971 8.6%
    3. 3 Garrowby hill 8.3%
    4. 4 Pool 2 figures 7.8%
    5. 5 Peter Getting out of Nick's Pool 4.2%
    6. 6 Late spring tunnel 4.2%
    7. 7 Path through wheat field 3.8%
    8. 8 American Collectors (Fred and Marcia Weisman), 1968 3.7%
    9. 9 The Arrival of Spring in Woldgate 3.0%
    10. 10 Place furstenberg, paris 2.6%
    11. 11 Bigger Trees Near Warter Or Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique 2.5%
    12. 12 Three Trees near Thixendale 2.4%
    13. 13 The Arrival of Spring in Woldgate, East Yorkshire May 4 2.3%
    14. 14 Nichols canyon 2.1%
    15. 15 A bigger grand canyon, 1998 1.9%
    16. 16 We two boys together clinging 1.9%
    17. 17 My parents 1.8%
    18. 18 Clark percy 1.6%
    19. 19 Red pots in the garden 1.5%
    20. — Untitled (909) this painting 0.0%

    Together these works take 75.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 120 works by this artist, of which 80 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Untitled (909) — David Hockney

    A Luminous Meditation on Domesticity

    In the quiet corners of everyday existence, there exists a profound beauty often overlooked by the rushing world. David Hockney’s "Untitled (909)", painted in 1968, serves as an exquisite window into this realm of domestic tranquility. Rather than a mere depiction of a bathroom scene, the artwork functions as a deeply personal meditation on the simple pleasures of life. Through his masterful use of color and form, Hockney invites the viewer to step away from grand narratives and instead find solace in the intimate, the ordinary, and the serene. The painting captures a man lost in the rhythmic descent of water, transforming a mundane moment of hygiene into a sacred ritual of stillness.

    The atmosphere of the piece is defined by an almost palpable warmth. As one gazes upon the canvas, there is an immediate sense of being enveloped by a soft, incandescent glow. This is not achieved through meticulous realism, but through a technique that leans toward the impressionistic. Hockney employs a vibrant palette dominated by sun-drenched yellows and warm oranges, which mimic the light filtering through a humid space. These hues dance across the surfaces of the room, creating a dappled effect that prioritizes the emotional weight of the atmosphere over the rigid precision of anatomical detail. For the collector or interior designer, this creates a piece that does not merely sit on a wall but radiates a sense of comfort and light into any living space.

    Symbolism and the Spirit of Renewal

    Beyond its aesthetic allure, "Untitled (909)" carries a profound symbolic resonance. The shower, much more than a functional object in this composition, acts as a potent metaphor for purification and psychological renewal. In the context of the late 1960s—a period of immense social upheaval and experimentation—Hockney’s focus on such an introspective subject represents a quiet rebellion. While much of the art world was preoccupied with the loud, commercial energy of Pop Art, Hockney turned his gaze inward, finding the extraordinary within the ordinary. The act of washing becomes a visual echo of the human desire to cleanse oneself of the external world and find clarity within.

    The composition itself, featuring subtle elements like a distant chair and a soft green potted plant in the corner, grounds the ethereal light in a recognizable reality. These small details provide a sense of stability and domestic peace, making the painting an ideal centerpiece for those looking to cultivate an environment of calm and reflection. To own a reproduction of this work is to possess a fragment of that 1960s optimism—a reminder that even in the most private, solitary moments, there is a luminous beauty waiting to be discovered.

    Artist and museum

    Artist

    David Hockney

    Born in Bradford, United Kingdom

    A Life Painted in Light: The World of David Hockney

    David Hockney, born July 9, 1937, in the industrial heartland of Yorkshire, England, is more than simply a painter; he’s a visual polymath whose career has spanned painting, drawing, printmaking, stage design, and photography. His story begins amidst the grit and determination of Bradford, a landscape that instilled within him a keen observational eye, even as his father, Kenneth Hockney, fostered a spirit of independent thought through conscientious objection during World War II. This early environment shaped a young artist who would consistently challenge conventions and forge his own path. Formal education at Wellington Primary School and Bradford Grammar School laid the foundation for a career that would redefine British art in the 20th and 21st centuries, culminating in studies at Bradford College of Art and later, the prestigious Royal College of Art in London. It was during these formative years that Hockney began to articulate a unique artistic voice, one that blended Pop sensibilities with a distinctly British perspective.

    The Rise of a Pop Icon and Beyond

    The 1960s witnessed Hockney’s ascent as a pivotal figure within the burgeoning Pop Art movement. However, unlike some contemporaries who wholeheartedly embraced American commercial culture, Hockney brought a uniquely British sensibility to the genre. His work exploded with vibrant color and bold lines, depicting scenes that were both familiar and subtly subversive. A Bigger Splash (1966), perhaps his most iconic early piece, encapsulates this perfectly – a seemingly simple depiction of a swimming pool becomes a meditation on Californian leisure, artifice, and the very act of seeing. This wasn’t merely representation; it was an exploration of how we perceive reality. His double portraits, like American Collectors (Fred and Marcia Weisman), demonstrate his remarkable ability to capture not just likeness but also the essence of personality and relationship. Hockney didn't shy away from personal themes either, notably exploring gay love with openness and vulnerability in works such as We Two Boys Together Clinging (1961), challenging societal norms at a time when homosexuality was largely taboo. This willingness to confront difficult subjects head-on cemented his position as a groundbreaking artist.

    Experimentation, Innovation, and the Rescue of Painting

    Hockney’s artistic curiosity has never been confined to a single medium. Throughout his career, he's relentlessly experimented with new technologies and approaches. From his early embrace of lithography and etching to his later explorations of photography – particularly his use of Polaroid composites in the 1980s – Hockney consistently pushed the boundaries of what art could be. He famously declared painting wasn’t dead but needed “rescuing” from its own conventions, leading him to develop innovative techniques like perspective distortions and fragmented viewpoints. This desire to revitalize painting led to ambitious projects such as Pearblossom Hwy., 11–18th April 1986, a complex photomontage that challenged traditional notions of space and representation. His stage designs for opera, including sets for Mozart's The Magic Flute and Stravinsky's The Rake’s Progress, further demonstrate his versatility and ability to translate his visual language into a different artistic realm. More recently, he has embraced the digital medium, creating stunning landscapes on iPads that showcase his continued fascination with light, color, and perspective – proving that innovation knows no bounds.

    Recognition, Legacy, and Enduring Influence

    David Hockney’s contributions to the art world have been widely recognized throughout his illustrious career. He was appointed Order of the Companion of Honour (CH) in 2018, a testament to his profound impact on British culture. Prior to that, he was elected a Fellow of the Royal Society (FRS) in 2003 and received the Laureate of the Praemium Imperiale for Painting in 2000. His works are held in major museum collections worldwide, and can be readily accessed through online platforms, ensuring his art continues to inspire new generations. Hockney’s influence extends beyond the visual arts; he has become a cultural icon, celebrated for his wit, intelligence, and unwavering commitment to artistic exploration. His work is not merely about what he depicts but how he depicts it – a constant questioning of perception and representation that continues to resonate with audiences today. He remains an active force in the art world, continually challenging expectations and inspiring artists across disciplines.

    Further Explorations

    Place Furstenberg, Paris: A captivating example of Hockney’s interior scenes, showcasing his mastery of color and composition.

    Oona Zlamany: A poignant portrait that blends realism with Pop Art influences, revealing the sitter's contemplative nature.

    Lawn Sprinkled: A vibrant depiction of suburban life, characterized by geometric forms and a playful use of color.

    Discover more about fellow British Pop artist Pauline Boty.

    Explore the works of Frank Lisle, a painter who influenced Hockney’s early development.

    Where to read more

    Find this online

    QR code linking to the download page for Untitled (909)

    originaluniqueart.com/en/art/download/david-hockney-untitled-909-9HBB6P-en/

    Cite this artwork

    MLA
    Hockney, David. Untitled (909). n.d., https://originaluniqueart.com/en/art/david-hockney-untitled-909-9HBB6P-en/
    APA
    Hockney, David (n.d.). Untitled (909) [Painting]. https://originaluniqueart.com/en/art/david-hockney-untitled-909-9HBB6P-en/
    Chicago
    David Hockney. Untitled (909). n.d. https://originaluniqueart.com/en/art/david-hockney-untitled-909-9HBB6P-en/
    Harvard
    Hockney, David (n.d.) Untitled (909). Available at: https://originaluniqueart.com/en/art/david-hockney-untitled-909-9HBB6P-en/

    Look closely

    Untitled (909) — David Hockney

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: shower scene, bathroom interior, relaxation. Do you agree? What would you add, or take away?
    4. Look back at Pool 2 figures, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Themes that come back through the work of David Hockney: optical art, british landscape, domestic reflection. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Untitled (909) — David Hockney

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject depicted in this painting?

      • A A Landscape Scene
      • B A Portrait of a Woman
      • C A Man Showering
    2. 2. Which artistic technique is most prominently employed by David Hockney in this artwork?

      • A Oil Painting
      • B Watercolor Rendering
      • C Acrylic Collage
    3. 3. Where was David Hockney born?

      • A London
      • B New York City
      • C Bradford
    4. 4. What element contributes to the overall atmosphere of relaxation and comfort conveyed by the painting?

      • A Dramatic Lighting
      • B Complex Composition
      • C Presence of Plants
    5. 5. David Hockney’s father served as conscientious objector during World War II. How might this experience have influenced Hockney's artistic perspective?

      • A It instilled a belief in traditional artistic styles.
      • B It fostered an independent spirit and questioning of conventions.
      • C It encouraged him to focus solely on technical precision

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2B · 3C · 4C · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What space matches the colors of "Untitled (909)" by David Hockney?

    The neutrals colors of "Untitled (909)" by David Hockney match its recommended space: a living room.

    How strong are the colors of "Untitled (909)"?

    The colors of "Untitled (909)" by David Hockney show a balanced soft saturation with a vivid intensity.

    How do I download the image of "Untitled (909)" by David Hockney?

    The image of "Untitled (909)" by David Hockney can be downloaded from the artwork's Download page: a high-resolution digital image download.