Student Artwork Guide
Copyright This work is in the public domain. Daniel Maclise died in 1870; copyright lasts 70 years after the artist’s death, so it ended in 1940.
In context
John Orlando Parry — Daniel Maclise
Shaded: the lifetime of Daniel Maclise (1806–1870)
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Measured from the image
Main colour
Phthalo Green #0d141b
Catalogued palette
Artist and museum
Born in Cork, Ireland
Born: January 25, 1806, Cork, Ireland
Died: April 25, 1870, London, England
Parents: Alexander McLish (tanner/shoemaker) and Rebecca McLeish
Early education in Cork; showed artistic talent from a young age.
Studied at the Cork School of Art, focusing on drawing and anatomy.
Self-funded move to London in 1827 to pursue art studies.
Entered the Royal Academy Schools in 1828, excelling in life drawing and history painting.
Rapidly gained recognition for his portrait skills, notably depicting Charles Kean and Niccolò Paganini.
Contributed significantly to Fraser's Magazine under the pseudonym "Alfred Croquis," creating a series of character portraits that enhanced his reputation.
Became an Associate of the Royal Academy in 1835 and a full member in 1840.
Notable Works:
The Meeting of Wellington and Blücher after the Battle of Waterloo (located at Westminster Palace)
The Death of Nelson (located at Westminster Palace) – A monumental fresco considered one of his masterpieces.
The Chivalric Vow of the Ladies and the Peacock
Illustrations for Charles Dickens' Christmas books and other works.
Maclise’s style blended historical narrative with elements of realism and portraiture.
Influenced by French and classical art, particularly after his visit to Paris in 1830.
His work often depicted scenes from history, literature (Shakespeare), and mythology.
Demonstrated a keen eye for detail and characterization in both portraits and historical compositions.
Intense dedication to his art took a toll on his health.
Declined the presidency of the Royal Academy in 1865 due to declining health.
Died in Chelsea, London, in 1870.
A memoir was published by William Justin O'Driscoll in 1871.
Maclise’s murals at Westminster Palace remain significant contributions to British art and architecture.
His illustrations for Dickens helped popularize the author's works.
Considered a key figure in Victorian-era history painting, bridging the gap between Neoclassicism and Realism.
Maclise played a crucial role in documenting significant historical events and figures for a wider audience.
His work reflects the cultural and artistic trends of the 19th century, particularly the Victorian era's fascination with history and literature.
He helped establish the tradition of large-scale narrative painting within British art.
His contributions to Westminster Palace’s decoration are integral to the building's aesthetic and symbolic importance.
On show in Cardiff, United Kingdom
Nestled within the tranquil, leafy embrace of Cathays Park,
Amgueddfa Cymru – Museum Wales
stands as a profound testament to the enduring artistic spirit of a nation. Since its ambitious establishment in 1905, this institution has served as much more than a mere repository for artifacts; it is a living, breathing chronicle of Welsh identity, folklore, and natural splendor. To step through its doors is to embark on a journey through time, where the whispers of ancient heritage meet the vibrant pulse of contemporary creativity. The museum acts as a luminous beacon, illuminating centuries of cultural evolution and fostering a deep, emotional connection between the visitor and the storied landscapes of Wales.
The heart of the museum’s allure lies in its extraordinary collection, which offers a breathtaking dialogue between international mastery and local genius. Art lovers will find themselves captivated by the prestigious Impressionist treasures bequeathed in 1911 by Sir William Ashton Lloyd. Within these galleries, the ethereal luminescence of
Claude Monet’s
"Water Lilies" creates a sense of timelessness, while the emotive, textured palettes of
Vincent van Gogh
transport the viewer to the sun-drenched landscapes of Provence. Yet, the collection remains deeply rooted in the Welsh soil; visitors can wander through dramatic Romantic vistas that capture the rugged majesty of the Welsh mountains and encounter portraits imbued with a poignant, soulful sensitivity by masters such as Richard Howells and Gwen Rhys. For the discerning collector or interior designer, the museum’s diverse holdings—ranging from delicate ceramics and intricate textiles to exquisite jewellery—offer endless inspiration drawn from a rich tapestry of decorative arts.
The architectural grandeur of the museum itself is an experience of Victorian elegance and classical harmony. Designed by the visionary architects Gilbert Bayes and Thomas J. Clapperton, the building is a masterpiece of ornamentation, featuring intricate sculptures by
Sir W. Goscombe John
that pay homage to the delicate beauty of Welsh flora. As one moves through the expansive interior, Corinthian columns adorned with floral motifs rise gracefully toward soaring ceilings, where soft light filters through magnificent stained-glass windows. This interplay of light and structure creates a contemplative atmosphere, perfect for the quiet appreciation of art. The recent addition of the Clore Discovery Centre further enriches this landscape, bridging the gap between art and science through interactive exploration, ensuring that the museum remains a dynamic space for all generations.
Beyond the walls of the main institution, the museum’s influence extends to the enchanting
St Fagans National Museum of History
. This UNESCO World Heritage Site offers a rare, immersive encounter with living history, where over forty meticulously reconstructed buildings—from medieval cottages to industrial workshops—recreate the rhythms of rural Welsh life. Here, the boundaries between the past and present dissolve as demonstrators showcase traditional crafts like blacksmithing and weaving amidst the beautifully landscaped ornamental gardens designed by the legendary
Gertrude Jekyll
. It is this seamless blend of art, nature, and history that makes Amgueddfa Cymru a truly unique destination, inviting every visitor to embrace the profound beauty and complexity of the Welsh heritage.
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Look closely
John Orlando Parry — Daniel Maclise
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