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Student Artwork Guide

The Things That Are Caesar's

Name Class Date

Claude Buck, The Things That Are Caesar's (1943). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Claude Buck originaluniqueart.com/en/artists/claude-buck/
Artist’s dates
1890 – 1974
Painted
1943
Original size
78 x 125 cm

In context

The Things That Are Caesar's — Claude Buck

How big is it?

The original measures 78 × 125 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 84 at death.

Painted when the artist was 53. The artist lived to 84. 15 of the 18 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Claude Buck (1890–1974) ▲ this work, 1943 every dated painting, decade by decade

First works: up to 1915 Main working years: 1915–1920 Late works: from 1920

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/claude-buck-the-things-that-are-caesar-s-AQTHJY-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #a4957a

    Catalogued palette

    • #A4957A
    • #877455
    • #63472B
    • #261910

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Claude Buck over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.0%
    2. 2 United States of America 50.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 6 most looked-at works by Claude Buck

    1. 1 Sorrow (Il Penseroso), 1915 20.0%
    2. 2 Pastorale, 1915 20.0%
    3. 3 The Forces of Evil, 1914 20.0%
    4. 4 Sunset, 1915 20.0%
    5. 5 Mr. Koterba, 1922 20.0%
    6. — The Things That Are Caesar's, 1943 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 18 works by this artist, of which 5 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    The Things That Are Caesar's — Claude Buck

    The painting The Things That Are Caesar's by Claude Buck is a thought-provoking artwork that showcases the artist's skill in combining historical elements with artistic expression. Created in 1943, this oil on canvas painting measures 78 x 125 cm and is currently housed at the Smithsonian American Art Museum in the United States.

    Artist Background

    Claude Buck was an American artist known for his unique style, which often incorporated elements of history and culture. His paintings can be found in various museums and collections, including the Smithsonian American Art Museum. To learn more about Claude Buck and his artworks, visit https://AllPaintingsStore.com and explore our collection of hand-made oil painting reproductions.

    Painting Description

    The painting The Things That Are Caesar's features a gun with a bullet in it, placed on top of a book. The gun appears to be an old-fashioned rifle, and the bullet is located near the center of the gun. Several books are scattered around the scene, some of which are stacked up or lying flat on the ground. A person can also be seen in the background, possibly observing the painting or engaging with the books. This unique composition suggests a mix of artistic expression and historical elements. Key Features:

    The painting measures 78 x 125 cm

    Created in 1943 using oil on canvas

    Housed at the Smithsonian American Art Museum

    To view more paintings by Claude Buck and other artists, visit https://AllPaintingsStore.com. For more information about the Smithsonian American Art Museum, check out their Wikipedia page: https://en.wikipedia.org/wiki/Smithsonian_American_Art_Museum.

    The painting The Things That Are Caesar's is a significant work by Claude Buck, showcasing his unique style and artistic expression. With its thought-provoking composition and historical elements, this painting is a must-see for art enthusiasts and historians alike.

    Artist and museum

    Artist

    Claude Buck

    Claude Buck: A Visionary of the Camargue

    Claude Buck (1890-1974) wasn’t merely a painter; he was an immersion in the soul of southern France, specifically the wild and captivating landscape of the Camargue. Born in New York City amidst the burgeoning artistic energy of the early 20th century, Buck's journey led him to establish himself as a pivotal figure in French art, deeply rooted in regional traditions yet infused with a distinctly modern sensibility. His work, characterized by luminous color palettes and an almost hallucinatory intensity, captures not just the physical beauty of the Camargue – its vast plains, shimmering lagoons, and formidable white horses – but also the emotional resonance of its unique atmosphere.

    Buck’s early artistic training laid a crucial foundation. He began drawing at age four, encouraged by his father, a commercial artist, and quickly demonstrated an exceptional talent. He honed his skills at the National Academy of Design in New York City, absorbing influences from masters like Emil Carlsen and Francis Jones, but it was his subsequent studies in Munich that truly shaped his artistic vision. This immersion in European art, particularly German Symbolism, exposed him to a world of dreamlike imagery, psychological depth, and an exploration of the subjective experience – elements he would later integrate into his own distinctive style.

    The move to Chicago in 1919 marked a significant turning point. He became a key member of the Introspectives group, a collective of avant-garde artists who sought to express profound emotions through symbolic and allegorical imagery. This period saw Buck experimenting with surrealist techniques, drawing inspiration from writers like Edgar Allan Poe and the operatic works of Richard Wagner – influences that would continue to permeate his work throughout his career. His paintings during this time were often characterized by a heightened sense of drama, employing rich colors and evocative compositions to convey complex psychological states.

    The Camargue: A Source of Endless Inspiration

    Buck’s relocation to France in the early 1920s solidified his connection to the Camargue. This vast wetland region, located in southeastern France, proved to be an inexhaustible source of inspiration for him. The Camargue is a place of stark contrasts – sun-drenched plains juxtaposed with dark, brooding lagoons; wild horses roaming freely alongside flocks of flamingos painting the sky pink. Buck’s paintings are not simply depictions of this landscape; they are attempts to capture its essence, its spirit, and the profound sense of timelessness that pervades it.

    His subjects frequently revolved around the Camargue's iconic white horses – falcões – a breed unique to the region. These magnificent animals, with their flowing manes and powerful presence, became central figures in many of his paintings. Buck didn’t merely portray them realistically; he imbued them with symbolic weight, representing themes of freedom, wildness, and the untamed spirit of nature. He often depicted them in dramatic settings, bathed in the golden light of the setting sun or galloping across the vast plains under a stormy sky.

    Technique and Style: A Master of Light and Color

    Buck’s artistic technique was characterized by a remarkable mastery of color and light. He employed a vibrant palette, utilizing rich reds, yellows, and blues to create luminous effects that seemed to radiate from the canvas. His brushwork was often loose and expressive, conveying a sense of movement and energy. He was particularly adept at creating an illusion of depth and atmosphere, using layering techniques and glazing to build up complex surfaces.

    Buck’s style can be described as a blend of Impressionism, Symbolism, and early Modernism. He retained the Impressionists' focus on capturing fleeting moments of light and color, while incorporating the Symbolist’s interest in exploring psychological themes and using symbolic imagery. His work also anticipates some of the techniques of later Modernist painters, such as the use of flattened perspectives and simplified forms.

    Legacy and Historical Significance

    Despite facing periods of critical skepticism during his lifetime, Claude Buck is now recognized as a significant figure in French art. His paintings offer a unique and compelling vision of the Camargue – a region that he captured with an unparalleled sensitivity to its beauty and spirit. Buck’s work continues to be exhibited in museums and private collections around the world, testament to the enduring power of his artistic vision.

    His influence can also be seen in later generations of artists who were inspired by the Camargue's landscape and culture. Buck’s legacy lies not only in his individual paintings but also in his ability to evoke a profound emotional response in viewers, transporting them to the heart of this extraordinary region.

    Where to read more

    • The artist Claude Buck originaluniqueart.com/en/artists/claude-buck/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/claude-buck-the-things-that-are-caesar-s-AQTHJY-en/

    Find this online

    QR code linking to the download page for The Things That Are Caesar's

    originaluniqueart.com/en/art/download/claude-buck-the-things-that-are-caesar-s-AQTHJY-en/

    Cite this artwork

    MLA
    Buck, Claude. The Things That Are Caesar's. 1943, https://originaluniqueart.com/en/art/claude-buck-the-things-that-are-caesar-s-AQTHJY-en/
    APA
    Buck, Claude (1943). The Things That Are Caesar's [Painting]. https://originaluniqueart.com/en/art/claude-buck-the-things-that-are-caesar-s-AQTHJY-en/
    Chicago
    Claude Buck. The Things That Are Caesar's. 1943. https://originaluniqueart.com/en/art/claude-buck-the-things-that-are-caesar-s-AQTHJY-en/
    Harvard
    Buck, Claude (1943) The Things That Are Caesar's. Available at: https://originaluniqueart.com/en/art/claude-buck-the-things-that-are-caesar-s-AQTHJY-en/

    Look closely

    The Things That Are Caesar's — Claude Buck

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Self Portrait (1919), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Claude Buck was about 53 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What level of contrast does "The Things That Are Caesar's" by Claude Buck show?

    The contrast level of "The Things That Are Caesar's" by Claude Buck is balanced.

    Is Claude Buck, creator of "The Things That Are Caesar's", known under other names?

    Other names recorded for Claude Buck, creator of "The Things That Are Caesar's", include Charles Claude Buck, Charles C. Buck, Charles Sargeant.

    How can I get a print of "The Things That Are Caesar's" by Claude Buck?

    "The Things That Are Caesar's" is available as a fine art print on cotton canvas or archival canvas paper. Orders are placed on its Fine Art Print page, in the size of your choice.