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Student Artwork Guide

The Scout

Name Class Date

Charles Schreyvogel, The Scout (1912), Briscoe Western Art Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Charles Schreyvogel originaluniqueart.com/en/artists/charles-schreyvogel/
Artist’s dates
1861 – 1912
Painted
1912
Held at
Briscoe Western Art Museum originaluniqueart.com/en/museums/briscoe-western-art-museum-san-antonio/

In context

The Scout — Charles Schreyvogel

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 51 at death.

Painted when the artist was 51. The artist lived to 51. 7 of the 11 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Charles Schreyvogel (1861–1912) ▲ this work, 1912 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/charles-schreyvogel-the-scout-DD37CT-en/

Colours

Measured from the image

    Main colour

    Gray #959590

    Catalogued palette

    • #959590
    • #292724
    • #54524F
    • #757572

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Charles Schreyvogel over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 80.0%400 visits
    2. 2 United States of America 20.0%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 5 most looked-at works by Charles Schreyvogel

    1. 1 A Sharp Encounter, 1901 20.0%100 visits
    2. 2 The Triumph, 1908 20.0%100 visits
    3. 3 The Scout, 1912 this painting 20.0%100 visits
    4. 4 The Messenger, 1912 20.0%100 visits
    5. 5 Doomed, 1901 20.0%100 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 11 works by this artist, of which 5 were looked at at least once. This painting ranks 3 of them, with 20.0% of that attention (100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Charles Schreyvogel

    Born in New York City, United States of America

    early life and career

    charles schreyvogel, an american painter, was born on january 4, 1861, in new york city. growing up in a poor family of german immigrant shopkeepers on the lower east side, schreyvogel's early life was marked by financial struggles. despite these challenges, he developed a passion for art, teaching himself to draw and paint.

    artistic breakthrough and fame

    schreyvogel's big break came in 1901 when his painting my bunkie was awarded the thomas clarke prize at the national academy of design's annual exhibition. this sudden success led to his reputation as a leading interpreter of the american west, rivaling that of fredric remington, a notable influence on schreyvogel's work, featured on AllPaintingsStore: https://AllPaintingsStore.com/@/frederic_remington.

    notable works and collections

    * the silenced war whoop, a poignant example of schreyvogel's work, showcases his unique perspective on the american west. * the national cowboy & western heritage museum in oklahoma city, oklahoma, and the sid richardson museum in fort worth, texas, are among the institutions featuring schreyvogel's works.

    museums and legacy

    schreyvogel's work can be found in various prestigious museums, including:

    national cowboy & western heritage museum (oklahoma city, oklahoma)

    sid richardson museum (fort worth, texas)

    gilcrease museum (tulsa, oklahoma)

    important: schreyvogel's contributions to american art history remain undeniable, despite controversy surrounding his work.

    references

    * charles schreyvogel on AllPaintingsStore: https://AllPaintingsStore.com/@/charles-schreyvogel * frederic remington on wikipedia: https://en.wikipedia.org/wiki/frederic_remington

    Museum

    Briscoe Western Art Museum

    On show in San Antonio, United States of America

    A Portal to the American West: The Soul of the Briscoe

    Nestled in the vibrant heart of San Antonio, Texas—a city steeped in Spanish colonial heritage and imbued with the spirit of cowboy tradition—lies the Briscoe Western Art Museum. More than simply a gallery showcasing artistic representations of the frontier, it serves as an immersive experience designed to transport visitors back to a pivotal period in American history, where rugged individualism clashed with breathtaking landscapes and legends solidified into enduring narratives. The museum does not merely display art; it strives to evoke its very soul, offering a sanctuary for those who seek to understand the complex tapestry of the American West.

    At the core of the Briscoe’s profound appeal is its impressive assemblage of paintings, sculptures, and artifacts that illuminate the diverse facets of Western life. The collection captures the essence of an era through meticulously rendered portraits of iconic figures like Wyatt Earp and Billy the Kid, yet the museum's treasures extend far beyond the mythos of the outlaw. One finds oneself lost in the grandeur of the American wilderness through the eyes of masters such as Frederic Remington, Thomas Moran, and Albert Bierstadt, whose works document the majestic scale of Yellowstone National Park and the vast, undulating prairie lands. This visual journey is further enriched by a captivating selection of Native American art—intricate ceramics, textiles, and jewelry—that offers invaluable insight into the enduring traditions and artistry of the indigenous communities who have inhabited this region for millennia.

    Architectural Harmony and the Spirit of Place

    The museum’s building itself acts as a storyteller, seamlessly integrating historical weight with contemporary elegance. Situated within the former San Antonio Public Library complex along the picturesque River Walk, the architectural design embodies a harmonious blend of modern sensibilities and Western aesthetic influences. Designed by the renowned Lake|Flato Architects, the structure priorits natural light and ventilation, creating an ethereal atmosphere that complements the rugged textures of the artwork housed within. The centerpiece of this architectural achievement is the Jack Guenther Pavilion—a soaring, three-story space that invites contemplation. Here, the McNutt Courtyard & Sculpture Garden provides a breathtaking outdoor extension where visitors can wander amidst Texas-sized statues crafted by some of the world’s leading Western artists, fostering a unique dialogue between the art and the natural environment.

    The legacy of this institution is deeply rooted in the spirit of Texan patronage. Established in 1987, the Briscoe owes its existence to the profound generosity of Dolph and Janey Slaughter Briscoe—a former Texas Governor and his wife who championed the preservation of regional heritage. Their vision was to create an institution dedicated not only to showcasing exceptional artwork but also to educating future generations about the complexities and beauty of the West. This commitment to education is woven into the museum's very fabric, as seen in its rotating exhibitions that delve into specific themes, ranging from the subtle influence of Impressionism on American landscape painting to the profound depths of Native American storytelling traditions. It is this dedication to intellectual curiosity and historical context that distinguishes the Briscoe, making it a destination where history is not just observed, but deeply felt.

    Where to read more

    Find this online

    QR code linking to the download page for The Scout

    originaluniqueart.com/en/art/download/charles-schreyvogel-the-scout-DD37CT-en/

    Cite this artwork

    MLA
    Schreyvogel, Charles. The Scout. 1912, Briscoe Western Art Museum. https://originaluniqueart.com/en/art/charles-schreyvogel-the-scout-DD37CT-en/
    APA
    Schreyvogel, Charles (1912). The Scout [Painting]. Briscoe Western Art Museum. https://originaluniqueart.com/en/art/charles-schreyvogel-the-scout-DD37CT-en/
    Chicago
    Charles Schreyvogel. The Scout. 1912. Briscoe Western Art Museum. https://originaluniqueart.com/en/art/charles-schreyvogel-the-scout-DD37CT-en/
    Harvard
    Schreyvogel, Charles (1912) The Scout. Briscoe Western Art Museum. Available at: https://originaluniqueart.com/en/art/charles-schreyvogel-the-scout-DD37CT-en/

    Look closely

    The Scout — Charles Schreyvogel

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at In Safe Hands (1909), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Charles Schreyvogel was about 51 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is the perceived brightness of "The Scout" by Charles Schreyvogel?

    Overall, "The Scout" is recorded as balanced. Perceived brightness describes how light or dark the work appears.

    How does "The Scout" balance light and dark?

    The recorded values for "The Scout" by Charles Schreyvogel are: balanced brightness, gentle luminance luminance.

    Who created "The Scout" and in what year?

    Charles Schreyvogel made "The Scout" in 1912.