Paper

Student Artwork Guide

At the Pool

Name Class Date

Charles Robert Leslie, At the Pool (1840), Grundy Art Gallery. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Charles Robert Leslie originaluniqueart.com/en/artists/charles-robert-leslie/
Artist’s dates
1794 – 1859
Painted
1840
Medium
Oil
Original size
32 x 26 cm
Movement
Genre Painting
Period
19th Century
Held at
Grundy Art Gallery originaluniqueart.com/en/museums/grundy-art-gallery-blackpool/
Artistic style
Genre painting
Notable elements
Woman, reflection, cat, trees, and rocks
Subject or theme
Woman by the water's edge

In context

At the Pool — Charles Robert Leslie

How big is it?

The original measures 32 × 26 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1790
  2. 1800
  3. 1810
  4. 1820
  5. 1830
  6. 1840
  7. 1850
  8. 1860

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 65 at death.

Painted when the artist was 46. The artist lived to 65. 10 of the 17 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Charles Robert Leslie (1794–1859) ▲ this work, 1840 every dated painting, decade by decade

First works: up to 1831 Main working years: 1831–1840 Late works: from 1840

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/charles-robert-leslie-at-the-pool-AQS4YS-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #2f2719

    Catalogued palette

    • #2F2719
    • #876949
    • #C8B38E
    • #473A25

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Charles Robert Leslie over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 88.6%
    2. 2 Singapore 5.7%
    3. 3 United States of America 5.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Charles Robert Leslie

    1. 1 Uncle Toby and Widow Wadman, 1831 7.9%
    2. 2 Slender, With The Assistance Of Shallow 7.9%
    3. 3 Morning, Ullswater, Lake District, 1860 5.3%
    4. 4 The Princess Royal 5.3%
    5. 5 Elizabeth Fry 5.3%
    6. 6 Highlands, 1868 5.3%
    7. 7 Consultation 5.3%
    8. 8 Sketch For 'charles Ii And Lady Bellenden' 5.3%
    9. 9 Lady Jane Grey Prevailed on to Accept the Crown, 1827 2.6%
    10. 10 Charles Robert Leslie, 1814 2.6%
    11. 11 Katherine of Aragon with Her Maid, 1826 2.6%
    12. 12 My Uncle Toby and the Widow Wadman, 1831 2.6%
    13. 13 Snowdon from Capel Curig, 1880 2.6%
    14. 14 Perdita 2.6%
    15. 15 The Murder Of Rutland By Lord Clifford 2.6%
    16. 16 Dulcinea Del Toboso 2.6%
    17. 17 Who Can This Be From 2.6%
    18. 18 The Two Princes In The Tower 2.6%
    19. 19 Who Can This Be 2.6%
    20. — At the Pool, 1840 this painting 0.0%

    Together these works take 76.2% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 149 works by this artist, of which 28 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    At the Pool — Charles Robert Leslie

    A Moment of Quiet Reflection

    In the gentle embrace of 1840, Charles Robert Leslie captured a scene of profound serenity in his evocative work, At the Pool. This intimate portrait invites the viewer into a private sanctuary, where the boundaries between humanity and nature seem to dissolve. A woman with flowing, long hair sits poised at the water's edge, her gaze lost in the shimmering mirror of her own reflection. The composition is anchored by this quiet introspection, creating a sense of stillness that transcends the passage of time. As she contemplates her image, there is an undeniable sense of melancholy and peace intertwined, a hallmark of the Romantic era’s fascination with the internal landscape of the soul.

    The setting is a lush, naturalistic tapestry where the rugged textures of rocks and the soft greenery of distant trees frame the subject in a protective embrace. Leslie masterfully uses the environment to enhance the narrative; the water does not merely serve as a backdrop but acts as a symbolic threshold between reality and reflection. Adding a touch of whimsical companionship to this solitary moment, a small cat lingers near the periphery, its presence injecting a subtle layer of domestic warmth and curiosity into the wilder elements of the landscape. This delicate balance between the untamed outdoors and the quietude of a private thought makes the piece an enchanting focal point for any collection.

    Mastery of Light and Genre

    As a prominent figure in British art, Leslie transitioned from the grand, dramatic themes of history painting to the more accessible and emotionally resonant realm of genre painting. In At the Pool, his technical prowess is on full display through the delicate handling of light and texture. The way the sunlight filters through the canopy to dance upon the water’s surface demonstrates a sophisticated command of luminosity. His brushwork, while precise enough to capture the fine details of the woman's dress and the soft contours of her features, retains a painterly quality that lends the scene an organic, breathing vitality.

    For the discerning collector or interior designer, this reproduction offers more than just aesthetic beauty; it provides a window into the mid-19th-century British sensibility. The painting’s palette—composed of earthy tones, deep greens, and soft highlights—makes it an incredibly versatile piece for sophisticated decor. Whether placed in a sunlit reading nook or as a centerpiece in a formal gallery wall, the artwork evokes a sense of timeless elegance. It serves as a conversation starter, inviting guests to pause and reflect on the beauty of solitude and the enduring allure of the natural world.

    Artist and museum

    Artist

    Charles Robert Leslie

    Born in London, United Kingdom

    early life and training

    charles robert leslie, a prominent figure in british art, was born on october 19, 1794, in london to american parents. at the age of five, he moved with his family to philadelphia, where he completed his education. initially, leslie was apprenticed to a bookseller, but his true passion lay in painting and theatre.

    artistic career

    in 1811, leslie arrived in london with letters of recommendation, securing support from notable artists like benjamin west. he enrolled in the royal academy schools in 1813, where he won two silver medals. influenced by west and fuseli, leslie initially explored grand art themes, but soon discovered his true calling in genre painting.

    notable works and style

    * the murder of rutland by lord clifford: an early work showcasing leslie's emulation of history painting. londoners gypsying: a lighthearted genre scene, characteristic of his later style. sir walter scott's portrait: demonstrating leslie's ability to capture celebrated sitters.

    museum and art gallery involvement

    royal academy: leslie was elected as an associate in 1821, with full membership following in 1826. centre d'art britannique de yale: archives of charles robert leslie's work are conserved here.

    legacy and later life

    leslie became a good friend of artist john constable, for whom he wrote the first biography, memoirs of the.... after a brief stint in west point, leslie returned to england, where he passed away on may 5, 1859.

    discovering the artworks of tunbridge wells museum - art gallery, united kingdom (relevant to british art scene)

    history of painting (context for leslie's artistic era)

    roger wagner (example of another british artist, for contrast)

    key influences: benjamin west, washington allston, and the royal academy.

    Museum

    Grundy Art Gallery

    On show in Blackpool, United Kingdom

    A Lancashire Gem: Discovering the Grundy Art Gallery

    The Grundy Art Gallery, nestled in Blackpool’s vibrant Victorian seaside town, stands as a testament to Lancashire's enduring appreciation for artistic heritage. Established in 1911 by visionary brothers John and Sir Cuthbert Grundy—artists themselves—the gallery began its journey with an extraordinary bequest of over twenty paintings and subsequent generous donations, cementing its position as one of the region’s foremost art institutions.

    Coordinates:

    (53°49′13″N 3°03′09″W)

    (https://geohack.toolforge.org/ge

    Historic Roots:

    Commissioned in 1908, the Edwardian building embodies the elegance and ambition of its time—a deliberate reflection of the Grundy brothers’ artistic vision.

    A Diverse Collection:

    The gallery's holdings span Victorian oils and watercolors alongside modern British paintings, oriental ivories, ceramics, photographs, and souvenirs of Blackpool, showcasing a remarkable breadth of artistic expression.

    Amongst its celebrated artists are luminaries like Anna Airy, Craigie Aitchison, Samuel John ‘Lamorna’ Birch, Stephen Bone, Reginald Grange Brundrit, Jeffrey Camp, Thomas Sidney Cooper, Charles Ernest Cundall, Frederick William Elwell, Richard Ernst Eurich, Stanhope Alexander Forbes, Patrick Hughes, Augustus Edwin John, Laura Knight, Moffat Peter Lindner, John Linnell, Charles S. Ricketts, David Roberts, Charles Spencelayh, Henry Scott Tuke, and Lucy Kemp Welsh—names that resonate deeply within British art history.

    Notable Artists:

    Augustus John’s evocative portraits capture the spirit of his era, Paul Nash's surreal landscapes delve into the subconscious realm, and Eric Ravilious’s watercolor paintings evoke a nostalgic longing for England’s rural past.

    The Grundy Art Gallery distinguishes itself through its commitment to bridging artistic eras—a deliberate strategy that presents visitors with a holistic understanding of artistic evolution. Furthermore, it actively engages the local community and attracts discerning audiences from across the UK and beyond, fostering dialogue between art and society.

    Contemporary Engagement:

    Regularly hosting groundbreaking exhibitions featuring both established and emerging artists, the gallery ensures that its legacy extends into the 21st century.

    A cornerstone of Lancashire’s cultural landscape, the Grundy Art Gallery continues to inspire curiosity and appreciation for art. Its enduring appeal lies in its ability to transport viewers back to a bygone era while simultaneously illuminating the dynamism of contemporary artistic endeavors.

    Collection Highlights

    Augustus John:

    Explore John’s masterful portraits—studies in character and emotion—that exemplify his distinctive style.

    Paul Nash:

    Immerse yourself in Nash's mesmerizing landscapes, imbued with a palpable sense of mystery and melancholy; these works invite contemplation on the relationship between humanity and nature.

    Eric Ravilious:

    Admire Ravilious’s iconic watercolors—characterized by crisp lines, vibrant hues, and an idealized depiction of rural England—a visual celebration of timeless beauty.

    Don't miss ‘The Laughing Parson,’ a masterpiece by Charles Spencelayh—one of two works by Spencelayh residing within the Grundy Collection—a poignant reminder of Blackpool’s artistic past.

    Architecture & History

    Edwardian Elegance:

    The gallery's Edwardian building stands as a stately monument to Victorian grandeur, reflecting the philanthropic vision of its founders and serving as a beacon for Lancashire’s cultural heritage.

    What Makes It Unique

    Unlike many institutions focused solely on preserving historical art forms, the Grundy Art Gallery actively champions artistic innovation—a commitment underscored by its membership in the Contemporary Art Society and its preference for acquiring sculptures, prints, video installations, and other contemporary mediums.

    Where to read more

    Find this online

    QR code linking to the download page for At the Pool

    originaluniqueart.com/en/art/download/charles-robert-leslie-at-the-pool-AQS4YS-en/

    Cite this artwork

    MLA
    Leslie, Charles Robert. At the Pool. 1840, Grundy Art Gallery. https://originaluniqueart.com/en/art/charles-robert-leslie-at-the-pool-AQS4YS-en/
    APA
    Leslie, Charles Robert (1840). At the Pool [Painting]. Grundy Art Gallery. https://originaluniqueart.com/en/art/charles-robert-leslie-at-the-pool-AQS4YS-en/
    Chicago
    Charles Robert Leslie. At the Pool. 1840. Grundy Art Gallery. https://originaluniqueart.com/en/art/charles-robert-leslie-at-the-pool-AQS4YS-en/
    Harvard
    Leslie, Charles Robert (1840) At the Pool. Grundy Art Gallery. Available at: https://originaluniqueart.com/en/art/charles-robert-leslie-at-the-pool-AQS4YS-en/

    Look closely

    At the Pool — Charles Robert Leslie

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portrait, woman, nature. Do you agree? What would you add, or take away?
    4. Look back at Perdita, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Charles Robert Leslie was about 46 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What technique and size is the original "At the Pool" by Charles Robert Leslie?

    The original "At the Pool" by Charles Robert Leslie is an oil work measuring 32 x 26 cm. Technique and size describe the original object.

    Who made "At the Pool", and when?

    "At the Pool" was created by Charles Robert Leslie in 1840.

    How intense are the colors in "At the Pool" by Charles Robert Leslie?

    The colors in "At the Pool" by Charles Robert Leslie have a monochromatic intensity.