Paper
Name Class Date

Charles-Émile Jacque, The Missing Flock. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Charles-Émile Jacque originaluniqueart.com/en/artists/charles-emile-jacque/
Artist’s dates
1813 – 1894

In context

The Missing Flock — Charles-Émile Jacque

When might this have been painted?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880
  9. 1890

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 81 at death.

Shaded: the lifetime of Charles-Émile Jacque (1813–1894) every dated painting, decade by decade

First works: up to 1859 Main working years: 1859–1875 Late works: from 1875

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/charles-emile-jacque-the-missing-flock-8LHQEJ-en/

Colours

Measured from the image

    Main colour

    Driftwood #8f804e

    Catalogued palette

    • #8F804E
    • #201D0E
    • #635C29
    • #413B18

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Charles-Émile Jacque over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 90.9%
    2. 2 Hong Kong 4.5%
    3. 3 New Zealand 4.5%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 18 most looked-at works by Charles-Émile Jacque

    1. 1 Landscape with Sheep 13.0%
    2. 2 Return to the Fold 8.7%
    3. 3 Sheep At Pasture 8.7%
    4. 4 Shepherd and his Sheep in Fontaineblelau Forest 8.7%
    5. 5 Cattle in a trough 8.7%
    6. 6 The Sheepfold, 1857 4.3%
    7. 7 Landscape with a Herd, 1872 4.3%
    8. 8 Sheep In A Forest 4.3%
    9. 9 A Shepherdess with Her Flock, 1887 4.3%
    10. 10 The Herd 4.3%
    11. 11 Troupeau De Vaches A L'Abreuvoir 4.3%
    12. 12 Sheep In The Sous-Bois 4.3%
    13. 13 A Shepherd with His Flock 4.3%
    14. 14 Shepherd and his Flock 4.3%
    15. 15 A Shepherd and his Flock 4.3%
    16. 16 Tending the Flock 4.3%
    17. 17 Two Porcs 4.3%
    18. — The Missing Flock this painting 0.0%

    Together these works take 99.4% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 47 works by this artist, of which 17 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Charles-Émile Jacque

    Born in Paris, France

    A Life Rooted in the French Countryside

    Charles-Émile Jacque, born in Paris in 1813, wasn’t destined for a conventional artistic path. His early life took an unexpected turn with seven years of service in the French army. Yet, even within the regimented structure of military life, his innate talent found expression – not through painting initially, but through the meticulous skill of map engraving. This foundational training, demanding precision and observation, would prove surprisingly pivotal to his later artistic endeavors, instilling a dedication to detail that became a hallmark of his work. It was an unlikely beginning for a painter who would become synonymous with the idyllic beauty of rural France, yet it speaks volumes about Jacque’s adaptability and inherent artistry. Upon leaving the army, he briefly pursued illustration and caricature, contributing to Parisian journals before finding his true calling in the realm of etching and painting.

    Embracing Barbizon and a Pastoral Vision

    The mid-19th century saw Jacque drawn towards Barbizon, a small village that would become the epicenter of a revolutionary artistic movement. Fleeing cholera epidemics plaguing Paris, he joined Jean-François Millet and other like-minded artists in seeking inspiration directly from nature. This marked a decisive shift away from academic conventions and toward a more honest, realistic portrayal of life. Jacque wholeheartedly embraced this new approach, dedicating himself to capturing the essence of rural existence – the quiet dignity of shepherds tending their flocks, the gentle rhythm of farm labor, the simple beauty of livestock in sun-dappled fields. His paintings weren’t merely depictions of scenes; they were imbued with a deep sense of tranquility and harmony, reflecting a profound appreciation for the natural world. He wasn't simply painting sheep or barns; he was conveying a feeling, an atmosphere—a reverence for the pastoral life that resonated deeply with audiences.

    Master of Mediums: Painting and Printmaking

    Jacque’s artistic prowess extended beyond painting. He became renowned as a master etcher and engraver, reviving 17th-century techniques and pushing the boundaries of printmaking. His etchings were lauded for their boldness and well-conceived subject matter, earning him praise from critics like Charles Baudelaire. Henri Béraldi distinguished two distinct periods in Jacque’s graphic work: an early phase inspired by Dutch vignettes, characterized by spontaneity, and a later period marked by larger, more detailed plates demonstrating meticulous craftsmanship. This dual mastery – of both brush and burin – allowed him to reach a wider audience and solidify his reputation as a significant figure in the art world. He didn’t see painting and printmaking as separate disciplines but rather as complementary avenues for expressing his artistic vision. His illustrations for literary classics, including editions of Goldsmith's The Vicar of Wakefield and Wordsworth’s Picturesque Greece, further showcased his versatility and skill.

    Legacy and Lasting Influence

    Charles-Émile Jacque died in 1894, leaving behind a rich artistic legacy that continues to captivate viewers today. He played a vital role in shaping the development of Realism in French art, paving the way for future generations of artists who sought to depict life with honesty and sensitivity. His dedication to portraying rural life elevated genre painting – scenes from everyday existence – to a position of prominence within the artistic landscape.

    A Pioneer of Etching Revival: Jacque’s revival of 17th-century etching techniques significantly impacted printmaking.

    Influence on Millet: His early work and etchings profoundly influenced his friend and fellow Barbizon School artist, Jean-François Millet.

    Champion of Rural Life: He immortalized the beauty and dignity of rural life in France, creating a lasting visual record of a disappearing way of existence.

    Jacque’s paintings and engravings offer more than just picturesque scenes; they provide a window into a bygone era, inviting us to contemplate the enduring connection between humanity and nature. His work remains a testament to the power of art to capture not only what we see but also how we feel.

    Where to read more

    • The artist Charles-Émile Jacque originaluniqueart.com/en/artists/charles-emile-jacque/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/charles-emile-jacque-the-missing-flock-8LHQEJ-en/

    Find this online

    QR code linking to the download page for The Missing Flock

    originaluniqueart.com/en/art/download/charles-emile-jacque-the-missing-flock-8LHQEJ-en/

    Cite this artwork

    MLA
    Jacque, Charles-Émile. The Missing Flock. n.d., https://originaluniqueart.com/en/art/charles-emile-jacque-the-missing-flock-8LHQEJ-en/
    APA
    Jacque, Charles-Émile (n.d.). The Missing Flock [Painting]. https://originaluniqueart.com/en/art/charles-emile-jacque-the-missing-flock-8LHQEJ-en/
    Chicago
    Charles-Émile Jacque. The Missing Flock. n.d. https://originaluniqueart.com/en/art/charles-emile-jacque-the-missing-flock-8LHQEJ-en/
    Harvard
    Jacque, Charles-Émile (n.d.) The Missing Flock. Available at: https://originaluniqueart.com/en/art/charles-emile-jacque-the-missing-flock-8LHQEJ-en/

    Look closely

    The Missing Flock — Charles-Émile Jacque

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: animals. Do you agree? What would you add, or take away?
    5. Look back at On the Pasture (1860), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is the luminance of "The Missing Flock" by Charles-Émile Jacque?

    The colors of "The Missing Flock" show a dark luminance.

    Does "The Missing Flock" show strong light-dark contrasts?

    "The Missing Flock" by Charles-Émile Jacque shows a gentle contrast between its light and dark areas.

    How harmonious are the colors of "The Missing Flock" by Charles-Émile Jacque?

    "The Missing Flock" by Charles-Émile Jacque displays a unified palette color harmony.