Paper

Student Artwork Guide

The cloud

Name Class Date

charles douglas richardson, The cloud (1900), National Gallery of Australia. Public domain.

The facts

Artist
charles douglas richardson originaluniqueart.com/en/artists/charles-douglas-richardson/
Artist’s dates
1853 – 1932
Painted
1900
Original size
157 x 462 cm
Held at
National Gallery of Australia originaluniqueart.com/en/museums/national-gallery-of-australia-canberra/

In context

The cloud — charles douglas richardson

How big is it?

The original measures 157 × 462 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Shaded: the lifetime of charles douglas richardson (1853–1932) ▲ this work, 1900

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/charles-douglas-richardson-the-cloud-D484UR-en/

Colours

Measured from the image

    Main colour

    Quinacridone Magenta #645857

    Catalogued palette

    • #645857
    • #BFBAB9
    • #27201B
    • #FBFBFB
    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    Quinacridone Magenta
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    The cloud — charles douglas richardson

    Many sculptors at the turn of the century used mythological or symbolic imagery as a justification for portraying the naked form. In The cloud, C. Douglas Richardson portrayed a woman bending over and holding a pitcher upside down, directing water to the ‘thirsting’ flowers. She is the personification of a cloud, or the rising mist, with wet drapery sensually clinging to her body. She is an allegorical interpretation of the poem, ‘The Cloud’, by British poet Percy Bysshe Shelley, first published in 1820, which began:I bring fresh showers for the thirsting flowers From the seas and the streams; I bear light shade for the leaves when laid In their noonday dreams.Below the woman, at the base of the sculpture, Richardson created a decorative array of blossoms, as suggested by the poem’s opening lines. Born in England, Richardson was trained in Melbourne and at the Royal Academy Schools in London. In Britain, he was impressed by Art Nouveau and Symbolism and introduced the swirling curves and pure lines of the former into sculptures such as The cloud.Returning to Australia in 1889, he influenced local sculptors through his teaching. He received a number of sculpture commissions, including the impressive art nouveau Discovery of gold memorial created for Bendigo in 1906. He completed his large version of The cloud in 1900, and made several smaller plaster and bronze versions over the next decade.In his poem, ‘The Sculptor Sees The Cloud’, Ernest Fysh provided a poetic description of this work: Rapt in trance, behold the Sculptor stand, Moulding the plastic clay with eager hand; Above him rose the Cloud, all glorified Fresh from the cool heart of the mountainside; No swirling veil of mist, bust soft and warm, The unchanging presence of a woman’s form.1Anne Gray1 Ernest Fysh, Memoir of C. Douglas Richardson, Sculptor and Painter, Melbourne: 1933, frontispiece.Text © National Gallery of Australia, Canberra 2010From: Anne Gray (ed), Australian art in the National Gallery of Australia, National Gallery of Australia, Canberra, 2002

    Artist and museum

    Artist

    charles douglas richardson

    Born in London, United Kingdom

    early life and artistic associations

    charles douglas richardson, also known as c. douglas richardson, was a multifaceted english-born australian sculptor and painter, born in london in 1853 and passing away in 1932. his artistic journey is deeply intertwined with the heidelberg school of impressionists, marking a pivotal moment in the history of australian art.

    artistic contributions and legacy

    richardson's body of work encompasses both sculptures and paintings, each reflecting his unique perspective on the world. while specific details about his early life and inspirations are scarce, his contributions to the heidelberg school and the broader australian art scene remain undeniable.

    key artistic movements: impressionism, with a focus on capturing the essence of the australian landscape.

    notable exhibitions: the 9 by 5 impression exhibition (1889), a defining moment in richardson's career and the australian art scene.

    some notable artworks by charles douglas richardson include:

    untitled ( oil on canvas, charles douglas richardson's collection)

    landscape with figures (similar style to george frederic watts:chaos, oil on canvas, tate britain (london, united kingdom))

    exploring further: resources from AllPaintingsStore.com

    for a deeper dive into richardson's work and the broader context of australian art, consider the following resources: - charles douglas richardson | AllPaintingsStore.com - a comprehensive overview of his life, work, and significance within the heidelberg school. - australian impressionism on wikipedia - providing context to the movement and its key figures.

    conclusion

    charles douglas richardson's legacy serves as a testament to the enduring power of impressionism and its role in shaping the australian art landscape. through his sculptures and paintings, he has left an indelible mark on the world of art, one that continues to inspire and intrigue.

    Museum

    National Gallery of Australia

    On show in Canberra, Australia

    A Sanctuary of Australian Soul and Global Vision

    Nestled within the heart of Canberra, the National Gallery of Australia stands as much more than a mere repository for fine art; it is a vibrant, breathing articulation of Australian identity and a crucial bridge connecting the nation’s unique artistic heritage with the world's most profound masterpieces. Since its establishment in 1967, this institution has blossomed from modest beginnings into a powerhouse of visual culture, now safeguarding over 166,000 works that span centuries and continents. To walk through its halls is to embark on an unparalleled journey through Australia’s story, told through the delicate nuances of brushstrokes, the weight of sculpted forms, and the ephemeral beauty of captured moments. For the collector or the lover of fine aesthetics, the gallery offers a profound dialogue between the local and the universal.

    The architectural experience of the NGA is an essential prelude to the art it houses. Designed by Colin Madigan and Partners and completed in 19ey82, the building itself is a striking monument of Brutalist architecture. Its deliberate embrace of raw concrete forms creates a powerful, sculptural presence that contrasts beautifully with the surrounding landscape, offering a sense of permanence and strength. This rugged, tactile exterior serves as a protective shell for the delicate treasures within, creating an atmosphere where the weight of history meets the lightness of contemporary thought. For interior designers and architects, the gallery stands as a masterclass in how structure can embody the very spirit of its contents.

    A Tapestry of Identity and Technique

    The collection highlights are truly captivating, offering a window into the evolving Australian psyche. Visitors can trace the romantic evolution of the landscape through the works of

    Tom Roberts

    and

    Arthur Streeton

    , whose canvases capture the golden, shimmering light of the bush and the pioneering spirit of early settlement. This narrative shifts dramatically as one encounters the bold, psychological experiments of

    Sidney Nolan

    , particularly his iconic

    Ned Kelly

    series, which continues to challenge perceptions of myth and reality. Yet, perhaps most vital is the gallery’s unparalleled collection of Indigenous art. These works—ranging from intricate bark paintings to sacred ceremonial objects—provide invaluable insights into the rich spiritual traditions and artistic practices of Australia’s Aboriginal and Torres Strait Islander peoples, placing local stories within a broader global context.

    What truly distinguishes the National Gallery of Australia is its unique dual focus: celebrating the deep roots of Australian tradition while simultaneously showcasing an international collection that invites global comparison. The gallery regularly hosts groundbreaking exhibitions that explore diverse themes, from the nuances of Australian Impressionism to the profound depths of Indigenous storytelling, drawing international acclaim and enriching the visitor experience. It is a place where ideas migrate and transform, fostering a deeper understanding of our shared human heritage. For anyone seeking inspiration, the NGA offers a journey into the heart of culture itself, a testament to the enduring power of creativity to define who we are and where we belong in the world's artistic conversation.

    Where to read more

    Find this online

    QR code linking to the download page for The cloud

    originaluniqueart.com/en/art/download/charles-douglas-richardson-the-cloud-D484UR-en/

    Cite this artwork

    MLA
    richardson, charles douglas. The cloud. 1900, National Gallery of Australia. https://originaluniqueart.com/en/art/charles-douglas-richardson-the-cloud-D484UR-en/
    APA
    richardson, charles douglas (1900). The cloud [Painting]. National Gallery of Australia. https://originaluniqueart.com/en/art/charles-douglas-richardson-the-cloud-D484UR-en/
    Chicago
    charles douglas richardson. The cloud. 1900. National Gallery of Australia. https://originaluniqueart.com/en/art/charles-douglas-richardson-the-cloud-D484UR-en/
    Harvard
    richardson, charles douglas (1900) The cloud. National Gallery of Australia. Available at: https://originaluniqueart.com/en/art/charles-douglas-richardson-the-cloud-D484UR-en/

    Look closely

    The cloud — charles douglas richardson

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Children, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. charles douglas richardson was about 47 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.