Paper

Student Artwork Guide

Drought Weather

Name Class Date

Charles Burchfield, Drought Weather (1953), Boca Raton Museum of Art. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Charles Burchfield originaluniqueart.com/en/artists/charles-burchfield/
Artist’s dates
1893 – 1967
Painted
1953
Movement
American Regionalism American painters turning away from Europe to paint their own small towns and farmland.
Held at
Boca Raton Museum of Art originaluniqueart.com/en/museums/boca-raton-museum-of-art-boca-raton/
Artistic style
Symbolic Expressionism
Influences
Romanticism
Notable elements or techniques
Detailed observation of landscape
Subject or theme
Rural Landscape

In context

Drought Weather — Charles Burchfield

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 74 at death.

Painted when the artist was 60. The artist lived to 74. 36 of the 40 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Charles Burchfield (1893–1967) ▲ this work, 1953 every dated painting, decade by decade

First works: up to 1916 Main working years: 1916–1924 Late works: from 1924

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

  • Saturday Night 1 originaluniqueart.com/en/art/charles-burchfield-saturday-night-1-8LHQ9M-en/
  • Saturday Night originaluniqueart.com/en/art/charles-burchfield-saturday-night-8LHQ9N-en/
  • Lighted Window originaluniqueart.com/en/art/charles-burchfield-lighted-window-8LHQ7R-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/charles-burchfield-drought-weather-D75DMG-en/

Colours

Measured from the image

    Main colour

    Putty #eee7d6

    Catalogued palette

    • #EEE7D6
    • #CDBCA9
    • #E4D6C3
    • #AC9985

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Monochrome The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Charles Burchfield over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 71.6%5,800 visits
    2. 2 United States of America 23.5%1,900 visits
    3. 3 France 1.2%100 visits
    4. 4 Iraq 1.2%100 visits
    5. 5 Japan 1.2%100 visits
    6. 6 Norway 1.2%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Charles Burchfield

    1. 1 Little House In August - East Of Line Lake - Western New York 11.2%1,300 visits
    2. 2 Sleet Storm 3.4%400 visits
    3. 3 House By A Railroad 2.6%300 visits
    4. 4 Sun Moon And Star 2.6%300 visits
    5. 5 The Two Ravines 2.6%300 visits
    6. 6 The Hobo 2.6%300 visits
    7. 7 Drought Weather, 1953 this painting 1.7%200 visits
    8. 8 Circus Poster, 1917 1.7%200 visits
    9. 9 Pippin House, East Liverpool, Ohio, 1920 1.7%200 visits
    10. 10 Old House And Elm Trees 1.7%200 visits
    11. 11 Summer Afternoon 1.7%200 visits
    12. 12 Goldenrod In December 1.7%200 visits
    13. 13 Late Afternoon In The Hills 1.7%200 visits
    14. 14 Purple Scarlet And Gold 1.7%200 visits
    15. 15 Arching Trees 1.7%200 visits
    16. 16 Sunday Morning at Eleven O'Clock, 1917 0.9%100 visits
    17. 17 Orion in December, 1959 0.9%100 visits
    18. 18 Beech Tree and Valley of the Little Beaver 0.9%100 visits
    19. 19 Watertower and Queen Ann's Lace, 1917 0.9%100 visits
    20. 20 September Meadows 0.9%100 visits

    Together these works take 44.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 322 works by this artist, of which 84 were looked at at least once. This painting ranks 7 of them, with 1.7% of that attention (200 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Drought Weather — Charles Burchfield

    A Visionary of the American Landscape: The Life and Art of Charles Burchfield

    Charles Ephraim Burchfield’s “Drought Weather,” painted in 1953, stands as a testament to his singular ability to distill the profound emotional resonance of the natural world into visual form. Born in Ashtabula Harbor, Ohio, in 1893, Burchfield possessed an almost obsessive fascination with landscapes—particularly those scarred by hardship and illuminated by twilight—a preoccupation that would dominate his artistic output for decades. His early journals documented meticulous observations of rural Ohio, capturing not merely the contours of fields and forests but also their palpable atmosphere: the damp chill of dawn, the brooding stillness before a storm, the melancholic beauty of decaying vegetation. This formative experience instilled in him a sensitivity to texture and color that would become hallmarks of his distinctive style.

    Burchfield’s artistic technique was characterized by a layered approach—a process he termed “incubation.” He began with preparatory sketches infused with expressive marks—bold strokes of pigment applied directly to the canvas, often employing palette knives to achieve textural variations reminiscent of weathered bark and crumbling stone. These initial impressions served as anchors for subsequent layers of paint, meticulously blended to create luminous washes that captured the ethereal quality of twilight skies. His color palettes were deliberately muted—dominated by earthy tones of ochre, umber, and burnt sienna—reflecting his belief that true beauty resided not in flamboyant spectacle but in subtle gradations of hue and shade.

    The painting’s historical context is inextricably linked to the anxieties surrounding mid-century America – a period marked by economic uncertainty and growing awareness of environmental degradation. Burchfield's oeuvre reflects this broader cultural preoccupation with confronting vulnerability and accepting impermanence. The depiction of a desolate town under a bruised sky speaks directly to the experience of drought—a recurring motif in Burchfield’s work, symbolizing not merely physical dryness but also spiritual aridity. Yet, amidst the bleakness, there is an undeniable sense of serenity; the solitary boat gliding across placid water suggests resilience and acceptance of fate.

    Symbolically, “Drought Weather” operates on multiple levels. The church spire piercing through the darkening sky represents faith—a beacon of hope amidst despair—while the weathered buildings embody the enduring presence of human civilization despite facing inevitable decay. Burchfield’s masterful use of texture—particularly the rough surface of the canvas itself—creates a palpable illusion of physicality, inviting viewers to engage with the painting on an emotional level. It's not merely looking at “Drought Weather”; it’s feeling its quiet sorrow and accepting its solemn beauty.

    Ultimately, Burchfield’s vision transcends mere representation; he seeks to evoke a profound psychological response in his audience. "Drought Weather" compels us to contemplate the fragility of existence and the transformative power of confronting hardship—a contemplation that aligns perfectly with the enduring appeal of Burchfield's art as inspiration for interior designers and collectors alike. Its understated elegance and evocative symbolism continue to resonate today, securing its place as a cornerstone of American landscape painting.

    Artist and museum

    Artist

    Charles Burchfield

    Born in Ashtabula, United States of America

    A Visionary of the American Landscape: The Life and Art of Charles Burchfield

    Charles Ephraim Burchfield, born in Ashtabula Harbor, Ohio, in 1893, was an artist deeply attuned to the rhythms and mysteries of the natural world. His life unfolded against the backdrop of a rapidly changing America, yet his artistic vision remained steadfastly rooted in a profound connection to the land—a connection that transcended mere representation and ventured into realms of spiritual and emotional resonance. Raised primarily by his widowed mother in Salem, Ohio, Burchfield’s early years were marked by an intense observation of nature, fostering a sensibility that would define his entire artistic career. He wasn't simply seeing the landscape; he was experiencing it with an almost mystical intensity, registering not just its visual forms but also its moods, energies, and hidden meanings. This sensitivity found early expression in detailed journals filled with both written observations and sketches—a practice he continued throughout his life, treating these notebooks as vital extensions of his creative process. His formal training at the Cleveland Institute of Art from 1916 proved pivotal, exposing him to modernist trends while simultaneously reinforcing his commitment to a uniquely personal artistic path.

    The Evolution of a Style: From Realism to Transcendental Vision

    Burchfield’s artistic development wasn't linear; it was characterized by distinct phases reflecting his evolving inner world and responses to external influences. Initially, his work leaned towards realism, depicting the everyday scenes of small-town Ohio with meticulous detail. However, even in these early pieces, a sense of underlying emotion and symbolic weight began to emerge. A crucial turning point came with his move to Buffalo, New York, in 1921. While working as a wallpaper designer—a necessity for supporting his growing family—he continued to paint, gradually shifting away from strict representation towards a more expressive and visionary style. This period saw the emergence of what might be called his “haunted house” paintings, evocative depictions of vernacular architecture imbued with an unsettling atmosphere. These weren’t merely architectural studies; they were explorations of memory, nostalgia, and the hidden anxieties lurking beneath the surface of American life. Later, influenced by Transcendentalist writers like Thoreau and a fascination with traditional Chinese painting, Burchfield's work exploded into swirling compositions of color and form—hallucinatory renditions of nature that captured not just what he saw, but what he felt. He sought to convey the very essence of natural forces – wind, rain, sunlight – transforming landscapes into vibrant expressions of inner experience.

    Influences and Artistic Kinship

    While fiercely independent in his artistic vision, Burchfield wasn’t entirely isolated from the broader currents of modern art. He admired the work of European Modernists, but his primary influences were often found closer to home. The English Romantic painters, with their emphasis on emotional intensity and sublime landscapes, resonated deeply with him. Writers like Willa Cather, whose novels captured the spirit of the American Midwest, also played a significant role in shaping his artistic sensibility. His exposure to modernist European trends during his time at the Cleveland Institute of Art significantly shaped his artistic approach. He developed a close friendship with Edward Hopper, who recognized and championed Burchfield’s unique talent, writing an influential essay on his work in 1935. This recognition helped bring Burchfield to wider attention, though he remained somewhat outside the mainstream art world throughout much of his career. His paintings also show influence from artists like Frederick Childe Hassam and Max Liebermann, demonstrating a broad engagement with artistic traditions while forging his own distinct path.

    Legacy and Lasting Impact

    Charles Burchfield’s work remained relatively underappreciated during his lifetime, but in the decades since his death in 1967, his reputation has steadily grown. Today, he is recognized as a major figure in American art—a visionary painter who anticipated many of the concerns and aesthetic strategies that would come to define later movements like Abstract Expressionism. His passionate watercolors, with their swirling forms and heightened colors, are celebrated for their emotional depth and spiritual resonance. The largest collection of his paintings, archives, and journals is housed at the Burchfield Penney Art Center in Buffalo, New York—a testament to his enduring connection to that city and a vital resource for scholars and art lovers alike. Across the Valley, with its expressive pen and ink lines, exemplifies his ability to capture both the tranquility and underlying energy of the natural world. Burchfield’s legacy extends beyond his paintings; he also left behind a wealth of writings—journals, essays, and letters—that offer invaluable insights into his artistic process and philosophical beliefs. He stands as a powerful reminder that art can be more than just representation; it can be a vehicle for exploring the deepest mysteries of human experience and our relationship to the natural world. His work continues to inspire artists and viewers alike with its unique blend of realism, fantasy, and spiritual vision.

    Museums and Collections

    Tunbridge Wells Museum and Art Gallery (Royal Tunbridge Wells, United Kingdom)

    Frye Art Museum (Seattle, Washington)

    Smithsonian American Art Museum (Washington D.C.)

    Metropolitan Museum of Art (New York City)

    Whitney Museum of American Art (New York City)

    Burchfield Penney Art Center (Buffalo, New York) – holds the largest collection.

    Museum

    Boca Raton Museum of Art

    On show in Boca Raton, United States of America

    A Sanctuary of Serenity: The Artistic Legacy of Boca Raton

    In the heart of South Florida, where the sunlight dances upon the tranquil waters of Lake Boca Raton, lies a cultural beacon known as the

    Boca Raton Museum of Art

    . This institution is far more than a mere repository for static objects; it is a living, breathing sanctuary designed to foster deep contemplation and ignite the creative spirit. Since its inception, the museum has been driven by a profound vision to champion artistic excellence and provide a platform where diverse expressions can flourish. For the art lover, it offers an immersive journey through time, while for the interior designer, it serves as a masterclass in how aesthetic beauty can harmonize with the natural environment.

    The museum’s collection is a meticulously curated tapestry of human creativity, characterized by a remarkable breadth that spans centuries. At its core, the museum celebrates the power of

    realism

    , showcasing works that prioritize exquisite detail and an intimate connection to the natural world. These paintings and sculptures act as windows into perspectives shaped by careful observation, allowing visitors to feel the texture of life itself. Yet, the museum does not rest in the past; it actively engages with the pulse of modernity. Visitors can wander through the complex geometries of

    Cubism

    , lose themselves in the dreamlike enigmas of

    Surrealism

    , and confront the raw emotional energy of

    Abstract Expressionism

    . This seamless blend of historical reverence and contemporary provocation ensures that the collection remains a dynamic dialogue between tradition and innovation.

    Architectural Harmony and Light

    The architecture of the museum is an essential protagonist in its narrative of serenity. Designed to embrace its surroundings, the building utilizes expansive interiors and an abundance of natural light to create an atmosphere of openness and accessibility. The way the structure interacts with the light reflecting off Lake Boca Raton creates a rhythmic connection between the art within and the landscape without. This intentional design choice makes the museum a place where the boundaries between the man-made and the organic begin to blur, providing an ideal setting for those seeking intellectual discourse or quiet reflection. It is a space where the very walls seem to breathe with the spirit of the art they house.

    A Stage for Influential Voices

    What truly distinguishes the Boca Raton Museum of Art is its commitment to being a vital resource for the community and a stage for influential voices. The museum frequently hosts exhibitions that challenge conventional notions of beauty, such as the minimalist installations of

    Andrea Zittel

    , which explore themes of sustainability and spatial perception, or the captivating works of

    Habib Serour

    , who masterfully blends religious tradition with modern portraiture. Even the abstract canvases of

    George Lovett Kingsland Morris

    contribute to a legacy of American Cubism that continues to inspire collectors and scholars alike. For the discerning patron, the museum offers not just a visit, but an enduring inspiration that can be carried home through high-quality art prints, allowing the museum's transformative magic to grace the walls of any private collection.

    Where to read more

    Find this online

    QR code linking to the download page for Drought Weather

    originaluniqueart.com/en/art/download/charles-burchfield-drought-weather-D75DMG-en/

    Cite this artwork

    MLA
    Burchfield, Charles. Drought Weather. 1953, Boca Raton Museum of Art. https://originaluniqueart.com/en/art/charles-burchfield-drought-weather-D75DMG-en/
    APA
    Burchfield, Charles (1953). Drought Weather [Painting]. Boca Raton Museum of Art. https://originaluniqueart.com/en/art/charles-burchfield-drought-weather-D75DMG-en/
    Chicago
    Charles Burchfield. Drought Weather. 1953. Boca Raton Museum of Art. https://originaluniqueart.com/en/art/charles-burchfield-drought-weather-D75DMG-en/
    Harvard
    Burchfield, Charles (1953) Drought Weather. Boca Raton Museum of Art. Available at: https://originaluniqueart.com/en/art/charles-burchfield-drought-weather-D75DMG-en/

    Look closely

    Drought Weather — Charles Burchfield

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: landscape, rural america, religious symbolism. Do you agree? What would you add, or take away?
    4. Look back at Saturday Night 1, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. American Regionalism: American painters turning away from Europe to paint their own small towns and farmland. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Drought Weather — Charles Burchfield

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject matter depicted in “Drought Weather”?

      • A A detailed portrait of Charles Burchfield himself.
      • B A panoramic view of a rural town under sunny skies.
      • C An abstract representation of human emotion and despair.
    2. 2. According to the image description, what prominent feature is visible in the landscape?

      • A A towering mountain range dominating the horizon.
      • B A vast expanse of desert sand stretching into the distance.
      • C A church building situated amongst the town’s structures.
    3. 3. What year was Charles Burchfield born?

      • A 1867
      • B 1893
      • C 1925
    4. 4. The image description suggests a mood of what kind?

      • A Excitement and dynamism.
      • B Melancholy and quiet contemplation.
      • C Aggressive confrontation.
    5. 5. What artistic technique is likely employed in the depiction of the town’s buildings?

      • A Photorealistic rendering using oil paints.
      • B Impressionistic brushstrokes capturing fleeting light.
      • C Geometric abstraction emphasizing precise lines and shapes.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2C · 3A · 4B · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    How intense are the colors in "Drought Weather" by Charles Burchfield?

    The colors in "Drought Weather" by Charles Burchfield have a balanced intensity.

    How do I preview a reproduction of "Drought Weather" by Charles Burchfield?

    To preview a reproduction of "Drought Weather" by Charles Burchfield, open the artwork's Preview page.

    Who sells hand-painted copies of "Drought Weather" by Charles Burchfield?

    You can order a hand-painted reproduction of "Drought Weather" by Charles Burchfield directly on its Hand-Painted Reproduction page: a hand-painted oil reproduction on linen canvas, made to order.