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Student Artwork Guide

The Drunken Silenus

Name Class Date

Charles-André van Loo, The Drunken Silenus (1747). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Charles-André van Loo originaluniqueart.com/en/artists/charles-andre-van-loo/
Artist’s dates
1705 – 1765
Painted
1747
Original size
164 x 195 cm

In context

The Drunken Silenus — Charles-André van Loo

How big is it?

The original measures 164 × 195 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1700
  2. 1710
  3. 1720
  4. 1730
  5. 1740
  6. 1750
  7. 1760

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 60 at death.

Painted when the artist was 42. The artist lived to 60. 34 of the 68 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Charles-André van Loo (1705–1765) ▲ this work, 1747 every dated painting, decade by decade

First works: up to 1733 Main working years: 1733–1757 Late works: from 1757

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/charles-andre-van-loo-the-drunken-silenus-AQTB3D-en/

Colours

Measured from the image

    Main colour

    Driftwood #947348

    Catalogued palette

    • #947348
    • #311808
    • #DFAE6B
    • #644322

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Charles-André van Loo over the last twelve months — 17 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 54.7%
    2. 2 Italy 8.4%
    3. 3 United States of America 8.4%
    4. 4 Germany 5.3%
    5. 5 Czechia 4.2%
    6. 6 Bulgaria 2.1%
    7. 7 France 2.1%
    8. 8 India 2.1%
    9. 9 Moldova 2.1%
    10. 10 Philippines 2.1%
    11. · 7 other countries 8.5%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Charles-André van Loo

    1. 1 Jerusalem Delivered Tancredi Fighting Clorinda, 1733 6.8%
    2. 2 MARIE LECZINSKA 5.8%
    3. 3 Life of St Augustine Saint Augustine Disputing with the Donatists, 1753 3.9%
    4. 4 Aeneas Carrying Anchises, 1729 3.9%
    5. 5 Halt of the Hunt, 1737 2.9%
    6. 6 ENEE PORTANT ANCHISE 2.9%
    7. 7 Mademoiselle Clairon as Medea (small version), 1760 2.9%
    8. 8 The Drunken Silenus, 1747 this painting 2.9%
    9. 9 Bacchus and Ariadne 2.9%
    10. 10 Jahel and Tamah (study), 1733 2.9%
    11. 11 Jerusalem Delivered Erminia Taking the Armor of Clorinda, 1733 2.9%
    12. 12 Head of a Child 2.9%
    13. 13 Jupiter and Antiope, 1753 1.9%
    14. 14 Mademoiselle Clairon as Medea (study), 1759 1.9%
    15. 15 Perseus and Andromeda, 1735 1.9%
    16. 16 Jerusalem Delivered Clorinda Appearing in a Dream to Tancredi, 1733 1.9%
    17. 17 The Mass of Saint Gregory the miracle of the host, 1764 1.9%
    18. 18 Mademoiselle Clairon as Medea (large version), 1759 1.9%
    19. 19 Life of St Augustine Procession of the Relics of St Augustine, 1748 1.9%
    20. 20 Mary Magdalene in the Desert, 1761 1.9%

    Together these works take 58.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 120 works by this artist, of which 56 were looked at at least once. This painting ranks 8 of them, with 2.9% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Charles-André van Loo

    Born in Nice, France

    Early Life and Training

    Born: February 15, 1705, in Nice, France

    Family Background: Son of Louis-Abraham van Loo and younger brother of Jean-Baptiste van Loo. Member of a successful dynasty of Dutch painters.

    Early Education: Initial training in Turin, followed by studies in Rome (1712) under Benedetto Luti and Pierre Legros.

    Parisian Studies: Attended the Académie royale, winning first prize for drawing in 1723 and historical painting in 1727.

    Artistic Career and Notable Works

    Style: Primarily known as a Rococo painter, characterized by elegance, grace, and ornate detail.

    Subject Matter: Diverse range including portraits, mythological scenes, historical paintings, allegories, and genre scenes.

    Significant Works:

    Venus and Amor (Kunsthalle Bremen) - Demonstrates mastery of the Rococo style.

    Halt of the Hunt (The Metropolitan Museum of Art) – Captures aristocratic activities.

    Portrait of Marie Leszczynska, Queen of France – A notable royal portrait.

    Jupiter and Antiope - Showcases mythological themes.

    Self Portrait – Provides insight into the artist's self-perception.

    Perseus and Andromeda (multiple versions) – Illustrates skill in depicting classical mythology.

    Mademoiselle Clairon as Medea (small version) - A captivating Rococo portrait of 1760.

    Patronage and Royal Recognition

    Royal Patronage: Enjoyed the patronage of Madame de Pompadour and the French court.

    Appointment to the Court: Became First Painter to King Louis XV in 1762, a prestigious position.

    Order of Saint Michael: Decorated with the Order of Saint Michael, signifying royal favor.

    Influences and Legacy

    Family Influence: Heavily influenced by his father and brother, both accomplished painters.

    Rivalry: Competed with François Boucher, another prominent Rococo artist.

    Modern French School: His "simplicity of style and correctness of design" significantly influenced the modern French school of painting.

    Critical Fortune: While his critical standing fluctuated over time, his skill and the breadth of his work command respect.

    Museum Collections & Further Exploration

    Museum Presence: Works are featured in prominent museums including the Louvre (The Marriage of the Virgin), Kunsthalle Bremen, and The Metropolitan Museum of Art.

    Further Resources:

    AllPaintingsStore's Charles-André van Loo page: https://www.AllPaintingsStore.com/artists/charles-andre-van-loo/

    AllPaintingsStore's Greatest Artists of All Time page: https://www.AllPaintingsStore.com/greatest-artists

    AllPaintingsStore Virtual Museum: https://www.AllPaintingsStore.com/

    Wikipedia Article: https://en.wikipedia.org/wiki/Charles-Andr%C3%A9_van_Loo

    Where to read more

    • The artist Charles-André van Loo originaluniqueart.com/en/artists/charles-andre-van-loo/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/charles-andre-van-loo-the-drunken-silenus-AQTB3D-en/

    Find this online

    QR code linking to the download page for The Drunken Silenus

    originaluniqueart.com/en/art/download/charles-andre-van-loo-the-drunken-silenus-AQTB3D-en/

    Cite this artwork

    MLA
    Loo, Charles-André van. The Drunken Silenus. 1747, https://originaluniqueart.com/en/art/charles-andre-van-loo-the-drunken-silenus-AQTB3D-en/
    APA
    Loo, Charles-André van (1747). The Drunken Silenus [Painting]. https://originaluniqueart.com/en/art/charles-andre-van-loo-the-drunken-silenus-AQTB3D-en/
    Chicago
    Charles-André van Loo. The Drunken Silenus. 1747. https://originaluniqueart.com/en/art/charles-andre-van-loo-the-drunken-silenus-AQTB3D-en/
    Harvard
    Loo, Charles-André van (1747) The Drunken Silenus. Available at: https://originaluniqueart.com/en/art/charles-andre-van-loo-the-drunken-silenus-AQTB3D-en/

    Look closely

    The Drunken Silenus — Charles-André van Loo

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Perseus and Andromeda (1735), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Charles-André van Loo was about 42 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What was Charles-André van Loo's age when "The Drunken Silenus" was created?

    When "The Drunken Silenus" was created in 1747, Charles-André van Loo - born in 1705 - was 42 years old.

    How can I view "The Drunken Silenus" by Charles-André van Loo as a slideshow?

    The diaporama of "The Drunken Silenus" can be watched on the artwork's Diaporama page.

    Where can I find statistics about "The Drunken Silenus" by Charles-André van Loo?

    The Stats page of "The Drunken Silenus" by Charles-André van Loo presents public visit statistics: monthly visits of this artwork, a comparison with the artist's most viewed works, and where its visitors come from.