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Student Artwork Guide

Title in Swedish: Midvinterblot

Name Class Date

Carl Larsson, Title in Swedish: Midvinterblot (1915), Nationalmuseum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Carl Larsson originaluniqueart.com/en/artists/carl-larsson/
Artist’s dates
1853 – 1919
Painted
1915
Original size
13600 x 6400 cm
Movement
Art Nouveau Flowing, plant-like curves running through everything from paintings to lamps and doorways.
Period
19th Century
Held at
Nationalmuseum originaluniqueart.com/en/museums/nationalmuseum-stockholm/
Artistic style
Linear, intensive color
Influences
Snorri Sturluson
Notable elements
Gilded sections
Subject or theme
Pagan sacrifice

In context

Title in Swedish: Midvinterblot — Carl Larsson

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 66 at death.

Painted when the artist was 62. The artist lived to 66. 118 of the 120 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Carl Larsson (1853–1919) ▲ this work, 1915 every dated painting, decade by decade

First works: up to 1895 Main working years: 1895–1905 Late works: from 1905

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/carl-larsson-title-in-swedish-midvinterblot-D3ZDFJ-en/

Colours

Measured from the image

    Main colour

    Espresso #625039

    Catalogued palette

    • #625039
    • #BCB4A9
    • #8E7D67
    • #2C2214

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Carl Larsson over the last twelve months — 24 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 49.8%11,700 visits
    2. 2 United States of America 15.7%3,700 visits
    3. 3 France 12.3%2,900 visits
    4. 4 Hong Kong 3.4%800 visits
    5. 5 Singapore 3.0%700 visits
    6. 6 Austria 2.1%500 visits
    7. 7 Sweden 2.1%500 visits
    8. 8 Romania 1.7%400 visits
    9. 9 South Africa 1.3%300 visits
    10. 10 Germany 0.9%200 visits
    11. · 14 other countries 7.7%1,800 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Carl Larsson

    1. 1 In the Carpenter Shop, 1905 5.9%1,700 visits
    2. 2 Jenny With Flower Girland 5.5%1,600 visits
    3. 3 Karin's Room and the little ones 4.2%1,200 visits
    4. 4 Bo 3.8%1,100 visits
    5. 5 October (also known as The Pumpkins), 1882 2.4%700 visits
    6. 6 Midvinterblot (sketch) 4 2.4%700 visits
    7. 7 The Old Man and the New Trees, 1883 2.1%600 visits
    8. 8 The Slaughter 2.1%600 visits
    9. 9 LillAnna And The Crocus, 1912 1.7%500 visits
    10. 10 Christmas Tree Confetti 1.7%500 visits
    11. 11 Potato harvest 1.7%500 visits
    12. 12 Viking Woman 1.7%500 visits
    13. 13 detalle de lisbeth leyendo, 1904 1.4%400 visits
    14. 14 Brita With A Cat And A Sandwich 1.4%400 visits
    15. 15 Leontine Sitting In The Atelier 1.4%400 visits
    16. 16 Palmera 1.4%400 visits
    17. 17 modelo escribiendo una tarjeta postal, 1906 1.0%300 visits
    18. 18 Mme Jeanne Tramcourt 1.0%300 visits
    19. 19 Garden with Sculptures, 1881 1.0%300 visits
    20. 25 Title in Swedish: Midvinterblot, 1915 this painting 0.7%200 visits

    Together these works take 44.5% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 456 works by this artist, of which 143 were looked at at least once. This painting ranks 25 of them, with 0.7% of that attention (200 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Title in Swedish: Midvinterblot — Carl Larsson

    A Frozen Rite: Unveiling Carl Larsson’s ‘Midvinterblot’

    Carl Larsson's “Midvinterblot,” completed in 1915, isn’t merely a painting; it’s a visceral plunge into the heart of Swedish mythology and a potent commentary on artistic convention. Measuring an imposing 6.5 by 13.5 meters, this mural dominates any space it graces, demanding attention with its scale and arresting imagery. Initially rejected by the Nationalmuseum due to historical inaccuracies and perceived offense – reflecting anxieties about the shifting landscape of modern art – “Midvinterblot” has since been recognized as a masterpiece of Art Nouveau influence, a dramatic fusion of ancient ritual and evocative symbolism.

    The scene depicts a chilling tableau: King Domalde, stripped bare and dragged onto a gilded sled, awaits sacrifice before the towering temple of Uppsala. The air crackles with an unsettling energy, conveyed through Larsson’s masterful use of color and light. Deep blues and purples dominate the palette, creating a sense of foreboding and winter's grip, while flashes of gold highlight the sacrificial altar and the opulent details of the temple. The figures surrounding Domalde – warriors armed to the teeth, ecstatic women dancing in a frenzy, and a priest concealing his blade – are rendered with an almost sculptural quality, their forms imbued with both power and vulnerability.

    Art Nouveau’s Dramatic Embrace

    Larsson's choice of subject matter—a pagan sacrifice rooted in the Eddas of Snorri Sturluson—was deliberately provocative. He wasn’t simply recreating a historical event; he was tapping into a primal, almost unsettling, narrative that resonated deeply with Scandinavian folklore and anxieties about societal change. The painting is undeniably infused with Art Nouveau principles: flowing lines, stylized forms, and an emphasis on decorative elements are evident throughout the composition. The intricate detailing of the temple architecture, the swirling patterns in the women’s garments, and the serpentine bronze wind instruments all contribute to this distinctly artistic style.

    Technically, Larsson employed a layered approach, utilizing both oil paint and tempera on canvas. The large-scale mural necessitated careful planning and execution, with meticulous attention paid to perspective and detail. The use of gold leaf adds an extraordinary richness and luminosity to the work, further emphasizing the sacrificial ritual’s grandeur and highlighting the temple's imposing presence. It is a testament to Larsson’s skill that he manages to convey both the brutality of the scene and its underlying spiritual significance.

    Symbolism and Emotional Resonance

    Beyond its aesthetic qualities, “Midvinterblot” is rich in symbolic meaning. The sacrifice itself represents a desperate plea for divine intervention—a recognition of the gods’ capricious nature and a willingness to offer tribute in exchange for protection from impending hardship. Domalde's vulnerability underscores the precariousness of human existence, while the ecstatic dance of the women suggests a potent connection between the earthly realm and the supernatural. The painting speaks to themes of faith, sacrifice, and the enduring power of myth.

    More than just a historical depiction, “Midvinterblot” evokes a profound sense of unease and wonder. It’s a haunting meditation on mortality, tradition, and the human need for meaning in a world often marked by uncertainty. The painting's enduring appeal lies not only in its technical brilliance but also in its ability to tap into our deepest emotions and connect us with the timeless narratives that have shaped cultures across millennia. Reproductions of this iconic artwork offer a chance to bring this dramatic scene into your own space, inviting contemplation and sparking conversation.

    A Legacy Preserved

    Following its initial rejection, “Midvinterblot” was eventually exhibited at the Museum of National Antiquities in 1983-84. The Nationalmuseum ultimately acquired the painting in 1984, recognizing its significance as a cornerstone of Swedish art history. Today, it remains a celebrated work, housed within the museum’s collection and serving as a powerful reminder of Carl Larsson's artistic vision and his willingness to challenge conventional norms.

    Artist and museum

    Artist

    Carl Larsson

    Born in Stockholm, Sweden

    A Life Etched in Light: The World of Carl Larsson

    Carl Larsson, a name synonymous with idyllic Swedish domesticity and artistic innovation, emerged from humble beginnings to become one of Scandinavia’s most beloved painters. Born in Stockholm's Old Town in 1853, his early life was far removed from the serene scenes he would later immortalize on canvas. Poverty cast a long shadow over his childhood; his parents struggled financially, and tales of hardship and instability permeated his formative years. Yet, even amidst these difficulties, a spark of artistic talent ignited within young Carl, nurtured by a perceptive teacher who recognized his potential and encouraged him to apply to the Royal Swedish Academy of Arts at just thirteen years old. This marked the beginning of a journey that would not only transform his own life but also redefine perceptions of home and family in Sweden and beyond. His initial experiences at the academy were fraught with insecurity, a sense of being an outsider amongst more privileged peers, but he persevered, finding solace and confidence within the vibrant student community.

    From Academic Training to Artistic Awakening

    Larsson’s artistic development was marked by periods of experimentation and searching for his unique voice. After completing his formal training, he spent several years illustrating books, magazines, and newspapers – a practical necessity but one that didn't fully satisfy his creative aspirations. A pivotal moment arrived with his move to Grez-sur-Loing, an artists’ colony near Paris in 1882. It was here, amidst the camaraderie of fellow Scandinavian artists, that he met Karin Bergöö, who would become his wife and muse. More importantly, it was at Grez that Larsson abandoned oil painting in favor of watercolors – a decision that proved transformative. Watercolor allowed him to capture light and atmosphere with an unprecedented delicacy, perfectly suited to depicting the intimate scenes that would define his oeuvre. This shift wasn’t merely technical; it reflected a growing desire to portray everyday life with honesty and warmth, moving away from the grand historical narratives favored by many of his contemporaries. The influence of Art Nouveau is subtly present in his flowing lines and organic forms, while echoes of the Arts and Crafts movement resonate in his emphasis on handcrafted beauty and the celebration of domesticity.

    The Lilla Hyttnäs Idyll: A Home as Artwork

    The year 1888 witnessed another turning point when Karin’s father gifted the couple a small house named Lilla Hyttnäs in Sundborn, Dalarna. This wasn't just a home; it became a living work of art, meticulously decorated and furnished by Carl and Karin themselves. The interiors, bathed in soft light and filled with handcrafted details, served as both inspiration and subject matter for Larsson’s most celebrated paintings. His depictions of family life – children playing, meals shared, moments of quiet intimacy – resonated deeply with a public yearning for warmth and authenticity. These weren't idealized portrayals; they were honest glimpses into the joys and challenges of raising a large family. Cosy Corner, Matts Bergom Larsson, and countless other watercolors captured the essence of Swedish hemtrevnad – a concept encompassing coziness, comfort, and a sense of belonging. The house itself became famous through reproductions of his paintings, influencing interior design trends for generations and shaping the popular image of the ideal Swedish home.

    Beyond Domestic Bliss: Monumental Works and Lasting Legacy

    While Larsson is best known for his intimate domestic scenes, it’s important to remember that he considered his monumental works – frescoes in public buildings – to be his most significant artistic achievement. Midvinterblot (Midwinter Sacrifice), a large-scale painting depicting an ancient Norse religious ceremony, stands as a testament to his ambition and technical skill. Though initially rejected by the National Museum in Stockholm, it eventually found its rightful place within its walls, becoming a symbol of Swedish national identity. However, Larsson’s later years were marred by bouts of depression and ill health. He struggled with feelings of artistic frustration and disappointment, particularly regarding the reception of Midvinterblot. Despite these personal struggles, his influence continued to grow. His work offered a powerful counterpoint to the prevailing academic styles of the time, championing simplicity, honesty, and the beauty of everyday life.

    A Continuing Influence

    Carl Larsson’s legacy extends far beyond the realm of art history. He remains a cultural icon in Sweden, his paintings instantly recognizable and deeply ingrained in the national consciousness. His work continues to inspire artists, designers, and anyone seeking to create spaces that are both beautiful and inviting. The enduring appeal of his paintings lies in their ability to evoke a sense of warmth, nostalgia, and genuine human connection. He captured not just what life looked like, but how it felt – the simple joys, quiet moments, and unwavering love that define the essence of home. His influence can be seen in countless contemporary interiors, illustrating his lasting impact on our understanding of domestic space and the art of creating a haven from the world. His paintings are not merely depictions of a bygone era; they are timeless celebrations of family, home, and the enduring power of light and love.

    Museum

    Nationalmuseum

    On show in Stockholm, Sweden

    A Chronicle of Swedish Identity: Unveiling the Nationalmuseum

    Nestled on the serene Blasieholmen peninsula in Stockholm’s heart, the Nationalmuseum is more than simply a repository for art; it's a vibrant chronicle of Sweden’s cultural evolution. Founded in 1792 as Kungliga Museet – the Royal Museum – its story is inextricably linked to the nation’s journey, from medieval artistry and aristocratic patronage to a bold embrace of contemporary expression. Stepping through its doors is akin to embarking on an immersive exploration of Swedish identity, interwoven with the rich tapestry of European artistic traditions. The building itself, a magnificent testament to Northern Italian Renaissance architecture conceived by German architect Friedrich August Stüler, stands as a powerful symbol – a deliberate restraint in façade design concealing a breathtakingly spacious interior, while the dramatic flight of stairs ascending towards the uppermost galleries serves not just as functional access but as an ascent into the realm of artistic contemplation. This architectural choice, reflecting the museum’s origins rooted in royal collections, speaks to a fascinating transformation: from a space initially conceived for showcasing regal treasures acquired through patronage to a democratized public institution dedicated to all Swedes.

    The Nationalmuseum's collection is an astonishing panorama of artistic voices spanning centuries. The painting galleries offer a sweeping journey, beginning with the delicate religious scenes of the Renaissance – masterpieces that evoke a profound sense of faith and devotion – and culminating in the masterful chiaroscuro of Rembrandt and the emotionally charged canvases of Goya. These works, juxtaposed against Swedish national treasures, highlight the museum’s commitment to showcasing both international luminaries and pivotal works defining Swedish artistic heritage. Beyond these European giants, the museum champions Swedish artists, presenting their contributions across various periods and movements – from the dramatic landscapes of Albert Rydberg to the poignant portraits of Carl Larsson. The sculpture section is equally impressive, featuring classical pieces alongside more experimental forms reflecting evolving artistic sensibilities; a testament to Sweden’s engagement with both established traditions and innovative approaches. But perhaps it's in its applied arts and design collection that Nationalmuseum truly distinguishes itself. Visitors can trace the evolution of Swedish aesthetic ideals through meticulously crafted furniture – embodying functional beauty and understated elegance – ceramics imbued with symbolic meaning, and textiles woven with intricate patterns, revealing how artistry seamlessly blended with practicality throughout history.

    The Architectural Heartbeat

    The building’s significance extends far beyond its artistic holdings. Inaugurated in 1866, the Nationalmuseum's structure draws inspiration from Northern Italian Renaissance architecture, a deliberate choice reflecting the museum’s origins and its connection to the Swedish monarchy. The façade, deliberately restrained, conceals within it a breathtakingly spacious interior – a testament to the ambition of its architects and builders. The dramatic flight of stairs ascending towards the uppermost galleries is not merely a means of access; it's a powerful symbol, representing an ascent into the realm of artistic contemplation. This architectural choice speaks volumes about the museum’s evolution from a royal repository to a public institution dedicated to all Swedes. The building’s construction was a monumental undertaking, involving skilled artisans and craftsmen from across Europe, and its completion marked a pivotal moment in Stockholm's cultural landscape.

    A Living Museum: Exhibitions and Engagement

    The Nationalmuseum isn’t merely a static display of masterpieces; it’s a dynamic cultural hub actively engaging with contemporary issues through thoughtfully curated exhibitions. Recent highlights include “Hanna Hirsch Pauli – The Art of Being Free,” an exploration of artistic expression as a tool for confronting societal challenges—demonstrating the museum's dedication to fostering dialogue and inspiring reflection. The museum consistently seeks to broaden access to art education, offering engaging programs for visitors of all ages, from family workshops to lectures and tours. Furthermore, ongoing initiatives aim to connect diverse communities with cultural heritage, ensuring that the Nationalmuseum remains a vital force in shaping Sweden’s cultural landscape. The commitment to accessibility is evident in its free admission on Thursdays and for visitors under 20 – a gesture reflecting a deep-seated belief in the importance of art for all.

    A Legacy Preserved, A Future Embraced

    Ultimately, the Nationalmuseum distinguishes itself through its unwavering commitment to preserving Sweden’s artistic heritage while simultaneously embracing innovation. The architectural grandeur serves as a tangible connection to history, inviting visitors to contemplate the enduring power of art and design – a space for contemplation, discovery, and inspiration. The museum's ongoing renovation project, completed in 2018, has not only modernized its facilities but also reaffirmed its commitment to serving future generations of art lovers. With its rich collection, stunning architecture, and dynamic programming, the Nationalmuseum stands as a beacon of Swedish culture – a place where history comes alive and artistic expression continues to inspire.

    Where to read more

    Find this online

    QR code linking to the download page for Title in Swedish: Midvinterblot

    originaluniqueart.com/en/art/download/carl-larsson-title-in-swedish-midvinterblot-D3ZDFJ-en/

    Cite this artwork

    MLA
    Larsson, Carl. Title in Swedish: Midvinterblot. 1915, Nationalmuseum. https://originaluniqueart.com/en/art/carl-larsson-title-in-swedish-midvinterblot-D3ZDFJ-en/
    APA
    Larsson, Carl (1915). Title in Swedish: Midvinterblot [Painting]. Nationalmuseum. https://originaluniqueart.com/en/art/carl-larsson-title-in-swedish-midvinterblot-D3ZDFJ-en/
    Chicago
    Carl Larsson. Title in Swedish: Midvinterblot. 1915. Nationalmuseum. https://originaluniqueart.com/en/art/carl-larsson-title-in-swedish-midvinterblot-D3ZDFJ-en/
    Harvard
    Larsson, Carl (1915) Title in Swedish: Midvinterblot. Nationalmuseum. Available at: https://originaluniqueart.com/en/art/carl-larsson-title-in-swedish-midvinterblot-D3ZDFJ-en/

    Look closely

    Title in Swedish: Midvinterblot — Carl Larsson

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: swedish history, pagan sacrifice, ancient uppsala. Do you agree? What would you add, or take away?
    4. Look back at Brita and me (1895), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Art Nouveau: Flowing, plant-like curves running through everything from paintings to lamps and doorways. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Title in Swedish: Midvinterblot — Carl Larsson

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject depicted in Carl Larsson’s ‘Midvinterblot’?

      • A A depiction of a royal wedding ceremony.
      • B A pagan sacrifice scene inspired by Icelandic mythology.
      • C A modern-day battle between warring factions.
    2. 2. The painting ‘Midvinterblot’ is notable for its influence from which artistic movement?

      • A Cubism
      • B Art Nouveau
      • C Renaissance realism
    3. 3. What was a significant reason for the initial rejection of ‘Midvinterblot’ by Swedish authorities?

      • A Its overly simplistic style.
      • B Its historical inaccuracies and perceived offensive subject matter.
      • C The use of expensive materials.
    4. 4. What architectural element is prominently featured in the composition of ‘Midvinterblot’?

      • A A Gothic cathedral
      • B A Roman temple
      • C A medieval castle
    5. 5. Approximately what are the dimensions of ‘Midvinterblot’?

      • A 6.5 by 13.5 meters
      • B 10 by 20 centimeters
      • C 3 feet by 5 feet

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4B · 5A

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Why is the copyright status of "Title in Swedish: Midvinterblot" what it is?

    "Title in Swedish: Midvinterblot" by Carl Larsson is in the public domain - its copyright has expired. Copyright duration runs from the artist's death, which occurred in 1919.

    What is the overall mood of "Title in Swedish: Midvinterblot" by Carl Larsson?

    "Title in Swedish: Midvinterblot" by Carl Larsson is described as nostalgic in mood. This classification can help match the work to a setting.

    What level of contrast does "Title in Swedish: Midvinterblot" by Carl Larsson show?

    The light-dark contrast of "Title in Swedish: Midvinterblot" is recorded as bold. Contrast describes how strongly light and dark areas differ.