Paper

Student Artwork Guide

Ascension\n\nAscension

Name Class Date

Bill Viola, Ascension\n\nAscension (2000), Borusan Contemporary. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Bill Viola originaluniqueart.com/en/artists/bill-viola/
Artist’s dates
1951 –
Painted
2000
Medium
Video Art
Movement
Contemporary Art
Period
Contemporary
Held at
Borusan Contemporary originaluniqueart.com/en/museums/borusan-contemporary-istanbul/
Artistic style
Contemporary video art
Notable elements or techniques
Underwater scene, bubbles, and waves
Subject or theme
Human existence, movement, and depth

In context

Ascension\n\nAscension — Bill Viola

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 49. 7 of the 18 dated works by this artist in our catalogue came earlier.

▲ this work, 2000 every dated painting, decade by decade

First works: up to 1983 Main working years: 1983–2012 Late works: from 2012

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/bill-viola-ascension-n-nascension-D4NFBJ-en/

Colours

Measured from the image

    Main colour

    Prussian Blue #232e4e

    Catalogued palette

    • #232E4E
    • #5B75AE
    • #020303
    • #B1CFE6

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Prussian Blue
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Bill Viola over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 44.4%
    2. 2 Austria 11.1%
    3. 3 Australia 11.1%
    4. 4 Canada 11.1%
    5. 5 Germany 11.1%
    6. 6 Italy 11.1%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 9 most looked-at works by Bill Viola

    1. 1 Ascension\n\nAscension, 2000 this painting 40.0%
    2. 2 The Trial\n\nThe Trial, 2015 20.0%
    3. 3 Science of the Heart, 1983 8.0%
    4. 4 The Vapor 8.0%
    5. 5 The Encounter, 2012 8.0%
    6. 6 The Raft\n\nThe Raft, 2004 4.0%
    7. 7 Five Angels for the Millennium, 2001 4.0%
    8. 8 Songs of Innocence, 1976 4.0%
    9. 9 Catherine’s Room, 2001 4.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 19 works by this artist, of which 9 were looked at at least once. This painting ranks 1 of them, with 40.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Ascension\n\nAscension — Bill Viola

    The Ethereal Descent: A Journey Through Bill Viola's Ascension

    In the profound and immersive world of Bill Viola, the boundaries between the physical and the spiritual often dissolve into a singular, breathtaking moment of transcendence. His work, Ascension, serves as a poignant window into this liminal space, capturing a sense of weightlessness that is both terrifying and deeply peaceful. The piece presents a striking visual narrative: a figure in a wetsuit, suspended within an aquatic realm, arms outstretched in a gesture that oscillates between a desperate reach for salvation and a serene surrender to the elements. Surrounded by a swirling dance of bubbles and the rhythmic movement of waves, the subject appears caught in a metamorphosis, caught between the crushing pressure of the depths and the beckoning light of the surface.

    The aesthetic power of Ascension lies in its masterful use of contrast and texture. Though presented here through a monochromatic lens, the composition vibrates with an internal energy. The play of light filtering through the water creates a chiaroscuro effect that lends the scene a sculptural quality, making the bubbles appear like suspended pearls and the ripples of the water like flowing silk. This technique draws the viewer into the very heart of the movement, evoking the visceral sensation of being submerged. For the discerning collector or interior designer, this piece offers more than mere decoration; it provides a focal point of profound contemplative depth, capable of transforming a room into a sanctuary for reflection.

    Symbolism and the Human Condition

    To understand Ascension is to touch upon the core preoccupations of Viola’s life and career. The artist’s fascination with the threshold between life and death was famously ignited by a near-drowning experience in his youth—an event he described as seeing a world of unparalleled beauty and peace. This piece acts as a visual manifestation of that memory, utilizing the medium of water to symbolize the subconscious, the womb, and the ultimate transition of the soul. The act of ascending through the water becomes a powerful metaphor for the evolution of consciousness and the struggle to rise above the weight of earthly existence.

    The presence of other, more distant figures in the background adds a layer of collective human experience to the work. They serve as silent witnesses to this individual journey, suggesting that while the process of spiritual or emotional ascent is deeply personal, it is part of a universal human cycle. The composition invites viewers to contemplate their own moments of transition, making Ascension an emotionally resonant masterpiece that speaks to the timeless themes of rebirth and transcendence. It is a work that does not merely sit upon a wall but breathes within a space, offering a continuous dialogue between the viewer and the infinite.

    Artist and museum

    Artist

    Bill Viola

    Born in Queens, United States of America

    A Life Illuminated: The Visionary World of Bill Viola

    Born January 25, 1951, in Queens, New York, and passing on July 12, 2024, Bill Viola emerged as a pivotal figure in the landscape of contemporary art. His journey, beginning amidst the bustling energy of New York City and extending through diverse cultural encounters, shaped an artistic practice deeply concerned with the fundamental experiences of human existence. From his early fascination with television technology – evidenced by his role as captain of the TV Squad at P.S. 20 in Flushing – to a near-drowning experience that profoundly impacted his perception of life and death, Viola’s formative years were imbued with elements that would later resonate powerfully within his work. He pursued formal training at Syracuse University, graduating in 1973 with a BFA in Experimental Studies, a program that fostered interdisciplinary exploration and laid the groundwork for his innovative approach to visual storytelling. Even early roles, like video technician at the Everson Museum of Art, served as crucial stepping stones, immersing him in the world of art and technology.

    Forging a New Language: Influences and Artistic Development

    Viola’s artistic trajectory was significantly influenced by his collaborations and travels during the 1970s. His time with composer David Tudor within the experimental music group “Rainforest” (later “Composers Inside Electronics”) instilled in him an appreciation for sonic landscapes and performance art. A residency at Art/tapes/22 in Florence, Italy, brought him into contact with pioneers of video art such as Nam June Paik, Bruce Nauman, and Vito Acconci, exposing him to the burgeoning possibilities of the medium. These encounters were transformative, encouraging him to push the boundaries of artistic expression. Further enriching his perspective, Viola embarked on journeys to the Solomon Islands, Java, and Indonesia, meticulously documenting traditional performing arts – a practice that instilled in him a deep respect for ritual, gesture, and cultural narratives. A pivotal period followed with a U.S./Japan Cultural Exchange Fellowship in 1980-1981, where he studied Zen Buddhism under Master Daien Tanaka and served as an artist-in-residence at Sony Corporation’s Atsugi Laboratories. This immersion into Eastern philosophy profoundly shaped his artistic vision, emphasizing themes of mindfulness, impermanence, and the search for inner peace. His marriage to Kira Perov in 1978 marked not only a personal partnership but also a crucial professional collaboration; Perov became instrumental in managing his studio and documenting his evolving body of work.

    Landmark Creations: Major Works and Recognition

    Throughout his career, Bill Viola created a series of groundbreaking works that garnered international acclaim. Buried Secrets (1995), commissioned for the 46th Venice Biennale, demonstrated his ability to reinterpret classical art through a contemporary lens – notably, The Greeting offered a powerful reimagining of Pontormo’s The Visitation. The late 1990s saw a major 25-year retrospective of his work touring internationally, solidifying his reputation as a leading figure in video art. His appointment as Getty Scholar-in-Residence in 1998 allowed for further research and exploration. Going Forth by Day (2002), a monumental digital “fresco” cycle commissioned by the Deutsche Guggenheim Berlin and the Guggenheim Museum, New York, showcased his mastery of large-scale installations and high-definition video technology. Perhaps most notably, The Passions (2003) – an exhibition inspired by Renaissance devotional painting – captivated audiences with its emotionally charged, slow-motion depictions of human experience, exhibited in Los Angeles, London, Madrid, and Canberra. These works, and many others, established Viola as a master storyteller capable of evoking profound emotional responses through the innovative use of video and sound.

    The Essence of Being: Style, Themes, and Legacy

    Bill Viola’s artistic style is characterized by an unwavering focus on fundamental human experiences – birth, death, love, emotion, consciousness, and spirituality. He drew inspiration from a diverse range of sources, including Zen Buddhism, Christian mysticism, Islamic Sufism, and Western medieval and Renaissance devotional art. A central tenet of his work is the exploration of dualism—the idea that understanding requires embracing opposing forces like life and death, light and dark. He masterfully employed slow motion video, not merely as a technical device but as a means to encourage deep connection with the image and its underlying meaning, allowing viewers to contemplate each moment with heightened awareness. Viola’s work seamlessly blends conceptual rigor with visual poetry, often exhibiting a painterly quality that belies its technological foundation. He wasn't simply creating videos; he was crafting immersive environments designed to provoke introspection and emotional resonance. His pioneering spirit expanded the scope of video art, establishing it as a vital contemporary art form and influencing countless artists who followed in his wake. Viola’s exploration of universal human experiences continues to resonate with diverse audiences worldwide, ensuring his enduring legacy as a visionary artist who dared to confront the mysteries of existence through the power of image and sound.

    Museum

    Borusan Contemporary

    On show in Istanbul, Turkey

    A Hauntingly Beautiful Fusion: Discovering Borusan Contemporary

    Nestled within the enigmatic Perili Köşk – literally “Haunted House” – in Istanbul’s historic Rumelihisarı district, Borusan Contemporary isn't merely a museum; it’s an immersive journey through time and artistic expression. This unique space, straddling the continents of Europe and Asia, offers a captivating dialogue between Turkey’s rich past and its vibrant contemporary art scene. The building itself – a meticulously preserved blend of Ottoman and European architectural styles – whispers tales of opulent residences and local lore, immediately establishing an atmosphere of intriguing mystery that sets the stage for the dynamic works housed within. Borusan Contemporary stands as a testament to Turkey's commitment to fostering cultural dialogue on both a national and international scale, showcasing a collection that boldly embraces innovation while honoring tradition.

    The Perili Köşk’s history is inextricably linked to the museum’s very existence. Originally constructed as a private residence overlooking the breathtaking Bosphorus Strait, this architectural gem carried an aura of intrigue from its inception. Its layered past – evolving from a symbol of lavish living to a landmark imbued with local legends and tales of spectral sightings – provides a profoundly resonant backdrop for the art on display. The juxtaposition of the mansion’s ornate façade with the often-challenging and avant-garde works within is deliberate, a key element in Borusan Contemporary's ethos. It invites visitors to contemplate the enduring interplay between past and present, tradition and innovation, creating an experience far richer than simply viewing art.

    A Dynamic Collection: Exploring Contemporary Visions

    Borusan Contemporary distinguishes itself from traditional museum models through its perpetually evolving program of exhibitions. Rather than adhering to a static collection, the museum thrives on showcasing diverse mediums – from thought-provoking sculptures and immersive installations to vibrant paintings and cutting-edge digital art forms. Visitors can anticipate encountering works by both established Turkish artists and rising international stars, each offering unique perspectives within the contemporary landscape. A particular strength lies in its embrace of new media: video art that challenges perceptions, neon installations that transform space, and interactive pieces that invite active engagement. The collection’s evolution reflects a forward-looking vision, continually incorporating experimental and digital artworks – a deliberate choice mirroring the museum's commitment to pushing artistic boundaries.

    The foundation of Borusan Contemporary’s collection began with a focus on Turkish Modern and Contemporary Art, but it has dramatically expanded over the decades. In the 2000s, the museum embraced international artists like Donald Judd and Sol LeWitt, demonstrating a willingness to engage with global artistic trends. This expansion culminated in a deliberate commitment to experimental and digital artworks, solidifying Borusan Contemporary’s position as a leading voice in showcasing innovative approaches to art-making. The collection now boasts over 730 works, representing a diverse range of styles and mediums, all united by their exploration of contemporary themes and ideas.

    The Legacy of Support: The Borusan Kocabıyık Foundation

    The existence of Borusan Contemporary is deeply rooted in the unwavering commitment of the Borusan Kocabıyık Foundation. Supported by the substantial resources of Borusan Holding A.Ş., a diversified industrial group, the museum operates as more than just an exhibition space; it functions as a vital educational hub dedicated to engaging visitors with modern art concepts and practices. This dedication extends beyond simply displaying artwork – Borusan Contemporary actively commissions new works, provides crucial support for emerging artists, and fosters cultural exchange through international collaborations. The foundation’s investment ensures that the museum remains a dynamic force in promoting contemporary art within Turkey and connecting it to the global artistic community.

    More Than Just a Museum: An Istanbul Destination

    What truly sets Borusan Contemporary apart is its seamless blend of cutting-edge artistry with the captivating charm of its historical setting. It’s a place where you can lose yourself in immersive installations, contemplate challenging ideas, and connect with art on a deeply emotional level – all while surrounded by the echoes of centuries past. Whether you are an avid collector seeking inspiration, an interior designer searching for innovative aesthetics, or simply an art enthusiast eager to explore Istanbul's cultural landscape, Borusan Contemporary offers an unforgettable experience that will linger long after you leave its hauntingly beautiful halls. The museum’s location within the Perili Köşk adds a layer of mystique and intrigue, transforming a visit into something truly special – a journey through both artistic innovation and historical resonance.

    Where to read more

    Find this online

    QR code linking to the download page for Ascension\n\nAscension

    originaluniqueart.com/en/art/download/bill-viola-ascension-n-nascension-D4NFBJ-en/

    Cite this artwork

    MLA
    Viola, Bill. Ascension\n\nAscension. 2000, Borusan Contemporary. https://originaluniqueart.com/en/art/bill-viola-ascension-n-nascension-D4NFBJ-en/
    APA
    Viola, Bill (2000). Ascension\n\nAscension [Painting]. Borusan Contemporary. https://originaluniqueart.com/en/art/bill-viola-ascension-n-nascension-D4NFBJ-en/
    Chicago
    Bill Viola. Ascension\n\nAscension. 2000. Borusan Contemporary. https://originaluniqueart.com/en/art/bill-viola-ascension-n-nascension-D4NFBJ-en/
    Harvard
    Viola, Bill (2000) Ascension\n\nAscension. Borusan Contemporary. Available at: https://originaluniqueart.com/en/art/bill-viola-ascension-n-nascension-D4NFBJ-en/

    Look closely

    Ascension\n\nAscension — Bill Viola

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: man, wetsuit, bubbles. Do you agree? What would you add, or take away?
    4. Look back at The Vapor, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Bill Viola was about 49 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How is the color composition of "Ascension\n\nAscension" by Bill Viola built?

    The color composition of "Ascension\n\nAscension" by Bill Viola combines a statement contrast with a strong color unity harmony.

    How old was Bill Viola when creating "Ascension\n\nAscension" in 2000?

    When "Ascension\n\nAscension" was created in 2000, Bill Viola - born in 1951 - was 49 years old.

    Is "Ascension\n\nAscension" more bright or more dark overall?

    "Ascension\n\nAscension" is deep_shadow overall, and its luminance is dark.