Paper

Student Artwork Guide

Figures and Construction with Cat

Name Class Date

Bill Traylor, Figures and Construction with Cat (1942), Smithsonian American Art Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Bill Traylor originaluniqueart.com/en/artists/bill-traylor/
Artist’s dates
1854 – 1949
Painted
1942
Held at
Smithsonian American Art Museum originaluniqueart.com/en/museums/smithsonian-american-art-museum-washington-d-c/

In context

Figures and Construction with Cat — Bill Traylor

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930
  10. 1940

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 95 at death.

Painted when the artist was 88. The artist lived to 95. 24 of the 45 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Bill Traylor (1854–1949) ▲ this work, 1942 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/bill-traylor-figures-and-construction-with-cat-D3ZERC-en/

Colours

Measured from the image

    Main colour

    Espresso #31312e

    Catalogued palette

    • #31312E
    • #E1DCBF
    • #807B5E
    • #5C5747

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Bill Traylor over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 87.5%
    2. 2 Ecuador 4.2%
    3. 3 Japan 4.2%
    4. 4 United States of America 4.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 19 most looked-at works by Bill Traylor

    1. 1 Untitled (Chase Scene), 1940 8.0%
    2. 2 Untitled (Red Goat with Snake), 1942 8.0%
    3. 3 Untitled [Blue and Brown Buildings] 8.0%
    4. 4 Untitled [Smoking Man with Figure Construction] 8.0%
    5. 5 Untitled [Woman with Purse and Man with Umbrella] 8.0%
    6. 6 Untitled (Lamp, Bottle, and Cat), 1939 8.0%
    7. 7 Untitled (Dog Fight with Writing), 1942 4.0%
    8. 8 Man in Black and Blue with Cigar and Suitcase, 1942 4.0%
    9. 9 Untitled (Woman with Umbrella and Man on Crutch), 1942 4.0%
    10. 10 Yellow Chicken, 1940 4.0%
    11. 11 Figures and Construction with Cat, 1942 this painting 4.0%
    12. 12 Red Man, 1942 4.0%
    13. 13 Man with Yoke, 1942 4.0%
    14. 14 Untitled [Turkey with Bug] 4.0%
    15. 15 Untitled (Man, Woman, and Dog), 1942 4.0%
    16. 16 Untitled [Man Carrying Dog on Object] 4.0%
    17. 17 Self-Portrait, 1939 4.0%
    18. 18 Female Drinker, 1939 4.0%
    19. 19 Snake, 1939 4.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 66 works by this artist, of which 19 were looked at at least once. This painting ranks 11 of them, with 4.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Figures and Construction with Cat — Bill Traylor

    Bill Traylor, Figures and Construction with Cat, ca. 1939–1942, gouache and pencil on cardboard. The Metropolitan Museum of Art, New York, Promised Gift of Charles E. and Eugenia C. Shannon. Image copyright © The Metropolitan Museum of Art. Image source: Art Resource, NY

    Artist and museum

    Artist

    Bill Traylor

    The Voice of Alabama Folklore

    William “Bill” Traylor remains one of the most profound enigmas in the annals of American art history—a self-taught African American visionary whose striking drawings emerged from the quiet obscurity of rural Alabama during the Great Depression. His work, characterized by a hauntingly beautiful simplicity, serves as a window into a world shaped by the complexities of the Jim Crow South. While early critics often dismissed his compositions as mere “primitive” or “outsider” sketches, modern scholarship has undergone a dramatic reassessment, recognizing Traylor as a master of modernism whose rhythmic lines and symbolic figures command a place within the global canon of fine art. This rediscovery was catalyzed by the tireless efforts of Charles Shannon, who encountered Traylor’s captivating vision in 1940, effectively bringing his singular perspective to the attention of a wider, more appreciative audience.

    Born into the harsh realities of slavery on the plantation of George Hartful Traylor, Bill’s early life was defined by the profound social upheavals of the nineteenth century. His parents, Sally and Bill Calloway, navigated the immense hardships inherent in the post-emancipation era, instilling in him a sense of resilience that would later permeate his creative output. Despite the systemic discrimination and economic struggles of the sharecropping system in Alabama, Traylor built a life of remarkable familial devotion, fathering approximately twenty children. His journey from the bondage of slavery through the reconstruction era to the twilight of his life in Montgomery is a testament to human endurance, a narrative arc that provides a heavy, soulful backdrop to the imagery he would eventually commit to paper.

    A Visual Language of Resilience and Motion

    Traylor’s artistic career began unexpectedly late in his life, following his relocation to Montgomery in 1939. Driven by a sudden impulse to create, he utilized whatever materials were at hand—often pencil, crayon, or ink on discarded paper—to capture the essence of his surroundings. His work is not merely a collection of figures; it is a dynamic lexicon of movement and memory. In pieces such as Untitled (Dog Fight with Writing), one can witness the raw energy and kinetic tension of two dogs locked in combat, a composition that captures the visceral intensity of folk life through sharp, decisive strokes. His ability to distill complex emotions into minimalist forms allows his subjects—ranging from livestock like pigs to human figures engaged in daily toil or sudden violence—to vibrate with an almost supernatural life.

    The symbolism within Traylor’s repertoire is both subtle and profound, often blending the mundane with the mythic. His depictions of animals and people frequently inhabit a space that feels simultaneously grounded in the reality of Alabama folklore and elevated by a dreamlike abstraction. This unique stylistic approach allows him to explore themes of:

    The rhythms of rural life: Capturing the steady, often grueling pace of agricultural existence.

    Social tension: Using fragmented figures to mirror the fractured social landscape of the segregated South.

    Narrative movement: Utilizing a sense of "floating" or disconnected limbs to suggest action and transformation.

    Legacy and Historical Significance

    The historical significance of Bill Traylor cannot be overstated. He stands as a bridge between the oral traditions of the African American experience and the formal language of modern art. His work does not merely document history; it interprets the psychological landscape of an era marked by both extreme oppression and incredible creative survival. By transforming the scraps of everyday life into permanent artifacts of beauty, Traylor challenged the boundaries of what constitutes "fine art" and forced the art world to look toward the margins for true innovation.

    Today, his legacy continues to resonate through museums and galleries worldwide, serving as a cornerstone for the study of self-taught artists. His ability to communicate the universal through the deeply personal ensures that his vision remains as vital and provocative today as it was when he first began drawing in the streets of Montgomery. Through his pencil and paper, Traylor achieved a form of immortality, ensuring that the voices of the Alabama landscape would never be silenced.

    Museum

    Smithsonian American Art Museum

    On show in Washington, D.C., United States of America

    A Chronicle of American Identity: The Smithsonian American Art Museum

    Nestled within the venerable Old Patent Office Building in Washington, D.C., the Smithsonian American Art Museum is more than simply a repository for artistic treasures; it’s a profoundly resonant chronicle of the United States itself. Stepping through its grand doors feels akin to embarking on a journey into the very heart of America – a sprawling narrative woven from the threads of colonial landscapes, poignant social commentaries, groundbreaking artistic innovations, and the diverse voices that have shaped our nation's cultural identity. The building’s presence, originally conceived as a showcase for American ingenuity during the 19th century, provides an unexpectedly powerful backdrop to the artwork within; its soaring ceilings, intricate detailing, and sense of monumental scale whisper tales of innovation and progress, elevating every piece on display with a subtle yet undeniable grandeur. The juxtaposition of this industrial-era architecture with the vibrant expressions of American art creates a dialogue across time, prompting reflection on the nation’s evolving values and artistic sensibilities.

    The museum's collection is an astonishingly diverse tapestry, spanning centuries and encompassing a breathtaking range of artistic styles. From the evocative landscapes of Frederic Church and Thomas Moran, capturing the untamed grandeur of the American West with their luminous colors and dramatic compositions – images that once fueled westward expansion and romanticized the frontier – to the sharp social critiques of Edward Hopper and Dorothea Lange, documenting the stark realities of the Great Depression through hauntingly intimate portraits that expose human vulnerability and resilience, SAAM offers a panoramic view of the nation’s visual history. You'll encounter the vibrant folk art traditions of self-taught artists like Florence Scovel Shinn, whose whimsical illustrations captured everyday life with charming detail, and Ralston Crawford, who masterfully depicted urban landscapes and industrial scenes, reflecting the dynamism and anxieties of early 20th-century America. Alongside these familiar figures, SAAM proudly showcases the iconic works of Georgia O’Keeffe, whose abstract floral paintings continue to captivate viewers with their bold colors, intimate perspectives, and profound exploration of form and nature; and a significant collection of Native American art, reflecting the rich artistic traditions of diverse tribes across the country – a vital and often underrepresented element of America's artistic heritage. Notable highlights include Winslow Homer’s masterful depictions of coastal life, offering a poignant glimpse into America’s complex relationship with the sea, and the museum’s extensive holdings of works by African American artists, whose contributions have often been overlooked but are now rightfully celebrated for their power, beauty, and social commentary.

    Architectural Echoes and Contemporary Dialogue

    The Old Patent Office Building itself is an integral part of the SAAM experience. Constructed in 1855 as a showcase for American inventions – a symbol of ingenuity and progress during the Industrial Revolution – its neoclassical design and expansive spaces provide a stunning setting for the museum’s collection. The building’s original purpose, celebrating innovation, subtly mirrors the museum’s own mission: to explore and celebrate the creative spirit of America. The juxtaposition of this grand, functional space with the diverse range of artistic expressions within creates an intriguing tension – a reminder of the constant interplay between progress and tradition, industry and art. The addition of the Renwick Gallery in 1972, housed just blocks away, broadened SAAM’s scope and championed craft traditions alongside fine art, further enriching the museum's narrative. This deliberate pairing highlights the ongoing evolution of American creativity – a conversation between past masters and present-day makers, demonstrating how artistic forms adapt and transform over time.

    Current Explorations: Stories in Every Frame

    Currently, SAAM is hosting several compelling exhibitions that illuminate diverse facets of the American experience. “State Fairs: Growing American Craft” offers a fascinating look at the artistic contributions to this uniquely American tradition, celebrating the creativity and skill of fair artists across the country – from intricate quilts to dazzling ceramics. “Shahzia Sikander: The Last Post,” a powerful multimedia installation by Pakistani-American artist Shahzia Sikander, critically examines the legacy of British colonialism through the lens of Indo-Persian miniature painting—a truly thought-provoking exploration of cultural exchange and historical perspective. And don’t miss “Cecilia Vicuña: Quipu Viscera,” an immersive installation that utilizes unspun wool to explore themes of memory, identity, and indigenous rights – a poignant reminder of the enduring struggles for recognition and justice. These exhibitions, alongside the museum's permanent collection, offer visitors a rich and rewarding experience, showcasing the breadth and depth of American artistic expression.

    A Legacy of Access and Engagement

    Beyond its impressive collection and architectural splendor, SAAM is deeply committed to education and accessibility. It provides extensive resources for students, teachers, and art enthusiasts alike through online databases and engaging programs. The museum’s free admission policy ensures that its treasures are accessible to all, fostering a deeper appreciation for American art and culture within the community and beyond. Visiting SAAM isn't simply an opportunity to view beautiful objects; it is an invitation to connect with the nation’s history, celebrate its diversity, and engage in a meaningful exploration of what it means to be American – a vibrant testament to the enduring power of artistic expression. The museum continues to evolve, embracing new technologies and perspectives while remaining steadfast in its commitment to preserving and sharing America's rich artistic heritage.

    Where to read more

    • The artist Bill Traylor originaluniqueart.com/en/artists/bill-traylor/
    • The museum Smithsonian American Art Museum originaluniqueart.com/en/museums/smithsonian-american-art-museum-washington-d-c/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/bill-traylor-figures-and-construction-with-cat-D3ZERC-en/

    Find this online

    QR code linking to the download page for Figures and Construction with Cat

    originaluniqueart.com/en/art/download/bill-traylor-figures-and-construction-with-cat-D3ZERC-en/

    Cite this artwork

    MLA
    Traylor, Bill. Figures and Construction with Cat. 1942, Smithsonian American Art Museum. https://originaluniqueart.com/en/art/bill-traylor-figures-and-construction-with-cat-D3ZERC-en/
    APA
    Traylor, Bill (1942). Figures and Construction with Cat [Painting]. Smithsonian American Art Museum. https://originaluniqueart.com/en/art/bill-traylor-figures-and-construction-with-cat-D3ZERC-en/
    Chicago
    Bill Traylor. Figures and Construction with Cat. 1942. Smithsonian American Art Museum. https://originaluniqueart.com/en/art/bill-traylor-figures-and-construction-with-cat-D3ZERC-en/
    Harvard
    Traylor, Bill (1942) Figures and Construction with Cat. Smithsonian American Art Museum. Available at: https://originaluniqueart.com/en/art/bill-traylor-figures-and-construction-with-cat-D3ZERC-en/

    Look closely

    Figures and Construction with Cat — Bill Traylor

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Untitled (Dog Fight with Writing) (1940), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Bill Traylor was about 88 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can I see "Figures and Construction with Cat" by Bill Traylor under different lights?

    The X-Ray page of "Figures and Construction with Cat" by Bill Traylor is an interactive viewer that lets you slide through eleven optical layers of the artwork's image, including an X-ray style view.

    Why is the copyright status of "Figures and Construction with Cat" what it is?

    "Figures and Construction with Cat" by Bill Traylor is in the public domain - its copyright has expired. Copyright duration runs from the artist's death, which occurred in 1949.

    Are there works similar to "Figures and Construction with Cat"?

    Artworks similar to "Figures and Construction with Cat" by Bill Traylor are gathered on the artwork's Similars page.

    Where can I buy a print of "Figures and Construction with Cat" by Bill Traylor?

    "Figures and Construction with Cat" is available as a fine art print on cotton canvas or archival canvas paper. Orders are placed on this page, in the size of your choice.

    How old was Bill Traylor when creating "Figures and Construction with Cat" in 1942?

    Bill Traylor was 88 years old when creating "Figures and Construction with Cat" in 1942. The age is computed from the artist's birth year, 1854.

    Where can I download "Figures and Construction with Cat" by Bill Traylor?

    "Figures and Construction with Cat" by Bill Traylor can be downloaded from the artwork's Download page, as a high-resolution digital image download.

    Can I watch "Figures and Construction with Cat" as a full-screen slideshow?

    "Figures and Construction with Cat" by Bill Traylor can be viewed as a slideshow on the artwork's Diaporama page.

    What underlying hue runs through "Figures and Construction with Cat" by Bill Traylor?

    The dominant hue of "Figures and Construction with Cat" by Bill Traylor is green to violet spectrum. The hue is the underlying tone of the palette.