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Student Artwork Guide

Stories from the New Testament

Name Class Date

bertini workshop, Stories from the New Testament, Veneranda Fabbrica del Duomo di Milano. Public domain.

The facts

Artist
bertini workshop originaluniqueart.com/en/artists/bertini-workshop/
Artist’s dates
1838 – 1865
Held at
Veneranda Fabbrica del Duomo di Milano originaluniqueart.com/en/museums/veneranda-fabbrica-del-duomo-di-milano-milan/

In context

Stories from the New Testament — bertini workshop

When might this have been painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860

Shaded: the lifetime of bertini workshop (1838–1865)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/bertini-workshop-stories-from-the-new-testament-D6BCAX-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #2d2422

    Catalogued palette

    • #2D2422
    • #866971
    • #56414C
    • #0E0C0A
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Stories from the New Testament — bertini workshop

    The large apse window V19 of Milan Duomo is dedicated to stories from the New Testament. The reading of the episodes is from bottom to top, left to right. The work was amongst the first stained-glass windows to be made in the Cathedral, together with the large central window of the Apocalypse and large window V21, which traces episodes from the Old Testament. Already by the second decade of the 15th century, the window deserved the attention of the Fabbricieri, who commissioned the construction of the panels dedicated to the life of Christ to artists such as Franceschino Zavattari, Maffiolo da Cremona and Giovanni Recalcati. The participation of other master glassmakers of prime importance in the first half of the 16th century is attested, and new work to the stained-glass window led to the creation of the cycle of episodes from the Passion of Christ by Pietro da Velate. From 1830, all the 14th and 15th-century panels originally located in stained-glass window V19 were moved to other windows so as to leave space for a modern stained-glass window made, starting from 1838, by Giovan Battista Bertini and finished in the second half of the century by his sons Pompeo and Giuseppe. This is the current decoration of stained-glass window V19.

    Artist and museum

    Artist

    bertini workshop

    Born in Milan, Italy

    The Radiant Legacy of the Bertini Workshop

    The Bertini workshop stands as a luminous testament to the artistic fervor of 19th-century Milan, an era defined by ambitious architectural endeavors and a profound engagement with religious iconography. Founded in 1838 by the talented Pompeo Bertini, the studio emerged from Milan’s vibrant artistic milieu to become a preeminent leader in the delicate craft of stained glass production. This period in Italian history was marked by a deep reverence for tradition, yet it also embraced new technical possibilities, allowing the workshop to create masterpieces that continue to grace the most iconic sacred spaces, most notably the Duomo di Milano.

    The foundations of this artistic excellence were laid during Bertini’s formative years. Steeped in the rigorous traditions of his craft, he was trained from childhood in the intricate art of stained glass—a skill passed down through generations of artisans. His formal education at the prestigious Brera Academy allowed him to absorb the influences of luminaries such as Giuseppe Verdi and Giovanni Battista Crespi. This academic grounding provided more than just technical proficiency; it instilled a foundational understanding of complex composition, sophisticated color theory, and sculptural technique. These elements would eventually permeate the workshop's distinctive style, blending the structural strength of glasswork with the ethereal beauty of fine painting.

    Innovation in Light and Narrative

    What truly distinguished the Bertini workshop from its contemporaries was an unwavering commitment to both excellence and innovation. Rather than merely replicating existing religious motifs, the studio actively pushed the boundaries of the medium, experimenting with new techniques and embracing ambitious, large-scale narratives. This progressive approach was particularly evident in their monumental stained glass windows commissioned for churches throughout the Lombardy and Emilia-Rognana regions. Each piece demanded a masterful execution of color and a deep, scholarly appreciation for religious symbolism.

    The workshop's ability to manipulate light became its hallmark. By utilizing a technique reminiscent of luminism—which prioritizes diffused, soft light—the artisans were able to create ethereal effects that heightened the emotional and spiritual impact of their work. Their creations often featured:

    Vibrant Color Palettes: The use of deep reds, brilliant blues, and radiant golds to convey the drama of biblical prophecy.

    Intricate Lead Framework: A meticulous attention to the structural lines that define the shapes within the glass.

    Symbolic Motifs: The integration of sun motifs and celestial elements, particularly seen in their Old Testament rose windows.

    Masterpieces of the Milanese Spirit

    Perhaps the most enduring achievement of the Bertini workshop is undoubtedly the “Stories from the Apocalypse” window, commissioned for the Duomo di Milano between 1838 and 1865. This sprawling masterpiece depicts scenes from the Book of Revelation with a breathtaking intensity. Through a masterful use of color and detail, the window transforms the cathedral's interior, turning sunlight into a medium for divine storytelling. Similarly, their work on the lower registers of the New Testament windows showcases a vibrant narrative style that captures the essence of biblical history through intricate craftsmanship.

    Beyond the Duomo, the workshop’s influence extended to various religious sites, including St. Agnes Church, where they created stunning glasswork reflecting the serene beauty of Byzantine art. The historical significance of the Bertini workshop lies not only in the physical beauty of their glass but in their role as keepers of Milanese faith and culture. They bridged the gap between the ancient traditions of craftsmanship and the evolving aesthetic sensibilities of the 19th century, leaving behind a legacy of light that continues to inspire awe in all who behold it.

    Museum

    Veneranda Fabbrica del Duomo di Milano

    On show in Milan, Italy

    A Chronicle of Milan’s Sacred Heart: The Veneranda Fabbrica del Duomo

    Within the vibrant heart of Milan, a city renowned for its fashion and finance, lies an institution far removed from fleeting trends—the Veneranda Fabbrica del Duomo di Milano. More than simply a museum, it is a living testament to centuries of unwavering dedication, artistic mastery, and profound spiritual significance woven into the very fabric of this magnificent city. This venerable workshop, translating to “The Venerable Factory,” doesn’t reside within gleaming walls or grand facades; instead, it exists within the Duomo itself—a sprawling complex of workshops, laboratories, and archives entirely dedicated to preserving and enhancing one of the world's most celebrated Gothic cathedrals. Its story is not merely about stone and stained glass, but a continuous narrative of human endeavor stretching back over six centuries.

    The origins of the Fabbrica trace back to 1386, when construction on the Duomo commenced—a project destined to span generations. The Veneranda Fabbrica emerged as the governing body entrusted with overseeing every facet of this monumental undertaking: from sourcing the vast quantities of marble quarried from distant lands, to meticulously planning the intricate facade, and ultimately ensuring the cathedral’s enduring beauty for centuries to come. Over time, its role expanded beyond construction, evolving into a comprehensive custodian of Piazza del Duomo and its surrounding heritage. The Fabbrica wasn't just building a cathedral; it was crafting an identity for Milan itself, a symbol of civic pride and spiritual aspiration.

    An Astonishing Repository of Knowledge

    The “collection” within the Fabbrica isn’t comprised of static artifacts displayed behind glass. Rather, it is an astonishing repository of knowledge—a sprawling archive containing detailed architectural plans dating back to the 14th century, meticulously documented construction phases, and a wealth of historical records illuminating Milan's evolution. Here, one encounters blueprints revealing ingenious engineering solutions employed to support the cathedral’s soaring spires, models illustrating the complex interplay of light and shadow within its stained-glass windows, and correspondence between generations of artisans and architects. These documents offer an unparalleled glimpse into the dedication and skill required to realize such a breathtaking masterpiece. Imagine tracing the hand of a medieval stonemason through centuries-old drawings, or deciphering the logistical challenges of transporting massive marble blocks across vast distances. The archive is not merely a record of the Duomo’s creation; it is a part of that creation, imbued with the spirit of those who labored to bring it into being.

    A Symphony in Stone and Light

    Piazza del Duomo, dominated by the Milan Cathedral, stands as a towering testament to Gothic ambition. Its facade, a riot of intricate sculptures depicting biblical figures and saints, seems to defy gravity as it rises towards the heavens. But the square is more than just a backdrop; it’s a carefully orchestrated stage showcasing centuries of architectural styles. Roman ruins lie beneath the cobblestones—remnants of Mediolanum's ancient past—while Renaissance palaces stand proudly alongside the Duomo, creating a harmonious blend of eras. The Galleria Vittorio Emanuele II, an opulent glass-covered arcade that snakes around the Piazza, provides a striking contrast to the cathedral’s solemn grandeur, its intricate mosaic floors depicting coats of arms and celebrating Milan’s rich history. The Fabbrica's role extends to maintaining this delicate balance, ensuring that each element contributes to the square’s layered narrative.

    A Living Legacy: Preservation for Future Generations

    What truly distinguishes the Veneranda Fabbrica del Duomo is its active role in safeguarding the cathedral’s legacy. It is a dynamic institution continuing to oversee restoration projects, conduct research, and educate visitors about the Duomo's history and significance. The Fabbrica employs a dedicated team of artisans, architects, and historians who work tirelessly to ensure that this architectural marvel remains a source of inspiration for generations to come. This isn’t simply about preserving stone; it is about upholding a tradition of craftsmanship, scholarship, and devotion. A visit here transcends mere sightseeing—it's an immersion into the heart and soul of one of Europe’s most iconic cities, a journey through time that reveals the enduring power of human creativity and faith. The Fabbrica stands as a unique testament to Milan’s spirit – a place where history, art, and belief converge in a breathtaking display of ingenuity and devotion.

    Where to read more

    Find this online

    QR code linking to the download page for Stories from the New Testament

    originaluniqueart.com/en/art/download/bertini-workshop-stories-from-the-new-testament-D6BCAX-en/

    Cite this artwork

    MLA
    workshop, bertini. Stories from the New Testament. n.d., Veneranda Fabbrica del Duomo di Milano. https://originaluniqueart.com/en/art/bertini-workshop-stories-from-the-new-testament-D6BCAX-en/
    APA
    workshop, bertini (n.d.). Stories from the New Testament [Painting]. Veneranda Fabbrica del Duomo di Milano. https://originaluniqueart.com/en/art/bertini-workshop-stories-from-the-new-testament-D6BCAX-en/
    Chicago
    bertini workshop. Stories from the New Testament. n.d. Veneranda Fabbrica del Duomo di Milano. https://originaluniqueart.com/en/art/bertini-workshop-stories-from-the-new-testament-D6BCAX-en/
    Harvard
    workshop, bertini (n.d.) Stories from the New Testament. Veneranda Fabbrica del Duomo di Milano. Available at: https://originaluniqueart.com/en/art/bertini-workshop-stories-from-the-new-testament-D6BCAX-en/

    Look closely

    Stories from the New Testament — bertini workshop

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Stained-glass window of the Old Testament, central rose window, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.