Paper

Student Artwork Guide

Tribute Money

Name Class Date

Bernardo Strozzi, Tribute Money (1630), Szépművészeti Múzeum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Bernardo Strozzi originaluniqueart.com/en/artists/bernardo-strozzi/
Artist’s dates
1581 – 1644
Painted
1630
Original size
158 x 225 cm
Held at
Szépművészeti Múzeum originaluniqueart.com/en/museums/szepmuveszeti-muzeum-budapest/

In context

Tribute Money — Bernardo Strozzi

How big is it?

The original measures 158 × 225 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1580
  2. 1590
  3. 1600
  4. 1610
  5. 1620
  6. 1630
  7. 1640

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 63 at death.

Painted when the artist was 49. The artist lived to 63. 19 of the 53 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Bernardo Strozzi (1581–1644) ▲ this work, 1630 every dated painting, decade by decade

First works: up to 1625 Main working years: 1625–1640 Late works: from 1640

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/bernardo-strozzi-tribute-money-8BWNN6-en/

Colours

Measured from the image

    Main colour

    Espresso #5d3e34

    Catalogued palette

    • #5D3E34
    • #1F1313
    • #9D644D
    • #DCBFA4

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Bernardo Strozzi over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 76.5%
    2. 2 United States of America 14.7%
    3. 3 United Kingdom 5.9%
    4. 4 France 2.9%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Bernardo Strozzi

    1. 1 Old Woman at the Mirror, 1615 12.2%
    2. 2 Prophet Elijah and the Widow of Sarepta, 1630 7.3%
    3. 3 The Madonna of Justice, 1620 7.3%
    4. 4 Sleeping Child 4.9%
    5. 5 St Maurice and the Angel, 1640 4.9%
    6. 6 The Cook, 1625 4.9%
    7. 7 The Healing of Tobit, 1635 4.9%
    8. 8 Joseph Telling his Dreams, 1626 4.9%
    9. 9 Gamba Player, 1635 4.9%
    10. 10 St Veronica, 1625 4.9%
    11. 11 Portrait of a fat gentleman 4.9%
    12. 12 The Charity Of St Lawrence 1 4.9%
    13. 13 Allegory of Arts, 1640 2.4%
    14. 14 The Charity of St. Lawrence, 1640 2.4%
    15. 15 Banquet at the House of Simon (detail), 1630 2.4%
    16. 16 Lute Player, 1630 2.4%
    17. 17 St Cecilia, 1620 2.4%
    18. 18 St Cecilia, 1623 2.4%
    19. 19 Tribute Money, 1630 this painting 2.4%
    20. 20 Portrait of a Maltese Knight 2.4%

    Together these works take 90.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 73 works by this artist, of which 24 were looked at at least once. This painting ranks 19 of them, with 2.4% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Bernardo Strozzi

    Born in Genoa, Italy

    early life and training

    bernardo strozzi, also known as il cappuccino and il prete genovese, was a prominent italian baroque painter and engraver born in 1581 in genoa, italy. his early training took place in the workshop of cesare corte, a minor genoese painter, under whose guidance strozzi developed his skills until 1596. he then joined the workshop of pietro sorri, an innovative sienese painter, who led strozzi towards a more naturalistic style.

    artistic career

    strozzi's career can be divided into two main periods: his early years in genoa and his later work in venice. in genoa, he worked on various projects, including the frescoes in the choir of the san domenico church, commissioned by members of the doria family.

    key works:

    the vision of saint dominic (paradise) ( preparatory oil bozzetto for the vault, located at the museo dell’accademia ligustica in genoa)

    portrait of doge francesco erizzo (painted soon after his arrival in venice)

    influence and legacy

    strozzi's powerful art, characterized by rich colors and broad brushstrokes, had a significant impact on the artistic developments in both genoa and venice. he is considered one of the principal founders of the venetian baroque style.

    notable patrons:

    doge francesco erizzo

    catholic cardinal and patriarch of venice federico baldissera

    prominent venetian artists, including claudio monteverdi and barbara strozzi

    later life and death

    strozzi's later years were marked by his work as an engineer. he died in venice in 1644, leaving behind a legacy as a versatile and prolific artist. view more works by bernardo strozzi on AllPaintingsStore: [https://AllPaintingsStore.com/@/bernardo-strozzi](https://AllPaintingsStore.com/@/bernardo-strozzi) explore the pinacoteca di vicenza, italy, featuring works from various periods and styles: /en/art/show/art-d3afpd-en/

    Museum

    Szépművészeti Múzeum

    On show in Budapest, Hungary

    A Palace of Visions: Unveiling the Szépművészeti Múzeum in Budapest

    Nestled within the imposing grandeur of Heroes’ Square – a monumental space itself steeped in Hungarian history and national identity – lies the Szépművészeti Múzeum, or Museum of Fine Arts. More than simply a repository for artistic treasures, it is an architectural statement of ambition, a testament to Europe's rich artistic journey, and a building designed not merely to house art, but to become art itself. Completed in 1906 by the esteemed architects Albert Schickedanz and Fülöp Herzog, this neoclassical palace whispers tales of bold vision, deliberate exclusion, and an unwavering commitment to presenting the very best of European artistic heritage – a story that continues to unfold within its golden-hued walls.

    The initial conception of the museum was remarkably strategic. Unlike many institutions of its time, the Szépművészeti Múzeum deliberately excluded Hungarian art from its early collections, establishing an international perspective and prioritizing a survey of European masterpieces. This decision, born out of a desire to cultivate a truly cosmopolitan collection, shaped the museum’s trajectory and continues to inform its curatorial approach today. The palace itself was meticulously designed to reflect this ethos – a deliberate departure from the prevailing trends of the era, favoring a grand, classical style that spoke to Europe's artistic past while simultaneously embracing modern sensibilities.

    Architectural Majesty: A Symphony in Stone and Light

    The building’s architectural significance is immediately arresting. The façade, bathed in the warm glow of Hungarian sunlight, is an intricate tapestry of sculpted figures representing various artistic movements – a visual encyclopedia of European art history rendered in stone. Each figure, painstakingly crafted by renowned sculptors, embodies a different era and style, creating a dynamic and engaging spectacle for visitors. Beyond the facade, the interior spaces are equally impressive, boasting soaring ceilings adorned with elaborate frescoes, marble floors that gleam under the light, and meticulously restored rooms that evoke the elegance of the early 20th century. The architects skillfully blended neoclassical ideals – symmetry, proportion, and grandeur – with a touch of modern innovation, resulting in a building that is both timelessly beautiful and remarkably functional.

    A Panorama of European Art: Highlights from Antiquity to Today

    Within its walls, the Szépművészeti Múzeum boasts an astonishing collection exceeding 100,000 pieces, meticulously organized into six distinct departments that offer a comprehensive overview of European art history. The museum’s highlights are truly captivating, ranging from ancient Egyptian artifacts to contemporary works. A visit is a journey through time and style, beginning with the breathtaking Egyptian Collection – a miniature replica of the famed halls of Cairo, housing monumental sarcophagi guarding pharaohs and intricate hieroglyphic inscriptions that narrate tales of gods and rulers. Moving forward, one encounters captivating Greek and Roman sculptures, embodying the enduring legacy of Western artistic tradition; Old Master paintings by masters like Maso di Banco and Raphael’s poignant “Esterhazy Madonna,” alongside Rubens' dramatic "Mucius Scaevola Before Porsenna"; a vibrant Dutch Masters Wing showcasing Rembrandt’s evocative portraits and Vermeer’s serene landscapes; and, crucially, the Department of Drawings and Prints – a treasure trove containing Leonardo da Vinci’s preparatory sketches for “The Battle of Anghiari,” offering an unparalleled glimpse into the artist's creative process.

    Beyond the Icons: Unveiling Hidden Gems

    While the museum is undoubtedly renowned for its iconic works, it offers far more than just familiar masterpieces. The collection extends beyond celebrated paintings and sculptures to encompass intimate drawings, striking sculptures, and captivating prints – providing a richer, more nuanced understanding of European art history. Particular attention should be drawn to the Old Sculpture Collection, which includes a fascinating equestrian sculpture tentatively attributed to Leonardo da Vinci—a testament to the museum’s dedication to preserving even the most enigmatic aspects of artistic history. The sheer breadth and depth of the collection ensure that every visitor will discover something new and unexpected.

    A Living Legacy: Engagement and Innovation

    The Szépművészeti Múzeum is not merely a static museum; it’s a vibrant cultural hub actively fostering appreciation for the arts. Through rotating exhibitions, engaging educational programs, and ongoing research initiatives, the museum remains remarkably relevant in an ever-changing world. Workshops, lectures, and family activities are designed to inspire curiosity and foster a deeper connection with European art heritage. Located within Heroes’ Square – a symbolic heartland of Hungarian national identity – the museum continues to evolve, ensuring its place as a vital contributor to Budapest's thriving artistic scene. For more information on current exhibitions and events, please visit:

    https://www.mfab.hu/

    Where to read more

    Find this online

    QR code linking to the download page for Tribute Money

    originaluniqueart.com/en/art/download/bernardo-strozzi-tribute-money-8BWNN6-en/

    Cite this artwork

    MLA
    Strozzi, Bernardo. Tribute Money. 1630, Szépművészeti Múzeum. https://originaluniqueart.com/en/art/bernardo-strozzi-tribute-money-8BWNN6-en/
    APA
    Strozzi, Bernardo (1630). Tribute Money [Painting]. Szépművészeti Múzeum. https://originaluniqueart.com/en/art/bernardo-strozzi-tribute-money-8BWNN6-en/
    Chicago
    Bernardo Strozzi. Tribute Money. 1630. Szépművészeti Múzeum. https://originaluniqueart.com/en/art/bernardo-strozzi-tribute-money-8BWNN6-en/
    Harvard
    Strozzi, Bernardo (1630) Tribute Money. Szépművészeti Múzeum. Available at: https://originaluniqueart.com/en/art/bernardo-strozzi-tribute-money-8BWNN6-en/

    Look closely

    Tribute Money — Bernardo Strozzi

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Sleeping Child, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Bernardo Strozzi was about 49 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What size is "Tribute Money" by Bernardo Strozzi in real life?

    "Tribute Money" measures 158 x 225 cm in its original form. Original dimensions are a useful reference when choosing a reproduction size.

    Does the copyright of "Tribute Money" by Bernardo Strozzi allow reproductions?

    The copyright status of "Tribute Money" by Bernardo Strozzi is clear: the work is in the public domain - its copyright has expired. Its presence at the Szépművészeti Múzeum does not change that status.

    How is the color composition of "Tribute Money" by Bernardo Strozzi built?

    The color analysis of "Tribute Money" by Bernardo Strozzi records a statement contrast and a strong color unity harmony.