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Student Artwork Guide

Capriccio Padovano

Name Class Date

Bernardo Bellotto, Capriccio Padovano (1740), Thyssen-Bornemisza Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Bernardo Bellotto originaluniqueart.com/en/artists/bernardo-bellotto/
Artist’s dates
1721 – 1780
Painted
1740
Original size
49 x 73 cm
Held at
Thyssen-Bornemisza Museum originaluniqueart.com/en/museums/thyssen-bornemisza-museum-madrid/

In context

Capriccio Padovano — Bernardo Bellotto

How big is it?

The original measures 49 × 73 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1720
  2. 1730
  3. 1740
  4. 1750
  5. 1760
  6. 1770
  7. 1780

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 59 at death.

Painted when the artist was 19. The artist lived to 59. 5 of the 73 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Bernardo Bellotto (1721–1780) ▲ this work, 1740 every dated painting, decade by decade

First works: up to 1747 Main working years: 1747–1765 Late works: from 1765

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/bernardo-bellotto-capriccio-padovano-8BWNK8-en/

Colours

Measured from the image

    Main colour

    Putty #cad5da

    Catalogued palette

    • #CAD5DA
    • #383337
    • #A1824A
    • #85A5C0

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Bernardo Bellotto over the last twelve months — 16 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 48.4%3,100 visits
    2. 2 Germany 12.5%800 visits
    3. 3 Italy 6.2%400 visits
    4. 4 Spain 4.7%300 visits
    5. 5 Latvia 4.7%300 visits
    6. 6 Singapore 4.7%300 visits
    7. 7 France 3.1%200 visits
    8. 8 United States of America 3.1%200 visits
    9. 9 Switzerland 1.6%100 visits
    10. 10 Colombia 1.6%100 visits
    11. · 6 other countries 9.4%600 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Bernardo Bellotto

    1. 1 The Ruins of the Old Kreuzkirche in Dresden, 1765 20.9%1,800 visits
    2. 2 Rio dei Mendicanti with the Scuola di San Marco (detail), 1738 4.7%400 visits
    3. 3 The Belvedere from Gesehen, Vienna, 1759 4.7%400 visits
    4. 4 The Marketplace at Pirna, 1760 3.5%300 visits
    5. 5 Die Dominikanerkirche in Wien 3.5%300 visits
    6. 6 View of Dresden from the Right Bank of the Elbe with the Augustus Bridge, 1748 2.3%200 visits
    7. 7 The Piazza della Signoria in Florence, 1740 2.3%200 visits
    8. 8 The Kreuzkirche in Dresden, 1747 2.3%200 visits
    9. 9 Dresden, the Frauenkirche and the Rampische Gasse, 1749 2.3%200 visits
    10. 10 Lagoon landscape, 1741 2.3%200 visits
    11. 11 View of Pirna from the Sonnenstein Castle, 1750 2.3%200 visits
    12. 12 Vienna, Panorama from Palais Kaunitz, 1759 2.3%200 visits
    13. 13 Pirna Seen from the Harbour Town (detail), 1753 2.3%200 visits
    14. 14 The Moat of the Zwinger in Dresden (detail), 1749 2.3%200 visits
    15. 15 Miodowa Street, 1777 2.3%200 visits
    16. 16 Church of the Holy Sacrament in the New Town, 1778 2.3%200 visits
    17. 17 Pirna Seen from the Right Bank of the Elbe, 1750 2.3%200 visits
    18. 18 Visitationist Church in Warsaw, 1780 2.3%200 visits
    19. 19 The Fortress of Königstein, 1756 2.3%200 visits
    20. — Capriccio Padovano, 1740 this painting 0.0%0 visits

    Together these works take 69.5% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 129 works by this artist, of which 45 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Bernardo Bellotto

    Born in Venice, Italy

    early life and training

    bernardo bellotto, a renowned italian painter, was born in venice around 1721/2 or on january 30, 1721. he was the nephew and pupil of the famous giovanni antonio canal canaletto, a prominent figure in the venetian school of painting.

    artistic style and career

    bellotto's artistic style was characterized by his elaborate representation of architectural and natural vistas, as well as the unique quality of each place's lighting. he was known for his exceptional skill in capturing the essence of urban landscapes, which led to his invitation to work for various european monarchs.

    he traveled to rome (1742), northern italy (1744-1745), and later moved to dresden (1747-1758) at the behest of king august iii of poland.

    his works in dresden preserved the city's pre-war beauty, now destroyed.

    he received an invitation from empress maria theresa to work in vienna (1758), where he painted the city's monuments.

    notable works and legacy

    some of bellotto's notable works include:

    view of the grand canal: santa maria della salute and the dogana from campo santa maria zobenigo (1743)

    architectural capriccio with a self-portrait of bellotto in the costume of a venetian nobleman

    his legacy extends beyond his art, as his paintings now serve as a reference for rebuilding cities after destruction.

    museums and collections

    bellotto's works can be found in various museums, including the pinacoteca di vicenza in italy. to explore more of his artwork, visit [https://AllPaintingsStore.com/@/bernardo bellotto](https://AllPaintingsStore.com/@/bernardo bellotto) and discover the world of art.

    references

    /en/art/show/art-d3baj3-en/ [https://www.wikiart.org/en/bernardo-bellotto/](https://www.wikiart.org/en/bernardo-bellotto/) * [https://fr.wikipedia.org/wiki/bernardo_bellotto](https://fr.wikipedia.org/wiki/bernardo_bellotto)

    Museum

    Thyssen-Bornemisza Museum

    On show in Madrid, Spain

    A Legacy of Passion: Unveiling the Thyssen-Bornemisza Museum

    Nestled within the heart of Madrid’s vibrant cultural landscape, alongside the grandeur of the Prado and the revolutionary spirit of the Reina Sofía, lies the Thyssen-Bornemisza National Museum – a truly exceptional institution born from a singular vision. More than simply a collection of masterpieces, it represents a deliberate act of preservation, a passionate defense of European artistic heritage against the tides of exile following World War I, and a testament to the discerning eye of Heinrich Baron Thyssen-Bornemisza. The museum’s story begins not in Spain, but in Lugano, Switzerland, where the Baron embarked on his ambitious quest to assemble a collection that would encompass the entirety of European artistic achievement – a conscious decision to safeguard its legacy within Europe's borders.

    Heinrich Thyssen-Bornemisza, driven by an almost obsessive desire for completeness, tirelessly pursued works spanning centuries and styles. From the Byzantine icons shimmering with otherworldly light, hinting at ancient mysteries, to the bold Surrealist sculptures challenging conventional forms, and crucially, the groundbreaking canvases of Pablo Picasso – his collection became a breathtaking tapestry of artistic expression. The relocation to Madrid in 1943 wasn’t merely a logistical shift; it was a profound statement of commitment, a desire to share this extraordinary inheritance with Spain and foster a deeper appreciation for art on a global scale. This move solidified the museum's place within the “Golden Triangle of Art,” creating a synergistic experience for visitors exploring these three iconic institutions.

    Architectural Harmony: A Palace of Reflection

    The Thyssen-Bornemisza resides within a beautifully restored neoclassical palace, originally designed as a royal residence for Alfonso XIII and his family – a space intended to embody grandeur and inspire artistic contemplation. This building, conceived by Narciso III Ortiz y Montenegro, stands as a harmonious counterpoint to the more modern structures of its neighbors, offering visitors an immediate sense of serenity and beauty. The soaring ceilings, adorned with intricate stucco decorations, and the expansive windows flooding the galleries with natural light create an environment perfectly suited for showcasing the museum’s treasures. The proportions are meticulously considered, reflecting a deep understanding of classical aesthetics – a subtle yet powerful reminder of the enduring influence of artistic tradition. The integration with Parque del Buen Retiro further enhances the experience, providing a tranquil backdrop and panoramic views that complement the art within.

    A Chronological Journey Through European Art

    Visitors embark on a chronological journey through European painting, beginning with early Renaissance works by Duccio and Luca di Tommè – delicate beauty and spiritual depth. The collection then progresses through the vibrant hues of the Italian Primitives: Giotto, Masaccio, Botticelli, and Bellini, offering a profound insight into the foundations of Western art. A significant section is dedicated to Dutch Masters – Rembrandt’s dramatic portraits and self-portraits alongside Vermeer, Hals, and Frans Hals, revealing the nuances of light and color. The Spanish Masters showcase Goya's later works, including his iconic “Saturn” series, providing a glimpse into the artist’s turbulent life and artistic vision. The museum culminates in its impressive holdings of Impressionist and Post-Impressionist art – featuring Monet’s luminous landscapes, Renoir’s intimate portraits, Degas’ captivating dancers, and Van Gogh’s emotionally charged brushstrokes.

    Beyond the Permanent Collection: A Dynamic Experience

    What truly distinguishes the Thyssen-Bornemisza is its remarkable ability to complement and enrich the collections of the Prado and Reina Sofía. While the Prado champions Spanish artistic tradition – showcasing the mastery of Velázquez, Goya, and El Greco – and the Reina Sofía celebrates modern innovation with Picasso’s “Guernica” and Warhol’s vibrant prints, the Thyssen fills historical gaps with an astonishing breadth of European painting. The museum is renowned for its dynamic programming of exhibitions that delve into specific themes and artists, fostering intellectual engagement and broadening perspectives on art history. These temporary exhibits often draw upon international collaborations, ensuring that visitors encounter cutting-edge scholarship and innovative interpretations – a testament to the museum’s commitment to remaining relevant in an ever-evolving cultural landscape. Notably, the ongoing loan of Carmen Cervera’s personal collection further expands the museum's offerings, guaranteeing its continued appeal for generations to come.

    Highlights & Artistic Treasures

    Early Renaissance:

    A stunning array of works by Duccio, Fra Angelico, and Piero della Francesca, showcasing the delicate beauty and spiritual depth of this era.

    Italian Primitives:

    Masterpieces by Giotto, Masaccio, Botticelli, and Bellini, offering a profound insight into the foundations of Western art.

    Dutch Masters:

    Rembrandt’s dramatic portraits and self-portraits, alongside works by Vermeer, Hals, and Frans Hals, revealing the nuances of light and color.

    Spanish Masters:

    A significant collection of Goya's later works, including his iconic “Saturn” series, providing a glimpse into the artist’s turbulent life and artistic vision.

    Impressionist & Post-Impressionist:

    Featuring Monet’s luminous landscapes, Renoir’s intimate portraits, Degas’ captivating dancers, and Van Gogh’s emotionally charged brushstrokes – showcasing the revolutionary techniques and emotional intensity of these movements.

    The Thyssen-Bornemisza Museum stands as a vibrant testament to the power of art and the enduring legacy of one man's passionate pursuit of beauty.

    Where to read more

    Find this online

    QR code linking to the download page for Capriccio Padovano

    originaluniqueart.com/en/art/download/bernardo-bellotto-capriccio-padovano-8BWNK8-en/

    Cite this artwork

    MLA
    Bellotto, Bernardo. Capriccio Padovano. 1740, Thyssen-Bornemisza Museum. https://originaluniqueart.com/en/art/bernardo-bellotto-capriccio-padovano-8BWNK8-en/
    APA
    Bellotto, Bernardo (1740). Capriccio Padovano [Painting]. Thyssen-Bornemisza Museum. https://originaluniqueart.com/en/art/bernardo-bellotto-capriccio-padovano-8BWNK8-en/
    Chicago
    Bernardo Bellotto. Capriccio Padovano. 1740. Thyssen-Bornemisza Museum. https://originaluniqueart.com/en/art/bernardo-bellotto-capriccio-padovano-8BWNK8-en/
    Harvard
    Bellotto, Bernardo (1740) Capriccio Padovano. Thyssen-Bornemisza Museum. Available at: https://originaluniqueart.com/en/art/bernardo-bellotto-capriccio-padovano-8BWNK8-en/

    Look closely

    Capriccio Padovano — Bernardo Bellotto

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at The Ruins of the Old Kreuzkirche in Dresden (1765), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Bernardo Bellotto was about 19 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Capriccio Padovano" free of copyright?

    Regarding copyright, "Capriccio Padovano" is in the public domain - its copyright has expired.

    How is "Capriccio Padovano" by Bernardo Bellotto proportioned, and how big is it?

    "Capriccio Padovano" by Bernardo Bellotto is a landscape composition measuring 49 x 73 cm in the original.

    Toward which tone does "Capriccio Padovano" lean?

    The dominant hue of "Capriccio Padovano" by Bernardo Bellotto is green to violet spectrum. The hue is the underlying tone of the palette.