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Student Artwork Guide

Study of Trees

Name Class Date

Bernard Meninsky, Study of Trees (1924), Somerville College. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Bernard Meninsky originaluniqueart.com/en/artists/bernard-meninsky/
Artist’s dates
1891 – 1950
Painted
1924
Original size
49 x 60 cm
Held at
Somerville College originaluniqueart.com/en/museums/somerville-college-oxford/

In context

Study of Trees — Bernard Meninsky

How big is it?

The original measures 49 × 60 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 59 at death.

Painted when the artist was 33. The artist lived to 59. 19 of the 43 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Bernard Meninsky (1891–1950) ▲ this work, 1924 every dated painting, decade by decade

First works: up to 1919 Main working years: 1919–1934 Late works: from 1934

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/bernard-meninsky-study-of-trees-AQULMX-en/

Colours

Measured from the image

    Main colour

    Espresso #383d2f

    Catalogued palette

    • #383D2F
    • #C0C7C1
    • #959862
    • #646C44

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Bernard Meninsky over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 88.2%
    2. 2 Netherlands 5.9%
    3. 3 United States of America 5.9%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 14 most looked-at works by Bernard Meninsky

    1. 1 Figures in a Landscape 11.8%
    2. 2 Sleeping Woman in a Landscape, 1945 11.8%
    3. 3 On the Departure Platform, Victoria Station, 1918 11.8%
    4. 4 Two Women and Child, 1913 5.9%
    5. 5 Still Life with Yellow Bowl and Fruit, 1920 5.9%
    6. 6 Portrait of a Young Jewess, 1928 5.9%
    7. 7 Landscape, 1923 5.9%
    8. 8 Study of Trees, 1924 this painting 5.9%
    9. 9 Mother and Child, 1919 5.9%
    10. 10 Portrait of a Girl (The Artist's Sister), 1919 5.9%
    11. 11 The Arrival, 1918 5.9%
    12. 12 Landscape 5.9%
    13. 13 Figure in a Landscape, 1948 5.9%
    14. 14 Toddler, 1938 5.9%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 61 works by this artist, of which 14 were looked at at least once. This painting ranks 8 of them, with 5.9% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Study of Trees — Bernard Meninsky

    The painting "Study of Trees" by Bernard Meninsky is a stunning representation of nature's beauty, showcasing the artist's skill in capturing the essence of the natural world. Created in 1924, this oil on canvas piece measures 49 x 60 cm and is currently located at Somerville College in Oxford, United Kingdom.

    A Closer Look at the Painting

    The painting features a serene forest scene, with tall trees and lush greenery dominating the landscape. A bench situated near the center of the image adds an element of tranquility to the scene, inviting the viewer to step into the peaceful atmosphere. The use of oil on canvas allows for a depth and richness of color that draws the viewer in.

    Other Notable Works by Bernard Meninsky

    In addition to "Study of Trees", Bernard Meninsky has created other notable works, including Trees and Beech Trees, both of which can be found at Somerville College. These paintings showcase the artist's ability to capture the beauty of nature in a variety of settings.

    Study of Trees by Bernard Meninsky

    Trees by Bernard Meninsky

    Beech Trees by Bernard Meninsky

    Handmade oil painting reproductions of "Study of Trees" and other works by Bernard Meninsky can be found on AllPaintingsStore.com, allowing art lovers to bring a piece of natural beauty into their own homes.

    For more information on the artworks of Lady Margaret Hall, Oxford, United Kingdom, visit Discovering the Artworks of Lady Margaret Hall, Oxford, United Kingdom.

    Artist and museum

    Artist

    Bernard Meninsky

    Bernard Meninsky: A Life Painted in Shadows and Light

    Born in Konotop, Ukraine – a place steeped in both Ukrainian and Yiddish heritage – Bernard Meninsky’s artistic journey began far from the bustling art centers of London. His early life, marked by a swift move to Liverpool with his family, laid the foundation for an artist deeply attuned to human emotion and the quiet dignity of everyday moments. Despite leaving formal education at eleven, a remarkable talent for drawing quickly surfaced, leading to scholarships that propelled him towards the prestigious Slade School of Fine Art in 1912. This pivotal period wasn’t merely about technical training; it was a transformative immersion into the burgeoning world of modern art, profoundly influenced by figures like Walter Sickert and Henry Tonks, while simultaneously challenging the established norms championed by Roger Fry.

    The Slade's rejection of avant-garde movements – particularly Cubism – shaped Meninsky’s approach. He didn’t immediately embrace radical experimentation but instead developed a distinctive style characterized by evocative figures, poignant landscapes, and above all, his deeply moving ‘Mother and Child’ scenes. These works, imbued with a sense of melancholy and quiet strength, became the hallmark of his oeuvre. His time at the school fostered connections that would prove invaluable throughout his career, including a lifelong friendship with William Roberts and mentorship from Walter Sickert, who provided a crucial platform for his work.

    The War Artist’s Eye

    World War I irrevocably altered Meninsky's trajectory. Enlisting in the Royal Fusiliers in 1918, he transitioned into a war artist under the British War Memorials Committee, documenting the realities of conflict with unflinching honesty and sensitivity. His wartime paintings – particularly ‘The Arrival of a Leave Train, Victoria Station’ – offer a powerful glimpse into the lives of returning soldiers, capturing their weariness, longing, and quiet resilience. These works weren't simply depictions of battle; they were intimate portraits of human experience amidst devastation. Meninsky’s commitment to this role extended beyond mere observation; he sought to convey the emotional weight of the war, reflecting a profound empathy for those affected by it.

    Following the war, Meninsky continued his teaching career at the Central School of Arts and Crafts, nurturing a new generation of artists. His dedication to instruction was matched by an unwavering belief in the power of art to illuminate the human condition. His work during this period reflected a shift towards greater introspection, with a focus on domestic scenes and familial relationships – particularly his celebrated ‘Mother and Child’ series. These paintings, rendered in muted tones and imbued with a sense of quiet intimacy, became increasingly central to his artistic identity.

    Style and Influences

    Meninsky's style is often described as Post-Impressionist, yet he developed a unique voice that transcended simple categorization. He absorbed the bold colors and expressive brushwork of artists like Cézanne and Van Gogh, but tempered them with a distinctly British sensibility. His landscapes are characterized by atmospheric perspective and a subtle use of color, while his figures possess a remarkable sense of realism combined with emotional depth. The influence of Walter Sickert is particularly evident in Meninsky’s use of light and shadow, as well as his ability to capture the mood and atmosphere of a scene.

    The impact of his wartime experiences undoubtedly shaped his artistic vision. The trauma of war instilled in him a deep appreciation for the fragility of life and the importance of human connection. This sensitivity is powerfully conveyed in his ‘Mother and Child’ paintings, which are not merely sentimental depictions but rather profound meditations on motherhood, loss, and hope. His work stands as a testament to the enduring power of art to bear witness to history and explore the complexities of the human spirit.

    Legacy and Continuing Relevance

    Bernard Meninsky's legacy extends beyond his individual paintings. He was a significant figure in the London Group and contributed to the development of British modernism. His work continues to resonate with viewers today, offering a poignant reminder of the enduring power of art to capture the human experience. The Imperial War Museum holds a substantial collection of his wartime works, ensuring that his powerful depictions of conflict will continue to be studied and appreciated for generations to come. His dedication to teaching also left an indelible mark on the artistic landscape of Britain, shaping the careers of countless aspiring artists.

    Museum

    Somerville College

    On show in Oxford, United Kingdom

    A Sanctuary of Intellectual Elegance: The Soul of Somerville College

    Nestled within the historic Radcliffe Observatory Quarter of Oxford,

    Somerville College

    stands as far more than a mere academic institution; it is a living testament to the transformative power of liberal ideals and the enduring pursuit of beauty. To wander through its grounds is to step into a narrative of defiance and grace, where the very stones seem to whisper tales of the pioneers who sought to dismantle the barriers of gender and creed. Born from a fervent vision of social justice, Somerville was established by thinkers like George Granville Bradley and T. H. Green to provide a sanctuary for women’s intellect at a time when the gates of higher learning were largely barred to them. This spirit of breaking boundaries remains woven into the college's fabric, creating an atmosphere where scholarly rigor meets an unapologetic embrace of artistic expression.

    The college’s art collection serves as a breathtaking window into the evolution of European aesthetic thought, offering a curated journey through centuries of mastery. For the discerning collector or lover of fine art, the holdings present a remarkable dialogue between different eras and techniques. One might find themselves captivated by the nuanced psychological depth in

    Thomas Ryder I's

    depiction of Sir Joseph Banks, where scientific observation meets the delicate touch of portraiture. The collection transitions seamlessly from the refined elegance of the Rococo to the luminous, fleeting moments of the Impressionist movement. In the soft, emotive light of Édoular Manet’s

    Portrait of Mademoiselle Isabelle Lemonnier

    , one perceives the profound shift toward capturing inner character through color and atmosphere. This sensory experience is further enriched by the vibrant, sun-drenched vitality of Pierre-Auguste Renoir’s

    Apples and Mandarins

    , a work that brings a serene, organic beauty to the college's halls.

    Architectural Harmony and Historical Legacy

    Architecturally, Somerville College embodies a harmonious fusion of Victorian grandeur and modern innovation. The central campus, anchored by the stately 1880 edifice on Woodstock Road, reflects an evolution from a modest hall for twelve students to a sprawling, sophisticated estate. This architectural journey mirrors the college's own growth—a steady expansion fueled by a legacy of generosity and a commitment to excellence. For interior designers and enthusiasts of historic spaces, the interplay between the heavy, traditional masonry and the light-filled, contemporary additions offers endless inspiration.

    Beyond its physical structures, the college is defined by its profound historical impact and its role as a cultural ecosystem. The campus is not merely a collection of buildings but a curated environment where the tranquility of nature meets the structured beauty of Oxford’s academic tradition. Notable elements that define this unique space include:

    The Spirit of Inclusion:

    A legacy of social liberalism, being one of the first non-denominational colleges for women in Oxford.

    A Landscape of Contemplation:

    Meticulously landscaped gardens that provide a serene backdrop to academic life.

    Artistic Landmarks:

    Significant works such as Sir Frederic Lord Leighton's

    Ruined Moorish Arch at Ronda, Spain

    , which brings a sense of romantic decay and timeless beauty to the collection.

    Intellectual Strength:

    A community that has fostered world-changing figures, from Nobel Prize-winning scientists like Dorothy Hodgkin to political leaders.

    Whether through the quiet contemplation offered by its lush gardens or the spirited energy of its annual Arts Week, Somerville continues to foster a unique environment, inviting all who enter to participate in its ongoing story of creativity, inclusivity, and intellectual triumph.

    Where to read more

    • The artist Bernard Meninsky originaluniqueart.com/en/artists/bernard-meninsky/
    • The museum Somerville College originaluniqueart.com/en/museums/somerville-college-oxford/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/bernard-meninsky-study-of-trees-AQULMX-en/

    Find this online

    QR code linking to the download page for Study of Trees

    originaluniqueart.com/en/art/download/bernard-meninsky-study-of-trees-AQULMX-en/

    Cite this artwork

    MLA
    Meninsky, Bernard. Study of Trees. 1924, Somerville College. https://originaluniqueart.com/en/art/bernard-meninsky-study-of-trees-AQULMX-en/
    APA
    Meninsky, Bernard (1924). Study of Trees [Painting]. Somerville College. https://originaluniqueart.com/en/art/bernard-meninsky-study-of-trees-AQULMX-en/
    Chicago
    Bernard Meninsky. Study of Trees. 1924. Somerville College. https://originaluniqueart.com/en/art/bernard-meninsky-study-of-trees-AQULMX-en/
    Harvard
    Meninsky, Bernard (1924) Study of Trees. Somerville College. Available at: https://originaluniqueart.com/en/art/bernard-meninsky-study-of-trees-AQULMX-en/

    Look closely

    Study of Trees — Bernard Meninsky

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at The Red Hat (Margaret Meninsky) (1919), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Bernard Meninsky was about 33 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Does "Study of Trees" have an augmented reality preview?

    "Study of Trees" by Bernard Meninsky can be previewed on your own wall with the artwork's AR Preview page, using augmented reality on a compatible device.

    What color harmony does "Study of Trees" by Bernard Meninsky display?

    "Study of Trees" by Bernard Meninsky displays a strong color unity color harmony.

    How big is the original "Study of Trees"?

    "Study of Trees" measures 49 x 60 cm in its original form. Original dimensions are a useful reference when choosing a reproduction size.