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Student Artwork Guide

Soap Bubbles

Name Class Date

Berenice Abbott, Soap Bubbles (1946). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Berenice Abbott originaluniqueart.com/en/artists/berenice-abbott/
Artist’s dates
1898 – 1991
Painted
1946
Original size
27 x 34 cm

In context

Soap Bubbles — Berenice Abbott

How big is it?

The original measures 27 × 34 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980
  11. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 93 at death.

Painted when the artist was 48. The artist lived to 93. 66 of the 73 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Berenice Abbott (1898–1991) ▲ this work, 1946 every dated painting, decade by decade

First works: up to 1936 Main working years: 1936–1937 Late works: from 1937

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/berenice-abbott-soap-bubbles-AQRW42-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #9d9c95

    Catalogued palette

    • #9D9C95
    • #CACAC3
    • #3F3F39
    • #6C6B64

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Berenice Abbott over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 94.4%
    2. 2 United States of America 5.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 19 most looked-at works by Berenice Abbott

    1. 1 Fifth Avenue, Nos. 4, 6, 8, Manhattan, 1936 9.5%
    2. 2 Normandie, North River, Manhattan, from Pier 88, 1938 9.5%
    3. 3 Sutton Place, Anne Morgan's Townhouse on Corner, Northeast Corner of East 57th Street, Manhattan, 1936 4.8%
    4. 4 El Second and Third Avenue Lines Bowery and Division Street, Manhattan, 1936 4.8%
    5. 5 Washington Street no. 37 Manhattan, 1936 4.8%
    6. 6 Brooklyn Bridge, Water and Dock Streets, Brooklyn, 1936 4.8%
    7. 7 MacDougal Alley, between 8th Street and Washington Sq. North, 1936 4.8%
    8. 8 Daily News Building, 1935 4.8%
    9. 9 Muller's Antique Shop, Greenwich Avenue and West 10th Street, 1948 4.8%
    10. 10 El Station: Sixth Avenue Lines, Downtown Side, 72nd Street and Columbus Avenue, 1976 4.8%
    11. 11 Washington Square North, nos. 21 25, Manhattan, 1936 4.8%
    12. 12 Hardware Store, 316 318 Bowery, Manhattan, 1938 4.8%
    13. 13 Snuff Shop, 113 Division Street, New York, 1938 4.8%
    14. 14 27th Avenue, no. 1422, Astoria, 1937 4.8%
    15. 15 Canyon Broadway and Exchange Place, Manhattan, 1936 4.8%
    16. 16 Trucks, West and Debrosses Street, Manhattan, 1936 4.8%
    17. 17 Financial District Rooftops I, Manhattan, 1938 4.8%
    18. 18 Jacob Heymann Butcher Shop, New York City, 1938 4.8%
    19. 19 Soap Bubbles, 1946 this painting 4.8%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 75 works by this artist, of which 19 were looked at at least once. This painting ranks 19 of them, with 4.8% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Berenice Abbott

    Born in Springfield, United States of America

    Early Life and Artistic Foundations

    Berenice Abbott, born Berenice Alice Abbott on July 17, 1898, in Springfield, Ohio, embarked on a journey that would establish her as a pioneering figure in American photography. Her early life was marked by a restless spirit and a burgeoning artistic sensibility. After briefly attending The Ohio State University in 1918, she gravitated towards the vibrant energy of New York City, seeking to hone her skills in sculpture and painting. This period laid the groundwork for her future endeavors, introducing her to the avant-garde circles that would profoundly shape her aesthetic vision. Connections forged with influential figures like Marcel Duchamp and Man Ray proved pivotal, opening doors to a world of artistic experimentation and challenging conventional norms. It was an environment ripe with possibility, fostering a spirit of innovation that would come to define Abbott’s own unique approach to visual expression.

    Parisian Awakening and Photographic Development

    A transformative chapter in Abbott's life began in 1921 when she journeyed to Paris. This move proved instrumental in her artistic evolution, leading to an apprenticeship with the renowned photographer Man Ray. Working alongside him, she immersed herself in the intricacies of darkroom techniques and photographic processes, gaining invaluable experience that would become the cornerstone of her practice. It was during this period that Abbott’s distinctive style began to emerge, characterized by a keen eye for detail and a commitment to capturing the essence of her subjects. Her work quickly gained recognition, culminating in an exhibition at Le Sacre du Printemps gallery in 1926, where she showcased portraits of prominent artists and literary figures, including James Joyce and Eugène Atget. Further studies in Berlin refined her skills before returning to Paris and establishing a second studio on the rue Servandoni, solidifying her position within the European artistic landscape.

    Documenting a Changing City: New York Transformed

    In 1929, Abbott returned to New York City with a dual purpose: to champion the work of Eugène Atget and to document the rapidly changing urban environment that captivated her imagination. Recognizing the city’s photographic potential, she embarked on an ambitious project to capture its architecture and evolving character. Supported by the Works Progress Administration (WPA), this undertaking resulted in “Changing New York,” a comprehensive collection that stands as a landmark achievement in documentary photography. Abbott meticulously documented the city's transformation, contrasting old and new structures, capturing bustling street scenes, and revealing the dynamic energy of a metropolis in constant flux. Her photographs weren’t merely records; they were insightful observations about urban life, progress, and the passage of time. This project cemented her reputation as a visionary artist with a unique ability to capture the spirit of a place.

    Legacy and Enduring Influence

    Berenice Abbott's legacy extends far beyond her stunning photographs. She is celebrated for pioneering documentary photography, demonstrating an unparalleled ability to convey the essence of urban life through her lens. Her portraits offer intimate glimpses into the lives of influential cultural figures, while her New York City photographs serve as a valuable historical record of the city’s evolution. Crucially, Abbott played a vital role in preserving and promoting the work of Eugène Atget, bringing his artistry to wider recognition and ensuring his place in photographic history. Beyond her artistic practice, she contributed significantly to the field through her writings and illustrations on photographic techniques, furthering its development as an art form. Her photographs are now held in prestigious collections worldwide, including the Smithsonian American Art Museum and the Philadelphia Museum of Art, a testament to their enduring power and significance. Abbott’s influence continues to inspire photographers today, reminding us of the profound ability of the camera to document, interpret, and celebrate the world around us.

    Key Influences and Artistic Style

    Several key influences shaped Berenice Abbott's artistic vision. Her apprenticeship with Man Ray was foundational, exposing her to avant-garde techniques and introducing her to a network of influential artists. The rediscovery and promotion of Eugène Atget’s work profoundly impacted her approach to documentary photography, inspiring her meticulous documentation of urban environments. Abbott's photographs often reflect the aesthetic sensibilities of the Art Deco Movement, characterized by geometric forms and a sense of modernity. Her style aligned with the principles of “straight photography,” emphasizing sharp focus and unmanipulated images to present a realistic depiction of her subjects, devoid of artificiality or romanticism. This commitment to clarity and authenticity became a hallmark of her work, allowing viewers to connect directly with the scenes she captured and appreciate the beauty inherent in everyday life.

    Where to read more

    • The artist Berenice Abbott originaluniqueart.com/en/artists/berenice-abbott/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/berenice-abbott-soap-bubbles-AQRW42-en/

    Find this online

    QR code linking to the download page for Soap Bubbles

    originaluniqueart.com/en/art/download/berenice-abbott-soap-bubbles-AQRW42-en/

    Cite this artwork

    MLA
    Abbott, Berenice. Soap Bubbles. 1946, https://originaluniqueart.com/en/art/berenice-abbott-soap-bubbles-AQRW42-en/
    APA
    Abbott, Berenice (1946). Soap Bubbles [Painting]. https://originaluniqueart.com/en/art/berenice-abbott-soap-bubbles-AQRW42-en/
    Chicago
    Berenice Abbott. Soap Bubbles. 1946. https://originaluniqueart.com/en/art/berenice-abbott-soap-bubbles-AQRW42-en/
    Harvard
    Abbott, Berenice (1946) Soap Bubbles. Available at: https://originaluniqueart.com/en/art/berenice-abbott-soap-bubbles-AQRW42-en/

    Look closely

    Soap Bubbles — Berenice Abbott

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Zito (1937), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Berenice Abbott was about 48 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What explains the copyright situation of "Soap Bubbles" by Berenice Abbott?

    The copyright status of "Soap Bubbles" - still protected by copyright - follows from the artist's death in 1991.

    What other names is Berenice Abbott known by?

    Berenice Abbott is also known as Berenice Alice Abbott.

    How is "Soap Bubbles" by Berenice Abbott proportioned, and how big is it?

    The format of "Soap Bubbles" is landscape, and the original measures 27 x 34 cm. Both are useful when planning a reproduction.