Paper

Student Artwork Guide

Symbols Study #2

Name Class Date

Benny Andrews, Symbols Study #2 (1970). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Benny Andrews originaluniqueart.com/en/artists/benny-andrews/
Artist’s dates
1930 – 2006
Painted
1970
Original size
53 x 52 cm
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.

In context

Symbols Study #2 — Benny Andrews

How big is it?

The original measures 53 × 52 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000

Shaded: the lifetime of Benny Andrews (1930–2006) ▲ this work, 1970

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/benny-andrews-symbols-study-2-D7BH99-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #a58886

    Catalogued palette

    • #A58886
    • #27262E
    • #D0CECC
    • #7E4A49
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Benny Andrews

    Born in Plainview, United States of America

    Benny Andrews: Life & Legacy

    Early Life and Education

    Born: November 13, 1930, in Plainview, Georgia.

    Andrews grew up in a large family of ten children. His mother, Viola, instilled the importance of education, religion, and freedom of expression.

    Early Influences: His father, George Andrews, was a self-taught artist known locally as the “Dot Man,” who sparked Benny’s initial interest in art.

    He attended Fort Valley College on a two-year scholarship but left due to financial constraints and academic struggles.

    Andrews served in the U.S. Air Force from 1950 before pursuing formal artistic training.

    Artistic Development & Career

    Andrews received his BFA from the School of the Art Institute of Chicago.

    He held his first solo exhibition in New York City in 1962, marking a significant step in his career.

    From 1968 to 1997, Andrews dedicated himself to teaching at Queens College, City University of New York.

    Prison Arts Program: He founded and directed a groundbreaking prison arts program that became a national model for rehabilitation through artistic expression.

    His work evolved into an expressive style characterized by bold colors and forms used to convey powerful emotions and social commentary.

    Themes & Influences

    Key Themes: Andrews’ art frequently addressed themes of suffering, injustice, racial inequality, and the African American experience.

    His work often served as a visual protest against social and political issues of his time.

    He drew inspiration from personal experiences, observations of everyday life, and historical events.

    Artistic Influences: While developing his unique style, Andrews was influenced by various artistic movements, including Expressionism and Social Realism.

    Notable Works

    Confrontation 2 (John Lewis Series): A powerful painting reflecting on the Civil Rights Movement and the struggles for equality.

    No More Games: A work that confronts issues of social injustice and inequality with raw emotion.

    Death of the Crow (1965): An early example of his expressive style, rendered in black and white oil on canvas.

    Legacy & Historical Significance

    Benny Andrews’ work is featured in museum collections such as the Museum Collection Hugo Fischer (Bühl, Germany) and the Ogden Museum of Southern Art in New Orleans.

    Impact on Arts Education: His prison arts program demonstrated the transformative power of art for individuals facing incarceration.

    Andrews’ artistic contributions helped to raise awareness about social issues and promote dialogue around race, inequality, and justice.

    He passed away on November 10, 2006, leaving behind a lasting legacy as an artist, educator, and advocate for social change.

    Where to read more

    • The artist Benny Andrews originaluniqueart.com/en/artists/benny-andrews/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/benny-andrews-symbols-study-2-D7BH99-en/

    Find this online

    QR code linking to the download page for Symbols Study #2

    originaluniqueart.com/en/art/download/benny-andrews-symbols-study-2-D7BH99-en/

    Cite this artwork

    MLA
    Andrews, Benny. Symbols Study #2. 1970, https://originaluniqueart.com/en/art/benny-andrews-symbols-study-2-D7BH99-en/
    APA
    Andrews, Benny (1970). Symbols Study #2 [Painting]. https://originaluniqueart.com/en/art/benny-andrews-symbols-study-2-D7BH99-en/
    Chicago
    Benny Andrews. Symbols Study #2. 1970. https://originaluniqueart.com/en/art/benny-andrews-symbols-study-2-D7BH99-en/
    Harvard
    Andrews, Benny (1970) Symbols Study #2. Available at: https://originaluniqueart.com/en/art/benny-andrews-symbols-study-2-D7BH99-en/

    Look closely

    Symbols Study #2 — Benny Andrews

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at John Lewis Speaking at the March on Washington (John Lewis Series) (2005), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Where can you see that in this work?
    5. Benny Andrews was about 40 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.