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Student Artwork Guide

Canto XIV

Name Class Date

Barnett Newman, Canto XIV (1964). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Barnett Newman originaluniqueart.com/en/artists/barnett-newman/
Artist’s dates
1905 – 1970
Painted
1964
Movement
Color Field Huge areas of flat, soft colour meant to be felt rather than read as a picture of anything.

In context

Canto XIV — Barnett Newman

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 65 at death.

Painted when the artist was 59. The artist lived to 65. 28 of the 55 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Barnett Newman (1905–1970) ▲ this work, 1964 every dated painting, decade by decade

First works: up to 1950 Main working years: 1950–1965 Late works: from 1965

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

  • Black Fire I, 1963 originaluniqueart.com/en/art/barnett-newman-black-fire-i-8XXPNS-en/
  • Prometheus Bound originaluniqueart.com/en/art/barnett-newman-prometheus-bound-D3YGEL-en/
  • Onement I, 1948 originaluniqueart.com/en/art/barnett-newman-onement-i-D3JBV3-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/barnett-newman-canto-xiv-8XXPPD-en/

Colours

Measured from the image

    Main colour

    Brown #8a0227

    Catalogued palette

    • #8A0227
    • #EBEAE4
    • #781624
    • #B5777A

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Barnett Newman over the last twelve months — 10 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.0%2,500 visits
    2. 2 United States of America 18.0%900 visits
    3. 3 France 10.0%500 visits
    4. 4 United Kingdom 6.0%300 visits
    5. 5 Belgium 4.0%200 visits
    6. 6 Sweden 4.0%200 visits
    7. 7 Chile 2.0%100 visits
    8. 8 Germany 2.0%100 visits
    9. 9 Mexico 2.0%100 visits
    10. 10 Malaysia 2.0%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Barnett Newman

    1. 1 Vir Heroicus Sublimis, 1950 22.2%2,200 visits
    2. 2 Prometheus Bound 16.2%1,600 visits
    3. 3 Black Fire I, 1963 12.1%1,200 visits
    4. 4 Onement I, 1948 8.1%800 visits
    5. 5 Dionysius, 1949 5.1%500 visits
    6. 6 Canto VII, 1963 4.0%400 visits
    7. 7 Be I, 1970 2.0%200 visits
    8. 8 Voice of Fire, 1967 2.0%200 visits
    9. 9 The Song of Orpheus, 1944 2.0%200 visits
    10. 10 Canto XIV, 1964 this painting 2.0%200 visits
    11. 11 Jericho, 1969 2.0%200 visits
    12. 12 Seventh Station, 1964 2.0%200 visits
    13. 13 Broken Obelisk, 1969 2.0%200 visits
    14. 14 Canto XII, 1964 2.0%200 visits
    15. 15 Onement I 2.0%200 visits
    16. 16 Untitled, 1946 2.0%200 visits
    17. 17 Be I, 1970 2.0%200 visits
    18. 18 Who’s Afraid of Red, Yellow and Blue II 1.0%100 visits
    19. 19 Onement, III, 1949 1.0%100 visits
    20. 20 Canto XV, 1964 1.0%100 visits

    Together these works take 92.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 60 works by this artist, of which 27 were looked at at least once. This painting ranks 10 of them, with 2.0% of that attention (200 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Barnett Newman

    Born in New York City, United States of America

    A Pioneer of Abstract Expressionism: The Life and Art of Barnett Newman

    Barnett Newman, born in 1905 in New York City to Jewish immigrant parents from Poland, emerged as a pivotal figure in the landscape of American art. His journey wasn’t one of immediate recognition but rather a slow burn of artistic exploration and philosophical inquiry that ultimately redefined the possibilities of abstract painting. Initially studying at the Art Students League and later at the City College of New York, Newman absorbed the influences of his time – the burgeoning Cubism of Picasso and the vibrant color palettes of Matisse were early touchstones. However, he soon felt constrained by these established modes of representation, sensing a need to forge a new visual language capable of expressing the anxieties and spiritual longings of the post-war era. He even destroyed much of his earlier representational work, a deliberate act signifying his commitment to an entirely new artistic path. This period of self-imposed creative destruction was crucial; it cleared the ground for the radical simplicity that would come to define his mature style.

    The Birth of the “Zip” and the Expansion of Color

    Newman’s breakthrough arrived with the development of what he famously termed "zips"—vertical bands of color that bisect vast fields of monochrome hues. These weren't merely lines; they were dynamic forces, asserting presence within the expansive emptiness of the canvas. His first solo exhibition in 1943 at Betty Parsons Gallery marked a significant step, though initial reactions were mixed. It was with works like Onement VI (1950-51) that Newman truly established his signature aesthetic. The painting’s sheer scale and austere composition—a single red zip dividing the canvas into fields of orange and red—were revolutionary. Vir Heroicus Sublimis (1958-60), a monumental work, further solidified this approach, its multiple zips creating a sense of spatial depth and evoking feelings of awe and contemplation. The “zip” wasn’t simply an aesthetic device; it was a structural element that simultaneously divided and unified the canvas, acting as a symbolic marker of human presence within the infinite. Newman's work also included pieces like "Rothko by Newman", showcasing his unique style in relation to another key figure in Abstract Expressionism.

    Spirituality, The Sublime, and Philosophical Underpinnings

    Beyond mere aesthetics, Newman’s art was deeply rooted in philosophical and spiritual concerns. He rejected the notion that painting should merely depict the external world, believing instead that it could serve as a vehicle for exploring profound existential questions. He sought to capture what he called “the sublime”—an experience of overwhelming grandeur and transcendence—through his abstract forms. This wasn’t about religious iconography but rather an attempt to evoke a primal sense of awe and wonder in the viewer. Newman was profoundly affected by the horrors of World War II and the dawn of the nuclear age, believing that traditional artistic conventions were inadequate for expressing the anxieties and moral complexities of this new era. His paintings became arenas for confronting these issues, offering not answers but rather spaces for contemplation and emotional resonance. He saw his work as a rejection of societal norms and an affirmation of individual freedom, striving to create art that was both intellectually rigorous and emotionally powerful.

    Legacy and Influence on Modern Art

    Barnett Newman’s impact on the development of Abstract Expressionism—alongside contemporaries like Mark Rothko and Jackson Pollock—is undeniable. He wasn't simply a painter; he was a theorist, a writer, and an advocate for a new kind of art that prioritized emotional truth over representational accuracy. His innovative use of color and form profoundly influenced subsequent generations of artists, particularly those working in Color Field painting and Minimalism. Artists who followed found inspiration in his reductionist approach and his emphasis on the experiential qualities of art. Today, Newman’s work is held in major museums worldwide, including the Museum of Modern Art in New York and the National Gallery of Art in Washington, D.C., cementing his place as a central figure in 20th-century art history. His paintings continue to challenge and inspire viewers, inviting them to engage with fundamental questions about human existence, spirituality, and the power of abstract form.

    Further Exploration

    Key Themes: Spirituality, The Sublime, Human Existence, Post-War Anxiety.

    Influences: Henri Matisse, Pablo Picasso, Cubism, Surrealism.

    Notable Works: Onement VI, Vir Heroicus Sublimis, “Rothko by Newman”, The Song of Orpheus.

    Artistic Style: Abstract Expressionism, Color Field Painting, characterized by large fields of color and vertical "zips".

    Where to read more

    • The artist Barnett Newman originaluniqueart.com/en/artists/barnett-newman/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/barnett-newman-canto-xiv-8XXPPD-en/

    Find this online

    QR code linking to the download page for Canto XIV

    originaluniqueart.com/en/art/download/barnett-newman-canto-xiv-8XXPPD-en/

    Cite this artwork

    MLA
    Newman, Barnett. Canto XIV. 1964, https://originaluniqueart.com/en/art/barnett-newman-canto-xiv-8XXPPD-en/
    APA
    Newman, Barnett (1964). Canto XIV [Painting]. https://originaluniqueart.com/en/art/barnett-newman-canto-xiv-8XXPPD-en/
    Chicago
    Barnett Newman. Canto XIV. 1964. https://originaluniqueart.com/en/art/barnett-newman-canto-xiv-8XXPPD-en/
    Harvard
    Newman, Barnett (1964) Canto XIV. Available at: https://originaluniqueart.com/en/art/barnett-newman-canto-xiv-8XXPPD-en/

    Look closely

    Canto XIV — Barnett Newman

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Black Fire I (1963), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Color Field: Huge areas of flat, soft colour meant to be felt rather than read as a picture of anything. Where can you see that in this work?
    5. Barnett Newman was about 59 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Toward which tone does "Canto XIV" lean?

    "Canto XIV" leans toward a warm sunset tones tone.

    Is "Canto XIV" free of copyright?

    Regarding copyright, "Canto XIV" is still protected by copyright.

    Who is the artist behind "Canto XIV"?

    "Canto XIV" was created by Barnett Newman. The information on this page describes Barnett Newman's original work.